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Collins’ Model</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/A-Conceptual-History-of-Muhandis.pdf\">تاریخ مفهومیِ مهندس در نیمۀ نخست دورۀ قاجاریان/ A Conceptual History of Muhandis in the First Half of the Qajar Period</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Idea-of-Non-Historical-Essence-of-Islamic-Architecture-of-Iran.pdf\">اندیشۀ ذاتِ ناتاریخیِ معماری اسلامی ایران: نقد دو دیدگاه، حالِ وحدت و خشت و خیال/ The Idea of Non-Historical Essence of Islamic Architecture of Iran: a Critique on Two Viewpoints (the Sense of Unity and Khisht-u Khiyāl)</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Concept-of-Architectural-Criticism-Its-History-and-Types.pdf\">مفهوم نقد معماری: سیر تاریخی و گونهها/ The Concept of Architectural Criticism: Its History and Types</a>\n\n<a href=\"http://علم عقود ابنیه: کلیدی برای فهم نسبت علم و معماری در جهان اسلام/ \'Ilm al-\'Uqud: A Key to Understanding the Relations between the Sciences and Architecture in the Islamic World\">علم عقود ابنیه: کلیدی برای فهم نسبت علم و معماری در جهان اسلام/ \'Ilm al-\'Uqud: A Key to Understanding the Relations between the Sciences and Architecture in the Islamic World</a>\n\n<span style=\"font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\">دو سند دربارۀ معماری حمامهای روستایی استرآباد/ Two Documents Related to the Architecture of Estarabad Village Baths</a></span>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان/ The Architecture of Dār al-Funūn School and Its Changes in Qajar Period</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی/ The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\">تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی (دانشگاه ملی ایران): مرحلۀ تکوین/ History of Architectural Design Education in Shahid Beheshti University: the Formation Phase</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران/ The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین /Art History on the Basis of Artists</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages.</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">آثار و افکار الگ گرابار</a>\n<h3>Translation</h3>\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/معماری-و-جامعه-در-دورۀ-ایلخانان،-گلستان-هنر،-ش-۱۳.pdf\">معماری و جامعه در دورۀ ایلخانان</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/چهار-منبع-دربارۀ-ساختههای-شاه-عباس-در-اصفهان،-گلستان-هنر،-ش-۶.pdf\">چهار منبع دربارۀ ساختههای شاه عباس در اصفهان</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/تحقیق-تفسیری-تاریخی-در-معماری،-صفه-۳۹.pdf\">تحقیق تفسیری - تاریخی در معماری</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/%D8%B1%D9%85%D8%B2-%D9%88-%D8%A8%D9%86%D8%A7-%D8%A2%DB%8C%DB%8C%D9%86.pdf\">رمز و بنا و آیین</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نظامهای-پژوهش-و-معیارهای-کیفیت-تحقیق،-صفۀ-۳۷.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقشه-و-طومار-معماری-در-جهان-اسلام،-رواق-۱.pdf\">نقشه و طومار معماری در جهان اسلام</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/احداث-اصفهان-عباسی-در-متون-صفوی،-رواق-ش-۱-.pdf\">احداث اصفهان عباسی در متون صفوی</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">رمز پردازی</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی</a>\n<h3>Interviews</h3>\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شهر روانپریش و معماری اسلامی- شفقنا، بهمن ۱۳۹۳</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شارحان پریشانی: گفتگو با مجلۀ سورۀ اندیشه، تیر و مرداد ۱۳۹۰</a>\n<h3 class=\"hr-heading\"><span class=\"hr-heading-text text-uppercase text-bold\">Notes & Prefaces</span></h3>\n<div class=\"media-heading text-serif\">\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران/ Note on the People\'s History of Iranian</a>\nArchitecture\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/%D8%AE%D8%B1%DA%AF%D8%B1%D8%AF.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a>\n\n</div>\n<div class=\"media-heading text-serif\">\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران<em>، </em>۱۳۹۳</a>\n\n</div>\n<div class=\"media-heading text-serif\"><a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">یادداشت: معماری چون مظهر فرهنگ</a></div>\n<div class=\"media-heading text-serif\"></div>\n<div class=\"media-heading text-serif\">\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\n\n</div>\n<div class=\"media-heading text-serif\"></div>','Articles','','publish','closed','closed','','articles','','','2024-03-15 08:10:58','2024-03-15 08:10:58','',0,'https://qayyoomi.com/?page_id=11',1,'page','',0),(12,1,'2016-02-22 14:36:35','2016-02-22 14:36:35','','مقالات','','inherit','closed','closed','','11-revision-v1','','','2016-02-22 14:36:35','2016-02-22 14:36:35','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(16,1,'2016-02-22 15:00:07','2016-02-22 15:00:07','','Vakil mosque - Shiraz','','inherit','open','closed','','vakil-mosque-shiraz','','','2016-02-22 15:00:07','2016-02-22 15:00:07','',0,'https://qayyoomi.com/wp-content/uploads/2016/02/Vakil-mosque-Shiraz.jpg',0,'attachment','image/jpeg',0),(19,1,'2016-02-22 15:36:51','2016-02-22 15:36:51','','Vakil-mosque-Shiraz','','inherit','open','closed','','vakil-mosque-shiraz-3','','','2016-02-22 15:36:51','2016-02-22 15:36:51','',0,'https://qayyoomi.com/wp-content/uploads/2016/02/Vakil-mosque-Shiraz-2.jpg',0,'attachment','image/jpeg',0),(21,1,'2016-02-28 04:26:52','2016-02-28 04:26:52','','ostad qayumi','','inherit','open','closed','','ostad-qayumi','','','2016-02-28 04:26:52','2016-02-28 04:26:52','',0,'https://qayyoomi.com/wp-content/uploads/2016/02/ostad-qayumi.jpg',0,'attachment','image/jpeg',0),(22,1,'2016-02-28 04:54:02','2016-02-28 04:54:02','','Curriculum vitae','','inherit','closed','closed','','7-revision-v1','','','2016-02-28 04:54:02','2016-02-28 04:54:02','',7,'https://qayyoomi.com/7-revision-v1/',0,'revision','',0),(23,1,'2016-02-28 04:54:48','2016-02-28 04:54:48','','Articles','','inherit','closed','closed','','11-revision-v1','','','2016-02-28 04:54:48','2016-02-28 04:54:48','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(24,1,'2016-02-28 04:55:09','2016-02-28 04:55:09','<img class=\"alignright wp-image-532 size-medium\" src=\"https://qayyoomi.com/wp-content/uploads/2024/03/3d-book-Bonyad-haye-FAHM-1-e1710509702953-221x300.png\" alt=\"\" width=\"221\" height=\"300\" />\n<p dir=\"ltr\" style=\"text-align: left;\"><em>The Fundamentals of Understanding Architectural History</em></p>\n<p dir=\"ltr\" style=\"text-align: left;\">2023\n<a href=\"https://qayyoomi.com/the-fundamentals-of-understanding-architectural-history/\">Abstract</a></p>\n \n\n \n\n \n\n \n<p dir=\"ltr\" style=\"text-align: left;\"><em><img class=\"alignright wp-image-526 size-medium\" src=\"https://qayyoomi.com/wp-content/uploads/2024/03/3d-book-KHANGHAH-e1710495623491-224x300.png\" alt=\"\" width=\"224\" height=\"300\" />The Architecture of Khānqāh </em><em>in Eleventh Century Khurāsān </em></p>\n<p dir=\"ltr\" style=\"text-align: left;\">2023\n<a href=\"https://qayyoomi.com/the-architecture-of-khanqah-in-eleventh-century-khurasan/\">Abstract</a></p>\n \n\n \n\n.\n\n<em>Art in Islamic Civilization:<img class=\"wp-image-356 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/Untitled-1-e1710511812946-228x300.png\" alt=\"\" width=\"228\" height=\"300\" /></em>\n\n<em>Architecture 2</em>\n2018\n<a href=\"https://qayyoomi.com/art-in-islamic-civilization-architecture-2/\">Abstract</a>\n\n \n\n \n\n \n\n<em>Art in Islamic Civilization:<img class=\"size-medium wp-image-343 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/23-245x300.png\" alt=\"\" width=\"245\" height=\"300\" /></em>\n\n<em>Architecture 1</em>\n2018\n<a href=\"https://qayyoomi.com/art-in-islamic-civilization-architecture-1/\">Abstract</a>\n\n \n\n \n\n \n\n \n\n<a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener\"><img class=\"size-medium wp-image-113 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/6-245x300.png\" alt=\"6\" width=\"245\" height=\"300\" /></a>\n\n<em>Theories of Architectural and Art\nHistory; An Annotated Bibliography</em>\n2015\n<a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener\">Abstract</a>\n\n \n\n \n\n \n\n \n\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener\"><img class=\"size-medium wp-image-111 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" /></a>\n\n<em>Studies on Art and Architecture;</em>\n<em> History and Theory</em>\n2015\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener\">Abstract</a>\n\n \n\n \n\n \n\n \n\n<img class=\"size-medium wp-image-120 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/13-247x300.png\" alt=\"13\" width=\"247\" height=\"300\" />\n\n<em>Ten Stories on Architecture</em>\n2015\n\n \n\n \n\n \n\n \n\n \n\n<img class=\"size-medium wp-image-108 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/1-245x300.png\" alt=\"1\" width=\"245\" height=\"300\" />\n\nPersian translation of <em>The Dynamics of Architectural Form</em>\n2014\n\n \n\n \n\n \n\n \n\n<img class=\"size-medium wp-image-119 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/12-245x300.png\" alt=\"12\" width=\"245\" height=\"300\" />\n\n<em>Essays on the Theory and History of Architecture and Art</em>\n2012\n\n \n\n \n\n \n\n \n\n<img class=\"size-medium wp-image-117 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/10-245x300.png\" alt=\"10\" width=\"245\" height=\"300\" />\n\n<em>Persian Literature as Source of Architectural History: a Bibliographical Introduction,</em>\nvolume 1: Persian Prose of the First Islamic Centuries\n2012\n\n \n\n \n\n \n\n.\n\n<img class=\"size-medium wp-image-122 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/16-241x300.png\" alt=\"16\" width=\"241\" height=\"300\" />\n<p style=\"text-align: left;\"><em>Dictionary of Iranian Architecture in Persian Reference Books</em>, volume 2: Proper Names (with S. Mohammad Beheshti)\n2012</p>\n \n\n \n\n \n\n \n\n<img class=\"wp-image-151 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/5_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\n\nPersian translation of <em>Architecture: Choice Or Fate</em>\n2011\n\n \n\n \n\n \n\n \n\n<img class=\"size-medium wp-image-123 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/17-244x300.png\" alt=\"17\" width=\"244\" height=\"300\" />\n\n<em>Dictionary of Iranian Architecture in Persian Reference Books</em>, volume 1: Terms and Concepts (with S. Mohammad Beheshti)\n2010\n\n \n\n \n\n \n\n \n\n<img class=\"size-medium wp-image-125 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/19-300x253.png\" alt=\"19\" width=\"300\" height=\"253\" />\n\n<em>Trilingual Dictionary of Islamic Architecture</em> (with S. Ali Emadi Estarabadi)\n2009\n\n \n\n \n\n.\n\n \n\n<img class=\"size-medium wp-image-124 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/18-244x300.png\" alt=\"18\" width=\"244\" height=\"300\" />\n\n<em>Ganjnameh: Cyclopedia of Iranian Islamic Architecture</em>, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi)\n2005\n\n \n\n \n\n \n\n \n\n<img class=\"size-medium wp-image-121 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/14-245x300.png\" alt=\"14\" width=\"245\" height=\"300\" />\n\nPersian translation of <em>Risāla-yi Mi’mārīyya</em>, by Ja’far Efendi and Howard Crane\n2011\n\n \n\n \n\n \n\n \n\n<img class=\"wp-image-145 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/8_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\n\nPersian translation of <em>Meaning in Western Architecture</em>, by Christian Norberg-Schulz\n2007\n\n \n\n \n\n \n\n \n\n<img class=\"size-medium wp-image-114 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/7-245x300.png\" alt=\"7\" width=\"245\" height=\"300\" />\n\nPersian translation of <em>The</em> <em>Dynamics of Architectural Form</em>, by Rudolf Arnheim\n2003\n\n \n\n \n\n \n\n \n\n<img class=\"wp-image-109 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/2-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\n\nPersian translation of <em>The Timeless Way of Building </em>by Christopher Alexander\n2013\n\n \n\n \n\n \n\n \n\n<img class=\"wp-image-146 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/3_1-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\n\nPersian translation of <em>The</em> <em>Timeless Way of Building</em> by Christopher Alexander\n2011\n\n \n\n \n\n \n\n \n\n<img class=\"size-medium wp-image-118 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/11-245x300.png\" alt=\"11\" width=\"245\" height=\"300\" />\n\nPersian translation of<em> The Timeless Way of Building</em> by Christopher Alexander\n2002\n\n \n\n \n\n \n\n \n\n<img class=\"wp-image-147 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/9_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\n\nPersian translation of <em>Topkapi Scroll: The Geometry and Ornament in Islamic Architecture</em>, by Gülru Necipoglu\n2001\n\n \n\n \n\n \n\n \n\n<img class=\"size-medium wp-image-148 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/15-245x300.png\" alt=\"15\" width=\"245\" height=\"300\" />\n\nPersian translation of <em>Quranic Art and Calligraphy</em>, by Martin Lings\n1998\n\n \n\n \n\n \n\n \n\n<img class=\"wp-image-149 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/20-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\n\n<em>Golestān-e Honar</em>\n(Quarterly on the History of Iranian Art and Architecture)\n2005-2011\n\n \n\n \n\n \n\n \n\n<img class=\"wp-image-150 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/21-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\n\n<em>Khiyāl</em>\n(Quarterly on architecture & art studies)\n2002-2011\n\n \n\n \n\n \n\n \n\n<img class=\"alignright wp-image-229 size-medium\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/22-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\n\n<em>Ravāq</em>\n(Quarterly on architecture & art studies)\n1998-2000\n\n \n\n \n\n \n\n ','Books','','publish','closed','closed','','books','','','2024-03-15 15:51:25','2024-03-15 15:51:25','',0,'https://qayyoomi.com/?page_id=24',2,'page','',0),(25,1,'2016-02-28 04:55:09','2016-02-28 04:55:09','','Books','','inherit','closed','closed','','24-revision-v1','','','2016-02-28 04:55:09','2016-02-28 04:55:09','',24,'https://qayyoomi.com/24-revision-v1/',0,'revision','',0),(26,1,'2016-02-28 06:18:49','2016-02-28 06:18:49','','Vakil','','inherit','open','closed','','vakil','','','2016-02-28 06:18:49','2016-02-28 06:18:49','',0,'https://qayyoomi.com/wp-content/uploads/2016/02/Vakil.jpg',0,'attachment','image/jpeg',0),(28,1,'2016-02-28 07:19:01','2016-02-28 07:19:01','English CV\r\n\r\nPersian CV','Curriculum vitae','','inherit','closed','closed','','7-revision-v1','','','2016-02-28 07:19:01','2016-02-28 07:19:01','',7,'https://qayyoomi.com/7-revision-v1/',0,'revision','',0),(29,1,'2016-02-28 07:20:07','2016-02-28 07:20:07',' ','','','publish','closed','closed','','29','','','2016-09-09 04:04:18','2016-09-09 04:04:18','',0,'https://qayyoomi.com/?p=29',4,'nav_menu_item','',0),(30,1,'2016-02-28 07:20:07','2016-02-28 07:20:07',' ','','','publish','closed','closed','','30','','','2016-09-09 04:04:18','2016-09-09 04:04:18','',0,'https://qayyoomi.com/?p=30',5,'nav_menu_item','',0),(31,1,'2016-02-28 07:25:02','2016-02-28 07:25:02','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\n<p>Independent Researcher<br />Former Associate Professor, Shahid Beheshti University<br />Associate Member, The Iranian Academy of Art<br />Invited Member, The Iranian Academy of Science<br />Invited Member, The Iranian Academy of Persian Language and Literature<br />Emails:<br />qayyoomi@nowruzgan.com<br />qayyoomi@gmail.com<br />Webs:<br /><a href=\"https://qayyoomi.com/\">Personal Web page; </a><br /><a href=\"https://independent.academia.edu/MehrdadQayyoomiBidhendi\">Academia</a><br /><a href=\"http://nowruzgan.com\">Nowruzgan</a></p>\n<p><strong>Education</strong></p>\n<ul>\n<li>PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2007</li>\n<li>MA in Art Studies, University of Art, Tehran 2002</li>\n<li>BA in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 1987</li>\n</ul>\n<p><strong>Honors and Awards</strong></p>\n<ul>\n<li>Annual Book Award of Iran, for Understanding Architectural History: Fundamentals, 2025</li>\n<li>Distinguished Researcher of Shahid Beheshti University 2012</li>\n<li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\n<li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\n<li>Research Fellowship, Farabi International Award 2010</li>\n<li>Annual Book Award of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\n<li>Annual Book Award of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\n</ul>\n<p><strong>Memberships</strong></p>\n<ul>\n<li>Associate Member, the Iranian Academy of Art, since 2003</li>\n<li>Invited Member, the Iranian Academy of Science, Since 2012</li>\n<li>Invited Member, the Iranian Academy of Persian Language and Literature, since 2012</li>\n<li>Member of Editorial Board, Athar Quarterly, 2013-2020</li>\n<li>Affiliated Member, Iran ICOMOS Since 2008</li>\n<li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art, 2006-2019</li>\n<li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\n<li>Member of the Committee of Architecture and Urban Planning, Iranian Academy of Art, 2000-2024</li>\n</ul>\n<p><strong>Positions</strong></p>\n<ul>\n<li>Faculty Member, Center for Iranian Architectural Studies and Documentation, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2002-2024</li>\n<li>Head of Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2015</li>\n<li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2008-2011</li>\n<li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\n<li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\n<li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\n<li>Faculty Member, the Iranian Academy of Art, 2004-2007</li>\n<li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\n<li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\n<li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\n<li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\n<li>Dean of the Office, Head Office of Museums in Iran 2002</li>\n<li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\n<li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art, 2001-2024</li>\n<li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\n<li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\n</ul>\n<p><strong> Research and Teaching Interests</strong></p>\n<ul>\n<li>History of Iranian and Persianate Architecture and Art</li>\n<li>Islamic Architecture and Art</li>\n<li>Architectural History, Theory, and Criticism</li>\n</ul>\n<p><strong> Publications:</strong></p>\n<p><strong> 1. Articles</strong></p>\n<ul>\n<li>\n<p align=\"left\">Material Culture of Architecture and Looking at Architectural Materials as Source of Architectural History, in <em>Kooche</em>, no. 24, Jan. 2025</p>\n</li>\n<li>\n<p align=\"left\">Architectural Historian and the Somatic Ways of Knowing (with Omid Shams), in <em>Soffeh</em>, Summer 2023</p>\n</li>\n<li>Architecture of Art and Magical Architecture in <em>Shahnama</em> (with Mona Bolouri Bazzaz), in <em>Maremmat va Memari</em>, Fall 2021.</li>\n<li>The Concept of Maidan in Qajar Iran: Transformation to an<br />Embodiment of the Public Sphere (with Mahnam Najafi), in <em>International Journal of Environmental Studies</em>, vol. 78, no. 6, Dec. 2021</li>\n<li>Probing Through Iranian Architectural History Within the Framework of an Ontology Development Process (with Dena Shamsizadeh and Niloofar Razavi), in <em>Digital Humanities Quarterly</em>, vol. 15. no. 3, Oct. 2021</li>\n<li>The Place of Architecture in Knowledge Classifications of the<br />First Islamic Centuries (with Rouhollah Mojtahedzadeh), in <em>Wiener zeitschrift für die kunde des morgenlandes</em>, no. 111, 2021</li>\n<li>Tacit Knowledge and Its Varieties in Architecture, Based on H. Collins’ Model (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, 2021</li>\n<li>Paradises of the Pen: A Survey of Persian Gardens in the Eleventh Century Persian Literature, in Fardanesh F., Arefian F.F. (eds.), <em>Persian Paradises at Peril</em>. The Urban Book Series. Springer, Cham. https://doi.org/10.1007/978-3-030-62550-4_2, 2021</li>\n<li>The Concept of Architectural Criticism: Its History and Types, (with Motahhareh Danaeifar), in <em>Pažuheš Nāma-i Farhangestān-i Hunar</em>, 2019</li>\n<li> A Conceptual History of Muhandis in the First Half of the Qajar Period, (with Zahra Golshan), in <em>Soffeh, </em>no. 87, 2020</li>\n<li>The Idea of Non-Historical Essence of Islamic Architecture of Iran: a Critique on Two Viewpoints (the Sense of Unity and Khisht-u Khiyāl), (with Shabnam Haji-Jafari), in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 17, 2019</li>\n<li>The Concept of Architectural Criticism: Its History and Types, (with M. Danayifar), in<em> Pažuheš Nāma-i Farhangestān-i Hunar</em>, no. 2, 2019</li>\n<li>Two Documents Related to the Architecture of Estarabad Village Baths, (with Mohadesseh Nazifkar), in <em>Athar</em>, no. 80, 2018</li>\n<li>The Architecture of Dār al-Funūn School and Its Changes in Qajar Period, (with Boshra Moossavi), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 20, 2018</li>\n<li>The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work, (with R. Mojtahedzadeh), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 13, 2018</li>\n<li>\'Ilm al-\'Uqud: A Key to Understanding the Relations between the Sciences and Architecture in the Islamic World, (with R. Mojtahedzadeh), in T<em>ārīx-i</em> \'Ilm, vol. 15, no. 2, 2018</li>\n<li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Soffeh</em>, 2017</li>\n<li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\n<li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-i Īrān</em>, no. 10, 2017</li>\n<li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar, 2015</li>\n<li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\n<li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\n<li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-i Honar</em>, 2015</li>\n<li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in <em>Mutāli’āt-i Me’mārī-i Īrān</em>, no. 6, 2015</li>\n<li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\n<li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\n<li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\n<li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\n<li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\n<li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\n<li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\n<li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Planning</em>, no. 7, 2012</li>\n<li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\n<li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\n<li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\n<li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\n<li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\n<li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\n<li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\n<li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\n<li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\n<li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\n<li>On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\n<li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\n<li>Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\n<li>Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\n<li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\n<li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\n<li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\n<li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\n<li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\n<li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\n<li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\n<li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\n<li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\n<li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\n<li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\n<li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\n<li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\n<li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\n<li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\n<li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\n<li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\n</ul>\n<p><strong>2. Articles (Translation)</strong></p>\n<ul>\n<li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\n<li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\n<li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\n<li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\n<li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\n<li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\n<li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n<li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n<li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\n</ul>\n<p><strong>3. Prefaces, Essays, Presentation & Interviews</strong></p>\n<ul>\n<li>Presentation: The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n<li>Preface to the Yahya Sepehri\'s Book: <em>A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage</em>, 2017</li>\n<li>Preface to the Safa Mahmoudian\'s Book: <em>the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan</em>, 2017</li>\n<li>Essay: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\n<li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\n<li>Interview: Philosophy of Architecture, 2015</li>\n<li>Preface to Mehdi Arefi’s Book: <em>Khargird and Madrasa</em>, 2015</li>\n<li>Preface to the Mitra Hashemi\'s Book: <em>An Introduction to the Oral History of Iranian Architecture</em>, 2014</li>\n<li>Interview: Psychotic City and Islamic Architecture, 2014</li>\n<li>Essay: Architecture as Cultural Manifestation, 2014</li>\n<li>Preface to Mehdi Tamizi’s Book: <i>In the Shade of Cypress: The Picture of Cypress Tombstones in Isfahan, </i>2013</li>\n<li>Interview: Commentators of the Western Architecture, 2011</li>\n<li>Preface to the Book: <em>Paintings on the Wooden Ceilings of Azarbaijan Vernacular Mosques</em>, 2010</li>\n<li>Essay: Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13, 2008</li>\n<li>Essay: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\n<li>Essay: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\n<li>Essay: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\n<li>Essay: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\n<li>Essay: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n<li>Essay: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n<li>Essay: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n<li>Essay: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\n<li>Essay: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\n</ul>\n<p><strong>4. Books </strong></p>\n<ul>\n<li>The Fundamentals of Understanding Architectural History, 2023</li>\n<li>The Architecture of Khānqāh in Eleventh Century Khurāsān (with Sina Soltani), 2023</li>\n<li>Art in Islamic Civilization: Architecture 2, 2019</li>\n<li>Art in Islamic Civilization: Architecture 1, 2018</li>\n<li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 15 and 16: Mansions (supervised by Kambiz Haji-Qassemi), 2018</li>\n<li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\n<li>Researches on Art and Architecture; History and Theory, 2015</li>\n<li>Ten Stories on Architecture, 2015</li>\n<li>Essays on the Theory and History of Architecture and Art, 2012</li>\n<li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\n<li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\n<li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\n<li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\n<li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\n</ul>\n<p><strong>5. Books (Translation)</strong></p>\n<ul>\n<li>Persian translation of Risāla-i Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\n<li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\n<li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\n<li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\n<li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\n<li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\n<li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\n</ul>\n<p><strong>6. Published Lectures</strong></p>\n<ul>\n<li><span class=\"Y2IQFc\" lang=\"en\">Theoretical Foundations of Formalist Criticism of Architecture, 24 sessions, offline, t.me/asmaaneh and https://chaharrah.tv/category/architecture</span></li>\n</ul>\n<p><strong>Teaching Experience</strong></p>\n<ul>\n<li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2009</li>\n<li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\n<li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\n<li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2007</li>\n<li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2007</li>\n<li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2011</li>\n<li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2011-2012</li>\n<li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2008</li>\n<li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2002-2007</li>\n</ul>\n<p><strong>Dissertations & Theses: 1. Supervised</strong></p>\n<ul>\n<li>Ayvan-i Mada\'in, Its Location, Form, and Function: A Critical Literature Review with an Emphasis on Archaeological, Mehrnoush Delshad, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2023</li>\n<li>Architecture of Sa\'adi Monument: A Critiqur Based on The Concept of \"Architecturality\", Sara Bemanian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2023</li>\n<li>Identifying Architectural Mentalities in Iranian World in Early Islamic Period in Khorasan, Sistan, and Transoxiana: The Potentiality of Persian Sources, Farzad Zerehdaran, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2022</li>\n<li>Farhad Nazari, Waqf Heritage: Theoretical Basis of Dialogue between Islamic Endowment and Modern Conservation, PhD in Architectural Conservation, Art University of Isfahan, 2021</li>\n<li>Omid Shams, The Web of Belief of the Architectural Historian : The Relationship between Architectural Historiography and Architectural Tacit Knowledge, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n<li>Hamidreza Pishvaei, Architecture of Gulistan Palace in the Nasirid Period as a Mirror of a Changing Taste, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n<li>Mahdi Hosseini, The Social History of the House Architecture in Girouard\'s Perspective: As Revealed in His Life in the English Country House, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n<li>Maryam Shaeyan, Objective and Subjective Changes of Domestic Architecture Mentioned in ʿAyn al-Salṭana’s Diary: An Evaluation of Sources, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n<li>Fateme Zahra Zal, Domesticity And Consumer Culture in Iran: A Review with an Emphasis on the Press Advertisement, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n<li>Developing the Idea of Architecture’s Historical Criticism, by Motahhareh Danaeifar, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n<li>Studing the Relationship between Gender and Architecture; Women\'s Presence in Tehran\'s Bazaar, by Maryam Ammarloo, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n<li>Reading Ali-khan Vali\'s Album as a Mirror of His Viewpoint to Architecture, by Mahboobeh Javadikia, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n<li>“Maidan”: Understanding Its Meaning in Qajar Iran, by Mahnam Najafi, PhD in Architecture, Yazd University, 2020</li>\n<li>Ibn Babawayh cemetery as a place of memory, by Maryam Ebrahimi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2020</li>\n<li>A Proposal for a Cultural History of Iranian Architecture in Qajar Period, by Parastoo Moqaddami, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2020</li>\n<li>Russian Formalism, From Literature to Architecture: A Model for Reading Architecture, by Mona Bolouri Bazzaz, PhD in Architecture, Art University, Tehran, 2019.</li>\n<li>Architrctural Conservation and Architrctural Historiography: A Theoretical basis for conservation, as an interdisciplinary field in the pursuit of the historiography of Iranian architecture, by Zatollah Nikzad, PhD in Architectural Conservation, Art University of Isfahan, 2020</li>\n<li><span class=\"gmail_default\">The Advantage of Architectural History: A Survey of German Contemporary Scholarly Thoughts, by Reyhaneh Heydari, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2019</span></li>\n<li>Relation between architecture and science in Islamic periods; by emphasis on practical science, by Rouhollah Mojtahedzadeh, PhD in Islamic Architecture, Art University of Isfahan, 2017</li>\n<li>Reading architecture in Haft peikar of Nezami with mythology approach, by Sepideh Ahmadkhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2018</li>\n<li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\n<li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n<li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n<li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n<li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n<li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n<li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n<li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n<li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2016</li>\n<li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2016</li>\n<li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2015</li>\n<li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2015</li>\n<li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2014</li>\n<li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\n<li>Thinking about the Landscape Architecture through the links between Its Terms, by Azadeh Rasouli Yazdi, MA in Lanscape Architecture, 2014</li>\n<li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\n<li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\n<li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\n<li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\n<li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\n<li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\n<li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\n<li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\n<li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\n<li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\n<li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\n<li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\n<li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\n<li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\n<li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\n<li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\n<li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\n<li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\n<li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\n<li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\n<li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\n<li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\n<li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\n<li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\n<li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\n</ul>\n<p><strong>Dissertations: 2. Consulted</strong></p>\n<ul>\n<li>The Imam Khomeyni (Shah) Mosque: Studying Spatial Quality Changes from Built Time to the End of Mozafar’aldin Shah, by Yasaman Bakhit, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2019</li>\n<li>Harun- i Vilayat Shrine: Its Quiddity and Religious Ties, by Samaneh Pouremadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2019</li>\n<li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n<li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n<li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\n<li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n<li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n<li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\n<li>Characteristics of Mosques in Persian Timurid Miniatures in Comparison with Their Contemporary Mosques, by Halimeh Kamour Bandari, MA in Islamic Art, Tehran, Soore University, 2014</li>\n<li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\n<li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\n<li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\n<li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n<li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n<li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\n<li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\n<li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\n</ul>\n<p><strong>Personal Information</strong></p>\n<ul>\n<li>Born: Tehran, 1960</li>\n</ul>\n<p><strong>Languages</strong></p>\n<ul>\n<li>Reading and Translation Competence in English and Arabic</li>\n<li>Native in Persian</li>\n</ul>\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','English CV','','publish','closed','closed','','english-cv','','','2025-03-06 14:03:47','2025-03-06 10:33:47','',0,'https://qayyoomi.com/?page_id=31',0,'page','',0),(32,1,'2016-02-28 07:25:02','2016-02-28 07:25:02',' \r\n\r\nMehrdad Qayyoomi, …<!-- [if gte mso 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QFormat=\"true\" Name=\"Quote\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"30\" QFormat=\"true\" Name=\"Intense Quote\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"66\" Name=\"Medium List 2 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"67\" Name=\"Medium Grid 1 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"68\" Name=\"Medium Grid 2 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"69\" Name=\"Medium Grid 3 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"70\" Name=\"Dark List Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"71\" Name=\"Colorful Shading Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"72\" Name=\"Colorful List Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"73\" Name=\"Colorful Grid Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"60\" Name=\"Light Shading Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"61\" Name=\"Light List Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"62\" Name=\"Light Grid Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"63\" Name=\"Medium Shading 1 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"64\" Name=\"Medium Shading 2 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"65\" Name=\"Medium List 1 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"66\" Name=\"Medium List 2 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"67\" Name=\"Medium Grid 1 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"68\" Name=\"Medium Grid 2 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"69\" Name=\"Medium Grid 3 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"70\" Name=\"Dark List Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"71\" Name=\"Colorful Shading Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"72\" Name=\"Colorful List Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"73\" Name=\"Colorful Grid Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"60\" Name=\"Light Shading Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"61\" Name=\"Light List Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"62\" Name=\"Light Grid Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"63\" Name=\"Medium Shading 1 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"64\" Name=\"Medium Shading 2 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"65\" Name=\"Medium List 1 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"66\" Name=\"Medium List 2 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"67\" Name=\"Medium Grid 1 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"68\" Name=\"Medium Grid 2 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"69\" Name=\"Medium Grid 3 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"70\" Name=\"Dark List Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"71\" Name=\"Colorful Shading Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"72\" Name=\"Colorful List Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"73\" Name=\"Colorful Grid Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"60\" Name=\"Light Shading Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"61\" Name=\"Light List Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"62\" Name=\"Light Grid Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"63\" Name=\"Medium Shading 1 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"64\" Name=\"Medium Shading 2 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"65\" Name=\"Medium List 1 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"66\" Name=\"Medium List 2 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"67\" Name=\"Medium Grid 1 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"68\" Name=\"Medium Grid 2 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"69\" Name=\"Medium Grid 3 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"70\" Name=\"Dark List Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"71\" Name=\"Colorful Shading Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"72\" Name=\"Colorful List Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"73\" Name=\"Colorful Grid Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"60\" Name=\"Light Shading Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"61\" Name=\"Light List Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"62\" Name=\"Light Grid Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"63\" Name=\"Medium Shading 1 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"64\" Name=\"Medium Shading 2 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"65\" Name=\"Medium List 1 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"66\" Name=\"Medium List 2 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"67\" Name=\"Medium Grid 1 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"68\" Name=\"Medium Grid 2 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"69\" Name=\"Medium Grid 3 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"70\" Name=\"Dark List Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"71\" Name=\"Colorful Shading Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"72\" Name=\"Colorful List Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"73\" Name=\"Colorful Grid Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"60\" Name=\"Light Shading Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"61\" Name=\"Light List Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"62\" Name=\"Light Grid Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"63\" Name=\"Medium Shading 1 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"64\" Name=\"Medium Shading 2 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"65\" Name=\"Medium List 1 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"66\" Name=\"Medium List 2 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"67\" Name=\"Medium Grid 1 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"68\" Name=\"Medium Grid 2 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"69\" Name=\"Medium Grid 3 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"70\" Name=\"Dark List Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"71\" Name=\"Colorful Shading Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"72\" Name=\"Colorful List Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"73\" Name=\"Colorful Grid Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"19\" QFormat=\"true\" Name=\"Subtle Emphasis\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"21\" QFormat=\"true\" Name=\"Intense Emphasis\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"31\" QFormat=\"true\" Name=\"Subtle Reference\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"32\" QFormat=\"true\" Name=\"Intense Reference\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"33\" QFormat=\"true\" Name=\"Book Title\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"37\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Bibliography\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"39\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" QFormat=\"true\" Name=\"TOC Heading\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"41\" Name=\"Plain Table 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"42\" Name=\"Plain Table 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"43\" Name=\"Plain Table 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"44\" Name=\"Plain Table 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"45\" Name=\"Plain Table 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"40\" Name=\"Grid Table Light\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"Grid Table 1 Light\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"Grid Table 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"Grid Table 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"Grid Table 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"Grid Table 5 Dark\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"Grid Table 6 Colorful\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"Grid Table 7 Colorful\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"Grid Table 1 Light Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"Grid Table 2 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"Grid Table 3 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"Grid Table 4 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"Grid Table 5 Dark Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"Grid Table 6 Colorful Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"Grid Table 7 Colorful Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"Grid Table 1 Light Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"Grid Table 2 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"Grid Table 3 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"Grid Table 4 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"Grid Table 5 Dark Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"Grid Table 6 Colorful Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"Grid Table 7 Colorful Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"Grid Table 1 Light Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"Grid Table 2 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"Grid Table 3 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"Grid Table 4 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"Grid Table 5 Dark Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"Grid Table 6 Colorful Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"Grid Table 7 Colorful Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"Grid Table 1 Light Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"Grid Table 2 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"Grid Table 3 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"Grid Table 4 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"Grid Table 5 Dark Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"Grid Table 6 Colorful Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"Grid Table 7 Colorful Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"Grid Table 1 Light Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"Grid Table 2 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"Grid Table 3 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"Grid Table 4 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"Grid Table 5 Dark Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"Grid Table 6 Colorful Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"Grid Table 7 Colorful Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"Grid Table 1 Light Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"Grid Table 2 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"Grid Table 3 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"Grid Table 4 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"Grid Table 5 Dark Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"Grid Table 6 Colorful Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"Grid Table 7 Colorful Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"List Table 1 Light\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"List Table 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"List Table 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"List Table 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"List Table 5 Dark\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"List Table 6 Colorful\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"List Table 7 Colorful\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"List Table 1 Light Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"List Table 2 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"List Table 3 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"List Table 4 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"List Table 5 Dark Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"List Table 6 Colorful Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"List Table 7 Colorful Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"List Table 1 Light Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"List Table 2 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"List Table 3 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"List Table 4 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"List Table 5 Dark Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"List Table 6 Colorful Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"List Table 7 Colorful Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"List Table 1 Light Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"List Table 2 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"List Table 3 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"List Table 4 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"List Table 5 Dark Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"List Table 6 Colorful Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"List Table 7 Colorful Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"List Table 1 Light Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"List Table 2 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"List Table 3 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"List Table 4 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"List Table 5 Dark Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"List Table 6 Colorful Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"List Table 7 Colorful Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"List Table 1 Light Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"List Table 2 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"List Table 3 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"List Table 4 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"List Table 5 Dark Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"List Table 6 Colorful Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"List Table 7 Colorful Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"List Table 1 Light Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"List Table 2 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"List Table 3 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"List Table 4 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"List Table 5 Dark Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"List Table 6 Colorful Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"List Table 7 Colorful Accent 6\"/>\r\n</w:LatentStyles>\r\n</xml><![endif]-->\r\n\r\n<!-- [if gte mso 10]>\r\n\r\n<style>\r\n /* Style Definitions */\r\ntable.MsoNormalTable\r\n{mso-style-name:\"Table Normal\";\r\nmso-tstyle-rowband-size:0;\r\nmso-tstyle-colband-size:0;\r\nmso-style-noshow:yes;\r\nmso-style-priority:99;\r\nmso-style-parent:\"\";\r\nmso-padding-alt:0cm 5.4pt 0cm 5.4pt;\r\nmso-para-margin:0cm;\r\nmso-para-margin-bottom:.0001pt;\r\nmso-pagination:widow-orphan;\r\nfont-size:10.0pt;\r\nfont-family:\"Times New Roman\",\"serif\";\r\nmso-ansi-language:EN-GB;\r\nmso-fareast-language:EN-GB;}\r\ntable.MsoTableGrid\r\n{mso-style-name:\"Table Grid\";\r\nmso-tstyle-rowband-size:0;\r\nmso-tstyle-colband-size:0;\r\nmso-style-unhide:no;\r\nborder:solid black 1.0pt;\r\nmso-border-alt:solid black .5pt;\r\nmso-padding-alt:0cm 5.4pt 0cm 5.4pt;\r\nmso-border-insideh:.5pt solid black;\r\nmso-border-insidev:.5pt solid black;\r\nmso-para-margin:0cm;\r\nmso-para-margin-bottom:.0001pt;\r\nmso-pagination:widow-orphan;\r\nfont-size:10.0pt;\r\nfont-family:\"Times New Roman\",\"serif\";\r\nmso-ansi-language:EN-GB;\r\nmso-fareast-language:EN-GB;}\r\n</style><![endif]--><!-- [if gte mso 9]><xml>\r\n<o:shapedefaults v:ext=\"edit\" spidmax=\"1026\"/>\r\n</xml><![endif]--><!-- [if gte mso 9]><xml>\r\n<o:shapelayout v:ext=\"edit\">\r\n<o:idmap v:ext=\"edit\" data=\"1\"/>\r\n</o:shapelayout></xml><![endif]-->\r\n\r\n \r\n<div class=\"WordSection1\">\r\n<table class=\"MsoNormalTable\" style=\"width: 16.0cm; border-collapse: collapse; mso-yfti-tbllook: 1184; mso-padding-alt: 0cm 5.4pt 0cm 5.4pt;\" border=\"0\" width=\"605\" cellspacing=\"0\" cellpadding=\"0\">\r\n<tbody>\r\n<tr style=\"mso-yfti-irow: 0; mso-yfti-firstrow: yes; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<h1 style=\"text-align: left; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 12.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000;\"> Education</span></h1>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 1; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span dir=\"RTL\" lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: \'Book Antiqua\'; mso-hansi-font-family: \'Book Antiqua\';\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">PhD in Architecture, Faculty of Architecture and\r\nUrban Development, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; mso-bidi-language: FA;\">2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 2; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span dir=\"RTL\" lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: \'Book Antiqua\'; mso-hansi-font-family: \'Book Antiqua\';\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">MA in Art Studies, University of Art, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2002</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 3; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span dir=\"RTL\" lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: \'Book Antiqua\'; mso-hansi-font-family: \'Book Antiqua\';\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">BA in Architecture, Faculty of Architecture and\r\nUrban Development, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">1987</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 4; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<h1 style=\"margin-left: 18.0pt; text-align: left; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 12.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Honors\r\nand Awards</span></h1>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 5; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Award for Morality and\r\nSpirituality in Art and Research</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 6; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Distinguished Researcher of Shahid\r\nBeheshti University</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 7; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Seasonal Book Award of\r\nIslamic Republic of Iran, for Persian translation of <i>Risāla-yi Mi’mārīyya</i></span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 8; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">First and Special Award,\r\nFarabi International Award, for “Principles of Researching Iranian\r\nArchitecture in Persian Primary Sources”</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 9; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Research Fellowship, Farabi\r\nInternational Award</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 10; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Annual Book Award of Islamic\r\nRepublic of Iran, for Persian translation of <i>Meaning in Western\r\nArchitecture</i></span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 11; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Annual Book Award of Islamic\r\nRepublic of Iran, for Persian translation of <i>The Topkapi Scroll: Geometry\r\nand Ornament in Islamic Architecture</i></span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2003</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 12; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<h1 style=\"margin-left: 18.0pt; text-align: left; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 12.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Memberships</span></h1>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 13; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Associate Member, the\r\nIranian Academy of Art</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2005</span><b></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 14; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Invited Member, the Iranian\r\nAcademy of Science</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 15; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Invited Member, the Iranian\r\nAcademy of Persian Language and Literature</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 16; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Member of Editorial Board, <i>Athar</i>\r\nQuarterly</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 17; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Affiliated Member, Iran\r\nICOMOS</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 18; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Member of the Board of\r\nTrustees, Art Studies Center, the Iranian Academy of Art</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2006</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 19; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Member of the Committee of\r\nArchitecture and Urban Development, Iranian Academy of Art</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2002</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 20; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<h1 style=\"margin-left: 18.0pt; text-align: left; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 12.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Present\r\nPositions</span></h1>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 21; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Faculty Member, Department\r\nof Architectural History and Conservation, Faculty of Architecture and Urban\r\nDevelopment, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2002</span><b></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 22; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Faculty Member, Iranshahrpedia\r\n(Encyclopedia of Iranian Architectural History)</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2006</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 23; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Past\r\nPositions</span></b><b></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 24; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Head of the Department of\r\nArchitectural History and Conservation, Faculty of Architecture and Urban\r\nDevelopment, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2008-2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 25; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Editor-in-Chief and Founder\r\nEditor, <i>Golestān-e Honar</i> (<i>Gulistān-i Hunar</i>: Quarterly\r\nof the Iranian Academy of Art, on the History of Iranian Art and\r\nArchitecture)</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2005-2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 26; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Member of Editorial Board, <i>Khiyāl</i>\r\n(Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of\r\nArt)</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2002-2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 27; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Faculty Member, the Iranian\r\nAcademy of Art</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2004-2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 28; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Head and Founder of the\r\nCommittee of Art History, the Iranian Academy of Art</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2006-2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 29; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Editor-in-Chief and Founder\r\nEditor, <i>Khiyāl</i> (Quarterly of the Iranian Academy of Art, on the\r\nPhilosophy and Theory of Art)</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2002-2005</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 30; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Chief’s Consultant, Iranian\r\nCultural Heritage Organization</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2002-2003</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 31; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Member of Jury, the First\r\nCongress on “Bath in Iranian Culture”, Kerman</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2003</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 32; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Member of the Board of\r\nDirectors and Jury, the Third and Fourth Congress on the History of Iranian\r\nArchitecture and Urbanism, Bam</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2003-2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 33; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Dean of the Office, Head\r\nOffice of Museums in Iran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2002</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 34; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Member of Editorial Board, <i>Moozé-hā</i>\r\n(Quarterly journal on museum affairs)</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2002</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 35; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Secretary of the\r\nArchitecture and Urbanism Committee, the Iranian Academy of Art</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2001</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 36; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Deputy of General Director,\r\nIranian Cultural Heritage Organization –Isfahan Province</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2000</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 37; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Editor-in-Chief and Founder\r\nEditor, <i>Ravāq</i> (Quarterly on architecture & art studies) </span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">1998-2000</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 38; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Research\r\nand Teaching Interests</span></b><b></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 39; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span dir=\"LTR\" style=\"font-family: \'Calibri\',\'sans-serif\'; mso-bidi-font-family: Mitra;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">History of Iranian and\r\nPersianate Architecture and Art </span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"85\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><b><span dir=\"LTR\" style=\"font-size: 16.0pt; font-family: \'Adobe Arabic\',\'serif\';\"> </span></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 40; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span dir=\"LTR\" style=\"font-family: \'Calibri\',\'sans-serif\'; mso-bidi-font-family: Mitra;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Islamic Architecture and Art</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"85\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><b><span dir=\"LTR\" style=\"font-size: 16.0pt; font-family: \'Adobe Arabic\',\'serif\';\"> </span></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 41; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span dir=\"LTR\" style=\"font-family: \'Calibri\',\'sans-serif\'; mso-bidi-font-family: Mitra;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Theory and Methodology of\r\nArchitectural History </span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"85\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><b><span dir=\"LTR\" style=\"font-size: 16.0pt; font-family: \'Adobe Arabic\',\'serif\';\"> </span></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 42; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span dir=\"LTR\" style=\"font-family: \'Calibri\',\'sans-serif\'; mso-bidi-font-family: Mitra;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Theory of Architecture and\r\nArt</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"85\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><b><span dir=\"LTR\" style=\"font-size: 16.0pt; font-family: \'Adobe Arabic\',\'serif\';\"> </span></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 43; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Publications:\r\n1. Articles and Essays</span></b><b></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 44; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Roshtkhār Monument: Mosque\r\nor Khaneqah? (with Sina Soltani), in <i>Nāma-yi Me’mārī-u\r\nShahrsāsī</i>, no. 13</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2014</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 45; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Cultural History in Iranian\r\nArchitectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <i>Mutāli’āt-i\r\nTārikh-i Farhangī</i>, no. 17</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 46; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Hanjār-i Mādī</span></i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">: Water Management System in Safavid Isfahan\r\n(with Safa Mahmoudian), in <i>Nāma-yi Me’mārī-u\r\nShahrsāsī</i>, no. 10</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 47; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Khāk-u Khirad</span></i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">: Reflections on the Status of Architecture in\r\nRumi’s <i>Mathnawi</i> (with Hamidreza Pishvaie), in <i>Mutāli’āt-i</i>\r\n<i>Me’mārī-yi Īrān</i>, no. 3</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 48; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">History of Mentalities in\r\nIranian Architecture: an Introduction (with Omid Shams), in <i>Mutāli’āt-i\r\nMe’mārī-yi Īrān</i>, no. 2</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 49; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">A Flowers Harvest for the\r\nFriends of Architectural School: Reflections on Pirnia’s Achievements for\r\nArchitectural Education in Iran (with M. Abdollahzadeh), in <i>Fasl-nāma-yi\r\nĀmūzish-i Muhandidī-yi Īrān</i>, no. 56</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 50; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Theory of Living Time in\r\nPeriodization of Iranian Architectural History, in <i>International Journal\r\nof Architecture and Urban Development</i>, no. 7</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 51; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Bām-u būm-u mardum</span></i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">: Rereading Pirnia’s Principles for Iranian\r\nArchitecture (with M. Abdollahzadeh), in <i>Mutāli’āt-i</i> <i>Me’mārī-yi\r\nĪrān</i>, no. 1</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 52; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">An Introduction to Relation of\r\nMan and Space as Seen in Rumi\'s <i>Mathnawi </i>(with Hamidreza Pishvaie), in\r\nMawlānā- Pazhūhī, no. 4<i></i></span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 53; page-break-inside: avoid; height: 45.35pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Islamic Artist and <i>Zikr</i>:\r\n</span><span style=\"font-size: 10.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Rethinking the Relation\r\nbetween Islamic Art and Sufism, in 2nd International Symposium on Mystical\r\nAspects of Islamic Art and Literature, Kuala Lampur</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 54; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Islamic Artist and <i>Zikr</i>:\r\nRethinking the Relation the Islamic Art and Mysticism, in <i>al-Shajarah</i>,\r\nSpecial issue.</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 55; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Rethinking the Relation\r\nbetween Islamic Art and Mysticism on the Basis of Historical Evidences, in <i>Tārīkh-u\r\nTamaddon-i Islāmī</i>, no. 12</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 56; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Az Sirishk Tā\r\nPārgīn</span></i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">: Water and City in the\r\nPersian Prose of the First Islamic Centuries, in <i>Suffa</i> (<i>Soffeh</i>),\r\nno. 48</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 57; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">In Search of an Iranian\r\nPhilosophy of Architectural History: the Theory of Living Time, in the\r\nInternational Congress on the Day of Philosophy </span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 58; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Reflections on Some Terms on\r\nOld of Calligraphy (with Mehdi Sahragard), in <i>Pazhūhesh-nāma-yi\r\nFarhangistān-i Hunar</i>, no. 15</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 59; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">From Tear to Sewer, in the\r\n2nd International Conference on Water, Ecosystem and Sustainable Development\r\nin Arid and Semi-Arid Zones</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 60; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Az Sirishk Tā\r\nPārgīn</span></i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">: Water and City in the\r\nPersian Prose of the First Islamic Centuries, in </span><span style=\"font-size: 10.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">International Congress of the Islamic Philosophy\r\nand the Challenges of the Modern World</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 61; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">On the Sources of the\r\nHistory of Iranian Architecture and Its Research Principles, in <i>Gulistān-i\r\nHunar</i> (<i>Golestān-e Honar</i>), no. 15</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 62; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Patronage and the Hidden\r\nAspects of the History of Iranian Art, in <i>Gulistān-i Hunar</i> (<i>Golestān-e\r\nHonar</i>), no. 13</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 63; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Layers of Persian\r\nGarden, in <i>Gulistān-i Hunar</i> (<i>Golestān-e Honar</i>),<span style=\"mso-spacerun: yes;\"> </span>no. 12</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 64; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Gardens of\r\nKhurāsān in Beyhaqī’s History, in <i>Suffa</i> (<i>Soffeh</i>),\r\nno. 46</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 65; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Restoration of Heart and\r\nRestoration of Clay: B. Shirazi among the Chain of Conservators, in <i>Gulistān-i\r\nHunar</i> (<i>Golestān-e Honar</i>), Special Issue</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 66; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Craft Ethics: Adab Treatises\r\nas Resources of Iranian Art History, in <i>Gulistān-i Hunar</i> (<i>Golestān-e\r\nHonar</i>), no. 10</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 67; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Difficulties in the Study of\r\nIranian Architectural History, and the Phenomenon of B. Shirazi, in <i>Gulistān-i\r\nHunar</i> (<i>Golestān-e Honar</i>), no. 8</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 68; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Temperament of Time: the\r\nTheory of Living Time in the Periodization of Iranian Architectural History,\r\nin <i>Gulistān-i Hunar</i> (<i>Golestān-e Honar</i>), no. 7</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 69; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Safavid Isfahan and the\r\nProblem of Classification in the History of Iranian Art, in <i>Gulistān-i\r\nHunar</i> (<i>Golestān-e Honar</i>), no. 5</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 70; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Gardens of Khurasan in\r\nBeyhaqi\'s History, in the Proceedings of the First Congress on the History of\r\nIranian Architecture and Urbanism – Kerman, Bam</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2006</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 71; page-break-inside: avoid; height: 45.35pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Tārīkh-i Zākirāna</span></i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">: <span style=\"letter-spacing: -.2pt;\">Seeking a\r\nTheoretical Basis for History and History of Art in Iranian Culture on the\r\nBasis of Beyhaqi\'s History, Conference on Art, Tradition, and\r\nTraditionalists, Tehran</span></span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2006</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 72; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Theory Construction and the\r\nalphabet of Theory Creating, in <i>Suffa</i> (<i>Soffeh</i>), no. 40</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2006</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 73; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Architectural Training in\r\nPre-Modern Era on the Basis of <i>Risāla-yi Mi\'māriyya</i>, in <i>Suffa</i>\r\n(<i>Soffeh</i>), no. 42</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2006</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 74; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Four Histories of Iranian\r\nArchitecture: a Critical Analysis, in <i>Khiyāl</i>, no. 15</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2005</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 75; page-break-inside: avoid; height: 45.35pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Three Monuments of the Ne’matollahi\r\nSufi Order in Iran, in the Proceedings of the Second International Symposium\r\non Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2005</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 76; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Oleg Grabar, His Thoughts\r\nand Work, in <i>Dānishnāma</i>, no. 2</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2004</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 77; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Titus Burkhardt on Art, in\r\nthe First Conference on Art, Tradition, and Traditionalists, Tehran </span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2004</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 78; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Architectural Training in\r\nPre-Modern Era on the Basis of <i>Risāla-yi Mi\'māriyya</i>, in the\r\nFirst Conference on Spirituality and Art Education, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2004</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 79; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">A Plan for the Oral History\r\nof Iranian Architecture, in the Website of Iranian Cultural Heritage News\r\nAgency (www.chn.ir)</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2003</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 80; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Cultural Heritage, Matter of\r\nNostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage\r\nNews Agency (www.chn.ir)</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2003</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 81; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">After Forty Years Pain and\r\nGrief …: a Review on <i>Ganjnameh</i>, in the Website of Iranian Cultural\r\nHeritage News Agency (www.chn.ir)</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2003</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 82; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Architect and <i>Zikr</i>,\r\nin the Proceedings of the Conference on the Traditionalist Criticism of\r\nModernity</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2003</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 83; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Architect and <i>Zikr</i>,\r\nin <i>Irfān-i Īrān</i>, no. 12</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2002</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 84; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Shrine of Shāh\r\nNe\'matollāh, an Architectural Analysis, in the Proceedings of the First\r\nInternational Symposium on Seyyed Shah Nematollah, San Joze Univ., California,\r\n2002</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2002</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 85; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Ganj-Ali Khān Public\r\nBath, in <i>Ravāq</i>, no. 4</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2000</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 86; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">For I’m the Sun-slave…, in <i>Ravāq</i>,\r\nno. 4</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2000</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 87; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Hasht-Behesht Pavilion, in <i>Ravāq</i>,\r\nno. 3</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">1999</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 88; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Ghiyāssiyya Madrasa in\r\nKhargird, in <i>Ravāq</i>, no. 2</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">1999</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 89; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">A Letter of Treasure: a\r\nReview on <i>Ganjnameh</i></span><span style=\"font-size: 10.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">, in <i>Ravāq</i>,\r\nno. 2</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">1999</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 90; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Risāla-yi Me’mārīyya\r\nand the Architect of Ahmadīyya Mosque, </span><span style=\"font-size: 10.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">in the Proceedings of the First Congress on\r\nArchitecture of Mosque −Past, Present and Future, Isfahan, 1998</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">1998</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 91; page-break-inside: avoid; height: 45.35pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Light and Sight in the\r\nArchitecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings\r\nof the First Congress on the History of Iranian Architecture and Urbanism –\r\nKerman, Bam, 1996</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">1996</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 92; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of\r\n“Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the\r\nRab-‘e Rashīdī” by Sheila S. Blair, in <i>Gulistān-i Hunar</i>\r\n(<i>Golestān-e Honar</i>), no. 13</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 93; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of “Four\r\nSources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <i>Gulistān-i\r\nHunar</i> (<i>Golestān-e Honar</i>), no. 6</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 94; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of “Interpretational-\r\nHistorical Research” by David Wang, in <i>Suffa</i> (<i>Soffeh</i>), no. 39</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2005</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 95; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of “Inquiry\r\nSystems and Research Quality Criteria” by Linda Groat, in <i>Suffa</i> (<i>Soffeh</i>),\r\nno. 37</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2004</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 96; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of “Pattern\r\nand Cosmology” by Keith Critchlow, in <i>Jām-i naw va may-i kuhan</i> (Collected\r\nEssays by the Prominent Thinkers of Sophia Perennia)</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2004</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 97; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of\r\n\"Symbolism\" by Vital Perry, in <i>Jām-i Naw Va May-i Kuhan</i>\r\n(Collected Essays by the Prominent Thinkers of Sophia Perennia)</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2004</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 98; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of “Safi\r\nal-Din Urmawi”, by Eckhardt Neubauer, in <i>Khiyāl</i>, no. 11</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2004</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 99; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of\r\n“Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <i>Ravāq</i>,\r\nno. 1 </span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">1998</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 100; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Publications:\r\n2. Books</span></b><b></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 101; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Essays on the Theory and\r\nHistory of Architecture and Art</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 102; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian Literature as Source\r\nof Architectural History: a Bibliographical Introduction, volume 1: Persian\r\nProse of the First Islamic Centuries</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 103; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Dictionary of Iranian\r\nArchitecture in Persian Reference Books, volume 2: Proper Names (with S.\r\nMohammad Beheshti)</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 104; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Dictionary of Iranian\r\nArchitecture in Persian Reference Books, volume 1: Terms and Concepts (with\r\nS. Mohammad Beheshti)</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 105; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Trilingual Dictionary of\r\nIslamic Architecture (with S. Ali Emadi Estarabadi)</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 106; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Ganjnameh: Cyclopedia of\r\nIranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz\r\nHaji-Qassemi)</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2005</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 107; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of\r\nRisāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 108; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of\r\nMeaning in Western Architecture, by Christian Norberg-Schulz</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 109; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of the\r\nDynamics of Architectural Form, by Rudolf Arnheim</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2003</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 110; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of the\r\nTimeless Way of Building by Christopher Alexander</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2002</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 111; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of Topkapi\r\nScroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2001</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 112; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of Quranic\r\nArt and Calligraphy, by Martin Lings</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">1998</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 113; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Teaching\r\nExperience</span></b><b></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 114; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Pre-Dissertation Course, PhD\r\nin Architecture, Faculty of Architecture and Urban Development, Shahid\r\nBeheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Since 2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 115; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Pre-Dissertation Course, PhD\r\nin Conservation, Isfahan Art University</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 116; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Pre-Dissertation Course, PhD\r\nin Art Studies, Isfahan Art University</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 117; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Writing about Architecture,\r\nMA in Iranian Architectural Studies, Faculty of Architecture and Urban Development,\r\nShahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Since 2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 118; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Primary Sources of Iranian\r\nArchitectural History, MA in Iranian Architectural Studies, Faculty of\r\nArchitecture and Urban Development, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Since 2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 119; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Introduction to Architectural\r\nHistory, MA in Iranian Architectural Studies, Faculty of Architecture and\r\nUrban Development, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Since 2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 120; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Workshop on Dissertation\r\nPreparation, MA in Iranian Architectural Studies, Faculty of Architecture and\r\nUrban Development, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011-2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 121; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Architectural Design (Studio\r\n4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid\r\nBeheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 122; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Introduction to Islamic\r\nArchitecture, BA in Architecture, Faculty of Architecture and Urban\r\nDevelopment, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2002-2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 123; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Dissertations:\r\n1. Supervised</span></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 124; page-break-inside: avoid; height: 51.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Principles of Persian\r\nArchitecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli,\r\nMA in Iranian Architectural Studies, Faculty of Architecture and Urban\r\nDevelopment, Shahid Beheshti University, Tehran </span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2014</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 125; page-break-inside: avoid; height: 45.35pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Nayin Friday Mosque: Rereading\r\nIts Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian\r\nArchitectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2014</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 126; page-break-inside: avoid; height: 51.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Some Basic Concepts of\r\nArchitecture in Iran in the Transition Period from the Late Sassanid to the\r\nFirst Islamic Era</span><span dir=\"RTL\" lang=\"FA\" style=\"font-size: 11.0pt; font-family: Mitra; mso-ascii-font-family: \'Book Antiqua\'; mso-hansi-font-family: \'Book Antiqua\'; mso-bidi-language: FA;\">:</span> <span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">With an Emphasis on <i>Ābādānī</i>,\r\nby Motahareh Danaeifar, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2014</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 127; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">A Search for the Principles\r\n(<i>ādāb</i>) of Iranian Architecture according to the <i>adab</i>\r\ntreatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 128; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Reflections on the Guilds\r\nand Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian\r\nArchitectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 129; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Formal Structure of Tehran\r\nBazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 130; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">A Search for Khaniqah’s\r\nArchitecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA\r\nin Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 131; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The City of Visitation:\r\nRereading Kashan City through the Window of Shiite Pilgrimage, by Zahra\r\nChitsazian, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 132; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">An Introduction to Cultural\r\nHistory of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian\r\nArchitectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 133; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Heavens and the Vaults:\r\nLevels of Architecture in Relation to Being and Human in Rumi’s <i>Mathnawi</i>,\r\nby Hamidreza Pishvaie, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 134; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">From Heavenly to Earthy\r\nArchitecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona\r\nBolouri Bazaz, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 135; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Oral History in Iranian\r\nArchitectural History: An Introduction to the Theoretical and Practical\r\nIssues, by S. Mitra Hashemi, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 136; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Qibla in Iranian Architecture:\r\nIts Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian\r\nArchitectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 137; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Story of Fadan <i>Mādī</i>:\r\nLife, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa\r\nMahmoudian, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 138; page-break-inside: avoid; height: 51.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Architecture between Form\r\nand Meaning</span><span dir=\"RTL\" lang=\"FA\" style=\"font-size: 11.0pt; font-family: Mitra; mso-ascii-font-family: \'Book Antiqua\'; mso-hansi-font-family: \'Book Antiqua\'; mso-bidi-language: FA;\">:</span><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\"> the\r\nRole and Implications of Context in Architectural History, by Mohammad\r\nGholamali Fallah, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 139; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Evolution of Iranian\r\nArchitecture in the First Islamic Centuries, by Ali Akbari, MA in\r\nArchitecture, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 140; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Manifestation of Eternity in\r\nthe Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin\r\nKarimi, MA in Art Studies, Kashan University</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 141; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Architectural Terms in the\r\nSafavid Period: an Introduction, by Bita Qahramani, MA in Iranian\r\nArchitectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 142; page-break-inside: avoid; height: 51.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Architecture, Life and\r\nBeauty in Baburnama: Interpreting some Architectural Issues in Babur’s\r\nAutobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural\r\nStudies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 143; page-break-inside: avoid; height: 51.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Running away from School:\r\nPirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad\r\nMahdi Abdollahzadeh, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 144; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Role of Architecture\r\nHistory in Architectural Education: a Review of Viewpoints, by Fahimeh\r\nFotouhi, MA in Architecture, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 145; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">From Event to Space: on What\r\n<i>Sabat</i> and <i>Meydan</i> Mean in Meybod, by Elnaz Najjar Najafi, MA in\r\nIranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 146; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Houraman Takht Village: a\r\nPhysical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA\r\nin Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 147; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Role of Viziers in the\r\nPatronage of Architecture in the Second Half of Safavid Period, by Mahdi\r\nSoltani, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 148; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Architectural Information in\r\nQajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh\r\nNazifkar, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 149; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Sassanid <i>Chahaar-taaq</i>:\r\nSpace and Meaning, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 150; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Madrasa of Khargird: the\r\nStory of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in\r\nIranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 151; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Dissertations:\r\n2. Consulted</span></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 152; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Rereading Urban Historical\r\nLandscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid\r\nBeheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 153; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Sacred Meaning of Color in\r\nImam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri,\r\nShahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 154; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">A Study on the Concept of\r\nCenter and Its Role in Architectural Creation, by Zoha Nadimi, MA in\r\nArchitecture, Yazd University </span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 155; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Important Evolution in the\r\nStructure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian\r\nArchitectural Studies, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 156; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Relation Between the\r\nHouse Form an the Culture in Qajar Mansions of Tabriz, by Parisa\r\nMohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti\r\nUniversity, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 157; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Dual Role of\r\nArchitecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA\r\nin Painting, Shahed University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 158; page-break-inside: avoid; height: 51.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Architectural Glossary of\r\nMirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar\r\nEra, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies,\r\nShahid Beheshti University, Tehran </span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 159; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Reconstruction of Rab’-e\r\nRashidi on the Basis of Its <i>Waqfiyyeh</i>, by Azita Balali Oskuyi, MA in\r\nArchitecture, Islamic Art University, Tabriz</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 160; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Personal\r\nInformation</span></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 161; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Born: Tehran, 1960</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 162; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Languages</span></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 163; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Reading and Translation Competence\r\nin English and Arabic</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 164; mso-yfti-lastrow: yes; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Native in Persian</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<p class=\"MsoNormal\" style=\"text-align: left; direction: ltr; unicode-bidi: embed;\"></p>\r\n\r\n</div>\r\n \r\n\r\n ','English CV','','inherit','closed','closed','','31-revision-v1','','','2016-02-28 07:25:02','2016-02-28 07:25:02','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(35,1,'2016-02-28 07:29:43','2016-02-28 07:29:43',' \r\n\r\nMehrdad Qayyoomi, …<!-- [if gte mso 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4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"List Table 2 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"List Table 3 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"List Table 4 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"List Table 5 Dark Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"List Table 6 Colorful Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"List Table 7 Colorful Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"List Table 1 Light Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"List Table 2 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"List Table 3 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"List Table 4 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"List Table 5 Dark Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"List Table 6 Colorful Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"List Table 7 Colorful Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"List Table 1 Light Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"List Table 2 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"List Table 3 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"List Table 4 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"List Table 5 Dark Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"List Table 6 Colorful Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"List Table 7 Colorful Accent 6\"/>\r\n</w:LatentStyles>\r\n</xml><![endif]-->\r\n\r\n<!-- [if gte mso 10]>\r\n\r\n<style>\r\n /* Style Definitions */\r\ntable.MsoNormalTable\r\n{mso-style-name:\"Table Normal\";\r\nmso-tstyle-rowband-size:0;\r\nmso-tstyle-colband-size:0;\r\nmso-style-noshow:yes;\r\nmso-style-priority:99;\r\nmso-style-parent:\"\";\r\nmso-padding-alt:0cm 5.4pt 0cm 5.4pt;\r\nmso-para-margin:0cm;\r\nmso-para-margin-bottom:.0001pt;\r\nmso-pagination:widow-orphan;\r\nfont-size:10.0pt;\r\nfont-family:\"Times New Roman\",\"serif\";\r\nmso-ansi-language:EN-GB;\r\nmso-fareast-language:EN-GB;}\r\ntable.MsoTableGrid\r\n{mso-style-name:\"Table Grid\";\r\nmso-tstyle-rowband-size:0;\r\nmso-tstyle-colband-size:0;\r\nmso-style-unhide:no;\r\nborder:solid black 1.0pt;\r\nmso-border-alt:solid black .5pt;\r\nmso-padding-alt:0cm 5.4pt 0cm 5.4pt;\r\nmso-border-insideh:.5pt solid black;\r\nmso-border-insidev:.5pt solid black;\r\nmso-para-margin:0cm;\r\nmso-para-margin-bottom:.0001pt;\r\nmso-pagination:widow-orphan;\r\nfont-size:10.0pt;\r\nfont-family:\"Times New Roman\",\"serif\";\r\nmso-ansi-language:EN-GB;\r\nmso-fareast-language:EN-GB;}\r\n</style><![endif]--><!-- [if gte mso 9]><xml>\r\n<o:shapedefaults v:ext=\"edit\" spidmax=\"1026\"/>\r\n</xml><![endif]--><!-- [if gte mso 9]><xml>\r\n<o:shapelayout v:ext=\"edit\">\r\n<o:idmap v:ext=\"edit\" data=\"1\"/>\r\n</o:shapelayout></xml><![endif]-->\r\n\r\n \r\n<div class=\"WordSection1\">\r\n<table class=\"MsoNormalTable\" style=\"width: 683px; border-collapse: collapse; height: 14497px;\" border=\"0\" width=\"605\" cellspacing=\"0\" cellpadding=\"0\">\r\n<tbody>\r\n<tr style=\"mso-yfti-irow: 0; mso-yfti-firstrow: yes; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<h3 style=\"text-align: left; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 12.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000;\">Education</span></h3>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 1; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span dir=\"RTL\" lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: \'Book Antiqua\'; mso-hansi-font-family: \'Book Antiqua\';\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">PhD in Architecture, Faculty of Architecture and\r\nUrban Development, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; mso-bidi-language: FA;\">2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 2; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span dir=\"RTL\" lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: \'Book Antiqua\'; mso-hansi-font-family: \'Book Antiqua\';\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">MA in Art Studies, University of Art, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2002</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 3; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span dir=\"RTL\" lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: \'Book Antiqua\'; mso-hansi-font-family: \'Book Antiqua\';\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">BA in Architecture, Faculty of Architecture and\r\nUrban Development, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">1987</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 4; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<h3 style=\"margin-left: 18.0pt; text-align: left; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 12.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Honors and Awards</span></h3>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 5; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Award for Morality and\r\nSpirituality in Art and Research</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 6; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Distinguished Researcher of Shahid\r\nBeheshti University</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 7; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Seasonal Book Award of\r\nIslamic Republic of Iran, for Persian translation of <i>Risāla-yi Mi’mārīyya</i></span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 8; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">First and Special Award,\r\nFarabi International Award, for “Principles of Researching Iranian\r\nArchitecture in Persian Primary Sources”</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 9; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Research Fellowship, Farabi\r\nInternational Award</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 10; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Annual Book Award of Islamic\r\nRepublic of Iran, for Persian translation of <i>Meaning in Western\r\nArchitecture</i></span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 11; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Annual Book Award of Islamic\r\nRepublic of Iran, for Persian translation of <i>The Topkapi Scroll: Geometry\r\nand Ornament in Islamic Architecture</i></span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2003</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 12; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<h1 style=\"margin-left: 18.0pt; text-align: left; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 12.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Memberships</span></h1>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 13; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Associate Member, the\r\nIranian Academy of Art</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2005</span><b></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 14; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Invited Member, the Iranian\r\nAcademy of Science</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 15; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Invited Member, the Iranian\r\nAcademy of Persian Language and Literature</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 16; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Member of Editorial Board, <i>Athar</i>\r\nQuarterly</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 17; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Affiliated Member, Iran\r\nICOMOS</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 18; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Member of the Board of\r\nTrustees, Art Studies Center, the Iranian Academy of Art</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2006</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 19; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Member of the Committee of\r\nArchitecture and Urban Development, Iranian Academy of Art</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2002</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 20; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<h1 style=\"margin-left: 18.0pt; text-align: left; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 12.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Present\r\nPositions</span></h1>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 21; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Faculty Member, Department\r\nof Architectural History and Conservation, Faculty of Architecture and Urban\r\nDevelopment, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2002</span><b></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 22; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Faculty Member, Iranshahrpedia\r\n(Encyclopedia of Iranian Architectural History)</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2006</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 23; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Past\r\nPositions</span></b><b></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 24; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Head of the Department of\r\nArchitectural History and Conservation, Faculty of Architecture and Urban\r\nDevelopment, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2008-2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 25; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Editor-in-Chief and Founder\r\nEditor, <i>Golestān-e Honar</i> (<i>Gulistān-i Hunar</i>: Quarterly\r\nof the Iranian Academy of Art, on the History of Iranian Art and\r\nArchitecture)</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2005-2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 26; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Member of Editorial Board, <i>Khiyāl</i>\r\n(Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of\r\nArt)</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2002-2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 27; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Faculty Member, the Iranian\r\nAcademy of Art</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2004-2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 28; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Head and Founder of the\r\nCommittee of Art History, the Iranian Academy of Art</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2006-2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 29; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Editor-in-Chief and Founder\r\nEditor, <i>Khiyāl</i> (Quarterly of the Iranian Academy of Art, on the\r\nPhilosophy and Theory of Art)</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2002-2005</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 30; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Chief’s Consultant, Iranian\r\nCultural Heritage Organization</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2002-2003</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 31; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Member of Jury, the First\r\nCongress on “Bath in Iranian Culture”, Kerman</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2003</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 32; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Member of the Board of\r\nDirectors and Jury, the Third and Fourth Congress on the History of Iranian\r\nArchitecture and Urbanism, Bam</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2003-2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 33; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Dean of the Office, Head\r\nOffice of Museums in Iran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2002</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 34; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Member of Editorial Board, <i>Moozé-hā</i>\r\n(Quarterly journal on museum affairs)</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2002</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 35; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Secretary of the\r\nArchitecture and Urbanism Committee, the Iranian Academy of Art</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2001</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 36; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Deputy of General Director,\r\nIranian Cultural Heritage Organization –Isfahan Province</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2000</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 37; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Editor-in-Chief and Founder\r\nEditor, <i>Ravāq</i> (Quarterly on architecture & art studies) </span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">1998-2000</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 38; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Research\r\nand Teaching Interests</span></b><b></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 39; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span dir=\"LTR\" style=\"font-family: \'Calibri\',\'sans-serif\'; mso-bidi-font-family: Mitra;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">History of Iranian and\r\nPersianate Architecture and Art </span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"85\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><b><span dir=\"LTR\" style=\"font-size: 16.0pt; font-family: \'Adobe Arabic\',\'serif\';\"> </span></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 40; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span dir=\"LTR\" style=\"font-family: \'Calibri\',\'sans-serif\'; mso-bidi-font-family: Mitra;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Islamic Architecture and Art</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"85\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><b><span dir=\"LTR\" style=\"font-size: 16.0pt; font-family: \'Adobe Arabic\',\'serif\';\"> </span></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 41; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span dir=\"LTR\" style=\"font-family: \'Calibri\',\'sans-serif\'; mso-bidi-font-family: Mitra;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Theory and Methodology of\r\nArchitectural History </span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"85\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><b><span dir=\"LTR\" style=\"font-size: 16.0pt; font-family: \'Adobe Arabic\',\'serif\';\"> </span></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 42; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span dir=\"LTR\" style=\"font-family: \'Calibri\',\'sans-serif\'; mso-bidi-font-family: Mitra;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Theory of Architecture and\r\nArt</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"85\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><b><span dir=\"LTR\" style=\"font-size: 16.0pt; font-family: \'Adobe Arabic\',\'serif\';\"> </span></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 43; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Publications:\r\n1. Articles and Essays</span></b><b></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 44; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Roshtkhār Monument: Mosque\r\nor Khaneqah? (with Sina Soltani), in <i>Nāma-yi Me’mārī-u\r\nShahrsāsī</i>, no. 13</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2014</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 45; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Cultural History in Iranian\r\nArchitectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <i>Mutāli’āt-i\r\nTārikh-i Farhangī</i>, no. 17</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 46; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Hanjār-i Mādī</span></i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">: Water Management System in Safavid Isfahan\r\n(with Safa Mahmoudian), in <i>Nāma-yi Me’mārī-u\r\nShahrsāsī</i>, no. 10</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 47; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Khāk-u Khirad</span></i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">: Reflections on the Status of Architecture in\r\nRumi’s <i>Mathnawi</i> (with Hamidreza Pishvaie), in <i>Mutāli’āt-i</i>\r\n<i>Me’mārī-yi Īrān</i>, no. 3</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 48; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">History of Mentalities in\r\nIranian Architecture: an Introduction (with Omid Shams), in <i>Mutāli’āt-i\r\nMe’mārī-yi Īrān</i>, no. 2</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 49; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">A Flowers Harvest for the\r\nFriends of Architectural School: Reflections on Pirnia’s Achievements for\r\nArchitectural Education in Iran (with M. Abdollahzadeh), in <i>Fasl-nāma-yi\r\nĀmūzish-i Muhandidī-yi Īrān</i>, no. 56</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 50; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Theory of Living Time in\r\nPeriodization of Iranian Architectural History, in <i>International Journal\r\nof Architecture and Urban Development</i>, no. 7</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 51; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Bām-u būm-u mardum</span></i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">: Rereading Pirnia’s Principles for Iranian\r\nArchitecture (with M. Abdollahzadeh), in <i>Mutāli’āt-i</i> <i>Me’mārī-yi\r\nĪrān</i>, no. 1</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 52; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">An Introduction to Relation of\r\nMan and Space as Seen in Rumi\'s <i>Mathnawi </i>(with Hamidreza Pishvaie), in\r\nMawlānā- Pazhūhī, no. 4<i></i></span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 53; page-break-inside: avoid; height: 45.35pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Islamic Artist and <i>Zikr</i>:\r\n</span><span style=\"font-size: 10.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Rethinking the Relation\r\nbetween Islamic Art and Sufism, in 2nd International Symposium on Mystical\r\nAspects of Islamic Art and Literature, Kuala Lampur</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 54; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Islamic Artist and <i>Zikr</i>:\r\nRethinking the Relation the Islamic Art and Mysticism, in <i>al-Shajarah</i>,\r\nSpecial issue.</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 55; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Rethinking the Relation\r\nbetween Islamic Art and Mysticism on the Basis of Historical Evidences, in <i>Tārīkh-u\r\nTamaddon-i Islāmī</i>, no. 12</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 56; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Az Sirishk Tā\r\nPārgīn</span></i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">: Water and City in the\r\nPersian Prose of the First Islamic Centuries, in <i>Suffa</i> (<i>Soffeh</i>),\r\nno. 48</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 57; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">In Search of an Iranian\r\nPhilosophy of Architectural History: the Theory of Living Time, in the\r\nInternational Congress on the Day of Philosophy </span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 58; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Reflections on Some Terms on\r\nOld of Calligraphy (with Mehdi Sahragard), in <i>Pazhūhesh-nāma-yi\r\nFarhangistān-i Hunar</i>, no. 15</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 59; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">From Tear to Sewer, in the\r\n2nd International Conference on Water, Ecosystem and Sustainable Development\r\nin Arid and Semi-Arid Zones</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 60; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Az Sirishk Tā\r\nPārgīn</span></i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">: Water and City in the\r\nPersian Prose of the First Islamic Centuries, in </span><span style=\"font-size: 10.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">International Congress of the Islamic Philosophy\r\nand the Challenges of the Modern World</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 61; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">On the Sources of the\r\nHistory of Iranian Architecture and Its Research Principles, in <i>Gulistān-i\r\nHunar</i> (<i>Golestān-e Honar</i>), no. 15</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 62; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Patronage and the Hidden\r\nAspects of the History of Iranian Art, in <i>Gulistān-i Hunar</i> (<i>Golestān-e\r\nHonar</i>), no. 13</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 63; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Layers of Persian\r\nGarden, in <i>Gulistān-i Hunar</i> (<i>Golestān-e Honar</i>),<span style=\"mso-spacerun: yes;\"> </span>no. 12</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 64; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Gardens of\r\nKhurāsān in Beyhaqī’s History, in <i>Suffa</i> (<i>Soffeh</i>),\r\nno. 46</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 65; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Restoration of Heart and\r\nRestoration of Clay: B. Shirazi among the Chain of Conservators, in <i>Gulistān-i\r\nHunar</i> (<i>Golestān-e Honar</i>), Special Issue</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 66; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Craft Ethics: Adab Treatises\r\nas Resources of Iranian Art History, in <i>Gulistān-i Hunar</i> (<i>Golestān-e\r\nHonar</i>), no. 10</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 67; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Difficulties in the Study of\r\nIranian Architectural History, and the Phenomenon of B. Shirazi, in <i>Gulistān-i\r\nHunar</i> (<i>Golestān-e Honar</i>), no. 8</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 68; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Temperament of Time: the\r\nTheory of Living Time in the Periodization of Iranian Architectural History,\r\nin <i>Gulistān-i Hunar</i> (<i>Golestān-e Honar</i>), no. 7</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 69; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Safavid Isfahan and the\r\nProblem of Classification in the History of Iranian Art, in <i>Gulistān-i\r\nHunar</i> (<i>Golestān-e Honar</i>), no. 5</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 70; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Gardens of Khurasan in\r\nBeyhaqi\'s History, in the Proceedings of the First Congress on the History of\r\nIranian Architecture and Urbanism – Kerman, Bam</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2006</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 71; page-break-inside: avoid; height: 45.35pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Tārīkh-i Zākirāna</span></i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">: <span style=\"letter-spacing: -.2pt;\">Seeking a\r\nTheoretical Basis for History and History of Art in Iranian Culture on the\r\nBasis of Beyhaqi\'s History, Conference on Art, Tradition, and\r\nTraditionalists, Tehran</span></span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2006</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 72; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Theory Construction and the\r\nalphabet of Theory Creating, in <i>Suffa</i> (<i>Soffeh</i>), no. 40</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2006</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 73; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Architectural Training in\r\nPre-Modern Era on the Basis of <i>Risāla-yi Mi\'māriyya</i>, in <i>Suffa</i>\r\n(<i>Soffeh</i>), no. 42</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2006</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 74; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Four Histories of Iranian\r\nArchitecture: a Critical Analysis, in <i>Khiyāl</i>, no. 15</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2005</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 75; page-break-inside: avoid; height: 45.35pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Three Monuments of the Ne’matollahi\r\nSufi Order in Iran, in the Proceedings of the Second International Symposium\r\non Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2005</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 76; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Oleg Grabar, His Thoughts\r\nand Work, in <i>Dānishnāma</i>, no. 2</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2004</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 77; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Titus Burkhardt on Art, in\r\nthe First Conference on Art, Tradition, and Traditionalists, Tehran </span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2004</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 78; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Architectural Training in\r\nPre-Modern Era on the Basis of <i>Risāla-yi Mi\'māriyya</i>, in the\r\nFirst Conference on Spirituality and Art Education, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2004</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 79; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">A Plan for the Oral History\r\nof Iranian Architecture, in the Website of Iranian Cultural Heritage News\r\nAgency (www.chn.ir)</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2003</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 80; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Cultural Heritage, Matter of\r\nNostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage\r\nNews Agency (www.chn.ir)</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2003</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 81; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">After Forty Years Pain and\r\nGrief …: a Review on <i>Ganjnameh</i>, in the Website of Iranian Cultural\r\nHeritage News Agency (www.chn.ir)</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2003</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 82; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Architect and <i>Zikr</i>,\r\nin the Proceedings of the Conference on the Traditionalist Criticism of\r\nModernity</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2003</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 83; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Architect and <i>Zikr</i>,\r\nin <i>Irfān-i Īrān</i>, no. 12</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2002</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 84; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Shrine of Shāh\r\nNe\'matollāh, an Architectural Analysis, in the Proceedings of the First\r\nInternational Symposium on Seyyed Shah Nematollah, San Joze Univ., California,\r\n2002</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2002</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 85; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Ganj-Ali Khān Public\r\nBath, in <i>Ravāq</i>, no. 4</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2000</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 86; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">For I’m the Sun-slave…, in <i>Ravāq</i>,\r\nno. 4</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2000</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 87; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Hasht-Behesht Pavilion, in <i>Ravāq</i>,\r\nno. 3</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">1999</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 88; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Ghiyāssiyya Madrasa in\r\nKhargird, in <i>Ravāq</i>, no. 2</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">1999</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 89; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">A Letter of Treasure: a\r\nReview on <i>Ganjnameh</i></span><span style=\"font-size: 10.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">, in <i>Ravāq</i>,\r\nno. 2</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">1999</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 90; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Risāla-yi Me’mārīyya\r\nand the Architect of Ahmadīyya Mosque, </span><span style=\"font-size: 10.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">in the Proceedings of the First Congress on\r\nArchitecture of Mosque −Past, Present and Future, Isfahan, 1998</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">1998</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 91; page-break-inside: avoid; height: 45.35pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Light and Sight in the\r\nArchitecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings\r\nof the First Congress on the History of Iranian Architecture and Urbanism –\r\nKerman, Bam, 1996</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">1996</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 92; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of\r\n“Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the\r\nRab-‘e Rashīdī” by Sheila S. Blair, in <i>Gulistān-i Hunar</i>\r\n(<i>Golestān-e Honar</i>), no. 13</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 93; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of “Four\r\nSources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <i>Gulistān-i\r\nHunar</i> (<i>Golestān-e Honar</i>), no. 6</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 94; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of “Interpretational-\r\nHistorical Research” by David Wang, in <i>Suffa</i> (<i>Soffeh</i>), no. 39</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2005</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 95; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of “Inquiry\r\nSystems and Research Quality Criteria” by Linda Groat, in <i>Suffa</i> (<i>Soffeh</i>),\r\nno. 37</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2004</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 96; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of “Pattern\r\nand Cosmology” by Keith Critchlow, in <i>Jām-i naw va may-i kuhan</i> (Collected\r\nEssays by the Prominent Thinkers of Sophia Perennia)</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2004</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 97; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of\r\n\"Symbolism\" by Vital Perry, in <i>Jām-i Naw Va May-i Kuhan</i>\r\n(Collected Essays by the Prominent Thinkers of Sophia Perennia)</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2004</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 98; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of “Safi\r\nal-Din Urmawi”, by Eckhardt Neubauer, in <i>Khiyāl</i>, no. 11</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2004</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 99; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of\r\n“Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <i>Ravāq</i>,\r\nno. 1 </span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">1998</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 100; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Publications:\r\n2. Books</span></b><b></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 101; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Essays on the Theory and\r\nHistory of Architecture and Art</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 102; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian Literature as Source\r\nof Architectural History: a Bibliographical Introduction, volume 1: Persian\r\nProse of the First Islamic Centuries</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 103; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Dictionary of Iranian\r\nArchitecture in Persian Reference Books, volume 2: Proper Names (with S.\r\nMohammad Beheshti)</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 104; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Dictionary of Iranian\r\nArchitecture in Persian Reference Books, volume 1: Terms and Concepts (with\r\nS. Mohammad Beheshti)</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 105; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Trilingual Dictionary of\r\nIslamic Architecture (with S. Ali Emadi Estarabadi)</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 106; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Ganjnameh: Cyclopedia of\r\nIranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz\r\nHaji-Qassemi)</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2005</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 107; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of\r\nRisāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 108; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of\r\nMeaning in Western Architecture, by Christian Norberg-Schulz</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 109; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of the\r\nDynamics of Architectural Form, by Rudolf Arnheim</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2003</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 110; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of the\r\nTimeless Way of Building by Christopher Alexander</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2002</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 111; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of Topkapi\r\nScroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2001</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 112; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of Quranic\r\nArt and Calligraphy, by Martin Lings</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">1998</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 113; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Teaching\r\nExperience</span></b><b></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 114; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Pre-Dissertation Course, PhD\r\nin Architecture, Faculty of Architecture and Urban Development, Shahid\r\nBeheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Since 2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 115; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Pre-Dissertation Course, PhD\r\nin Conservation, Isfahan Art University</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 116; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Pre-Dissertation Course, PhD\r\nin Art Studies, Isfahan Art University</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 117; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Writing about Architecture,\r\nMA in Iranian Architectural Studies, Faculty of Architecture and Urban Development,\r\nShahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Since 2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 118; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Primary Sources of Iranian\r\nArchitectural History, MA in Iranian Architectural Studies, Faculty of\r\nArchitecture and Urban Development, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Since 2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 119; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Introduction to Architectural\r\nHistory, MA in Iranian Architectural Studies, Faculty of Architecture and\r\nUrban Development, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Since 2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 120; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Workshop on Dissertation\r\nPreparation, MA in Iranian Architectural Studies, Faculty of Architecture and\r\nUrban Development, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011-2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 121; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Architectural Design (Studio\r\n4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid\r\nBeheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 122; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Introduction to Islamic\r\nArchitecture, BA in Architecture, Faculty of Architecture and Urban\r\nDevelopment, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2002-2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 123; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Dissertations:\r\n1. Supervised</span></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 124; page-break-inside: avoid; height: 51.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Principles of Persian\r\nArchitecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli,\r\nMA in Iranian Architectural Studies, Faculty of Architecture and Urban\r\nDevelopment, Shahid Beheshti University, Tehran </span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2014</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 125; page-break-inside: avoid; height: 45.35pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Nayin Friday Mosque: Rereading\r\nIts Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian\r\nArchitectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2014</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 126; page-break-inside: avoid; height: 51.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Some Basic Concepts of\r\nArchitecture in Iran in the Transition Period from the Late Sassanid to the\r\nFirst Islamic Era</span><span dir=\"RTL\" lang=\"FA\" style=\"font-size: 11.0pt; font-family: Mitra; mso-ascii-font-family: \'Book Antiqua\'; mso-hansi-font-family: \'Book Antiqua\'; mso-bidi-language: FA;\">:</span> <span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">With an Emphasis on <i>Ābādānī</i>,\r\nby Motahareh Danaeifar, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2014</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 127; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">A Search for the Principles\r\n(<i>ādāb</i>) of Iranian Architecture according to the <i>adab</i>\r\ntreatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 128; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Reflections on the Guilds\r\nand Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian\r\nArchitectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 129; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Formal Structure of Tehran\r\nBazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 130; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">A Search for Khaniqah’s\r\nArchitecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA\r\nin Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 131; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The City of Visitation:\r\nRereading Kashan City through the Window of Shiite Pilgrimage, by Zahra\r\nChitsazian, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 132; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">An Introduction to Cultural\r\nHistory of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian\r\nArchitectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 133; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Heavens and the Vaults:\r\nLevels of Architecture in Relation to Being and Human in Rumi’s <i>Mathnawi</i>,\r\nby Hamidreza Pishvaie, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 134; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">From Heavenly to Earthy\r\nArchitecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona\r\nBolouri Bazaz, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 135; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Oral History in Iranian\r\nArchitectural History: An Introduction to the Theoretical and Practical\r\nIssues, by S. Mitra Hashemi, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 136; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Qibla in Iranian Architecture:\r\nIts Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian\r\nArchitectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 137; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Story of Fadan <i>Mādī</i>:\r\nLife, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa\r\nMahmoudian, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 138; page-break-inside: avoid; height: 51.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Architecture between Form\r\nand Meaning</span><span dir=\"RTL\" lang=\"FA\" style=\"font-size: 11.0pt; font-family: Mitra; mso-ascii-font-family: \'Book Antiqua\'; mso-hansi-font-family: \'Book Antiqua\'; mso-bidi-language: FA;\">:</span><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\"> the\r\nRole and Implications of Context in Architectural History, by Mohammad\r\nGholamali Fallah, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 139; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Evolution of Iranian\r\nArchitecture in the First Islamic Centuries, by Ali Akbari, MA in\r\nArchitecture, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 140; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Manifestation of Eternity in\r\nthe Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin\r\nKarimi, MA in Art Studies, Kashan University</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 141; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Architectural Terms in the\r\nSafavid Period: an Introduction, by Bita Qahramani, MA in Iranian\r\nArchitectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 142; page-break-inside: avoid; height: 51.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Architecture, Life and\r\nBeauty in Baburnama: Interpreting some Architectural Issues in Babur’s\r\nAutobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural\r\nStudies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 143; page-break-inside: avoid; height: 51.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Running away from School:\r\nPirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad\r\nMahdi Abdollahzadeh, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 144; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Role of Architecture\r\nHistory in Architectural Education: a Review of Viewpoints, by Fahimeh\r\nFotouhi, MA in Architecture, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 145; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">From Event to Space: on What\r\n<i>Sabat</i> and <i>Meydan</i> Mean in Meybod, by Elnaz Najjar Najafi, MA in\r\nIranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 146; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Houraman Takht Village: a\r\nPhysical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA\r\nin Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 147; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Role of Viziers in the\r\nPatronage of Architecture in the Second Half of Safavid Period, by Mahdi\r\nSoltani, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 148; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Architectural Information in\r\nQajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh\r\nNazifkar, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 149; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Sassanid <i>Chahaar-taaq</i>:\r\nSpace and Meaning, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 150; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Madrasa of Khargird: the\r\nStory of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in\r\nIranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 151; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Dissertations:\r\n2. Consulted</span></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 152; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Rereading Urban Historical\r\nLandscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid\r\nBeheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 153; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Sacred Meaning of Color in\r\nImam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri,\r\nShahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 154; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">A Study on the Concept of\r\nCenter and Its Role in Architectural Creation, by Zoha Nadimi, MA in\r\nArchitecture, Yazd University </span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 155; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Important Evolution in the\r\nStructure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian\r\nArchitectural Studies, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 156; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Relation Between the\r\nHouse Form an the Culture in Qajar Mansions of Tabriz, by Parisa\r\nMohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti\r\nUniversity, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 157; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Dual Role of\r\nArchitecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA\r\nin Painting, Shahed University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 158; page-break-inside: avoid; height: 51.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Architectural Glossary of\r\nMirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar\r\nEra, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies,\r\nShahid Beheshti University, Tehran </span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 159; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Reconstruction of Rab’-e\r\nRashidi on the Basis of Its <i>Waqfiyyeh</i>, by Azita Balali Oskuyi, MA in\r\nArchitecture, Islamic Art University, Tabriz</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 160; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Personal\r\nInformation</span></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 161; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Born: Tehran, 1960</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 162; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Languages</span></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 163; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Reading and Translation Competence\r\nin English and Arabic</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 164; mso-yfti-lastrow: yes; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 70.9pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"95\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 318.95pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"425\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Native in Persian</span></p>\r\n</td>\r\n<td style=\"width: 63.75pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"85\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<p class=\"MsoNormal\" style=\"text-align: left; direction: ltr; unicode-bidi: embed;\"></p>\r\n\r\n</div>\r\n \r\n\r\n ','English CV','','inherit','closed','closed','','31-revision-v1','','','2016-02-28 07:29:43','2016-02-28 07:29:43','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(36,1,'2016-02-28 07:34:13','2016-02-28 07:34:13',' \r\n\r\nMehrdad Qayyoomi, …<!-- [if gte mso 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figures\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"envelope address\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"envelope return\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"footnote reference\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"annotation reference\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"line number\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"page number\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"endnote reference\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"endnote text\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"table of authorities\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"macro\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"toa heading\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List Bullet\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List 3\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List Bullet 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List Bullet 3\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List Bullet 4\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List Bullet 5\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List Number 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List Number 3\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List Number 4\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List Number 5\"/>\r\n<w:LsdException Locked=\"false\" QFormat=\"true\" Name=\"Title\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Closing\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Signature\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"1\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Default Paragraph Font\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Body Text\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Body Text Indent\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List Continue\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List Continue 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List Continue 3\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List Continue 4\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List Continue 5\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Message Header\"/>\r\n<w:LsdException Locked=\"false\" QFormat=\"true\" Name=\"Subtitle\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Body Text First Indent 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Note Heading\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Body Text 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Body Text 3\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Body Text Indent 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Body Text Indent 3\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Block Text\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Hyperlink\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"FollowedHyperlink\"/>\r\n<w:LsdException Locked=\"false\" QFormat=\"true\" Name=\"Strong\"/>\r\n<w:LsdException Locked=\"false\" QFormat=\"true\" Name=\"Emphasis\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Document Map\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Plain Text\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"E-mail Signature\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"HTML Top of Form\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"HTML Bottom of Form\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Normal (Web)\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"HTML Acronym\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"HTML Address\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"HTML Cite\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"HTML Code\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"HTML Definition\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"HTML Keyboard\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"HTML Preformatted\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"HTML Sample\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"HTML Typewriter\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"HTML Variable\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Normal Table\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"annotation subject\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"99\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"No List\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Outline List 1\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Outline List 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Outline List 3\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Simple 1\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Simple 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Simple 3\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Classic 1\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Classic 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Classic 3\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Classic 4\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Colorful 1\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Colorful 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Colorful 3\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Columns 1\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Columns 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Columns 3\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Columns 4\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Columns 5\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Grid 1\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Grid 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Grid 3\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Grid 4\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Grid 5\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Grid 6\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Grid 7\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Grid 8\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table List 1\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table List 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table List 3\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table List 4\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table List 5\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table List 6\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table List 7\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table List 8\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table 3D effects 1\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table 3D effects 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table 3D effects 3\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Contemporary\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Elegant\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Professional\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Subtle 1\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Subtle 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Web 1\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Web 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Web 3\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Balloon Text\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Theme\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"99\" SemiHidden=\"true\" Name=\"Placeholder Text\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"1\" QFormat=\"true\" Name=\"No Spacing\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"60\" Name=\"Light Shading\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"61\" Name=\"Light List\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"62\" Name=\"Light Grid\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"63\" Name=\"Medium Shading 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"64\" Name=\"Medium Shading 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"65\" Name=\"Medium List 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"66\" Name=\"Medium List 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"67\" Name=\"Medium Grid 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"68\" Name=\"Medium Grid 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"69\" Name=\"Medium Grid 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"70\" Name=\"Dark List\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"71\" Name=\"Colorful Shading\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"72\" Name=\"Colorful List\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"73\" Name=\"Colorful Grid\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"60\" Name=\"Light Shading Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"61\" Name=\"Light List Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"62\" Name=\"Light Grid Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"63\" Name=\"Medium Shading 1 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"64\" Name=\"Medium Shading 2 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"65\" Name=\"Medium List 1 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"99\" SemiHidden=\"true\" Name=\"Revision\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"34\" QFormat=\"true\" Name=\"List Paragraph\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"29\" QFormat=\"true\" Name=\"Quote\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"30\" QFormat=\"true\" Name=\"Intense Quote\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"66\" Name=\"Medium List 2 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"67\" Name=\"Medium Grid 1 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"68\" Name=\"Medium Grid 2 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"69\" Name=\"Medium Grid 3 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"70\" Name=\"Dark List Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"71\" Name=\"Colorful Shading Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"72\" Name=\"Colorful List Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"73\" Name=\"Colorful Grid Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"60\" Name=\"Light Shading Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"61\" Name=\"Light List Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"62\" Name=\"Light Grid Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"63\" Name=\"Medium Shading 1 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"64\" Name=\"Medium Shading 2 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"65\" Name=\"Medium List 1 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"66\" Name=\"Medium List 2 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"67\" Name=\"Medium Grid 1 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"68\" Name=\"Medium Grid 2 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"69\" Name=\"Medium Grid 3 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"70\" Name=\"Dark List Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"71\" Name=\"Colorful Shading Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"72\" Name=\"Colorful List Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"73\" Name=\"Colorful Grid Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"60\" Name=\"Light Shading Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"61\" Name=\"Light List Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"62\" Name=\"Light Grid Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"63\" Name=\"Medium Shading 1 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"64\" Name=\"Medium Shading 2 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"65\" Name=\"Medium List 1 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"66\" Name=\"Medium List 2 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"67\" Name=\"Medium Grid 1 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"68\" Name=\"Medium Grid 2 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"69\" Name=\"Medium Grid 3 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"70\" Name=\"Dark List Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"71\" Name=\"Colorful Shading Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"72\" Name=\"Colorful List Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"73\" Name=\"Colorful Grid Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"60\" Name=\"Light Shading Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"61\" Name=\"Light List Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"62\" Name=\"Light Grid Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"63\" Name=\"Medium Shading 1 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"64\" Name=\"Medium Shading 2 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"65\" Name=\"Medium List 1 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"66\" Name=\"Medium List 2 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"67\" Name=\"Medium Grid 1 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"68\" Name=\"Medium Grid 2 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"69\" Name=\"Medium Grid 3 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"70\" Name=\"Dark List Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"71\" Name=\"Colorful Shading Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"72\" Name=\"Colorful List Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"73\" Name=\"Colorful Grid Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"60\" Name=\"Light Shading Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"61\" Name=\"Light List Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"62\" Name=\"Light Grid Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"63\" Name=\"Medium Shading 1 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"64\" Name=\"Medium Shading 2 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"65\" Name=\"Medium List 1 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"66\" Name=\"Medium List 2 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"67\" Name=\"Medium Grid 1 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"68\" Name=\"Medium Grid 2 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"69\" Name=\"Medium Grid 3 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"70\" Name=\"Dark List Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"71\" Name=\"Colorful Shading Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"72\" Name=\"Colorful List Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"73\" Name=\"Colorful Grid Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"60\" Name=\"Light Shading Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"61\" Name=\"Light List Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"62\" Name=\"Light Grid Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"63\" Name=\"Medium Shading 1 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"64\" Name=\"Medium Shading 2 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"65\" Name=\"Medium List 1 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"66\" Name=\"Medium List 2 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"67\" Name=\"Medium Grid 1 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"68\" Name=\"Medium Grid 2 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"69\" Name=\"Medium Grid 3 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"70\" Name=\"Dark List Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"71\" Name=\"Colorful Shading Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"72\" Name=\"Colorful List Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"73\" Name=\"Colorful Grid Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"19\" QFormat=\"true\" Name=\"Subtle Emphasis\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"21\" QFormat=\"true\" Name=\"Intense Emphasis\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"31\" QFormat=\"true\" Name=\"Subtle Reference\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"32\" QFormat=\"true\" Name=\"Intense Reference\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"33\" QFormat=\"true\" Name=\"Book Title\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"37\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Bibliography\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"39\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" QFormat=\"true\" Name=\"TOC Heading\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"41\" Name=\"Plain Table 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"42\" Name=\"Plain Table 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"43\" Name=\"Plain Table 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"44\" Name=\"Plain Table 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"45\" Name=\"Plain Table 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"40\" Name=\"Grid Table Light\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"Grid Table 1 Light\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"Grid Table 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"Grid Table 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"Grid Table 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"Grid Table 5 Dark\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"Grid Table 6 Colorful\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"Grid Table 7 Colorful\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"Grid Table 1 Light Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"Grid Table 2 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"Grid Table 3 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"Grid Table 4 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"Grid Table 5 Dark Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"Grid Table 6 Colorful Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"Grid Table 7 Colorful Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"Grid Table 1 Light Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"Grid Table 2 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"Grid Table 3 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"Grid Table 4 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"Grid Table 5 Dark Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"Grid Table 6 Colorful Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"Grid Table 7 Colorful Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"Grid Table 1 Light Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"Grid Table 2 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"Grid Table 3 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"Grid Table 4 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"Grid Table 5 Dark Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"Grid Table 6 Colorful Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"Grid Table 7 Colorful Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"Grid Table 1 Light Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"Grid Table 2 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"Grid Table 3 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"Grid Table 4 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"Grid Table 5 Dark Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"Grid Table 6 Colorful Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"Grid Table 7 Colorful Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"Grid Table 1 Light Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"Grid Table 2 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"Grid Table 3 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"Grid Table 4 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"Grid Table 5 Dark Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"Grid Table 6 Colorful Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"Grid Table 7 Colorful Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"Grid Table 1 Light Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"Grid Table 2 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"Grid Table 3 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"Grid Table 4 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"Grid Table 5 Dark Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"Grid Table 6 Colorful Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"Grid Table 7 Colorful Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"List Table 1 Light\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"List Table 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"List Table 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"List Table 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"List Table 5 Dark\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"List Table 6 Colorful\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"List Table 7 Colorful\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"List Table 1 Light Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"List Table 2 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"List Table 3 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"List Table 4 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"List Table 5 Dark Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"List Table 6 Colorful Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"List Table 7 Colorful Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"List Table 1 Light Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"List Table 2 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"List Table 3 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"List Table 4 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"List Table 5 Dark Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"List Table 6 Colorful Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"List Table 7 Colorful Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"List Table 1 Light Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"List Table 2 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"List Table 3 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"List Table 4 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"List Table 5 Dark Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"List Table 6 Colorful Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"List Table 7 Colorful Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"List Table 1 Light Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"List Table 2 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"List Table 3 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"List Table 4 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"List Table 5 Dark Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"List Table 6 Colorful Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"List Table 7 Colorful Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"List Table 1 Light Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"List Table 2 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"List Table 3 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"List Table 4 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"List Table 5 Dark Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"List Table 6 Colorful Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"List Table 7 Colorful Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"List Table 1 Light Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"List Table 2 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"List Table 3 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"List Table 4 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"List Table 5 Dark Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"List Table 6 Colorful Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"List Table 7 Colorful Accent 6\"/>\r\n</w:LatentStyles>\r\n</xml><![endif]-->\r\n\r\n<!-- [if gte mso 10]>\r\n\r\n<style>\r\n /* Style Definitions */\r\ntable.MsoNormalTable\r\n{mso-style-name:\"Table Normal\";\r\nmso-tstyle-rowband-size:0;\r\nmso-tstyle-colband-size:0;\r\nmso-style-noshow:yes;\r\nmso-style-priority:99;\r\nmso-style-parent:\"\";\r\nmso-padding-alt:0cm 5.4pt 0cm 5.4pt;\r\nmso-para-margin:0cm;\r\nmso-para-margin-bottom:.0001pt;\r\nmso-pagination:widow-orphan;\r\nfont-size:10.0pt;\r\nfont-family:\"Times New Roman\",\"serif\";\r\nmso-ansi-language:EN-GB;\r\nmso-fareast-language:EN-GB;}\r\ntable.MsoTableGrid\r\n{mso-style-name:\"Table Grid\";\r\nmso-tstyle-rowband-size:0;\r\nmso-tstyle-colband-size:0;\r\nmso-style-unhide:no;\r\nborder:solid black 1.0pt;\r\nmso-border-alt:solid black .5pt;\r\nmso-padding-alt:0cm 5.4pt 0cm 5.4pt;\r\nmso-border-insideh:.5pt solid black;\r\nmso-border-insidev:.5pt solid black;\r\nmso-para-margin:0cm;\r\nmso-para-margin-bottom:.0001pt;\r\nmso-pagination:widow-orphan;\r\nfont-size:10.0pt;\r\nfont-family:\"Times New Roman\",\"serif\";\r\nmso-ansi-language:EN-GB;\r\nmso-fareast-language:EN-GB;}\r\n</style><![endif]--><!-- [if gte mso 9]><xml>\r\n<o:shapedefaults v:ext=\"edit\" spidmax=\"1026\"/>\r\n</xml><![endif]--><!-- [if gte mso 9]><xml>\r\n<o:shapelayout v:ext=\"edit\">\r\n<o:idmap v:ext=\"edit\" data=\"1\"/>\r\n</o:shapelayout></xml><![endif]-->\r\n\r\n \r\n<div class=\"WordSection1\">\r\n<table class=\"MsoNormalTable\" style=\"width: 16.0cm; border-collapse: collapse; mso-yfti-tbllook: 1184; mso-padding-alt: 0cm 5.4pt 0cm 5.4pt;\" border=\"0\" width=\"605\" cellspacing=\"0\" cellpadding=\"0\">\r\n<tbody>\r\n<tr style=\"mso-yfti-irow: 0; mso-yfti-firstrow: yes; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<h1 style=\"text-align: left; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 12.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000;\">Education</span></h1>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 1; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span dir=\"RTL\" lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: \'Book Antiqua\'; mso-hansi-font-family: \'Book Antiqua\';\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">PhD in Architecture, Faculty of Architecture and\r\nUrban Development, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; mso-bidi-language: FA;\">2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 2; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span dir=\"RTL\" lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: \'Book Antiqua\'; mso-hansi-font-family: \'Book Antiqua\';\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">MA in Art Studies, University of Art, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2002</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 3; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span dir=\"RTL\" lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: \'Book Antiqua\'; mso-hansi-font-family: \'Book Antiqua\';\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">BA in Architecture, Faculty of Architecture and\r\nUrban Development, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">1987</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 4; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<h1 style=\"text-align: left; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 12.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Honors and Awards</span></h1>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 5; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Award for Morality and\r\nSpirituality in Art and Research</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 6; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Distinguished Researcher of Shahid\r\nBeheshti University</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 7; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Seasonal Book Award of\r\nIslamic Republic of Iran, for Persian translation of <i>Risāla-yi Mi’mārīyya</i></span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 8; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">First and Special Award,\r\nFarabi International Award, for “Principles of Researching Iranian\r\nArchitecture in Persian Primary Sources”</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 9; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Research Fellowship, Farabi\r\nInternational Award</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 10; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Annual Book Award of Islamic\r\nRepublic of Iran, for Persian translation of <i>Meaning in Western\r\nArchitecture</i></span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 11; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Annual Book Award of Islamic\r\nRepublic of Iran, for Persian translation of <i>The Topkapi Scroll: Geometry\r\nand Ornament in Islamic Architecture</i></span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2003</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 12; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<h1 style=\"text-align: left; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 12.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Memberships</span></h1>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 13; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Associate Member, the\r\nIranian Academy of Art</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2005</span><b></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 14; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Invited Member, the Iranian\r\nAcademy of Science</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 15; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Invited Member, the Iranian\r\nAcademy of Persian Language and Literature</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 16; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Member of Editorial Board, <i>Athar</i>\r\nQuarterly</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 17; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Affiliated Member, Iran\r\nICOMOS</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 18; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Member of the Board of\r\nTrustees, Art Studies Center, the Iranian Academy of Art</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2006</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 19; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Member of the Committee of\r\nArchitecture and Urban Development, Iranian Academy of Art</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2002</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 20; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<h1 style=\"text-align: left; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 12.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Present Positions</span></h1>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 21; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Faculty Member, Department\r\nof Architectural History and Conservation, Faculty of Architecture and Urban\r\nDevelopment, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2002</span><b></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 22; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Faculty Member, Iranshahrpedia\r\n(Encyclopedia of Iranian Architectural History)</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2006</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 23; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Past Positions</span></b><b></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 24; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Head of the Department of\r\nArchitectural History and Conservation, Faculty of Architecture and Urban\r\nDevelopment, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2008-2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 25; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Editor-in-Chief and Founder\r\nEditor, <i>Golestān-e Honar</i> (<i>Gulistān-i Hunar</i>: Quarterly\r\nof the Iranian Academy of Art, on the History of Iranian Art and\r\nArchitecture)</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2005-2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 26; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Member of Editorial Board, <i>Khiyāl</i>\r\n(Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of\r\nArt)</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2002-2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 27; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Faculty Member, the Iranian\r\nAcademy of Art</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2004-2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 28; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Head and Founder of the\r\nCommittee of Art History, the Iranian Academy of Art</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2006-2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 29; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Editor-in-Chief and Founder\r\nEditor, <i>Khiyāl</i> (Quarterly of the Iranian Academy of Art, on the\r\nPhilosophy and Theory of Art)</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2002-2005</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 30; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Chief’s Consultant, Iranian\r\nCultural Heritage Organization</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2002-2003</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 31; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Member of Jury, the First\r\nCongress on “Bath in Iranian Culture”, Kerman</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2003</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 32; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Member of the Board of\r\nDirectors and Jury, the Third and Fourth Congress on the History of Iranian\r\nArchitecture and Urbanism, Bam</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2003-2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 33; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Dean of the Office, Head\r\nOffice of Museums in Iran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2002</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 34; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Member of Editorial Board, <i>Moozé-hā</i>\r\n(Quarterly journal on museum affairs)</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2002</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 35; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Secretary of the\r\nArchitecture and Urbanism Committee, the Iranian Academy of Art</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2001</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 36; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Deputy of General Director,\r\nIranian Cultural Heritage Organization –Isfahan Province</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2000</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 37; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Editor-in-Chief and Founder\r\nEditor, <i>Ravāq</i> (Quarterly on architecture & art studies) </span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">1998-2000</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 38; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Research and Teaching Interests</span></b><b></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 39; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span dir=\"LTR\" style=\"font-family: \'Calibri\',\'sans-serif\'; mso-bidi-font-family: Mitra;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">History of Iranian and\r\nPersianate Architecture and Art </span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"76\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><b><span dir=\"LTR\" style=\"font-size: 16.0pt; font-family: \'Adobe Arabic\',\'serif\';\"> </span></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 40; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span dir=\"LTR\" style=\"font-family: \'Calibri\',\'sans-serif\'; mso-bidi-font-family: Mitra;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Islamic Architecture and Art</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"76\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><b><span dir=\"LTR\" style=\"font-size: 16.0pt; font-family: \'Adobe Arabic\',\'serif\';\"> </span></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 41; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span dir=\"LTR\" style=\"font-family: \'Calibri\',\'sans-serif\'; mso-bidi-font-family: Mitra;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Theory and Methodology of\r\nArchitectural History </span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"76\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><b><span dir=\"LTR\" style=\"font-size: 16.0pt; font-family: \'Adobe Arabic\',\'serif\';\"> </span></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 42; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span dir=\"LTR\" style=\"font-family: \'Calibri\',\'sans-serif\'; mso-bidi-font-family: Mitra;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Theory of Architecture and\r\nArt</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"76\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><b><span dir=\"LTR\" style=\"font-size: 16.0pt; font-family: \'Adobe Arabic\',\'serif\';\"> </span></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 43; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Publications: 1. Articles and Essays</span></b><b></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 44; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Roshtkhār Monument: Mosque\r\nor Khaneqah? (with Sina Soltani), in <i>Nāma-yi Me’mārī-u\r\nShahrsāsī</i>, no. 13</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2014</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 45; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Cultural History in Iranian\r\nArchitectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <i>Mutāli’āt-i\r\nTārikh-i Farhangī</i>, no. 17</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 46; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Hanjār-i Mādī</span></i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">: Water Management System in Safavid Isfahan\r\n(with Safa Mahmoudian), in <i>Nāma-yi Me’mārī-u\r\nShahrsāsī</i>, no. 10</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 47; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Khāk-u Khirad</span></i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">: Reflections on the Status of Architecture in\r\nRumi’s <i>Mathnawi</i> (with Hamidreza Pishvaie), in <i>Mutāli’āt-i</i>\r\n<i>Me’mārī-yi Īrān</i>, no. 3</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 48; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">History of Mentalities in\r\nIranian Architecture: an Introduction (with Omid Shams), in <i>Mutāli’āt-i\r\nMe’mārī-yi Īrān</i>, no. 2</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 49; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">A Flowers Harvest for the\r\nFriends of Architectural School: Reflections on Pirnia’s Achievements for\r\nArchitectural Education in Iran (with M. Abdollahzadeh), in <i>Fasl-nāma-yi\r\nĀmūzish-i Muhandidī-yi Īrān</i>, no. 56</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 50; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Theory of Living Time in\r\nPeriodization of Iranian Architectural History, in <i>International Journal\r\nof Architecture and Urban Development</i>, no. 7</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 51; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Bām-u būm-u mardum</span></i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">: Rereading Pirnia’s Principles for Iranian\r\nArchitecture (with M. Abdollahzadeh), in <i>Mutāli’āt-i</i> <i>Me’mārī-yi\r\nĪrān</i>, no. 1</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 52; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">An Introduction to Relation of\r\nMan and Space as Seen in Rumi\'s <i>Mathnawi </i>(with Hamidreza Pishvaie), in\r\nMawlānā- Pazhūhī, no. 4<i></i></span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 53; page-break-inside: avoid; height: 45.35pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Islamic Artist and <i>Zikr</i>:\r\n</span><span style=\"font-size: 10.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Rethinking the Relation\r\nbetween Islamic Art and Sufism, in 2nd International Symposium on Mystical\r\nAspects of Islamic Art and Literature, Kuala Lampur</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 54; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Islamic Artist and <i>Zikr</i>:\r\nRethinking the Relation the Islamic Art and Mysticism, in <i>al-Shajarah</i>,\r\nSpecial issue.</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 55; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Rethinking the Relation\r\nbetween Islamic Art and Mysticism on the Basis of Historical Evidences, in <i>Tārīkh-u\r\nTamaddon-i Islāmī</i>, no. 12</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 56; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Az Sirishk Tā\r\nPārgīn</span></i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">: Water and City in the\r\nPersian Prose of the First Islamic Centuries, in <i>Suffa</i> (<i>Soffeh</i>),\r\nno. 48</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 57; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">In Search of an Iranian\r\nPhilosophy of Architectural History: the Theory of Living Time, in the\r\nInternational Congress on the Day of Philosophy </span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 58; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Reflections on Some Terms on\r\nOld of Calligraphy (with Mehdi Sahragard), in <i>Pazhūhesh-nāma-yi\r\nFarhangistān-i Hunar</i>, no. 15</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 59; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">From Tear to Sewer, in the\r\n2nd International Conference on Water, Ecosystem and Sustainable Development\r\nin Arid and Semi-Arid Zones</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 60; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Az Sirishk Tā\r\nPārgīn</span></i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">: Water and City in the\r\nPersian Prose of the First Islamic Centuries, in </span><span style=\"font-size: 10.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">International Congress of the Islamic Philosophy\r\nand the Challenges of the Modern World</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 61; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">On the Sources of the\r\nHistory of Iranian Architecture and Its Research Principles, in <i>Gulistān-i\r\nHunar</i> (<i>Golestān-e Honar</i>), no. 15</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 62; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Patronage and the Hidden\r\nAspects of the History of Iranian Art, in <i>Gulistān-i Hunar</i> (<i>Golestān-e\r\nHonar</i>), no. 13</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 63; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Layers of Persian\r\nGarden, in <i>Gulistān-i Hunar</i> (<i>Golestān-e Honar</i>), no. 12</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 64; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Gardens of\r\nKhurāsān in Beyhaqī’s History, in <i>Suffa</i> (<i>Soffeh</i>),\r\nno. 46</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 65; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Restoration of Heart and\r\nRestoration of Clay: B. Shirazi among the Chain of Conservators, in <i>Gulistān-i\r\nHunar</i> (<i>Golestān-e Honar</i>), Special Issue</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 66; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Craft Ethics: Adab Treatises\r\nas Resources of Iranian Art History, in <i>Gulistān-i Hunar</i> (<i>Golestān-e\r\nHonar</i>), no. 10</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 67; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Difficulties in the Study of\r\nIranian Architectural History, and the Phenomenon of B. Shirazi, in <i>Gulistān-i\r\nHunar</i> (<i>Golestān-e Honar</i>), no. 8</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 68; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Temperament of Time: the\r\nTheory of Living Time in the Periodization of Iranian Architectural History,\r\nin <i>Gulistān-i Hunar</i> (<i>Golestān-e Honar</i>), no. 7</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 69; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Safavid Isfahan and the\r\nProblem of Classification in the History of Iranian Art, in <i>Gulistān-i\r\nHunar</i> (<i>Golestān-e Honar</i>), no. 5</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 70; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Gardens of Khurasan in\r\nBeyhaqi\'s History, in the Proceedings of the First Congress on the History of\r\nIranian Architecture and Urbanism – Kerman, Bam</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2006</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 71; page-break-inside: avoid; height: 45.35pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Tārīkh-i Zākirāna</span></i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">: <span style=\"letter-spacing: -.2pt;\">Seeking a\r\nTheoretical Basis for History and History of Art in Iranian Culture on the\r\nBasis of Beyhaqi\'s History, Conference on Art, Tradition, and\r\nTraditionalists, Tehran</span></span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2006</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 72; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Theory Construction and the\r\nalphabet of Theory Creating, in <i>Suffa</i> (<i>Soffeh</i>), no. 40</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2006</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 73; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Architectural Training in\r\nPre-Modern Era on the Basis of <i>Risāla-yi Mi\'māriyya</i>, in <i>Suffa</i>\r\n(<i>Soffeh</i>), no. 42</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2006</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 74; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Four Histories of Iranian\r\nArchitecture: a Critical Analysis, in <i>Khiyāl</i>, no. 15</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2005</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 75; page-break-inside: avoid; height: 45.35pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Three Monuments of the Ne’matollahi\r\nSufi Order in Iran, in the Proceedings of the Second International Symposium\r\non Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2005</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 76; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Oleg Grabar, His Thoughts\r\nand Work, in <i>Dānishnāma</i>, no. 2</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2004</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 77; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Titus Burkhardt on Art, in\r\nthe First Conference on Art, Tradition, and Traditionalists, Tehran </span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2004</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 78; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Architectural Training in\r\nPre-Modern Era on the Basis of <i>Risāla-yi Mi\'māriyya</i>, in the\r\nFirst Conference on Spirituality and Art Education, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2004</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 79; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">A Plan for the Oral History\r\nof Iranian Architecture, in the Website of Iranian Cultural Heritage News\r\nAgency (www.chn.ir)</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2003</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 80; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Cultural Heritage, Matter of\r\nNostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage\r\nNews Agency (www.chn.ir)</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2003</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 81; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">After Forty Years Pain and\r\nGrief …: a Review on <i>Ganjnameh</i>, in the Website of Iranian Cultural\r\nHeritage News Agency (www.chn.ir)</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2003</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 82; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Architect and <i>Zikr</i>,\r\nin the Proceedings of the Conference on the Traditionalist Criticism of\r\nModernity</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2003</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 83; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Architect and <i>Zikr</i>,\r\nin <i>Irfān-i Īrān</i>, no. 12</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2002</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 84; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Shrine of Shāh\r\nNe\'matollāh, an Architectural Analysis, in the Proceedings of the First\r\nInternational Symposium on Seyyed Shah Nematollah, San Joze Univ., California,\r\n2002</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2002</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 85; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Ganj-Ali Khān Public\r\nBath, in <i>Ravāq</i>, no. 4</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2000</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 86; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">For I’m the Sun-slave…, in <i>Ravāq</i>,\r\nno. 4</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2000</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 87; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Hasht-Behesht Pavilion, in <i>Ravāq</i>,\r\nno. 3</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">1999</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 88; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Ghiyāssiyya Madrasa in\r\nKhargird, in <i>Ravāq</i>, no. 2</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">1999</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 89; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">A Letter of Treasure: a\r\nReview on <i>Ganjnameh</i></span><span style=\"font-size: 10.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">, in <i>Ravāq</i>,\r\nno. 2</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">1999</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 90; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Risāla-yi Me’mārīyya\r\nand the Architect of Ahmadīyya Mosque, </span><span style=\"font-size: 10.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">in the Proceedings of the First Congress on\r\nArchitecture of Mosque −Past, Present and Future, Isfahan, 1998</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">1998</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 91; page-break-inside: avoid; height: 45.35pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Light and Sight in the\r\nArchitecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings\r\nof the First Congress on the History of Iranian Architecture and Urbanism –\r\nKerman, Bam, 1996</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">1996</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 92; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of\r\n“Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the\r\nRab-‘e Rashīdī” by Sheila S. Blair, in <i>Gulistān-i Hunar</i>\r\n(<i>Golestān-e Honar</i>), no. 13</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 93; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of “Four\r\nSources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <i>Gulistān-i\r\nHunar</i> (<i>Golestān-e Honar</i>), no. 6</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 94; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of “Interpretational-\r\nHistorical Research” by David Wang, in <i>Suffa</i> (<i>Soffeh</i>), no. 39</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2005</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 95; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of “Inquiry\r\nSystems and Research Quality Criteria” by Linda Groat, in <i>Suffa</i> (<i>Soffeh</i>),\r\nno. 37</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2004</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 96; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of “Pattern\r\nand Cosmology” by Keith Critchlow, in <i>Jām-i naw va may-i kuhan</i> (Collected\r\nEssays by the Prominent Thinkers of Sophia Perennia)</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2004</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 97; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of\r\n\"Symbolism\" by Vital Perry, in <i>Jām-i Naw Va May-i Kuhan</i>\r\n(Collected Essays by the Prominent Thinkers of Sophia Perennia)</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2004</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 98; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of “Safi\r\nal-Din Urmawi”, by Eckhardt Neubauer, in <i>Khiyāl</i>, no. 11</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2004</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 99; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of\r\n“Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <i>Ravāq</i>,\r\nno. 1 </span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">1998</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 100; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Publications: 2. Books</span></b><b></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 101; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Essays on the Theory and\r\nHistory of Architecture and Art</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 102; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian Literature as Source\r\nof Architectural History: a Bibliographical Introduction, volume 1: Persian\r\nProse of the First Islamic Centuries</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 103; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Dictionary of Iranian\r\nArchitecture in Persian Reference Books, volume 2: Proper Names (with S.\r\nMohammad Beheshti)</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 104; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Dictionary of Iranian\r\nArchitecture in Persian Reference Books, volume 1: Terms and Concepts (with\r\nS. Mohammad Beheshti)</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 105; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Trilingual Dictionary of\r\nIslamic Architecture (with S. Ali Emadi Estarabadi)</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 106; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Ganjnameh: Cyclopedia of\r\nIranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz\r\nHaji-Qassemi)</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2005</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 107; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of\r\nRisāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 108; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of\r\nMeaning in Western Architecture, by Christian Norberg-Schulz</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 109; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of the\r\nDynamics of Architectural Form, by Rudolf Arnheim</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2003</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 110; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of the\r\nTimeless Way of Building by Christopher Alexander</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2002</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 111; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of Topkapi\r\nScroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2001</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 112; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of Quranic\r\nArt and Calligraphy, by Martin Lings</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">1998</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 113; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Teaching Experience</span></b><b></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 114; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Pre-Dissertation Course, PhD\r\nin Architecture, Faculty of Architecture and Urban Development, Shahid\r\nBeheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Since 2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 115; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Pre-Dissertation Course, PhD\r\nin Conservation, Isfahan Art University</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 116; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Pre-Dissertation Course, PhD\r\nin Art Studies, Isfahan Art University</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 117; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Writing about Architecture,\r\nMA in Iranian Architectural Studies, Faculty of Architecture and Urban Development,\r\nShahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Since 2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 118; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Primary Sources of Iranian\r\nArchitectural History, MA in Iranian Architectural Studies, Faculty of\r\nArchitecture and Urban Development, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Since 2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 119; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Introduction to Architectural\r\nHistory, MA in Iranian Architectural Studies, Faculty of Architecture and\r\nUrban Development, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Since 2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 120; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Workshop on Dissertation\r\nPreparation, MA in Iranian Architectural Studies, Faculty of Architecture and\r\nUrban Development, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011-2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 121; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Architectural Design (Studio\r\n4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid\r\nBeheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 122; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Introduction to Islamic\r\nArchitecture, BA in Architecture, Faculty of Architecture and Urban\r\nDevelopment, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2002-2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 123; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Dissertations: 1. Supervised</span></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 124; page-break-inside: avoid; height: 51.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Principles of Persian\r\nArchitecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli,\r\nMA in Iranian Architectural Studies, Faculty of Architecture and Urban\r\nDevelopment, Shahid Beheshti University, Tehran </span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2014</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 125; page-break-inside: avoid; height: 45.35pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Nayin Friday Mosque: Rereading\r\nIts Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian\r\nArchitectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2014</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 126; page-break-inside: avoid; height: 51.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Some Basic Concepts of\r\nArchitecture in Iran in the Transition Period from the Late Sassanid to the\r\nFirst Islamic Era</span><span dir=\"RTL\" lang=\"FA\" style=\"font-size: 11.0pt; font-family: Mitra; mso-ascii-font-family: \'Book Antiqua\'; mso-hansi-font-family: \'Book Antiqua\'; mso-bidi-language: FA;\">:</span> <span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">With an Emphasis on <i>Ābādānī</i>,\r\nby Motahareh Danaeifar, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2014</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 127; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">A Search for the Principles\r\n(<i>ādāb</i>) of Iranian Architecture according to the <i>adab</i>\r\ntreatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 128; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Reflections on the Guilds\r\nand Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian\r\nArchitectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 129; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Formal Structure of Tehran\r\nBazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 130; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">A Search for Khaniqah’s\r\nArchitecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA\r\nin Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 131; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The City of Visitation:\r\nRereading Kashan City through the Window of Shiite Pilgrimage, by Zahra\r\nChitsazian, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 132; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">An Introduction to Cultural\r\nHistory of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian\r\nArchitectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 133; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Heavens and the Vaults:\r\nLevels of Architecture in Relation to Being and Human in Rumi’s <i>Mathnawi</i>,\r\nby Hamidreza Pishvaie, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 134; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">From Heavenly to Earthy\r\nArchitecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona\r\nBolouri Bazaz, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 135; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Oral History in Iranian\r\nArchitectural History: An Introduction to the Theoretical and Practical\r\nIssues, by S. Mitra Hashemi, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 136; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Qibla in Iranian Architecture:\r\nIts Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian\r\nArchitectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 137; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Story of Fadan <i>Mādī</i>:\r\nLife, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa\r\nMahmoudian, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 138; page-break-inside: avoid; height: 51.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Architecture between Form\r\nand Meaning</span><span dir=\"RTL\" lang=\"FA\" style=\"font-size: 11.0pt; font-family: Mitra; mso-ascii-font-family: \'Book Antiqua\'; mso-hansi-font-family: \'Book Antiqua\'; mso-bidi-language: FA;\">:</span><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\"> the\r\nRole and Implications of Context in Architectural History, by Mohammad\r\nGholamali Fallah, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 139; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Evolution of Iranian\r\nArchitecture in the First Islamic Centuries, by Ali Akbari, MA in\r\nArchitecture, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 140; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Manifestation of Eternity in\r\nthe Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin\r\nKarimi, MA in Art Studies, Kashan University</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 141; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Architectural Terms in the\r\nSafavid Period: an Introduction, by Bita Qahramani, MA in Iranian\r\nArchitectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 142; page-break-inside: avoid; height: 51.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Architecture, Life and\r\nBeauty in Baburnama: Interpreting some Architectural Issues in Babur’s\r\nAutobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural\r\nStudies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 143; page-break-inside: avoid; height: 51.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Running away from School:\r\nPirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad\r\nMahdi Abdollahzadeh, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 144; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Role of Architecture\r\nHistory in Architectural Education: a Review of Viewpoints, by Fahimeh\r\nFotouhi, MA in Architecture, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 145; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">From Event to Space: on What\r\n<i>Sabat</i> and <i>Meydan</i> Mean in Meybod, by Elnaz Najjar Najafi, MA in\r\nIranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 146; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Houraman Takht Village: a\r\nPhysical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA\r\nin Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 147; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Role of Viziers in the\r\nPatronage of Architecture in the Second Half of Safavid Period, by Mahdi\r\nSoltani, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 148; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Architectural Information in\r\nQajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh\r\nNazifkar, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 149; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Sassanid <i>Chahaar-taaq</i>:\r\nSpace and Meaning, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 150; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Madrasa of Khargird: the\r\nStory of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in\r\nIranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 151; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Dissertations: 2. Consulted</span></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 152; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Rereading Urban Historical\r\nLandscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid\r\nBeheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 153; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Sacred Meaning of Color in\r\nImam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri,\r\nShahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 154; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">A Study on the Concept of\r\nCenter and Its Role in Architectural Creation, by Zoha Nadimi, MA in\r\nArchitecture, Yazd University </span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 155; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Important Evolution in the\r\nStructure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian\r\nArchitectural Studies, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 156; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Relation Between the\r\nHouse Form an the Culture in Qajar Mansions of Tabriz, by Parisa\r\nMohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti\r\nUniversity, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 157; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Dual Role of\r\nArchitecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA\r\nin Painting, Shahed University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 158; page-break-inside: avoid; height: 51.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Architectural Glossary of\r\nMirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar\r\nEra, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies,\r\nShahid Beheshti University, Tehran </span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 159; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Reconstruction of Rab’-e\r\nRashidi on the Basis of Its <i>Waqfiyyeh</i>, by Azita Balali Oskuyi, MA in\r\nArchitecture, Islamic Art University, Tabriz</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 160; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Personal Information</span></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 161; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Born: Tehran, 1960</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 162; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Languages</span></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 163; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Reading and Translation Competence\r\nin English and Arabic</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 164; mso-yfti-lastrow: yes; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Native in Persian</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<p class=\"MsoNormal\" style=\"text-align: left; direction: ltr; unicode-bidi: embed;\"></p>\r\n\r\n</div>\r\n \r\n\r\n ','English CV','','inherit','closed','closed','','31-revision-v1','','','2016-02-28 07:34:13','2016-02-28 07:34:13','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(37,1,'2016-02-28 07:36:24','2016-02-28 07:36:24','<table width=\"605\">\r\n<tbody>\r\n<tr>\r\n<td colspan=\"3\" width=\"605\">\r\n<h1>Education</h1>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">2007</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">MA in Art Studies, University of Art, Tehran</td>\r\n<td width=\"76\">2002</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">1987</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"605\">\r\n<h1>Honors and Awards</h1>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">The Award for Morality and Spirituality in Art and Research</td>\r\n<td width=\"76\">2013</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Distinguished Researcher of Shahid Beheshti University</td>\r\n<td width=\"76\">2012</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Seasonal Book Award of Islamic Republic of Iran, for Persian translation of <em>Risāla-yi Mi’mārīyya</em></td>\r\n<td width=\"76\">2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources”</td>\r\n<td width=\"76\">2010</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Research Fellowship, Farabi International Award</td>\r\n<td width=\"76\">2010</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Annual Book Award of Islamic Republic of Iran, for Persian translation of <em>Meaning in Western Architecture</em></td>\r\n<td width=\"76\">2009</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Annual Book Award of Islamic Republic of Iran, for Persian translation of <em>The Topkapi Scroll: Geometry and Ornament in Islamic Architecture</em></td>\r\n<td width=\"76\">2003</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"605\">\r\n<h1>Memberships</h1>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Associate Member, the Iranian Academy of Art</td>\r\n<td width=\"76\">Since 2005</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Invited Member, the Iranian Academy of Science</td>\r\n<td width=\"76\">Since 2012</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Invited Member, the Iranian Academy of Persian Language and Literature</td>\r\n<td width=\"76\">Since 2012</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Member of Editorial Board, <em>Athar</em> Quarterly</td>\r\n<td width=\"76\">Since 2013</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Affiliated Member, Iran ICOMOS</td>\r\n<td width=\"76\">Since 2008</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art</td>\r\n<td width=\"76\">Since 2006</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Member of the Committee of Architecture and Urban Development, Iranian Academy of Art</td>\r\n<td width=\"76\">Since 2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"605\">\r\n<h1>Present Positions</h1>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Faculty Member, Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">Since 2002</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History)</td>\r\n<td width=\"76\">Since 2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"605\"><strong>Past Positions</strong></td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">2008-2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Editor-in-Chief and Founder Editor, <em>Golestān-e Honar</em> (<em>Gulistān-i Hunar</em>: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture)</td>\r\n<td width=\"76\">2005-2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Member of Editorial Board, <em>Khiyāl</em> (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art)</td>\r\n<td width=\"76\">2002-2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Faculty Member, the Iranian Academy of Art</td>\r\n<td width=\"76\">2004-2007</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Head and Founder of the Committee of Art History, the Iranian Academy of Art</td>\r\n<td width=\"76\">2006-2007</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Editor-in-Chief and Founder Editor, <em>Khiyāl</em> (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art)</td>\r\n<td width=\"76\">2002-2005</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Chief’s Consultant, Iranian Cultural Heritage Organization</td>\r\n<td width=\"76\">2002-2003</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman</td>\r\n<td width=\"76\">2003</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam</td>\r\n<td width=\"76\">2003-2007</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Dean of the Office, Head Office of Museums in Iran</td>\r\n<td width=\"76\">2002</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Member of Editorial Board, <em>Moozé-hā</em> (Quarterly journal on museum affairs)</td>\r\n<td width=\"76\">2002</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art</td>\r\n<td width=\"76\">2001</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province</td>\r\n<td width=\"76\">2000</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Editor-in-Chief and Founder Editor, <em>Ravāq</em> (Quarterly on architecture & art studies)</td>\r\n<td width=\"76\">1998-2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"605\"><strong>Research and Teaching Interests</strong></td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">History of Iranian and Persianate Architecture and Art</td>\r\n<td width=\"76\"><strong> </strong></td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Islamic Architecture and Art</td>\r\n<td width=\"76\"><strong> </strong></td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Theory and Methodology of Architectural History</td>\r\n<td width=\"76\"><strong> </strong></td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Theory of Architecture and Art</td>\r\n<td width=\"76\"><strong> </strong></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"605\"><strong>Publications: 1. Articles and Essays</strong></td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13</td>\r\n<td width=\"76\">2014</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17</td>\r\n<td width=\"76\">2013</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\"><em>Hanjār-i Mādī</em>: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10</td>\r\n<td width=\"76\">2013</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\"><em>Khāk-u Khirad</em>: Reflections on the Status of Architecture in Rumi’s <em>Mathnawi</em> (with Hamidreza Pishvaie), in <em>Mutāli’āt-i</em> <em>Me’mārī-yi Īrān</em>, no. 3</td>\r\n<td width=\"76\">2013</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> \r\n\r\n </td>\r\n<td width=\"491\">History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2</td>\r\n<td width=\"76\">2013</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56</td>\r\n<td width=\"76\">2013</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development</em>, no. 7</td>\r\n<td width=\"76\">2012</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\"><em>Bām-u būm-u mardum</em>: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in <em>Mutāli’āt-i</em> <em>Me’mārī-yi Īrān</em>, no. 1</td>\r\n<td width=\"76\">2012</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">An Introduction to Relation of Man and Space as Seen in Rumi\'s <em>Mathnawi </em>(with Hamidreza Pishvaie), in Mawlānā- Pazhūhī, no. 4</td>\r\n<td width=\"76\">2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">The Islamic Artist and <em>Zikr</em>: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur</td>\r\n<td width=\"76\">2010</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">The Islamic Artist and <em>Zikr</em>: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue.</td>\r\n<td width=\"76\">2010</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in <em>Tārīkh-u Tamaddon-i Islāmī</em>, no. 12</td>\r\n<td width=\"76\">2010</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\"><em>Az Sirishk Tā Pārgīn</em>: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa</em> (<em>Soffeh</em>), no. 48</td>\r\n<td width=\"76\">2010</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy</td>\r\n<td width=\"76\">2010</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15</td>\r\n<td width=\"76\">2010</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones</td>\r\n<td width=\"76\">2009</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\"><em>Az Sirishk Tā Pārgīn</em>: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World</td>\r\n<td width=\"76\">2009</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 15</td>\r\n<td width=\"76\">2009</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13</td>\r\n<td width=\"76\">2008</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">The Layers of Persian Garden, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 12</td>\r\n<td width=\"76\">2008</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa</em> (<em>Soffeh</em>), no. 46</td>\r\n<td width=\"76\">2008</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), Special Issue</td>\r\n<td width=\"76\">2008</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 10</td>\r\n<td width=\"76\">2008</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 8</td>\r\n<td width=\"76\">2007</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 7</td>\r\n<td width=\"76\">2007</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 5</td>\r\n<td width=\"76\">2007</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam</td>\r\n<td width=\"76\">2006</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\"><em>Tārīkh-i Zākirāna</em>: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran</td>\r\n<td width=\"76\">2006</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Theory Construction and the alphabet of Theory Creating, in <em>Suffa</em> (<em>Soffeh</em>), no. 40</td>\r\n<td width=\"76\">2006</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Architectural Training in Pre-Modern Era on the Basis of <em>Risāla-yi Mi\'māriyya</em>, in <em>Suffa</em> (<em>Soffeh</em>), no. 42</td>\r\n<td width=\"76\">2006</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Four Histories of Iranian Architecture: a Critical Analysis, in <em>Khiyāl</em>, no. 15</td>\r\n<td width=\"76\">2005</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</td>\r\n<td width=\"76\">2005</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2</td>\r\n<td width=\"76\">2004</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran</td>\r\n<td width=\"76\">2004</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Architectural Training in Pre-Modern Era on the Basis of <em>Risāla-yi Mi\'māriyya</em>, in the First Conference on Spirituality and Art Education, Tehran</td>\r\n<td width=\"76\">2004</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir)</td>\r\n<td width=\"76\">2003</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir)</td>\r\n<td width=\"76\">2003</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">After Forty Years Pain and Grief …: a Review on <em>Ganjnameh</em>, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir)</td>\r\n<td width=\"76\">2003</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">The Architect and <em>Zikr</em>, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity</td>\r\n<td width=\"76\">2003</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">The Architect and <em>Zikr</em>, in <em>Irfān-i Īrān</em>, no. 12</td>\r\n<td width=\"76\">2002</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</td>\r\n<td width=\"76\">2002</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Ganj-Ali Khān Public Bath, in <em>Ravāq</em>, no. 4</td>\r\n<td width=\"76\">2000</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4</td>\r\n<td width=\"76\">2000</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3</td>\r\n<td width=\"76\">1999</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2</td>\r\n<td width=\"76\">1999</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">A Letter of Treasure: a Review on <em>Ganjnameh</em>, in <em>Ravāq</em>, no. 2</td>\r\n<td width=\"76\">1999</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</td>\r\n<td width=\"76\">1998</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</td>\r\n<td width=\"76\">1996</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13</td>\r\n<td width=\"76\">2008</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 6</td>\r\n<td width=\"76\">2007</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa</em> (<em>Soffeh</em>), no. 39</td>\r\n<td width=\"76\">2005</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa</em> (<em>Soffeh</em>), no. 37</td>\r\n<td width=\"76\">2004</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan</em> (Collected Essays by the Prominent Thinkers of Sophia Perennia)</td>\r\n<td width=\"76\">2004</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan</em> (Collected Essays by the Prominent Thinkers of Sophia Perennia)</td>\r\n<td width=\"76\">2004</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11</td>\r\n<td width=\"76\">2004</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1</td>\r\n<td width=\"76\">1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"605\"><strong>Publications: 2. Books</strong></td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Essays on the Theory and History of Architecture and Art</td>\r\n<td width=\"76\">2012</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries</td>\r\n<td width=\"76\">2012</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti)</td>\r\n<td width=\"76\">2012</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti)</td>\r\n<td width=\"76\">2010</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi)</td>\r\n<td width=\"76\">2009</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi)</td>\r\n<td width=\"76\">2005</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane</td>\r\n<td width=\"76\">2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz</td>\r\n<td width=\"76\">2007</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim</td>\r\n<td width=\"76\">2003</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Persian translation of the Timeless Way of Building by Christopher Alexander</td>\r\n<td width=\"76\">2002</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu</td>\r\n<td width=\"76\">2001</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Persian translation of Quranic Art and Calligraphy, by Martin Lings</td>\r\n<td width=\"76\">1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"605\"><strong>Teaching Experience</strong></td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">Since 2009</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Pre-Dissertation Course, PhD in Conservation, Isfahan Art University</td>\r\n<td width=\"76\">2013</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University</td>\r\n<td width=\"76\">2012</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">Since 2007</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">Since 2007</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">Since 2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">2011-2012</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">2008</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">2002-2007</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"605\"><strong>Dissertations: 1. Supervised</strong></td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">2014</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2014</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on <em>Ābādānī</em>, by Motahareh Danaeifar, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2014</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">A Search for the Principles (<em>ādāb</em>) of Iranian Architecture according to the <em>adab</em> treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2013</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2013</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2013</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2013</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2012</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2012</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s <em>Mathnawi</em>, by Hamidreza Pishvaie, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2012</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2012</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">The Story of Fadan <em>Mādī</em>: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University</td>\r\n<td width=\"76\">2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">2010</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">From Event to Space: on What <em>Sabat</em> and <em>Meydan</em> Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2010</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2010</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2010</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2010</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Sassanid <em>Chahaar-taaq</em>: Space and Meaning, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2010</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2009</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"605\"><strong>Dissertations: 2. Consulted</strong></td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">2013</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">2012</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University</td>\r\n<td width=\"76\">2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran</td>\r\n<td width=\"76\">2009</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">2009</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Reconstruction of Rab’-e Rashidi on the Basis of Its <em>Waqfiyyeh</em>, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz</td>\r\n<td width=\"76\">2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"605\"><strong>Personal Information</strong></td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Born: Tehran, 1960</td>\r\n<td width=\"76\"> </td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"605\"><strong>Languages</strong></td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Reading and Translation Competence in English and Arabic</td>\r\n<td width=\"76\"> </td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Native in Persian</td>\r\n<td width=\"76\"> </td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n ','English CV','','inherit','closed','closed','','31-revision-v1','','','2016-02-28 07:36:24','2016-02-28 07:36:24','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(38,1,'2016-02-28 07:37:45','2016-02-28 07:37:45','<table width=\"605\">\r\n<tbody>\r\n<tr>\r\n<td colspan=\"3\" width=\"605\">\r\n<h1>Education</h1>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">2007</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">MA in Art Studies, University of Art, Tehran</td>\r\n<td width=\"76\">2002</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">1987</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"605\">\r\n<h1>Honors and Awards</h1>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">The Award for Morality and Spirituality in Art and Research</td>\r\n<td width=\"76\">2013</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Distinguished Researcher of Shahid Beheshti University</td>\r\n<td width=\"76\">2012</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Seasonal Book Award of Islamic Republic of Iran, for Persian translation of <em>Risāla-yi Mi’mārīyya</em></td>\r\n<td width=\"76\">2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources”</td>\r\n<td width=\"76\">2010</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Research Fellowship, Farabi International Award</td>\r\n<td width=\"76\">2010</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Annual Book Award of Islamic Republic of Iran, for Persian translation of <em>Meaning in Western Architecture</em></td>\r\n<td width=\"76\">2009</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Annual Book Award of Islamic Republic of Iran, for Persian translation of <em>The Topkapi Scroll: Geometry and Ornament in Islamic Architecture</em></td>\r\n<td width=\"76\">2003</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"605\">\r\n<h1>Memberships</h1>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Associate Member, the Iranian Academy of Art</td>\r\n<td width=\"76\">Since 2005</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Invited Member, the Iranian Academy of Science</td>\r\n<td width=\"76\">Since 2012</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Invited Member, the Iranian Academy of Persian Language and Literature</td>\r\n<td width=\"76\">Since 2012</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Member of Editorial Board, <em>Athar</em> Quarterly</td>\r\n<td width=\"76\">Since 2013</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Affiliated Member, Iran ICOMOS</td>\r\n<td width=\"76\">Since 2008</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art</td>\r\n<td width=\"76\">Since 2006</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Member of the Committee of Architecture and Urban Development, Iranian Academy of Art</td>\r\n<td width=\"76\">Since 2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"605\">\r\n<h1>Present Positions</h1>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Faculty Member, Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">Since 2002</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History)</td>\r\n<td width=\"76\">Since 2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"605\"><strong>Past Positions</strong></td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">2008-2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Editor-in-Chief and Founder Editor, <em>Golestān-e Honar</em> (<em>Gulistān-i Hunar</em>: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture)</td>\r\n<td width=\"76\">2005-2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Member of Editorial Board, <em>Khiyāl</em> (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art)</td>\r\n<td width=\"76\">2002-2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Faculty Member, the Iranian Academy of Art</td>\r\n<td width=\"76\">2004-2007</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Head and Founder of the Committee of Art History, the Iranian Academy of Art</td>\r\n<td width=\"76\">2006-2007</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Editor-in-Chief and Founder Editor, <em>Khiyāl</em> (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art)</td>\r\n<td width=\"76\">2002-2005</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Chief’s Consultant, Iranian Cultural Heritage Organization</td>\r\n<td width=\"76\">2002-2003</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman</td>\r\n<td width=\"76\">2003</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam</td>\r\n<td width=\"76\">2003-2007</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Dean of the Office, Head Office of Museums in Iran</td>\r\n<td width=\"76\">2002</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Member of Editorial Board, <em>Moozé-hā</em> (Quarterly journal on museum affairs)</td>\r\n<td width=\"76\">2002</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art</td>\r\n<td width=\"76\">2001</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province</td>\r\n<td width=\"76\">2000</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Editor-in-Chief and Founder Editor, <em>Ravāq</em> (Quarterly on architecture & art studies)</td>\r\n<td width=\"76\">1998-2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"605\"><strong>Research and Teaching Interests</strong></td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">History of Iranian and Persianate Architecture and Art</td>\r\n<td width=\"76\"><strong> </strong></td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Islamic Architecture and Art</td>\r\n<td width=\"76\"><strong> </strong></td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Theory and Methodology of Architectural History</td>\r\n<td width=\"76\"><strong> </strong></td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Theory of Architecture and Art</td>\r\n<td width=\"76\"><strong> </strong></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"605\"><strong>Publications: 1. Articles and Essays</strong></td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13</td>\r\n<td width=\"76\">2014</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17</td>\r\n<td width=\"76\">2013</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\"><em>Hanjār-i Mādī</em>: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10</td>\r\n<td width=\"76\">2013</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\"><em>Khāk-u Khirad</em>: Reflections on the Status of Architecture in Rumi’s <em>Mathnawi</em> (with Hamidreza Pishvaie), in <em>Mutāli’āt-i</em> <em>Me’mārī-yi Īrān</em>, no. 3</td>\r\n<td width=\"76\">2013</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> \r\n\r\n </td>\r\n<td width=\"491\">History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2</td>\r\n<td width=\"76\">2013</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56</td>\r\n<td width=\"76\">2013</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development</em>, no. 7</td>\r\n<td width=\"76\">2012</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\"><em>Bām-u būm-u mardum</em>: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in <em>Mutāli’āt-i</em> <em>Me’mārī-yi Īrān</em>, no. 1</td>\r\n<td width=\"76\">2012</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">An Introduction to Relation of Man and Space as Seen in Rumi\'s <em>Mathnawi </em>(with Hamidreza Pishvaie), in Mawlānā- Pazhūhī, no. 4</td>\r\n<td width=\"76\">2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">The Islamic Artist and <em>Zikr</em>: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur</td>\r\n<td width=\"76\">2010</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">The Islamic Artist and <em>Zikr</em>: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue.</td>\r\n<td width=\"76\">2010</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in <em>Tārīkh-u Tamaddon-i Islāmī</em>, no. 12</td>\r\n<td width=\"76\">2010</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\"><em>Az Sirishk Tā Pārgīn</em>: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa</em> (<em>Soffeh</em>), no. 48</td>\r\n<td width=\"76\">2010</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy</td>\r\n<td width=\"76\">2010</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15</td>\r\n<td width=\"76\">2010</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones</td>\r\n<td width=\"76\">2009</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\"><em>Az Sirishk Tā Pārgīn</em>: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World</td>\r\n<td width=\"76\">2009</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 15</td>\r\n<td width=\"76\">2009</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13</td>\r\n<td width=\"76\">2008</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">The Layers of Persian Garden, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 12</td>\r\n<td width=\"76\">2008</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa</em> (<em>Soffeh</em>), no. 46</td>\r\n<td width=\"76\">2008</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), Special Issue</td>\r\n<td width=\"76\">2008</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 10</td>\r\n<td width=\"76\">2008</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 8</td>\r\n<td width=\"76\">2007</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 7</td>\r\n<td width=\"76\">2007</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 5</td>\r\n<td width=\"76\">2007</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam</td>\r\n<td width=\"76\">2006</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\"><em>Tārīkh-i Zākirāna</em>: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran</td>\r\n<td width=\"76\">2006</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Theory Construction and the alphabet of Theory Creating, in <em>Suffa</em> (<em>Soffeh</em>), no. 40</td>\r\n<td width=\"76\">2006</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Architectural Training in Pre-Modern Era on the Basis of <em>Risāla-yi Mi\'māriyya</em>, in <em>Suffa</em> (<em>Soffeh</em>), no. 42</td>\r\n<td width=\"76\">2006</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Four Histories of Iranian Architecture: a Critical Analysis, in <em>Khiyāl</em>, no. 15</td>\r\n<td width=\"76\">2005</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</td>\r\n<td width=\"76\">2005</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2</td>\r\n<td width=\"76\">2004</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran</td>\r\n<td width=\"76\">2004</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Architectural Training in Pre-Modern Era on the Basis of <em>Risāla-yi Mi\'māriyya</em>, in the First Conference on Spirituality and Art Education, Tehran</td>\r\n<td width=\"76\">2004</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir)</td>\r\n<td width=\"76\">2003</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir)</td>\r\n<td width=\"76\">2003</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">After Forty Years Pain and Grief …: a Review on <em>Ganjnameh</em>, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir)</td>\r\n<td width=\"76\">2003</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">The Architect and <em>Zikr</em>, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity</td>\r\n<td width=\"76\">2003</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">The Architect and <em>Zikr</em>, in <em>Irfān-i Īrān</em>, no. 12</td>\r\n<td width=\"76\">2002</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</td>\r\n<td width=\"76\">2002</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Ganj-Ali Khān Public Bath, in <em>Ravāq</em>, no. 4</td>\r\n<td width=\"76\">2000</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4</td>\r\n<td width=\"76\">2000</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3</td>\r\n<td width=\"76\">1999</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2</td>\r\n<td width=\"76\">1999</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">A Letter of Treasure: a Review on <em>Ganjnameh</em>, in <em>Ravāq</em>, no. 2</td>\r\n<td width=\"76\">1999</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</td>\r\n<td width=\"76\">1998</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</td>\r\n<td width=\"76\">1996</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13</td>\r\n<td width=\"76\">2008</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 6</td>\r\n<td width=\"76\">2007</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa</em> (<em>Soffeh</em>), no. 39</td>\r\n<td width=\"76\">2005</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa</em> (<em>Soffeh</em>), no. 37</td>\r\n<td width=\"76\">2004</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan</em> (Collected Essays by the Prominent Thinkers of Sophia Perennia)</td>\r\n<td width=\"76\">2004</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan</em> (Collected Essays by the Prominent Thinkers of Sophia Perennia)</td>\r\n<td width=\"76\">2004</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11</td>\r\n<td width=\"76\">2004</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1</td>\r\n<td width=\"76\">1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"605\"><strong>Publications: 2. Books</strong></td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Essays on the Theory and History of Architecture and Art</td>\r\n<td width=\"76\">2012</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries</td>\r\n<td width=\"76\">2012</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti)</td>\r\n<td width=\"76\">2012</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti)</td>\r\n<td width=\"76\">2010</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi)</td>\r\n<td width=\"76\">2009</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi)</td>\r\n<td width=\"76\">2005</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane</td>\r\n<td width=\"76\">2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz</td>\r\n<td width=\"76\">2007</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim</td>\r\n<td width=\"76\">2003</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Persian translation of the Timeless Way of Building by Christopher Alexander</td>\r\n<td width=\"76\">2002</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu</td>\r\n<td width=\"76\">2001</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Persian translation of Quranic Art and Calligraphy, by Martin Lings</td>\r\n<td width=\"76\">1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"605\"><strong>Teaching Experience</strong></td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">Since 2009</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Pre-Dissertation Course, PhD in Conservation, Isfahan Art University</td>\r\n<td width=\"76\">2013</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University</td>\r\n<td width=\"76\">2012</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">Since 2007</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">Since 2007</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">Since 2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">2011-2012</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">2008</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">2002-2007</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"605\"><strong>Dissertations: 1. Supervised</strong></td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">2014</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2014</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on <em>Ābādānī</em>, by Motahareh Danaeifar, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2014</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">A Search for the Principles (<em>ādāb</em>) of Iranian Architecture according to the <em>adab</em> treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2013</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2013</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2013</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2013</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2012</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2012</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s <em>Mathnawi</em>, by Hamidreza Pishvaie, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2012</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2012</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">The Story of Fadan <em>Mādī</em>: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University</td>\r\n<td width=\"76\">2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">2010</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">From Event to Space: on What <em>Sabat</em> and <em>Meydan</em> Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2010</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2010</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2010</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2010</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Sassanid <em>Chahaar-taaq</em>: Space and Meaning, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2010</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies</td>\r\n<td width=\"76\">2009</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"605\"><strong>Dissertations: 2. Consulted</strong></td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">2013</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">2012</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University</td>\r\n<td width=\"76\">2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">2011</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran</td>\r\n<td width=\"76\">2009</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran</td>\r\n<td width=\"76\">2009</td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Reconstruction of Rab’-e Rashidi on the Basis of Its <em>Waqfiyyeh</em>, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz</td>\r\n<td width=\"76\">2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"605\"><strong>Personal Information</strong></td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Born: Tehran, 1960</td>\r\n<td width=\"76\"> </td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"605\"><strong>Languages</strong></td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Reading and Translation Competence in English and Arabic</td>\r\n<td width=\"76\"> </td>\r\n</tr>\r\n<tr>\r\n<td width=\"38\"> </td>\r\n<td width=\"491\">Native in Persian</td>\r\n<td width=\"76\"> </td>\r\n</tr>\r\n</tbody>\r\n</table>','English CV','','inherit','closed','closed','','31-revision-v1','','','2016-02-28 07:37:45','2016-02-28 07:37:45','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(39,1,'2016-02-28 07:39:47','2016-02-28 07:39:47','','English CV','','inherit','closed','closed','','31-revision-v1','','','2016-02-28 07:39:47','2016-02-28 07:39:47','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0);
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Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"macro\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"toa heading\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List Bullet\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List 3\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List Bullet 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List Bullet 3\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List Bullet 4\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List Bullet 5\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List Number 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List Number 3\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List Number 4\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List Number 5\"/>\r\n<w:LsdException Locked=\"false\" QFormat=\"true\" Name=\"Title\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Closing\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Signature\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"1\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Default Paragraph Font\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Body Text\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Body Text Indent\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List Continue\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List Continue 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List Continue 3\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List Continue 4\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"List Continue 5\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Message Header\"/>\r\n<w:LsdException Locked=\"false\" QFormat=\"true\" Name=\"Subtitle\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Body Text First Indent 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Note Heading\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Body Text 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Body Text 3\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Body Text Indent 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Body Text Indent 3\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Block Text\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Hyperlink\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"FollowedHyperlink\"/>\r\n<w:LsdException Locked=\"false\" QFormat=\"true\" Name=\"Strong\"/>\r\n<w:LsdException Locked=\"false\" QFormat=\"true\" Name=\"Emphasis\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Document Map\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Plain Text\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"E-mail Signature\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"HTML Top of Form\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"HTML Bottom of Form\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Normal (Web)\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"HTML Acronym\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"HTML Address\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"HTML Cite\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"HTML Code\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"HTML Definition\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"HTML Keyboard\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"HTML Preformatted\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"HTML Sample\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"HTML Typewriter\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"HTML Variable\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Normal Table\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"annotation subject\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"99\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"No List\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Outline List 1\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Outline List 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Outline List 3\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Simple 1\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Simple 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Simple 3\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Classic 1\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Classic 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Classic 3\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Classic 4\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Colorful 1\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Colorful 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Colorful 3\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Columns 1\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Columns 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Columns 3\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Columns 4\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Columns 5\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Grid 1\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Grid 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Grid 3\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Grid 4\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Grid 5\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Grid 6\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Grid 7\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Grid 8\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table List 1\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table List 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table List 3\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table List 4\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table List 5\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table List 6\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table List 7\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table List 8\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table 3D effects 1\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table 3D effects 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table 3D effects 3\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Contemporary\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Elegant\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Professional\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Subtle 1\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Subtle 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Web 1\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Web 2\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Web 3\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Balloon Text\"/>\r\n<w:LsdException Locked=\"false\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Table Theme\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"99\" SemiHidden=\"true\" Name=\"Placeholder Text\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"1\" QFormat=\"true\" Name=\"No Spacing\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"60\" Name=\"Light Shading\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"61\" Name=\"Light List\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"62\" Name=\"Light Grid\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"63\" Name=\"Medium Shading 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"64\" Name=\"Medium Shading 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"65\" Name=\"Medium List 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"66\" Name=\"Medium List 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"67\" Name=\"Medium Grid 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"68\" Name=\"Medium Grid 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"69\" Name=\"Medium Grid 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"70\" Name=\"Dark List\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"71\" Name=\"Colorful Shading\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"72\" Name=\"Colorful List\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"73\" Name=\"Colorful Grid\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"60\" Name=\"Light Shading Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"61\" Name=\"Light List Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"62\" Name=\"Light Grid Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"63\" Name=\"Medium Shading 1 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"64\" Name=\"Medium Shading 2 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"65\" Name=\"Medium List 1 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"99\" SemiHidden=\"true\" Name=\"Revision\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"34\" QFormat=\"true\" Name=\"List Paragraph\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"29\" QFormat=\"true\" Name=\"Quote\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"30\" QFormat=\"true\" Name=\"Intense Quote\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"66\" Name=\"Medium List 2 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"67\" Name=\"Medium Grid 1 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"68\" Name=\"Medium Grid 2 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"69\" Name=\"Medium Grid 3 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"70\" Name=\"Dark List Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"71\" Name=\"Colorful Shading Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"72\" Name=\"Colorful List Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"73\" Name=\"Colorful Grid Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"60\" Name=\"Light Shading Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"61\" Name=\"Light List Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"62\" Name=\"Light Grid Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"63\" Name=\"Medium Shading 1 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"64\" Name=\"Medium Shading 2 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"65\" Name=\"Medium List 1 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"66\" Name=\"Medium List 2 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"67\" Name=\"Medium Grid 1 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"68\" Name=\"Medium Grid 2 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"69\" Name=\"Medium Grid 3 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"70\" Name=\"Dark List Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"71\" Name=\"Colorful Shading Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"72\" Name=\"Colorful List Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"73\" Name=\"Colorful Grid Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"60\" Name=\"Light Shading Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"61\" Name=\"Light List Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"62\" Name=\"Light Grid Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"63\" Name=\"Medium Shading 1 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"64\" Name=\"Medium Shading 2 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"65\" Name=\"Medium List 1 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"66\" Name=\"Medium List 2 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"67\" Name=\"Medium Grid 1 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"68\" Name=\"Medium Grid 2 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"69\" Name=\"Medium Grid 3 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"70\" Name=\"Dark List Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"71\" Name=\"Colorful Shading Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"72\" Name=\"Colorful List Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"73\" Name=\"Colorful Grid Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"60\" Name=\"Light Shading Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"61\" Name=\"Light List Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"62\" Name=\"Light Grid Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"63\" Name=\"Medium Shading 1 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"64\" Name=\"Medium Shading 2 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"65\" Name=\"Medium List 1 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"66\" Name=\"Medium List 2 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"67\" Name=\"Medium Grid 1 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"68\" Name=\"Medium Grid 2 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"69\" Name=\"Medium Grid 3 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"70\" Name=\"Dark List Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"71\" Name=\"Colorful Shading Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"72\" Name=\"Colorful List Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"73\" Name=\"Colorful Grid Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"60\" Name=\"Light Shading Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"61\" Name=\"Light List Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"62\" Name=\"Light Grid Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"63\" Name=\"Medium Shading 1 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"64\" Name=\"Medium Shading 2 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"65\" Name=\"Medium List 1 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"66\" Name=\"Medium List 2 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"67\" Name=\"Medium Grid 1 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"68\" Name=\"Medium Grid 2 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"69\" Name=\"Medium Grid 3 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"70\" Name=\"Dark List Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"71\" Name=\"Colorful Shading Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"72\" Name=\"Colorful List Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"73\" Name=\"Colorful Grid Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"60\" Name=\"Light Shading Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"61\" Name=\"Light List Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"62\" Name=\"Light Grid Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"63\" Name=\"Medium Shading 1 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"64\" Name=\"Medium Shading 2 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"65\" Name=\"Medium List 1 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"66\" Name=\"Medium List 2 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"67\" Name=\"Medium Grid 1 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"68\" Name=\"Medium Grid 2 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"69\" Name=\"Medium Grid 3 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"70\" Name=\"Dark List Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"71\" Name=\"Colorful Shading Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"72\" Name=\"Colorful List Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"73\" Name=\"Colorful Grid Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"19\" QFormat=\"true\" Name=\"Subtle Emphasis\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"21\" QFormat=\"true\" Name=\"Intense Emphasis\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"31\" QFormat=\"true\" Name=\"Subtle Reference\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"32\" QFormat=\"true\" Name=\"Intense Reference\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"33\" QFormat=\"true\" Name=\"Book Title\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"37\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" Name=\"Bibliography\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"39\" SemiHidden=\"true\" UnhideWhenUsed=\"true\" QFormat=\"true\" Name=\"TOC Heading\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"41\" Name=\"Plain Table 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"42\" Name=\"Plain Table 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"43\" Name=\"Plain Table 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"44\" Name=\"Plain Table 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"45\" Name=\"Plain Table 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"40\" Name=\"Grid Table Light\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"Grid Table 1 Light\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"Grid Table 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"Grid Table 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"Grid Table 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"Grid Table 5 Dark\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"Grid Table 6 Colorful\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"Grid Table 7 Colorful\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"Grid Table 1 Light Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"Grid Table 2 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"Grid Table 3 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"Grid Table 4 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"Grid Table 5 Dark Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"Grid Table 6 Colorful Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"Grid Table 7 Colorful Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"Grid Table 1 Light Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"Grid Table 2 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"Grid Table 3 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"Grid Table 4 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"Grid Table 5 Dark Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"Grid Table 6 Colorful Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"Grid Table 7 Colorful Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"Grid Table 1 Light Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"Grid Table 2 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"Grid Table 3 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"Grid Table 4 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"Grid Table 5 Dark Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"Grid Table 6 Colorful Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"Grid Table 7 Colorful Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"Grid Table 1 Light Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"Grid Table 2 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"Grid Table 3 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"Grid Table 4 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"Grid Table 5 Dark Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"Grid Table 6 Colorful Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"Grid Table 7 Colorful Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"Grid Table 1 Light Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"Grid Table 2 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"Grid Table 3 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"Grid Table 4 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"Grid Table 5 Dark Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"Grid Table 6 Colorful Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"Grid Table 7 Colorful Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"Grid Table 1 Light Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"Grid Table 2 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"Grid Table 3 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"Grid Table 4 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"Grid Table 5 Dark Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"Grid Table 6 Colorful Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"Grid Table 7 Colorful Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"List Table 1 Light\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"List Table 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"List Table 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"List Table 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"List Table 5 Dark\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"List Table 6 Colorful\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"List Table 7 Colorful\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"List Table 1 Light Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"List Table 2 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"List Table 3 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"List Table 4 Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"List Table 5 Dark Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"List Table 6 Colorful Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"List Table 7 Colorful Accent 1\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"List Table 1 Light Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"List Table 2 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"List Table 3 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"List Table 4 Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"List Table 5 Dark Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"List Table 6 Colorful Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"List Table 7 Colorful Accent 2\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"List Table 1 Light Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"List Table 2 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"List Table 3 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"List Table 4 Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"List Table 5 Dark Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"List Table 6 Colorful Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"List Table 7 Colorful Accent 3\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"List Table 1 Light Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"List Table 2 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"List Table 3 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"List Table 4 Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"List Table 5 Dark Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"List Table 6 Colorful Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"List Table 7 Colorful Accent 4\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"List Table 1 Light Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"List Table 2 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"List Table 3 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"List Table 4 Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"List Table 5 Dark Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"List Table 6 Colorful Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"List Table 7 Colorful Accent 5\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"46\" Name=\"List Table 1 Light Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"47\" Name=\"List Table 2 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"48\" Name=\"List Table 3 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"49\" Name=\"List Table 4 Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"50\" Name=\"List Table 5 Dark Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"51\" Name=\"List Table 6 Colorful Accent 6\"/>\r\n<w:LsdException Locked=\"false\" Priority=\"52\" Name=\"List Table 7 Colorful Accent 6\"/>\r\n</w:LatentStyles>\r\n</xml><![endif]-->\r\n\r\n<!-- [if gte mso 10]>\r\n\r\n<style>\r\n /* Style Definitions */\r\ntable.MsoNormalTable\r\n{mso-style-name:\"Table Normal\";\r\nmso-tstyle-rowband-size:0;\r\nmso-tstyle-colband-size:0;\r\nmso-style-noshow:yes;\r\nmso-style-priority:99;\r\nmso-style-parent:\"\";\r\nmso-padding-alt:0cm 5.4pt 0cm 5.4pt;\r\nmso-para-margin:0cm;\r\nmso-para-margin-bottom:.0001pt;\r\nmso-pagination:widow-orphan;\r\nfont-size:10.0pt;\r\nfont-family:\"Times New Roman\",\"serif\";\r\nmso-ansi-language:EN-GB;\r\nmso-fareast-language:EN-GB;}\r\ntable.MsoTableGrid\r\n{mso-style-name:\"Table Grid\";\r\nmso-tstyle-rowband-size:0;\r\nmso-tstyle-colband-size:0;\r\nmso-style-unhide:no;\r\nborder:solid black 1.0pt;\r\nmso-border-alt:solid black .5pt;\r\nmso-padding-alt:0cm 5.4pt 0cm 5.4pt;\r\nmso-border-insideh:.5pt solid black;\r\nmso-border-insidev:.5pt solid black;\r\nmso-para-margin:0cm;\r\nmso-para-margin-bottom:.0001pt;\r\nmso-pagination:widow-orphan;\r\nfont-size:10.0pt;\r\nfont-family:\"Times New Roman\",\"serif\";\r\nmso-ansi-language:EN-GB;\r\nmso-fareast-language:EN-GB;}\r\n</style><![endif]--><!-- [if gte mso 9]><xml>\r\n<o:shapedefaults v:ext=\"edit\" spidmax=\"1026\"/>\r\n</xml><![endif]--><!-- [if gte mso 9]><xml>\r\n<o:shapelayout v:ext=\"edit\">\r\n<o:idmap v:ext=\"edit\" data=\"1\"/>\r\n</o:shapelayout></xml><![endif]-->\r\n\r\n \r\n<div class=\"WordSection1\">\r\n<table class=\"MsoNormalTable\" style=\"width: 760px; border-collapse: collapse; height: 11890px;\" border=\"0\" width=\"605\" cellspacing=\"0\" cellpadding=\"0\">\r\n<tbody>\r\n<tr style=\"mso-yfti-irow: 0; mso-yfti-firstrow: yes; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<h1 style=\"text-align: left; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 12.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000;\">Education</span></h1>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 1; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span dir=\"RTL\" lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: \'Book Antiqua\'; mso-hansi-font-family: \'Book Antiqua\';\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">PhD in Architecture, Faculty of Architecture and\r\nUrban Development, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; mso-bidi-language: FA;\">2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 2; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span dir=\"RTL\" lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: \'Book Antiqua\'; mso-hansi-font-family: \'Book Antiqua\';\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">MA in Art Studies, University of Art, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2002</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 3; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span dir=\"RTL\" lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: \'Book Antiqua\'; mso-hansi-font-family: \'Book Antiqua\';\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">BA in Architecture, Faculty of Architecture and\r\nUrban Development, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">1987</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 4; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<h1 style=\"text-align: left; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 12.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Honors and Awards</span></h1>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 5; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Award for Morality and\r\nSpirituality in Art and Research</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 6; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Distinguished Researcher of Shahid\r\nBeheshti University</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 7; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Seasonal Book Award of\r\nIslamic Republic of Iran, for Persian translation of <i>Risāla-yi Mi’mārīyya</i></span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 8; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">First and Special Award,\r\nFarabi International Award, for “Principles of Researching Iranian\r\nArchitecture in Persian Primary Sources”</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 9; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Research Fellowship, Farabi\r\nInternational Award</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 10; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Annual Book Award of Islamic\r\nRepublic of Iran, for Persian translation of <i>Meaning in Western\r\nArchitecture</i></span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 11; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Annual Book Award of Islamic\r\nRepublic of Iran, for Persian translation of <i>The Topkapi Scroll: Geometry\r\nand Ornament in Islamic Architecture</i></span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2003</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 12; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<h1 style=\"text-align: left; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 12.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Memberships</span></h1>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 13; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Associate Member, the\r\nIranian Academy of Art</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2005</span><b></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 14; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Invited Member, the Iranian\r\nAcademy of Science</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 15; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Invited Member, the Iranian\r\nAcademy of Persian Language and Literature</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 16; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Member of Editorial Board, <i>Athar</i>\r\nQuarterly</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 17; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Affiliated Member, Iran\r\nICOMOS</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 18; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Member of the Board of\r\nTrustees, Art Studies Center, the Iranian Academy of Art</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2006</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 19; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Member of the Committee of\r\nArchitecture and Urban Development, Iranian Academy of Art</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2002</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 20; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<h1 style=\"text-align: left; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 12.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Present Positions</span></h1>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 21; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Faculty Member, Department\r\nof Architectural History and Conservation, Faculty of Architecture and Urban\r\nDevelopment, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2002</span><b></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 22; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Faculty Member, Iranshahrpedia\r\n(Encyclopedia of Iranian Architectural History)</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">Since 2006</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 23; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Past Positions</span></b><b></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 24; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Head of the Department of\r\nArchitectural History and Conservation, Faculty of Architecture and Urban\r\nDevelopment, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2008-2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 25; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Editor-in-Chief and Founder\r\nEditor, <i>Golestān-e Honar</i> (<i>Gulistān-i Hunar</i>: Quarterly\r\nof the Iranian Academy of Art, on the History of Iranian Art and\r\nArchitecture)</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2005-2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 26; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Member of Editorial Board, <i>Khiyāl</i>\r\n(Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of\r\nArt)</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2002-2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 27; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Faculty Member, the Iranian\r\nAcademy of Art</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2004-2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 28; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Head and Founder of the\r\nCommittee of Art History, the Iranian Academy of Art</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2006-2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 29; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Editor-in-Chief and Founder\r\nEditor, <i>Khiyāl</i> (Quarterly of the Iranian Academy of Art, on the\r\nPhilosophy and Theory of Art)</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2002-2005</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 30; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Chief’s Consultant, Iranian\r\nCultural Heritage Organization</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2002-2003</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 31; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Member of Jury, the First\r\nCongress on “Bath in Iranian Culture”, Kerman</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra;\">2003</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 32; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Member of the Board of\r\nDirectors and Jury, the Third and Fourth Congress on the History of Iranian\r\nArchitecture and Urbanism, Bam</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2003-2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 33; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Dean of the Office, Head\r\nOffice of Museums in Iran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2002</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 34; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Member of Editorial Board, <i>Moozé-hā</i>\r\n(Quarterly journal on museum affairs)</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2002</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 35; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Secretary of the\r\nArchitecture and Urbanism Committee, the Iranian Academy of Art</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2001</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 36; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Deputy of General Director,\r\nIranian Cultural Heritage Organization –Isfahan Province</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2000</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 37; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Editor-in-Chief and Founder\r\nEditor, <i>Ravāq</i> (Quarterly on architecture & art studies) </span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">1998-2000</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 38; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Research and Teaching Interests</span></b><b></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 39; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span dir=\"LTR\" style=\"font-family: \'Calibri\',\'sans-serif\'; mso-bidi-font-family: Mitra;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">History of Iranian and\r\nPersianate Architecture and Art </span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"76\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><b><span dir=\"LTR\" style=\"font-size: 16.0pt; font-family: \'Adobe Arabic\',\'serif\';\"> </span></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 40; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span dir=\"LTR\" style=\"font-family: \'Calibri\',\'sans-serif\'; mso-bidi-font-family: Mitra;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Islamic Architecture and Art</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"76\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><b><span dir=\"LTR\" style=\"font-size: 16.0pt; font-family: \'Adobe Arabic\',\'serif\';\"> </span></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 41; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span dir=\"LTR\" style=\"font-family: \'Calibri\',\'sans-serif\'; mso-bidi-font-family: Mitra;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Theory and Methodology of\r\nArchitectural History </span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"76\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><b><span dir=\"LTR\" style=\"font-size: 16.0pt; font-family: \'Adobe Arabic\',\'serif\';\"> </span></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 42; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span dir=\"LTR\" style=\"font-family: \'Calibri\',\'sans-serif\'; mso-bidi-font-family: Mitra;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Theory of Architecture and\r\nArt</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"76\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><b><span dir=\"LTR\" style=\"font-size: 16.0pt; font-family: \'Adobe Arabic\',\'serif\';\"> </span></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 43; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Publications: 1. Articles and Essays</span></b><b></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 44; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Roshtkhār Monument: Mosque\r\nor Khaneqah? (with Sina Soltani), in <i>Nāma-yi Me’mārī-u\r\nShahrsāsī</i>, no. 13</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2014</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 45; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Cultural History in Iranian\r\nArchitectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <i>Mutāli’āt-i\r\nTārikh-i Farhangī</i>, no. 17</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 46; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Hanjār-i Mādī</span></i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">: Water Management System in Safavid Isfahan\r\n(with Safa Mahmoudian), in <i>Nāma-yi Me’mārī-u\r\nShahrsāsī</i>, no. 10</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 47; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Khāk-u Khirad</span></i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">: Reflections on the Status of Architecture in\r\nRumi’s <i>Mathnawi</i> (with Hamidreza Pishvaie), in <i>Mutāli’āt-i</i>\r\n<i>Me’mārī-yi Īrān</i>, no. 3</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 48; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">History of Mentalities in\r\nIranian Architecture: an Introduction (with Omid Shams), in <i>Mutāli’āt-i\r\nMe’mārī-yi Īrān</i>, no. 2</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 49; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">A Flowers Harvest for the\r\nFriends of Architectural School: Reflections on Pirnia’s Achievements for\r\nArchitectural Education in Iran (with M. Abdollahzadeh), in <i>Fasl-nāma-yi\r\nĀmūzish-i Muhandidī-yi Īrān</i>, no. 56</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 50; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Theory of Living Time in\r\nPeriodization of Iranian Architectural History, in <i>International Journal\r\nof Architecture and Urban Development</i>, no. 7</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 51; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Bām-u būm-u mardum</span></i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">: Rereading Pirnia’s Principles for Iranian\r\nArchitecture (with M. Abdollahzadeh), in <i>Mutāli’āt-i</i> <i>Me’mārī-yi\r\nĪrān</i>, no. 1</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 52; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">An Introduction to Relation of\r\nMan and Space as Seen in Rumi\'s <i>Mathnawi </i>(with Hamidreza Pishvaie), in\r\nMawlānā- Pazhūhī, no. 4<i></i></span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 53; page-break-inside: avoid; height: 45.35pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Islamic Artist and <i>Zikr</i>:\r\n</span><span style=\"font-size: 10.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Rethinking the Relation\r\nbetween Islamic Art and Sufism, in 2nd International Symposium on Mystical\r\nAspects of Islamic Art and Literature, Kuala Lampur</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 54; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Islamic Artist and <i>Zikr</i>:\r\nRethinking the Relation the Islamic Art and Mysticism, in <i>al-Shajarah</i>,\r\nSpecial issue.</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 55; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Rethinking the Relation\r\nbetween Islamic Art and Mysticism on the Basis of Historical Evidences, in <i>Tārīkh-u\r\nTamaddon-i Islāmī</i>, no. 12</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 56; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Az Sirishk Tā\r\nPārgīn</span></i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">: Water and City in the\r\nPersian Prose of the First Islamic Centuries, in <i>Suffa</i> (<i>Soffeh</i>),\r\nno. 48</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 57; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">In Search of an Iranian\r\nPhilosophy of Architectural History: the Theory of Living Time, in the\r\nInternational Congress on the Day of Philosophy </span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 58; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Reflections on Some Terms on\r\nOld of Calligraphy (with Mehdi Sahragard), in <i>Pazhūhesh-nāma-yi\r\nFarhangistān-i Hunar</i>, no. 15</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 59; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">From Tear to Sewer, in the\r\n2nd International Conference on Water, Ecosystem and Sustainable Development\r\nin Arid and Semi-Arid Zones</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 60; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Az Sirishk Tā\r\nPārgīn</span></i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">: Water and City in the\r\nPersian Prose of the First Islamic Centuries, in </span><span style=\"font-size: 10.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">International Congress of the Islamic Philosophy\r\nand the Challenges of the Modern World</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 61; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">On the Sources of the\r\nHistory of Iranian Architecture and Its Research Principles, in <i>Gulistān-i\r\nHunar</i> (<i>Golestān-e Honar</i>), no. 15</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 62; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Patronage and the Hidden\r\nAspects of the History of Iranian Art, in <i>Gulistān-i Hunar</i> (<i>Golestān-e\r\nHonar</i>), no. 13</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 63; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Layers of Persian\r\nGarden, in <i>Gulistān-i Hunar</i> (<i>Golestān-e Honar</i>),<span style=\"mso-spacerun: yes;\"> </span>no. 12</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 64; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Gardens of\r\nKhurāsān in Beyhaqī’s History, in <i>Suffa</i> (<i>Soffeh</i>),\r\nno. 46</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 65; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Restoration of Heart and\r\nRestoration of Clay: B. Shirazi among the Chain of Conservators, in <i>Gulistān-i\r\nHunar</i> (<i>Golestān-e Honar</i>), Special Issue</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 66; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Craft Ethics: Adab Treatises\r\nas Resources of Iranian Art History, in <i>Gulistān-i Hunar</i> (<i>Golestān-e\r\nHonar</i>), no. 10</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 67; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Difficulties in the Study of\r\nIranian Architectural History, and the Phenomenon of B. Shirazi, in <i>Gulistān-i\r\nHunar</i> (<i>Golestān-e Honar</i>), no. 8</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 68; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Temperament of Time: the\r\nTheory of Living Time in the Periodization of Iranian Architectural History,\r\nin <i>Gulistān-i Hunar</i> (<i>Golestān-e Honar</i>), no. 7</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 69; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Safavid Isfahan and the\r\nProblem of Classification in the History of Iranian Art, in <i>Gulistān-i\r\nHunar</i> (<i>Golestān-e Honar</i>), no. 5</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 70; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Gardens of Khurasan in\r\nBeyhaqi\'s History, in the Proceedings of the First Congress on the History of\r\nIranian Architecture and Urbanism – Kerman, Bam</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2006</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 71; page-break-inside: avoid; height: 45.35pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Tārīkh-i Zākirāna</span></i><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">: <span style=\"letter-spacing: -.2pt;\">Seeking a\r\nTheoretical Basis for History and History of Art in Iranian Culture on the\r\nBasis of Beyhaqi\'s History, Conference on Art, Tradition, and\r\nTraditionalists, Tehran</span></span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2006</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 72; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Theory Construction and the\r\nalphabet of Theory Creating, in <i>Suffa</i> (<i>Soffeh</i>), no. 40</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2006</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 73; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Architectural Training in\r\nPre-Modern Era on the Basis of <i>Risāla-yi Mi\'māriyya</i>, in <i>Suffa</i>\r\n(<i>Soffeh</i>), no. 42</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2006</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 74; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Four Histories of Iranian\r\nArchitecture: a Critical Analysis, in <i>Khiyāl</i>, no. 15</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2005</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 75; page-break-inside: avoid; height: 45.35pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Three Monuments of the Ne’matollahi\r\nSufi Order in Iran, in the Proceedings of the Second International Symposium\r\non Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2005</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 76; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Oleg Grabar, His Thoughts\r\nand Work, in <i>Dānishnāma</i>, no. 2</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2004</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 77; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Titus Burkhardt on Art, in\r\nthe First Conference on Art, Tradition, and Traditionalists, Tehran </span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2004</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 78; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Architectural Training in\r\nPre-Modern Era on the Basis of <i>Risāla-yi Mi\'māriyya</i>, in the\r\nFirst Conference on Spirituality and Art Education, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2004</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 79; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">A Plan for the Oral History\r\nof Iranian Architecture, in the Website of Iranian Cultural Heritage News\r\nAgency (www.chn.ir)</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2003</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 80; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Cultural Heritage, Matter of\r\nNostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage\r\nNews Agency (www.chn.ir)</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2003</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 81; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">After Forty Years Pain and\r\nGrief …: a Review on <i>Ganjnameh</i>, in the Website of Iranian Cultural\r\nHeritage News Agency (www.chn.ir)</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2003</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 82; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Architect and <i>Zikr</i>,\r\nin the Proceedings of the Conference on the Traditionalist Criticism of\r\nModernity</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2003</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 83; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Architect and <i>Zikr</i>,\r\nin <i>Irfān-i Īrān</i>, no. 12</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2002</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 84; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Shrine of Shāh\r\nNe\'matollāh, an Architectural Analysis, in the Proceedings of the First\r\nInternational Symposium on Seyyed Shah Nematollah, San Joze Univ., California,\r\n2002</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2002</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 85; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Ganj-Ali Khān Public\r\nBath, in <i>Ravāq</i>, no. 4</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2000</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 86; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">For I’m the Sun-slave…, in <i>Ravāq</i>,\r\nno. 4</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2000</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 87; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Hasht-Behesht Pavilion, in <i>Ravāq</i>,\r\nno. 3</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">1999</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 88; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Ghiyāssiyya Madrasa in\r\nKhargird, in <i>Ravāq</i>, no. 2</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">1999</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 89; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">A Letter of Treasure: a\r\nReview on <i>Ganjnameh</i></span><span style=\"font-size: 10.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">, in <i>Ravāq</i>,\r\nno. 2</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">1999</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 90; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Risāla-yi Me’mārīyya\r\nand the Architect of Ahmadīyya Mosque, </span><span style=\"font-size: 10.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">in the Proceedings of the First Congress on\r\nArchitecture of Mosque −Past, Present and Future, Isfahan, 1998</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">1998</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 91; page-break-inside: avoid; height: 45.35pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Light and Sight in the\r\nArchitecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings\r\nof the First Congress on the History of Iranian Architecture and Urbanism –\r\nKerman, Bam, 1996</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">1996</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 92; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of\r\n“Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the\r\nRab-‘e Rashīdī” by Sheila S. Blair, in <i>Gulistān-i Hunar</i>\r\n(<i>Golestān-e Honar</i>), no. 13</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 93; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of “Four\r\nSources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <i>Gulistān-i\r\nHunar</i> (<i>Golestān-e Honar</i>), no. 6</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 94; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of “Interpretational-\r\nHistorical Research” by David Wang, in <i>Suffa</i> (<i>Soffeh</i>), no. 39</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2005</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 95; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of “Inquiry\r\nSystems and Research Quality Criteria” by Linda Groat, in <i>Suffa</i> (<i>Soffeh</i>),\r\nno. 37</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2004</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 96; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of “Pattern\r\nand Cosmology” by Keith Critchlow, in <i>Jām-i naw va may-i kuhan</i> (Collected\r\nEssays by the Prominent Thinkers of Sophia Perennia)</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2004</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 97; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of\r\n\"Symbolism\" by Vital Perry, in <i>Jām-i Naw Va May-i Kuhan</i>\r\n(Collected Essays by the Prominent Thinkers of Sophia Perennia)</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2004</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 98; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of “Safi\r\nal-Din Urmawi”, by Eckhardt Neubauer, in <i>Khiyāl</i>, no. 11</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2004</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 99; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"FA\" style=\"font-size: 10.0pt; font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of\r\n“Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <i>Ravāq</i>,\r\nno. 1 </span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">1998</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 100; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Publications: 2. Books</span></b><b></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 101; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Essays on the Theory and\r\nHistory of Architecture and Art</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 102; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian Literature as Source\r\nof Architectural History: a Bibliographical Introduction, volume 1: Persian\r\nProse of the First Islamic Centuries</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 103; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Dictionary of Iranian\r\nArchitecture in Persian Reference Books, volume 2: Proper Names (with S.\r\nMohammad Beheshti)</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 104; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Dictionary of Iranian\r\nArchitecture in Persian Reference Books, volume 1: Terms and Concepts (with\r\nS. Mohammad Beheshti)</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 105; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Trilingual Dictionary of\r\nIslamic Architecture (with S. Ali Emadi Estarabadi)</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 106; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Ganjnameh: Cyclopedia of\r\nIranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz\r\nHaji-Qassemi)</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2005</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 107; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of\r\nRisāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 108; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of\r\nMeaning in Western Architecture, by Christian Norberg-Schulz</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 109; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of the\r\nDynamics of Architectural Form, by Rudolf Arnheim</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2003</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 110; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of the\r\nTimeless Way of Building by Christopher Alexander</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2002</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 111; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of Topkapi\r\nScroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2001</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 112; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Persian translation of Quranic\r\nArt and Calligraphy, by Martin Lings</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">1998</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 113; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Teaching Experience</span></b><b></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 114; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Pre-Dissertation Course, PhD\r\nin Architecture, Faculty of Architecture and Urban Development, Shahid\r\nBeheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Since 2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 115; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Pre-Dissertation Course, PhD\r\nin Conservation, Isfahan Art University</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 116; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Pre-Dissertation Course, PhD\r\nin Art Studies, Isfahan Art University</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 117; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Writing about Architecture,\r\nMA in Iranian Architectural Studies, Faculty of Architecture and Urban Development,\r\nShahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Since 2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 118; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Primary Sources of Iranian\r\nArchitectural History, MA in Iranian Architectural Studies, Faculty of\r\nArchitecture and Urban Development, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Since 2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 119; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Introduction to Architectural\r\nHistory, MA in Iranian Architectural Studies, Faculty of Architecture and\r\nUrban Development, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Since 2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 120; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Workshop on Dissertation\r\nPreparation, MA in Iranian Architectural Studies, Faculty of Architecture and\r\nUrban Development, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011-2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 121; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Architectural Design (Studio\r\n4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid\r\nBeheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 122; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Introduction to Islamic\r\nArchitecture, BA in Architecture, Faculty of Architecture and Urban\r\nDevelopment, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2002-2007</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 123; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Dissertations: 1. Supervised</span></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 124; page-break-inside: avoid; height: 51.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Principles of Persian\r\nArchitecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli,\r\nMA in Iranian Architectural Studies, Faculty of Architecture and Urban\r\nDevelopment, Shahid Beheshti University, Tehran </span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2014</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 125; page-break-inside: avoid; height: 45.35pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Nayin Friday Mosque: Rereading\r\nIts Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian\r\nArchitectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 45.35pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2014</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 126; page-break-inside: avoid; height: 51.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Some Basic Concepts of\r\nArchitecture in Iran in the Transition Period from the Late Sassanid to the\r\nFirst Islamic Era</span><span dir=\"RTL\" lang=\"FA\" style=\"font-size: 11.0pt; font-family: Mitra; mso-ascii-font-family: \'Book Antiqua\'; mso-hansi-font-family: \'Book Antiqua\'; mso-bidi-language: FA;\">:</span> <span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">With an Emphasis on <i>Ābādānī</i>,\r\nby Motahareh Danaeifar, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2014</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 127; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">A Search for the Principles\r\n(<i>ādāb</i>) of Iranian Architecture according to the <i>adab</i>\r\ntreatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 128; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Reflections on the Guilds\r\nand Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian\r\nArchitectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 129; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Formal Structure of Tehran\r\nBazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 130; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">A Search for Khaniqah’s\r\nArchitecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA\r\nin Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 131; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The City of Visitation:\r\nRereading Kashan City through the Window of Shiite Pilgrimage, by Zahra\r\nChitsazian, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 132; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">An Introduction to Cultural\r\nHistory of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian\r\nArchitectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 133; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Heavens and the Vaults:\r\nLevels of Architecture in Relation to Being and Human in Rumi’s <i>Mathnawi</i>,\r\nby Hamidreza Pishvaie, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 134; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">From Heavenly to Earthy\r\nArchitecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona\r\nBolouri Bazaz, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 135; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Oral History in Iranian\r\nArchitectural History: An Introduction to the Theoretical and Practical\r\nIssues, by S. Mitra Hashemi, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 136; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Qibla in Iranian Architecture:\r\nIts Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian\r\nArchitectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 137; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Story of Fadan <i>Mādī</i>:\r\nLife, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa\r\nMahmoudian, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 138; page-break-inside: avoid; height: 51.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Architecture between Form\r\nand Meaning</span><span dir=\"RTL\" lang=\"FA\" style=\"font-size: 11.0pt; font-family: Mitra; mso-ascii-font-family: \'Book Antiqua\'; mso-hansi-font-family: \'Book Antiqua\'; mso-bidi-language: FA;\">:</span><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\"> the\r\nRole and Implications of Context in Architectural History, by Mohammad\r\nGholamali Fallah, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 139; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Evolution of Iranian\r\nArchitecture in the First Islamic Centuries, by Ali Akbari, MA in\r\nArchitecture, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 140; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Manifestation of Eternity in\r\nthe Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin\r\nKarimi, MA in Art Studies, Kashan University</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 141; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Architectural Terms in the\r\nSafavid Period: an Introduction, by Bita Qahramani, MA in Iranian\r\nArchitectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 142; page-break-inside: avoid; height: 51.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Architecture, Life and\r\nBeauty in Baburnama: Interpreting some Architectural Issues in Babur’s\r\nAutobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural\r\nStudies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 143; page-break-inside: avoid; height: 51.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Running away from School:\r\nPirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad\r\nMahdi Abdollahzadeh, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 144; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Role of Architecture\r\nHistory in Architectural Education: a Review of Viewpoints, by Fahimeh\r\nFotouhi, MA in Architecture, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 145; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">From Event to Space: on What\r\n<i>Sabat</i> and <i>Meydan</i> Mean in Meybod, by Elnaz Najjar Najafi, MA in\r\nIranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 146; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Houraman Takht Village: a\r\nPhysical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA\r\nin Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 147; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Role of Viziers in the\r\nPatronage of Architecture in the Second Half of Safavid Period, by Mahdi\r\nSoltani, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 148; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Architectural Information in\r\nQajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh\r\nNazifkar, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 149; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Sassanid <i>Chahaar-taaq</i>:\r\nSpace and Meaning, MA in Iranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2010</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 150; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Madrasa of Khargird: the\r\nStory of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in\r\nIranian Architectural Studies</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 151; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Dissertations: 2. Consulted</span></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 152; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Rereading Urban Historical\r\nLandscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid\r\nBeheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2013</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 153; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Sacred Meaning of Color in\r\nImam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri,\r\nShahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2012</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 154; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">A Study on the Concept of\r\nCenter and Its Role in Architectural Creation, by Zoha Nadimi, MA in\r\nArchitecture, Yazd University </span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 155; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Important Evolution in the\r\nStructure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian\r\nArchitectural Studies, Shahid Beheshti University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 156; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Relation Between the\r\nHouse Form an the Culture in Qajar Mansions of Tabriz, by Parisa\r\nMohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti\r\nUniversity, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2011</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 157; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">The Dual Role of\r\nArchitecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA\r\nin Painting, Shahed University, Tehran</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 158; page-break-inside: avoid; height: 51.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Architectural Glossary of\r\nMirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar\r\nEra, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies,\r\nShahid Beheshti University, Tehran </span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 51.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2009</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 159; page-break-inside: avoid; height: 39.7pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Reconstruction of Rab’-e\r\nRashidi on the Basis of Its <i>Waqfiyyeh</i>, by Azita Balali Oskuyi, MA in\r\nArchitecture, Islamic Art University, Tabriz</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 39.7pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">2008</span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 160; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Personal Information</span></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 161; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Born: Tehran, 1960</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 162; page-break-inside: avoid; height: 1.0cm;\">\r\n<td style=\"width: 16.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 1.0cm;\" colspan=\"3\" width=\"605\">\r\n<p class=\"MsoNormal\" style=\"text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><b><span style=\"font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: \'Adobe Arabic\'; color: #2e0000; mso-bidi-language: FA;\">Languages</span></b></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 163; page-break-inside: avoid; height: 34.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Reading and Translation Competence\r\nin English and Arabic</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 34.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n</tr>\r\n<tr style=\"mso-yfti-irow: 164; mso-yfti-lastrow: yes; page-break-inside: avoid; height: 17.0pt;\">\r\n<td style=\"width: 28.8pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" width=\"38\">\r\n<p class=\"MsoNormal\" dir=\"RTL\" style=\"margin-right: 18.0pt; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt;\"><span lang=\"AR-SA\" style=\"font-family: Mitra; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri;\"> </span></p>\r\n</td>\r\n<td style=\"width: 368.1pt; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"491\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\">Native in Persian</span></p>\r\n</td>\r\n<td style=\"width: 2.0cm; padding: 0cm 5.4pt 0cm 5.4pt; height: 17.0pt;\" valign=\"top\" width=\"76\">\r\n<p class=\"MsoNormal\" style=\"margin-left: 18.0pt; text-align: left; line-height: 12.0pt; mso-line-height-rule: exactly; tab-stops: 432.0pt; direction: ltr; unicode-bidi: embed;\"><span style=\"font-size: 11.0pt; font-family: \'Book Antiqua\',\'serif\'; mso-bidi-font-family: Mitra; mso-bidi-language: FA;\"> </span></p>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<p class=\"MsoNormal\" style=\"text-align: left; direction: ltr; unicode-bidi: embed;\"></p>\r\n\r\n</div>\r\n \r\n\r\n ','English CV','','inherit','closed','closed','','31-revision-v1','','','2016-02-28 07:41:26','2016-02-28 07:41:26','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(41,1,'2016-02-28 07:42:19','2016-02-28 07:42:19','','English CV','','inherit','closed','closed','','31-revision-v1','','','2016-02-28 07:42:19','2016-02-28 07:42:19','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(42,1,'2016-02-28 08:05:41','2016-02-28 08:05:41','','Qayyoomi\'s CV (Aug 2014) (English)','','inherit','open','closed','','qayyoomis-cv-aug-2014-english','','','2016-02-28 08:05:41','2016-02-28 08:05:41','',0,'https://qayyoomi.com/wp-content/uploads/2016/02/Qayyoomis-CV-Aug-2014-English.pdf',0,'attachment','application/pdf',0),(44,1,'2016-02-28 08:23:19','2016-02-28 08:23:19','','Qayyoomi\'s CV (Aug 2014) (Persian)','','inherit','open','closed','','qayyoomis-cv-aug-2014-persian','','','2016-02-28 08:23:19','2016-02-28 08:23:19','',0,'https://qayyoomi.com/wp-content/uploads/2016/02/Qayyoomis-CV-Aug-2014-Persian.pdf',0,'attachment','application/pdf',0),(49,1,'2016-03-09 14:43:18','2016-03-09 14:43:18','<strong>Education</strong>\r\n- PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007\r\n- MA in Art Studies, University of Art, Tehran 2002\r\n- BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987\r\n\r\nHonors and Awards\r\nw The Award for Morality and Spirituality in Art and Research 2013\r\nw Distinguished Researcher of Shahid Beheshti University 2012\r\nw Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011\r\nw First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010\r\nw Research Fellowship, Farabi International Award 2010\r\nw Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009\r\nw Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003\r\nMemberships\r\nw Associate Member, the Iranian Academy of Art Since 2005\r\nw Invited Member, the Iranian Academy of Science Since 2012\r\nw Invited Member, the Iranian Academy of Persian Language and Literature Since 2012\r\nw Member of Editorial Board, Athar Quarterly Since 2013\r\nw Affiliated Member, Iran ICOMOS Since 2008\r\nw Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006\r\nw Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 2002\r\nPresent Positions\r\nw Faculty Member, Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002\r\nw Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006\r\nPast Positions\r\nw Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011\r\nw Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011\r\nw Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011\r\nw Faculty Member, the Iranian Academy of Art 2004-2007\r\nw Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007\r\nw Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005\r\nw Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003\r\nw Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003\r\nw Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007\r\nw Dean of the Office, Head Office of Museums in Iran 2002\r\nw Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002\r\nw Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001\r\nw Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000\r\nw Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000\r\nResearch and Teaching Interests\r\nw History of Iranian and Persianate Architecture and Art\r\nw Islamic Architecture and Art\r\nw Theory and Methodology of Architectural History\r\nw Theory of Architecture and Art\r\nPublications: 1. Articles and Essays\r\nw Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in Nāma-yi Me’m¬¬ārī-u Shahrsāsī, no. 13 2014\r\nw Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in Mutāli’āt-i Tārikh-i Farhangī, no. 17 2013\r\nw Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in Nāma-yi Me’m¬¬ārī-u Shahrsāsī, no. 10 2013\r\nw Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in Mutāli’āt-i Me’m¬¬ārī-yi Īrān, no. 3 2013\r\n\r\nw History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in Mutāli’āt-i Me’m¬¬ārī-yi Īrān, no. 2 2013\r\nw A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān, no. 56 2013\r\nw The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, no. 7 2012\r\nw Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in Mutāli’āt-i Me’m¬¬ārī-yi Īrān, no. 1 2012\r\nw An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in Mawlānā- Pazhūhī, no. 4 2011\r\nw The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010\r\nw The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in al-Shajarah, Special issue. 2010\r\nw Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in Tārīkh-u Tamaddon-i Islāmī, no. 12 2010\r\nw Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in Suffa (Soffeh), no. 48 2010\r\nw In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010\r\nw Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in Pazhūhesh-nāma-yi Farhangistān-i Hunar, no. 15 2010\r\nw From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009\r\nw Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009\r\nw On the Sources of the History of Iranian Architecture and Its Research Principles, in Gulistān-i Hunar (Golestān-e Honar), no. 15 2009\r\nw Patronage and the Hidden Aspects of the History of Iranian Art, in Gulistān-i Hunar (Golestān-e Honar), no. 13 2008\r\nw The Layers of Persian Garden, in Gulistān-i Hunar (Golestān-e Honar), no. 12 2008\r\nw Gardens of Khurāsān in Beyhaqī’s History, in Suffa (Soffeh), no. 46 2008\r\nw Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in Gulistān-i Hunar (Golestān-e Honar), Special Issue 2008\r\nw Craft Ethics: Adab Treatises as Resources of Iranian Art History, in Gulistān-i Hunar (Golestān-e Honar), no. 10 2008\r\nw Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in Gulistān-i Hunar (Golestān-e Honar), no. 8 2007\r\nw Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in Gulistān-i Hunar (Golestān-e Honar), no. 7 2007\r\nw Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in Gulistān-i Hunar (Golestān-e Honar), no. 5 2007\r\nw Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006\r\nw Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006\r\nw Theory Construction and the alphabet of Theory Creating, in Suffa (Soffeh), no. 40 2006\r\nw Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in Suffa (Soffeh), no. 42 2006\r\nw Four Histories of Iranian Architecture: a Critical Analysis, in Khiyāl, no. 15 2005\r\nw Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005 2005\r\nw Oleg Grabar, His Thoughts and Work, in Dānishnāma, no. 2 2004\r\nw Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004\r\nw Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004\r\nw A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003\r\nw Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003\r\nw After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003\r\nw The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003\r\nw The Architect and Zikr, in Irfān-i Īrān, no. 12 2002\r\nw The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002 2002\r\nw Ganj-Ali Khān Public Bath, in Ravāq, no. 4 2000\r\nw For I’m the Sun-slave…, in Ravāq, no. 4 2000\r\nw Hasht-Behesht Pavilion, in Ravāq, no. 3 1999\r\nw Ghiyāssiyya Madrasa in Khargird, in Ravāq, no. 2 1999\r\nw A Letter of Treasure: a Review on Ganjnameh, in Ravāq, no. 2 1999\r\nw Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998 1998\r\nw Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996 1996\r\nw Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in Gulistān-i Hunar (Golestān-e Honar), no. 13 2008\r\nw Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in Gulistān-i Hunar (Golestān-e Honar), no. 6 2007\r\nw Persian translation of “Interpretational- Historical Research” by David Wang, in Suffa (Soffeh), no. 39 2005\r\nw Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in Suffa (Soffeh), no. 37 2004\r\nw Persian translation of “Pattern and Cosmology” by Keith Critchlow, in Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia) 2004\r\nw Persian translation of \"Symbolism\" by Vital Perry, in Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia) 2004\r\nw Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in Khiyāl, no. 11 2004\r\nw Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in Ravāq, no. 1 1998\r\nPublications: 2. Books\r\nw Essays on the Theory and History of Architecture and Art 2012\r\nw Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries 2012\r\nw Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti) 2012\r\nw Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti) 2010\r\nw Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi) 2009\r\nw Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi) 2005\r\nw Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane 2011\r\nw Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz 2007\r\nw Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim 2003\r\nw Persian translation of the Timeless Way of Building by Christopher Alexander 2002\r\nw Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu 2001\r\nw Persian translation of Quranic Art and Calligraphy, by Martin Lings 1998\r\nTeaching Experience\r\nw Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009\r\nw Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013\r\nw Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012\r\nw Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007\r\nw Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007\r\nw Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011\r\nw Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012\r\nw Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008\r\nw Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007\r\nDissertations: 1. Supervised\r\nw Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014\r\nw Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014\r\nw Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014\r\nw A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013\r\nw Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013\r\nw Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013\r\nw A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013\r\nw The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012\r\nw An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012\r\nw The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012\r\nw From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012\r\nw Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011\r\nw Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011\r\nw The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011\r\nw Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011\r\nw The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011\r\nw Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011\r\nw Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011\r\nw Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011\r\nw Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011\r\nw The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010\r\nw From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010\r\nw Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010\r\nw The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010\r\nw Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010\r\nw Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010\r\nw Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009\r\nDissertations: 2. Consulted\r\nw Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013\r\nw Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012\r\nw A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011\r\nw Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011\r\nw The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011\r\nw The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009\r\nw Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009\r\nw Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 2008\r\nPersonal Information\r\nw Born: Tehran, 1960\r\nLanguages\r\nw Reading and Translation Competence in English and Arabic\r\nw Native in Persian','English CV','','inherit','closed','closed','','31-revision-v1','','','2016-03-09 14:43:18','2016-03-09 14:43:18','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(53,1,'2016-03-09 14:50:37','2016-03-09 14:50:37','<strong>Education</strong>\r\n- PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007\r\n- MA in Art Studies, University of Art, Tehran 2002\r\n- BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987\r\n\r\n<strong>Honors and Awards</strong>\r\n- The Award for Morality and Spirituality in Art and Research 2013\r\n- Distinguished Researcher of Shahid Beheshti University 2012\r\n- Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011\r\n- First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010\r\n- Research Fellowship, Farabi International Award 2010\r\n- Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009\r\n- Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003\r\n<strong> Memberships</strong>\r\n- Associate Member, the Iranian Academy of Art Since 2005\r\n- Invited Member, the Iranian Academy of Science Since 2012\r\n- Invited Member, the Iranian Academy of Persian Language and Literature Since 2012\r\n- Member of Editorial Board, Athar Quarterly Since 2013\r\n- Affiliated Member, Iran ICOMOS Since 2008\r\n- Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006\r\n- Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 2002\r\nPresent Positions\r\n- Faculty Member, Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002\r\n- Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006\r\nPast Positions\r\n- Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011\r\n- Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011\r\n- Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011\r\n- Faculty Member, the Iranian Academy of Art 2004-2007\r\n- Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007\r\n- Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005\r\n- Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003\r\nw Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003\r\nw Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007\r\nw Dean of the Office, Head Office of Museums in Iran 2002\r\nw Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002\r\nw Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001\r\nw Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000\r\nw Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000\r\nResearch and Teaching Interests\r\nw History of Iranian and Persianate Architecture and Art\r\nw Islamic Architecture and Art\r\nw Theory and Methodology of Architectural History\r\nw Theory of Architecture and Art\r\nPublications: 1. Articles and Essays\r\nw Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in Nāma-yi Me’m¬¬ārī-u Shahrsāsī, no. 13 2014\r\nw Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in Mutāli’āt-i Tārikh-i Farhangī, no. 17 2013\r\nw Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in Nāma-yi Me’m¬¬ārī-u Shahrsāsī, no. 10 2013\r\nw Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in Mutāli’āt-i Me’m¬¬ārī-yi Īrān, no. 3 2013\r\n\r\nw History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in Mutāli’āt-i Me’m¬¬ārī-yi Īrān, no. 2 2013\r\nw A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān, no. 56 2013\r\nw The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, no. 7 2012\r\nw Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in Mutāli’āt-i Me’m¬¬ārī-yi Īrān, no. 1 2012\r\nw An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in Mawlānā- Pazhūhī, no. 4 2011\r\nw The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010\r\nw The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in al-Shajarah, Special issue. 2010\r\nw Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in Tārīkh-u Tamaddon-i Islāmī, no. 12 2010\r\nw Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in Suffa (Soffeh), no. 48 2010\r\nw In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010\r\nw Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in Pazhūhesh-nāma-yi Farhangistān-i Hunar, no. 15 2010\r\nw From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009\r\nw Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009\r\nw On the Sources of the History of Iranian Architecture and Its Research Principles, in Gulistān-i Hunar (Golestān-e Honar), no. 15 2009\r\nw Patronage and the Hidden Aspects of the History of Iranian Art, in Gulistān-i Hunar (Golestān-e Honar), no. 13 2008\r\nw The Layers of Persian Garden, in Gulistān-i Hunar (Golestān-e Honar), no. 12 2008\r\nw Gardens of Khurāsān in Beyhaqī’s History, in Suffa (Soffeh), no. 46 2008\r\nw Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in Gulistān-i Hunar (Golestān-e Honar), Special Issue 2008\r\nw Craft Ethics: Adab Treatises as Resources of Iranian Art History, in Gulistān-i Hunar (Golestān-e Honar), no. 10 2008\r\nw Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in Gulistān-i Hunar (Golestān-e Honar), no. 8 2007\r\nw Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in Gulistān-i Hunar (Golestān-e Honar), no. 7 2007\r\nw Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in Gulistān-i Hunar (Golestān-e Honar), no. 5 2007\r\nw Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006\r\nw Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006\r\nw Theory Construction and the alphabet of Theory Creating, in Suffa (Soffeh), no. 40 2006\r\nw Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in Suffa (Soffeh), no. 42 2006\r\nw Four Histories of Iranian Architecture: a Critical Analysis, in Khiyāl, no. 15 2005\r\nw Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005 2005\r\nw Oleg Grabar, His Thoughts and Work, in Dānishnāma, no. 2 2004\r\nw Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004\r\nw Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004\r\nw A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003\r\nw Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003\r\nw After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003\r\nw The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003\r\nw The Architect and Zikr, in Irfān-i Īrān, no. 12 2002\r\nw The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002 2002\r\nw Ganj-Ali Khān Public Bath, in Ravāq, no. 4 2000\r\nw For I’m the Sun-slave…, in Ravāq, no. 4 2000\r\nw Hasht-Behesht Pavilion, in Ravāq, no. 3 1999\r\nw Ghiyāssiyya Madrasa in Khargird, in Ravāq, no. 2 1999\r\nw A Letter of Treasure: a Review on Ganjnameh, in Ravāq, no. 2 1999\r\nw Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998 1998\r\nw Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996 1996\r\nw Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in Gulistān-i Hunar (Golestān-e Honar), no. 13 2008\r\nw Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in Gulistān-i Hunar (Golestān-e Honar), no. 6 2007\r\nw Persian translation of “Interpretational- Historical Research” by David Wang, in Suffa (Soffeh), no. 39 2005\r\nw Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in Suffa (Soffeh), no. 37 2004\r\nw Persian translation of “Pattern and Cosmology” by Keith Critchlow, in Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia) 2004\r\nw Persian translation of \"Symbolism\" by Vital Perry, in Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia) 2004\r\nw Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in Khiyāl, no. 11 2004\r\nw Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in Ravāq, no. 1 1998\r\nPublications: 2. Books\r\nw Essays on the Theory and History of Architecture and Art 2012\r\nw Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries 2012\r\nw Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti) 2012\r\nw Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti) 2010\r\nw Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi) 2009\r\nw Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi) 2005\r\nw Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane 2011\r\nw Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz 2007\r\nw Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim 2003\r\nw Persian translation of the Timeless Way of Building by Christopher Alexander 2002\r\nw Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu 2001\r\nw Persian translation of Quranic Art and Calligraphy, by Martin Lings 1998\r\nTeaching Experience\r\nw Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009\r\nw Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013\r\nw Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012\r\nw Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007\r\nw Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007\r\nw Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011\r\nw Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012\r\nw Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008\r\nw Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007\r\nDissertations: 1. Supervised\r\nw Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014\r\nw Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014\r\nw Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014\r\nw A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013\r\nw Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013\r\nw Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013\r\nw A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013\r\nw The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012\r\nw An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012\r\nw The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012\r\nw From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012\r\nw Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011\r\nw Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011\r\nw The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011\r\nw Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011\r\nw The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011\r\nw Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011\r\nw Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011\r\nw Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011\r\nw Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011\r\nw The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010\r\nw From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010\r\nw Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010\r\nw The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010\r\nw Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010\r\nw Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010\r\nw Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009\r\nDissertations: 2. Consulted\r\nw Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013\r\nw Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012\r\nw A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011\r\nw Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011\r\nw The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011\r\nw The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009\r\nw Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009\r\nw Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 2008\r\nPersonal Information\r\nw Born: Tehran, 1960\r\nLanguages\r\nw Reading and Translation Competence in English and Arabic\r\nw Native in Persian','English CV','','inherit','closed','closed','','31-revision-v1','','','2016-03-09 14:50:37','2016-03-09 14:50:37','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(54,1,'2016-03-09 14:51:10','2016-03-09 14:51:10','<strong>Education</strong>\r\n- PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007\r\n- MA in Art Studies, University of Art, Tehran 2002\r\n- BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987\r\n\r\n<strong>Honors and Awards</strong>\r\n- The Award for Morality and Spirituality in Art and Research 2013\r\n- Distinguished Researcher of Shahid Beheshti University 2012\r\n- Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011\r\n- First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010\r\n- Research Fellowship, Farabi International Award 2010\r\n- Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009\r\n- Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003\r\n<strong> Memberships</strong>\r\n- Associate Member, the Iranian Academy of Art Since 2005\r\n- Invited Member, the Iranian Academy of Science Since 2012\r\n- Invited Member, the Iranian Academy of Persian Language and Literature Since 2012\r\n- Member of Editorial Board, Athar Quarterly Since 2013\r\n- Affiliated Member, Iran ICOMOS Since 2008\r\n- Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006\r\n- Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 2002\r\nPresent Positions\r\n- Faculty Member, Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002\r\n- Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006\r\nPast Positions\r\n- Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011\r\n- Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011\r\n- Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011\r\n- Faculty Member, the Iranian Academy of Art 2004-2007\r\n- Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007\r\n- Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005\r\n- Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003\r\nw Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003\r\nw Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007\r\nw Dean of the Office, Head Office of Museums in Iran 2002\r\nw Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002\r\nw Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001\r\nw Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000\r\nw Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000\r\nResearch and Teaching Interests\r\nw History of Iranian and Persianate Architecture and Art\r\nw Islamic Architecture and Art\r\nw Theory and Methodology of Architectural History\r\nw Theory of Architecture and Art\r\nPublications: 1. Articles and Essays\r\nw Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in Nāma-yi Me’m¬¬ārī-u Shahrsāsī, no. 13 2014\r\nw Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in Mutāli’āt-i Tārikh-i Farhangī, no. 17 2013\r\nw Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in Nāma-yi Me’m¬¬ārī-u Shahrsāsī, no. 10 2013\r\nw Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in Mutāli’āt-i Me’m¬¬ārī-yi Īrān, no. 3 2013\r\n\r\nw History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in Mutāli’āt-i Me’m¬¬ārī-yi Īrān, no. 2 2013\r\nw A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān, no. 56 2013\r\nw The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, no. 7 2012\r\nw Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in Mutāli’āt-i Me’m¬¬ārī-yi Īrān, no. 1 2012\r\nw An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in Mawlānā- Pazhūhī, no. 4 2011\r\nw The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010\r\nw The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in al-Shajarah, Special issue. 2010\r\nw Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in Tārīkh-u Tamaddon-i Islāmī, no. 12 2010\r\nw Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in Suffa (Soffeh), no. 48 2010\r\nw In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010\r\nw Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in Pazhūhesh-nāma-yi Farhangistān-i Hunar, no. 15 2010\r\nw From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009\r\nw Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009\r\nw On the Sources of the History of Iranian Architecture and Its Research Principles, in Gulistān-i Hunar (Golestān-e Honar), no. 15 2009\r\nw Patronage and the Hidden Aspects of the History of Iranian Art, in Gulistān-i Hunar (Golestān-e Honar), no. 13 2008\r\nw The Layers of Persian Garden, in Gulistān-i Hunar (Golestān-e Honar), no. 12 2008\r\nw Gardens of Khurāsān in Beyhaqī’s History, in Suffa (Soffeh), no. 46 2008\r\nw Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in Gulistān-i Hunar (Golestān-e Honar), Special Issue 2008\r\nw Craft Ethics: Adab Treatises as Resources of Iranian Art History, in Gulistān-i Hunar (Golestān-e Honar), no. 10 2008\r\nw Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in Gulistān-i Hunar (Golestān-e Honar), no. 8 2007\r\nw Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in Gulistān-i Hunar (Golestān-e Honar), no. 7 2007\r\nw Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in Gulistān-i Hunar (Golestān-e Honar), no. 5 2007\r\nw Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006\r\nw Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006\r\nw Theory Construction and the alphabet of Theory Creating, in Suffa (Soffeh), no. 40 2006\r\nw Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in Suffa (Soffeh), no. 42 2006\r\nw Four Histories of Iranian Architecture: a Critical Analysis, in Khiyāl, no. 15 2005\r\nw Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005 2005\r\nw Oleg Grabar, His Thoughts and Work, in Dānishnāma, no. 2 2004\r\nw Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004\r\nw Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004\r\nw A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003\r\nw Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003\r\nw After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003\r\nw The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003\r\nw The Architect and Zikr, in Irfān-i Īrān, no. 12 2002\r\nw The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002 2002\r\nw Ganj-Ali Khān Public Bath, in Ravāq, no. 4 2000\r\nw For I’m the Sun-slave…, in Ravāq, no. 4 2000\r\nw Hasht-Behesht Pavilion, in Ravāq, no. 3 1999\r\nw Ghiyāssiyya Madrasa in Khargird, in Ravāq, no. 2 1999\r\nw A Letter of Treasure: a Review on Ganjnameh, in Ravāq, no. 2 1999\r\nw Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998 1998\r\nw Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996 1996\r\nw Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in Gulistān-i Hunar (Golestān-e Honar), no. 13 2008\r\nw Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in Gulistān-i Hunar (Golestān-e Honar), no. 6 2007\r\nw Persian translation of “Interpretational- Historical Research” by David Wang, in Suffa (Soffeh), no. 39 2005\r\nw Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in Suffa (Soffeh), no. 37 2004\r\nw Persian translation of “Pattern and Cosmology” by Keith Critchlow, in Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia) 2004\r\nw Persian translation of \"Symbolism\" by Vital Perry, in Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia) 2004\r\nw Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in Khiyāl, no. 11 2004\r\nw Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in Ravāq, no. 1 1998\r\nPublications: 2. Books\r\nw Essays on the Theory and History of Architecture and Art 2012\r\nw Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries 2012\r\nw Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti) 2012\r\nw Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti) 2010\r\nw Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi) 2009\r\nw Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi) 2005\r\nw Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane 2011\r\nw Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz 2007\r\nw Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim 2003\r\nw Persian translation of the Timeless Way of Building by Christopher Alexander 2002\r\nw Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu 2001\r\nw Persian translation of Quranic Art and Calligraphy, by Martin Lings 1998\r\nTeaching Experience\r\nw Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009\r\nw Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013\r\nw Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012\r\nw Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007\r\nw Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007\r\nw Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011\r\nw Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012\r\nw Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008\r\nw Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007\r\nDissertations: 1. Supervised\r\nw Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014\r\nw Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014\r\nw Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014\r\nw A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013\r\nw Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013\r\nw Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013\r\nw A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013\r\nw The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012\r\nw An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012\r\nw The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012\r\nw From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012\r\nw Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011\r\nw Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011\r\nw The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011\r\nw Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011\r\nw The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011\r\nw Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011\r\nw Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011\r\nw Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011\r\nw Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011\r\nw The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010\r\nw From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010\r\nw Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010\r\nw The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010\r\nw Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010\r\nw Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010\r\nw Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009\r\nDissertations: 2. Consulted\r\nw Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013\r\nw Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012\r\nw A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011\r\nw Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011\r\nw The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011\r\nw The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009\r\nw Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009\r\nw Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 2008\r\nPersonal Information\r\nw Born: Tehran, 1960\r\nLanguages\r\nw Reading and Translation Competence in English and Arabic\r\nw Native in Persian','English CV','','inherit','closed','closed','','31-revision-v1','','','2016-03-09 14:51:10','2016-03-09 14:51:10','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(55,1,'2016-03-09 14:55:53','2016-03-09 14:55:53','<strong>Education</strong>\r\n- PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007\r\n- MA in Art Studies, University of Art, Tehran 2002\r\n- BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987\r\n\r\n<strong>Honors and Awards</strong>\r\n- The Award for Morality and Spirituality in Art and Research 2013\r\n- Distinguished Researcher of Shahid Beheshti University 2012\r\n- Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011\r\n- First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010\r\n- Research Fellowship, Farabi International Award 2010\r\n- Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009\r\n- Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003\r\n<strong> Memberships</strong>\r\n- Associate Member, the Iranian Academy of Art Since 2005\r\n- Invited Member, the Iranian Academy of Science Since 2012\r\n- Invited Member, the Iranian Academy of Persian Language and Literature Since 2012\r\n- Member of Editorial Board, Athar Quarterly Since 2013\r\n- Affiliated Member, Iran ICOMOS Since 2008\r\n- Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006\r\n- Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 2002\r\nPresent Positions\r\n- Faculty Member, Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002\r\n- Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006\r\nPast Positions\r\n- Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011\r\n- Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011\r\n- Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011\r\n- Faculty Member, the Iranian Academy of Art 2004-2007\r\n- Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007\r\n- Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005\r\n- Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003\r\nw Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003\r\nw Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007\r\nw Dean of the Office, Head Office of Museums in Iran 2002\r\nw Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002\r\nw Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001\r\nw Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000\r\nw Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000\r\nResearch and Teaching Interests\r\nw History of Iranian and Persianate Architecture and Art\r\nw Islamic Architecture and Art\r\nw Theory and Methodology of Architectural History\r\nw Theory of Architecture and Art\r\nPublications: 1. Articles and Essays\r\nw Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in Nāma-yi Me’m¬¬ārī-u Shahrsāsī, no. 13 2014\r\nw Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in Mutāli’āt-i Tārikh-i Farhangī, no. 17 2013\r\nw Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in Nāma-yi Me’m¬¬ārī-u Shahrsāsī, no. 10 2013\r\nw Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in Mutāli’āt-i Me’m¬¬ārī-yi Īrān, no. 3 2013\r\n\r\nw History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in Mutāli’āt-i Me’m¬¬ārī-yi Īrān, no. 2 2013\r\nw A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān, no. 56 2013\r\nw The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, no. 7 2012\r\nw Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in Mutāli’āt-i Me’m¬¬ārī-yi Īrān, no. 1 2012\r\nw An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in Mawlānā- Pazhūhī, no. 4 2011\r\nw The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010\r\nw The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in al-Shajarah, Special issue. 2010\r\nw Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in Tārīkh-u Tamaddon-i Islāmī, no. 12 2010\r\nw Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in Suffa (Soffeh), no. 48 2010\r\nw In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010\r\nw Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in Pazhūhesh-nāma-yi Farhangistān-i Hunar, no. 15 2010\r\nw From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009\r\nw Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009\r\nw On the Sources of the History of Iranian Architecture and Its Research Principles, in Gulistān-i Hunar (Golestān-e Honar), no. 15 2009\r\nw Patronage and the Hidden Aspects of the History of Iranian Art, in Gulistān-i Hunar (Golestān-e Honar), no. 13 2008\r\nw The Layers of Persian Garden, in Gulistān-i Hunar (Golestān-e Honar), no. 12 2008\r\nw Gardens of Khurāsān in Beyhaqī’s History, in Suffa (Soffeh), no. 46 2008\r\nw Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in Gulistān-i Hunar (Golestān-e Honar), Special Issue 2008\r\nw Craft Ethics: Adab Treatises as Resources of Iranian Art History, in Gulistān-i Hunar (Golestān-e Honar), no. 10 2008\r\nw Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in Gulistān-i Hunar (Golestān-e Honar), no. 8 2007\r\nw Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in Gulistān-i Hunar (Golestān-e Honar), no. 7 2007\r\nw Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in Gulistān-i Hunar (Golestān-e Honar), no. 5 2007\r\nw Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006\r\nw Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006\r\nw Theory Construction and the alphabet of Theory Creating, in Suffa (Soffeh), no. 40 2006\r\nw Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in Suffa (Soffeh), no. 42 2006\r\nw Four Histories of Iranian Architecture: a Critical Analysis, in Khiyāl, no. 15 2005\r\nw Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005 2005\r\nw Oleg Grabar, His Thoughts and Work, in Dānishnāma, no. 2 2004\r\nw Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004\r\nw Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004\r\nw A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003\r\nw Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003\r\nw After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003\r\nw The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003\r\nw The Architect and Zikr, in Irfān-i Īrān, no. 12 2002\r\nw The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002 2002\r\nw Ganj-Ali Khān Public Bath, in Ravāq, no. 4 2000\r\nw For I’m the Sun-slave…, in Ravāq, no. 4 2000\r\nw Hasht-Behesht Pavilion, in Ravāq, no. 3 1999\r\nw Ghiyāssiyya Madrasa in Khargird, in Ravāq, no. 2 1999\r\nw A Letter of Treasure: a Review on Ganjnameh, in Ravāq, no. 2 1999\r\nw Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998 1998\r\nw Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996 1996\r\nw Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in Gulistān-i Hunar (Golestān-e Honar), no. 13 2008\r\nw Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in Gulistān-i Hunar (Golestān-e Honar), no. 6 2007\r\nw Persian translation of “Interpretational- Historical Research” by David Wang, in Suffa (Soffeh), no. 39 2005\r\nw Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in Suffa (Soffeh), no. 37 2004\r\nw Persian translation of “Pattern and Cosmology” by Keith Critchlow, in Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia) 2004\r\nw Persian translation of \"Symbolism\" by Vital Perry, in Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia) 2004\r\nw Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in Khiyāl, no. 11 2004\r\nw Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in Ravāq, no. 1 1998\r\nPublications: 2. Books\r\nw Essays on the Theory and History of Architecture and Art 2012\r\nw Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries 2012\r\nw Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti) 2012\r\nw Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti) 2010\r\nw Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi) 2009\r\nw Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi) 2005\r\nw Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane 2011\r\nw Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz 2007\r\nw Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim 2003\r\nw Persian translation of the Timeless Way of Building by Christopher Alexander 2002\r\nw Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu 2001\r\nw Persian translation of Quranic Art and Calligraphy, by Martin Lings 1998\r\nTeaching Experience\r\nw Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009\r\nw Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013\r\nw Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012\r\nw Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007\r\nw Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007\r\nw Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011\r\nw Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012\r\nw Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008\r\nw Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007\r\nDissertations: 1. Supervised\r\nw Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014\r\nw Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014\r\nw Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014\r\nw A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013\r\nw Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013\r\nw Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013\r\nw A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013\r\nw The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012\r\nw An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012\r\nw The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012\r\nw From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012\r\nw Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011\r\nw Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011\r\nw The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011\r\nw Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011\r\nw The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011\r\nw Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011\r\nw Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011\r\nw Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011\r\nw Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011\r\nw The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010\r\nw From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010\r\nw Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010\r\nw The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010\r\nw Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010\r\nw Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010\r\nw Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009\r\nDissertations: 2. Consulted\r\nw Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013\r\nw Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012\r\nw A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011\r\nw Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011\r\nw The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011\r\nw The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009\r\nw Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009\r\nw Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 2008\r\nPersonal Information\r\nw Born: Tehran, 1960\r\nLanguages\r\nw Reading and Translation Competence in English and Arabic\r\nw Native in Persian','English CV','','inherit','closed','closed','','31-revision-v1','','','2016-03-09 14:55:53','2016-03-09 14:55:53','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(56,1,'2016-03-09 15:01:05','2016-03-09 15:01:05','<strong>Education</strong>\r\n<ul>\r\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\r\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\r\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\r\n</ul>\r\n<strong>Honors and Awards</strong>\r\n<ul>\r\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\r\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\r\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\r\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\r\n <li>Research Fellowship, Farabi International Award 2010</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\r\n</ul>\r\n<strong>Memberships</strong>\r\n<ul>\r\n <li>Associate Member, the Iranian Academy of Art Since 2005</li>\r\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\r\n <li>Invited Member, the Iranian Academy of Persian Language and Literature Since 2012</li>\r\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\r\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\r\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\r\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 200</li>\r\n</ul>\r\n<strong>Present Positions</strong>\r\n<ul>\r\n <li>Faculty Member, Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\r\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006\r\nPast Positions\r\n- Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011\r\n- Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011\r\n- Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011\r\n- Faculty Member, the Iranian Academy of Art 2004-2007\r\n- Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007\r\n- Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005\r\n- Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003\r\nw Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003\r\nw Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007\r\nw Dean of the Office, Head Office of Museums in Iran 2002\r\nw Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002\r\nw Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001\r\nw Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000\r\nw Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000\r\nResearch and Teaching Interests\r\nw History of Iranian and Persianate Architecture and Art\r\nw Islamic Architecture and Art\r\nw Theory and Methodology of Architectural History\r\nw Theory of Architecture and Art\r\nPublications: 1. Articles and Essays\r\nw Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in Nāma-yi Me’m¬¬ārī-u Shahrsāsī, no. 13 2014\r\nw Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in Mutāli’āt-i Tārikh-i Farhangī, no. 17 2013\r\nw Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in Nāma-yi Me’m¬¬ārī-u Shahrsāsī, no. 10 2013\r\nw Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in Mutāli’āt-i Me’m¬¬ārī-yi Īrān, no. 3 2013</li>\r\n</ul>\r\nw History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in Mutāli’āt-i Me’m¬¬ārī-yi Īrān, no. 2 2013\r\nw A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān, no. 56 2013\r\nw The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, no. 7 2012\r\nw Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in Mutāli’āt-i Me’m¬¬ārī-yi Īrān, no. 1 2012\r\nw An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in Mawlānā- Pazhūhī, no. 4 2011\r\nw The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010\r\nw The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in al-Shajarah, Special issue. 2010\r\nw Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in Tārīkh-u Tamaddon-i Islāmī, no. 12 2010\r\nw Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in Suffa (Soffeh), no. 48 2010\r\nw In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010\r\nw Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in Pazhūhesh-nāma-yi Farhangistān-i Hunar, no. 15 2010\r\nw From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009\r\nw Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009\r\nw On the Sources of the History of Iranian Architecture and Its Research Principles, in Gulistān-i Hunar (Golestān-e Honar), no. 15 2009\r\nw Patronage and the Hidden Aspects of the History of Iranian Art, in Gulistān-i Hunar (Golestān-e Honar), no. 13 2008\r\nw The Layers of Persian Garden, in Gulistān-i Hunar (Golestān-e Honar), no. 12 2008\r\nw Gardens of Khurāsān in Beyhaqī’s History, in Suffa (Soffeh), no. 46 2008\r\nw Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in Gulistān-i Hunar (Golestān-e Honar), Special Issue 2008\r\nw Craft Ethics: Adab Treatises as Resources of Iranian Art History, in Gulistān-i Hunar (Golestān-e Honar), no. 10 2008\r\nw Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in Gulistān-i Hunar (Golestān-e Honar), no. 8 2007\r\nw Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in Gulistān-i Hunar (Golestān-e Honar), no. 7 2007\r\nw Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in Gulistān-i Hunar (Golestān-e Honar), no. 5 2007\r\nw Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006\r\nw Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006\r\nw Theory Construction and the alphabet of Theory Creating, in Suffa (Soffeh), no. 40 2006\r\nw Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in Suffa (Soffeh), no. 42 2006\r\nw Four Histories of Iranian Architecture: a Critical Analysis, in Khiyāl, no. 15 2005\r\nw Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005 2005\r\nw Oleg Grabar, His Thoughts and Work, in Dānishnāma, no. 2 2004\r\nw Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004\r\nw Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004\r\nw A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003\r\nw Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003\r\nw After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003\r\nw The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003\r\nw The Architect and Zikr, in Irfān-i Īrān, no. 12 2002\r\nw The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002 2002\r\nw Ganj-Ali Khān Public Bath, in Ravāq, no. 4 2000\r\nw For I’m the Sun-slave…, in Ravāq, no. 4 2000\r\nw Hasht-Behesht Pavilion, in Ravāq, no. 3 1999\r\nw Ghiyāssiyya Madrasa in Khargird, in Ravāq, no. 2 1999\r\nw A Letter of Treasure: a Review on Ganjnameh, in Ravāq, no. 2 1999\r\nw Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998 1998\r\nw Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996 1996\r\nw Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in Gulistān-i Hunar (Golestān-e Honar), no. 13 2008\r\nw Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in Gulistān-i Hunar (Golestān-e Honar), no. 6 2007\r\nw Persian translation of “Interpretational- Historical Research” by David Wang, in Suffa (Soffeh), no. 39 2005\r\nw Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in Suffa (Soffeh), no. 37 2004\r\nw Persian translation of “Pattern and Cosmology” by Keith Critchlow, in Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia) 2004\r\nw Persian translation of \"Symbolism\" by Vital Perry, in Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia) 2004\r\nw Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in Khiyāl, no. 11 2004\r\nw Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in Ravāq, no. 1 1998\r\nPublications: 2. Books\r\nw Essays on the Theory and History of Architecture and Art 2012\r\nw Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries 2012\r\nw Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti) 2012\r\nw Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti) 2010\r\nw Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi) 2009\r\nw Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi) 2005\r\nw Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane 2011\r\nw Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz 2007\r\nw Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim 2003\r\nw Persian translation of the Timeless Way of Building by Christopher Alexander 2002\r\nw Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu 2001\r\nw Persian translation of Quranic Art and Calligraphy, by Martin Lings 1998\r\nTeaching Experience\r\nw Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009\r\nw Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013\r\nw Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012\r\nw Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007\r\nw Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007\r\nw Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011\r\nw Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012\r\nw Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008\r\nw Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007\r\nDissertations: 1. Supervised\r\nw Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014\r\nw Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014\r\nw Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014\r\nw A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013\r\nw Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013\r\nw Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013\r\nw A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013\r\nw The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012\r\nw An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012\r\nw The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012\r\nw From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012\r\nw Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011\r\nw Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011\r\nw The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011\r\nw Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011\r\nw The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011\r\nw Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011\r\nw Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011\r\nw Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011\r\nw Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011\r\nw The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010\r\nw From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010\r\nw Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010\r\nw The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010\r\nw Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010\r\nw Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010\r\nw Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009\r\nDissertations: 2. Consulted\r\nw Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013\r\nw Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012\r\nw A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011\r\nw Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011\r\nw The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011\r\nw The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009\r\nw Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009\r\nw Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 2008\r\nPersonal Information\r\nw Born: Tehran, 1960\r\nLanguages\r\nw Reading and Translation Competence in English and Arabic\r\nw Native in Persian','English CV','','inherit','closed','closed','','31-revision-v1','','','2016-03-09 15:01:05','2016-03-09 15:01:05','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(57,1,'2016-03-09 15:11:37','2016-03-09 15:11:37','<strong>Education</strong>\r\n<ul>\r\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\r\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\r\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\r\n</ul>\r\n<strong>Honors and Awards</strong>\r\n<ul>\r\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\r\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\r\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\r\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\r\n <li>Research Fellowship, Farabi International Award 2010</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\r\n</ul>\r\n<strong>Memberships</strong>\r\n<ul>\r\n <li>Associate Member, the Iranian Academy of Art Since 2005</li>\r\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\r\n <li>Invited Member, the Iranian Academy of Persian Language and Literature Since 2012</li>\r\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\r\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\r\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\r\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 200</li>\r\n</ul>\r\n<strong>Present Positions</strong>\r\n<ul>\r\n <li>Faculty Member, Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\r\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\r\n</ul>\r\n<strong> Past Positions</strong>\r\n<ul>\r\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\r\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\r\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\r\n <li>Faculty Member, the Iranian Academy of Art 2004-2007</li>\r\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\r\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\r\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\r\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\r\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\r\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\r\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\r\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\r\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\r\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\r\n</ul>\r\n<strong> Research and Teaching Interests</strong>\r\n<ul>\r\n <li>History of Iranian and Persianate Architecture and Art</li>\r\n <li>Islamic Architecture and Art</li>\r\n <li>Theory and Methodology of Architectural History</li>\r\n <li>Theory of Architecture and Art</li>\r\n</ul>\r\n<strong> Publications: 1. Articles and Essays</strong>\r\n<ul>\r\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in Nāma-yi Me’m¬¬ārī-u Shahrsāsī, no. 13 2014</li>\r\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in Mutāli’āt-i Tārikh-i Farhangī, no. 17 2013</li>\r\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in Nāma-yi Me’m¬¬ārī-u Shahrsāsī, no. 10 2013</li>\r\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in Mutāli’āt-i Me’m¬¬ārī-yi Īrān, no. 3 2013</li>\r\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in Mutāli’āt-i Me’m¬¬ārī-yi Īrān, no. 2 2013</li>\r\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān, no. 56 2013</li>\r\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, no. 7 2012</li>\r\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in Mutāli’āt-i Me’m¬¬ārī-yi Īrān, no. 1 2012</li>\r\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in Mawlānā- Pazhūhī, no. 4 2011</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in al-Shajarah, Special issue. 2010</li>\r\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in Tārīkh-u Tamaddon-i Islāmī, no. 12 2010</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in Suffa (Soffeh), no. 48 2010</li>\r\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\r\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in Pazhūhesh-nāma-yi Farhangistān-i Hunar, no. 15 2010</li>\r\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\r\n <li>On the Sources of the History of Iranian Architecture and Its Research Principles, in Gulistān-i Hunar (Golestān-e Honar), no. 15 2009</li>\r\n <li>Patronage and the Hidden Aspects of the History of Iranian Art, in Gulistān-i Hunar (Golestān-e Honar), no. 13 2008</li>\r\n <li>The Layers of Persian Garden, in Gulistān-i Hunar (Golestān-e Honar), no. 12 2008</li>\r\n <li>Gardens of Khurāsān in Beyhaqī’s History, in Suffa (Soffeh), no. 46 2008</li>\r\n <li>Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in Gulistān-i Hunar (Golestān-e Honar), Special Issue 2008</li>\r\n <li>Craft Ethics: Adab Treatises as Resources of Iranian Art History, in Gulistān-i Hunar (Golestān-e Honar), no. 10 2008</li>\r\n <li>Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in Gulistān-i Hunar (Golestān-e Honar), no. 8 2007</li>\r\n <li>Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in Gulistān-i Hunar (Golestān-e Honar), no. 7 2007</li>\r\n <li>Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in Gulistān-i Hunar (Golestān-e Honar), no. 5 2007</li>\r\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\r\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\r\n <li>Theory Construction and the alphabet of Theory Creating, in Suffa (Soffeh), no. 40 2006</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in Suffa (Soffeh), no. 42 2006</li>\r\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in Khiyāl, no. 15 2005</li>\r\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005 2005</li>\r\n <li>Oleg Grabar, His Thoughts and Work, in Dānishnāma, no. 2 2004</li>\r\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\r\n <li>A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\r\n <li>The Architect and Zikr, in Irfān-i Īrān, no. 12 2002</li>\r\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002 2002</li>\r\n <li>Ganj-Ali Khān Public Bath, in Ravāq, no. 4 2000</li>\r\n <li>For I’m the Sun-slave…, in Ravāq, no. 4 2000</li>\r\n <li>Hasht-Behesht Pavilion, in Ravāq, no. 3 1999</li>\r\n <li>Ghiyāssiyya Madrasa in Khargird, in Ravāq, no. 2 1999</li>\r\n <li>A Letter of Treasure: a Review on Ganjnameh, in Ravāq, no. 2 1999</li>\r\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998 1998</li>\r\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996 1996</li>\r\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in Gulistān-i Hunar (Golestān-e Honar), no. 13 2008</li>\r\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in Gulistān-i Hunar (Golestān-e Honar), no. 6 2007</li>\r\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in Suffa (Soffeh), no. 39 2005</li>\r\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in Suffa (Soffeh), no. 37 2004</li>\r\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia) 2004</li>\r\n <li>Persian translation of \"Symbolism\" by Vital Perry, in Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia) 2004</li>\r\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in Khiyāl, no. 11 2004</li>\r\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in Ravāq, no. 1 1998</li>\r\n</ul>\r\nPublications: 2. Books\r\nw Essays on the Theory and History of Architecture and Art 2012\r\nw Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries 2012\r\nw Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti) 2012\r\nw Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti) 2010\r\nw Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi) 2009\r\nw Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi) 2005\r\nw Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane 2011\r\nw Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz 2007\r\nw Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim 2003\r\nw Persian translation of the Timeless Way of Building by Christopher Alexander 2002\r\nw Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu 2001\r\nw Persian translation of Quranic Art and Calligraphy, by Martin Lings 1998\r\nTeaching Experience\r\nw Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009\r\nw Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013\r\nw Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012\r\nw Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007\r\nw Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007\r\nw Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011\r\nw Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012\r\nw Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008\r\nw Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007\r\nDissertations: 1. Supervised\r\nw Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014\r\nw Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014\r\nw Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014\r\nw A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013\r\nw Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013\r\nw Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013\r\nw A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013\r\nw The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012\r\nw An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012\r\nw The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012\r\nw From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012\r\nw Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011\r\nw Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011\r\nw The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011\r\nw Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011\r\nw The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011\r\nw Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011\r\nw Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011\r\nw Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011\r\nw Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011\r\nw The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010\r\nw From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010\r\nw Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010\r\nw The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010\r\nw Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010\r\nw Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010\r\nw Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009\r\nDissertations: 2. Consulted\r\nw Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013\r\nw Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012\r\nw A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011\r\nw Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011\r\nw The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011\r\nw The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009\r\nw Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009\r\nw Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 2008\r\nPersonal Information\r\nw Born: Tehran, 1960\r\nLanguages\r\nw Reading and Translation Competence in English and Arabic\r\nw Native in Persian','English CV','','inherit','closed','closed','','31-revision-v1','','','2016-03-09 15:11:37','2016-03-09 15:11:37','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(58,1,'2016-03-09 15:19:09','2016-03-09 15:19:09','<strong>Education</strong>\r\n<ul>\r\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\r\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\r\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\r\n</ul>\r\n<strong>Honors and Awards</strong>\r\n<ul>\r\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\r\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\r\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\r\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\r\n <li>Research Fellowship, Farabi International Award 2010</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\r\n</ul>\r\n<strong>Memberships</strong>\r\n<ul>\r\n <li>Associate Member, the Iranian Academy of Art Since 2005</li>\r\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\r\n <li>Invited Member, the Iranian Academy of Persian Language and Literature Since 2012</li>\r\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\r\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\r\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\r\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 200</li>\r\n</ul>\r\n<strong>Present Positions</strong>\r\n<ul>\r\n <li>Faculty Member, Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\r\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\r\n</ul>\r\n<strong> Past Positions</strong>\r\n<ul>\r\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\r\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\r\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\r\n <li>Faculty Member, the Iranian Academy of Art 2004-2007</li>\r\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\r\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\r\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\r\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\r\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\r\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\r\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\r\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\r\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\r\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\r\n</ul>\r\n<strong> Research and Teaching Interests</strong>\r\n<ul>\r\n <li>History of Iranian and Persianate Architecture and Art</li>\r\n <li>Islamic Architecture and Art</li>\r\n <li>Theory and Methodology of Architectural History</li>\r\n <li>Theory of Architecture and Art</li>\r\n</ul>\r\n<strong> Publications: 1. Articles and Essays</strong>\r\n<ul>\r\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in Nāma-yi Me’m¬¬ārī-u Shahrsāsī, no. 13 2014</li>\r\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in Mutāli’āt-i Tārikh-i Farhangī, no. 17 2013</li>\r\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in Nāma-yi Me’m¬¬ārī-u Shahrsāsī, no. 10 2013</li>\r\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in Mutāli’āt-i Me’m¬¬ārī-yi Īrān, no. 3 2013</li>\r\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in Mutāli’āt-i Me’m¬¬ārī-yi Īrān, no. 2 2013</li>\r\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān, no. 56 2013</li>\r\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, no. 7 2012</li>\r\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in Mutāli’āt-i Me’m¬¬ārī-yi Īrān, no. 1 2012</li>\r\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in Mawlānā- Pazhūhī, no. 4 2011</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in al-Shajarah, Special issue. 2010</li>\r\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in Tārīkh-u Tamaddon-i Islāmī, no. 12 2010</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in Suffa (Soffeh), no. 48 2010</li>\r\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\r\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in Pazhūhesh-nāma-yi Farhangistān-i Hunar, no. 15 2010</li>\r\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\r\n <li>On the Sources of the History of Iranian Architecture and Its Research Principles, in Gulistān-i Hunar (Golestān-e Honar), no. 15 2009</li>\r\n <li>Patronage and the Hidden Aspects of the History of Iranian Art, in Gulistān-i Hunar (Golestān-e Honar), no. 13 2008</li>\r\n <li>The Layers of Persian Garden, in Gulistān-i Hunar (Golestān-e Honar), no. 12 2008</li>\r\n <li>Gardens of Khurāsān in Beyhaqī’s History, in Suffa (Soffeh), no. 46 2008</li>\r\n <li>Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in Gulistān-i Hunar (Golestān-e Honar), Special Issue 2008</li>\r\n <li>Craft Ethics: Adab Treatises as Resources of Iranian Art History, in Gulistān-i Hunar (Golestān-e Honar), no. 10 2008</li>\r\n <li>Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in Gulistān-i Hunar (Golestān-e Honar), no. 8 2007</li>\r\n <li>Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in Gulistān-i Hunar (Golestān-e Honar), no. 7 2007</li>\r\n <li>Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in Gulistān-i Hunar (Golestān-e Honar), no. 5 2007</li>\r\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\r\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\r\n <li>Theory Construction and the alphabet of Theory Creating, in Suffa (Soffeh), no. 40 2006</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in Suffa (Soffeh), no. 42 2006</li>\r\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in Khiyāl, no. 15 2005</li>\r\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005 2005</li>\r\n <li>Oleg Grabar, His Thoughts and Work, in Dānishnāma, no. 2 2004</li>\r\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\r\n <li>A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\r\n <li>The Architect and Zikr, in Irfān-i Īrān, no. 12 2002</li>\r\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002 2002</li>\r\n <li>Ganj-Ali Khān Public Bath, in Ravāq, no. 4 2000</li>\r\n <li>For I’m the Sun-slave…, in Ravāq, no. 4 2000</li>\r\n <li>Hasht-Behesht Pavilion, in Ravāq, no. 3 1999</li>\r\n <li>Ghiyāssiyya Madrasa in Khargird, in Ravāq, no. 2 1999</li>\r\n <li>A Letter of Treasure: a Review on Ganjnameh, in Ravāq, no. 2 1999</li>\r\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998 1998</li>\r\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996 1996</li>\r\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in Gulistān-i Hunar (Golestān-e Honar), no. 13 2008</li>\r\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in Gulistān-i Hunar (Golestān-e Honar), no. 6 2007</li>\r\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in Suffa (Soffeh), no. 39 2005</li>\r\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in Suffa (Soffeh), no. 37 2004</li>\r\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia) 2004</li>\r\n <li>Persian translation of \"Symbolism\" by Vital Perry, in Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia) 2004</li>\r\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in Khiyāl, no. 11 2004</li>\r\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in Ravāq, no. 1 1998</li>\r\n</ul>\r\n<strong>Publications: 2. Books</strong>\r\n<ul>\r\n <li>Essays on the Theory and History of Architecture and Art 2012</li>\r\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti) 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti) 2010</li>\r\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi) 2009</li>\r\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi) 2005</li>\r\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane 2011</li>\r\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz 2007</li>\r\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim 2003</li>\r\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander 2002</li>\r\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu 2001</li>\r\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings 1998</li>\r\n</ul>\r\n<strong>Teaching Experience</strong>\r\n<ul>\r\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\r\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\r\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\r\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\r\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\r\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\r\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\r\n</ul>\r\n<strong>Dissertations: 1. Supervised</strong>\r\n<ul>\r\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\r\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\r\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\r\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\r\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\r\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\r\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\r\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\r\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\r\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\r\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\r\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\r\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\r\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\r\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\r\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\r\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\r\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\r\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\r\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\r\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\r\n</ul>\r\n<strong>Dissertations: 2. Consulted</strong>\r\n<ul>\r\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\r\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\r\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\r\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\r\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\r\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\r\n</ul>\r\n<strong>Personal Information</strong>\r\n<ul>\r\n <li>Born: Tehran, 196</li>\r\n</ul>\r\n<strong>Languages</strong>\r\n<ul>\r\n <li>Reading and Translation Competence in English and Arabic</li>\r\n <li>Native in Persian</li>\r\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2016-03-09 15:19:09','2016-03-09 15:19:09','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(59,1,'2016-03-09 15:19:59','2016-03-09 15:19:59','<strong>Education</strong>\r\n<ul>\r\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\r\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\r\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\r\n</ul>\r\n<strong>Honors and Awards</strong>\r\n<ul>\r\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\r\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\r\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\r\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\r\n <li>Research Fellowship, Farabi International Award 2010</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\r\n</ul>\r\n<strong>Memberships</strong>\r\n<ul>\r\n <li>Associate Member, the Iranian Academy of Art Since 2005</li>\r\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\r\n <li>Invited Member, the Iranian Academy of Persian Language and Literature Since 2012</li>\r\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\r\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\r\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\r\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 200</li>\r\n</ul>\r\n<strong>Present Positions</strong>\r\n<ul>\r\n <li>Faculty Member, Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\r\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\r\n</ul>\r\n<strong> Past Positions</strong>\r\n<ul>\r\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\r\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\r\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\r\n <li>Faculty Member, the Iranian Academy of Art 2004-2007</li>\r\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\r\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\r\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\r\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\r\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\r\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\r\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\r\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\r\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\r\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\r\n</ul>\r\n<strong> Research and Teaching Interests</strong>\r\n<ul>\r\n <li>History of Iranian and Persianate Architecture and Art</li>\r\n <li>Islamic Architecture and Art</li>\r\n <li>Theory and Methodology of Architectural History</li>\r\n <li>Theory of Architecture and Art</li>\r\n</ul>\r\n<strong> Publications: 1. Articles and Essays</strong>\r\n<ul>\r\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in Nāma-yi Me’m¬¬ārī-u Shahrsāsī, no. 13 2014</li>\r\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in Mutāli’āt-i Tārikh-i Farhangī, no. 17 2013</li>\r\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in Nāma-yi Me’m¬¬ārī-u Shahrsāsī, no. 10 2013</li>\r\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in Mutāli’āt-i Me’m¬¬ārī-yi Īrān, no. 3 2013</li>\r\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in Mutāli’āt-i Me’m¬¬ārī-yi Īrān, no. 2 2013</li>\r\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān, no. 56 2013</li>\r\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, no. 7 2012</li>\r\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in Mutāli’āt-i Me’m¬¬ārī-yi Īrān, no. 1 2012</li>\r\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in Mawlānā- Pazhūhī, no. 4 2011</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in al-Shajarah, Special issue. 2010</li>\r\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in Tārīkh-u Tamaddon-i Islāmī, no. 12 2010</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in Suffa (Soffeh), no. 48 2010</li>\r\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\r\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in Pazhūhesh-nāma-yi Farhangistān-i Hunar, no. 15 2010</li>\r\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\r\n <li>On the Sources of the History of Iranian Architecture and Its Research Principles, in Gulistān-i Hunar (Golestān-e Honar), no. 15 2009</li>\r\n <li>Patronage and the Hidden Aspects of the History of Iranian Art, in Gulistān-i Hunar (Golestān-e Honar), no. 13 2008</li>\r\n <li>The Layers of Persian Garden, in Gulistān-i Hunar (Golestān-e Honar), no. 12 2008</li>\r\n <li>Gardens of Khurāsān in Beyhaqī’s History, in Suffa (Soffeh), no. 46 2008</li>\r\n <li>Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in Gulistān-i Hunar (Golestān-e Honar), Special Issue 2008</li>\r\n <li>Craft Ethics: Adab Treatises as Resources of Iranian Art History, in Gulistān-i Hunar (Golestān-e Honar), no. 10 2008</li>\r\n <li>Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in Gulistān-i Hunar (Golestān-e Honar), no. 8 2007</li>\r\n <li>Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in Gulistān-i Hunar (Golestān-e Honar), no. 7 2007</li>\r\n <li>Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in Gulistān-i Hunar (Golestān-e Honar), no. 5 2007</li>\r\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\r\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\r\n <li>Theory Construction and the alphabet of Theory Creating, in Suffa (Soffeh), no. 40 2006</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in Suffa (Soffeh), no. 42 2006</li>\r\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in Khiyāl, no. 15 2005</li>\r\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005 2005</li>\r\n <li>Oleg Grabar, His Thoughts and Work, in Dānishnāma, no. 2 2004</li>\r\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\r\n <li>A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\r\n <li>The Architect and Zikr, in Irfān-i Īrān, no. 12 2002</li>\r\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002 2002</li>\r\n <li>Ganj-Ali Khān Public Bath, in Ravāq, no. 4 2000</li>\r\n <li>For I’m the Sun-slave…, in Ravāq, no. 4 2000</li>\r\n <li>Hasht-Behesht Pavilion, in Ravāq, no. 3 1999</li>\r\n <li>Ghiyāssiyya Madrasa in Khargird, in Ravāq, no. 2 1999</li>\r\n <li>A Letter of Treasure: a Review on Ganjnameh, in Ravāq, no. 2 1999</li>\r\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998 1998</li>\r\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996 1996</li>\r\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in Gulistān-i Hunar (Golestān-e Honar), no. 13 2008</li>\r\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in Gulistān-i Hunar (Golestān-e Honar), no. 6 2007</li>\r\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in Suffa (Soffeh), no. 39 2005</li>\r\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in Suffa (Soffeh), no. 37 2004</li>\r\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia) 2004</li>\r\n <li>Persian translation of \"Symbolism\" by Vital Perry, in Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia) 2004</li>\r\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in Khiyāl, no. 11 2004</li>\r\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in Ravāq, no. 1 1998</li>\r\n</ul>\r\n<strong>Publications: 2. Books</strong>\r\n<ul>\r\n <li>Essays on the Theory and History of Architecture and Art 2012</li>\r\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti) 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti) 2010</li>\r\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi) 2009</li>\r\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi) 2005</li>\r\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane 2011</li>\r\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz 2007</li>\r\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim 2003</li>\r\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander 2002</li>\r\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu 2001</li>\r\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings 1998</li>\r\n</ul>\r\n<strong>Teaching Experience</strong>\r\n<ul>\r\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\r\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\r\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\r\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\r\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\r\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\r\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\r\n</ul>\r\n<strong>Dissertations: 1. Supervised</strong>\r\n<ul>\r\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\r\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\r\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\r\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\r\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\r\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\r\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\r\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\r\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\r\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\r\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\r\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\r\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\r\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\r\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\r\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\r\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\r\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\r\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\r\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\r\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\r\n</ul>\r\n<strong>Dissertations: 2. Consulted</strong>\r\n<ul>\r\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\r\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\r\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\r\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\r\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\r\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\r\n</ul>\r\n<strong>Personal Information</strong>\r\n<ul>\r\n <li>Born: Tehran, 1960</li>\r\n</ul>\r\n<strong>Languages</strong>\r\n<ul>\r\n <li>Reading and Translation Competence in English and Arabic</li>\r\n <li>Native in Persian</li>\r\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2016-03-09 15:19:59','2016-03-09 15:19:59','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(60,1,'2016-03-09 15:21:40','2016-03-09 15:21:40',' ','','','publish','closed','closed','','60','','','2016-09-09 04:04:18','2016-09-09 04:04:18','',0,'https://qayyoomi.com/?p=60',2,'nav_menu_item','',0),(61,1,'2016-03-09 15:55:57','2016-03-09 15:55:57','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif;\"><span style=\"font-size: 18.6667px;\"> </span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">پژوهشگر مستقل\n</span><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">دانشیار سابق دانشکدۀ معماری و شهرسازی، </span><span style=\"font-size: 10pt;\">دانشگاه شهید بهشتی\n</span><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان زبان و ادب فارسی</span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">ایمیل:\n</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@nowruzgan.com\nqayyoomi@gmail.com</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">:وبگاهها\n</span><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a> | <a href=\"https://independent.academia.edu/MehrdadQayyoomiBidhendi\">آکادمیا </a>| <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a> | <a href=\"http://nowruzgan.com\">نوروزگان</a></span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 13.3333px;\"> </span></span></p>\n\n\n<hr dir=\"rtl\" />\n\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul dir=\"rtl\">\n <li style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای کتاب بنیادهای فهم تاریخ معماری: درسنامهای میانرشتهای، ۱۴۰۳</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال سازمان مطالعه و تدوین کتب دانشگاهی (سمت) بابت کتاب هنر در تمدن اسلامی: معماری، ۱۳۹۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ رسالۀ معماریه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب معنا در معماری غرب، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب هندسه و تزیین در معماری اسلامی، ۱۳۸۱</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا ۱۳۹۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا ۱۴۰۲</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ معماری ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ هنر ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ و تئوری و نقد معماری</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا بهمن ۱۴۰۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۹ تا بهمن ۱۴۰۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر-بنیادگذار گلستان هنر (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا ۱۴۰۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر-بنیادگذار خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۸۰تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه مجلۀ موزهها (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۸۰ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر و هم-بنیادگذار رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">۶. نوشتههای منتشرشده</span></h3>\n<p dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">الف) مقاله (تألیف)</span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva;\">فرهنگ مادّی معماری و نگریستن به مادّه چون منبع تاریخ معماری، در <span style=\"font-size: 10pt;\"><em>کوچه</em></span>، ش۲۴، دی ۱۴۰۳.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2024/02/Architectural-Historian-and-the-Somatic-Ways-of-Knowing.pdf\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مورخ معماری و شیوههای تنانی دانستن (به اتفاق امید شمس)، در <span style=\"font-size: 10pt;\"><em>صفه، </em></span>تابستان ۱۴۰۲.</span></a></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Concept of Maidan in Qajar Iran: Transformation to an Embodiment of the Public Sphere (with Mahnam Najafi), in <em>International Journal of Environmental Studies</em>, vol. 78, no. 6, Dec. 2021</span></li>\n <li><a href=\"http://digitalhumanities.org/dhq/vol/15/3/000559/000559.html#\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">Probing Through Iranian Architectural History Within the Framework of an Ontology Development Process (with Dena Shamsizadeh and Niloofar Razavi), in <em>Digital Humanities Quarterly</em>, vol. 15. no. 3, Oct. 2021</span></a></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Place of Architecture in Knowledge Classifications of the </span><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">First Islamic Centuries (with Rouhollah Mojtahedzadeh), in <em>Wiener zeitschrift für die kunde des morgenlandes</em>, no. 111, 2021</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Paradises of the Pen: A Survey of Persian Gardens in the Eleventh Century Persian Literature, in Fardanesh and Arefian (eds.), <em>Persian Paradises at Peril. The Urban Book Series</em>, Springer, Cham. https://doi.org/10.1007/978-3-030-62550-4_2, 2021.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://ensani.ir/fa/article/download/490866\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری هنر و معماری جادویی در شاهنامه (به اتفاق مونا بلوری بزاز)، در <span style=\"font-size: 10pt;\"><em>مرمت و معماری ایران</em></span>، پاییز ۱۴۰۰.</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2024/03/معرفت-ضمنی.pdf\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معرفت ضمنی و گونههای آن در معماری بر اساس اندیشۀ هری کالینز (به اتفاق امید شمس)، در <span style=\"font-size: 10pt;\"><em>مطالعات معماری ایران</em></span>، پاییز و زمستان ۱۳۹۹.</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/A-Conceptual-History-of-Muhandis.pdf\">تاریخ مفهومیِ مهندس در نیمۀ نخست دورۀ قاجاریان، (به اتفاق زهرا گلشن)، در صفه، زمستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Idea-of-Non-Historical-Essence-of-Islamic-Architecture-of-Iran.pdf\">اندیشۀ ذاتِ ناتاریخیِ معماری اسلامی ایران: نقد دو دیدگاه، حالِ وحدت و خشت و خیال، (به اتفاق شبنم حاجیجعفری)، در <span style=\"font-size: 10pt;\"><em>گلستان هنر</em></span>، پاییز ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Concept-of-Architectural-Criticism-Its-History-and-Types.pdf\">مفهوم نقد معماری: سیر تاریخی و گونهها، (به اتفاق مطهره داناییفر)، در پژوهشنامۀ فرهنگستان هنر، تابستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، (به اتفاق محدثه نظیفکار)، در اثر، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2024/03/معماری-مدرسه-دارالفنون.pdf\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2024/03/جایگاه-مفهوم-معماری-در-نظام-طبقهبندی.pdf\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/09/Ilm-al-Uqud.pdf\">علم عقود ابنیه: کلیدی برای فهم نسبت علم و معماری در جهان اسلام، (به اتفاق روحاله مجتهدزاده)، در تاریخ علم، ۱۳۹۶</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\">تاريخ آموزش طراحى معمارى دردانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-size: 10pt;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in Beiträge zur Islamischen Kunst und Archaäologie, 2017</span></a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in Islamic Studies, 2015.</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in Kimiya-ye-Honar, 2015</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در مطالعات معماری ایران، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در نامۀ معماری و شهرسازی، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در کیمیای هنر، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در مطالعات تاریخ فرهنگی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در نامۀ معماری و شهرسازی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مطالعات معماری ایران، ۱۳۹۲</a></span></li>\n</ul>\n<ul dir=\"rtl\">\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, 2013</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در فصلنامۀ آموزش مهندسی ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in Al-shajarah (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مولاناپژوهی، ۱۳۸۹</a></span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2024/02/بازنگری_در_رابطه_میان_هنر_و_عرفان_اسلامی_بر_مبنای_شواهد_تاریخی1.pdf\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در تاریخ و تمدن اسلامی، ۱۳۸۹</span></a></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ت<a href=\"https://qayyoomi.com/wp-content/uploads/2024/02/تاملی_در_معنای_چند_اصطلاح_در_نقد_کهن_خوشنویسی-.pdf\">أملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در پژوهشنامۀ فرهنگستان هنر، ۱۳۸۸</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2024/03/سخنی-در-منابع-مکتوب-تاریخ-معماری-ایران-و-شیوه-جستجو-در-آنها.pdf\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در گلستان هنر، بهار ۱۳۸۸</span></a></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2024/02/آداب-صناعات-آداب-نامه-های-مشق-در-مقام-منابع-تاریخ-هنر-ایران.pdf\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در گلستان هنر، زمستان ۱۳۸۶</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2024/02/مزاج-دهر-نظریه-ی-حیات-زمانه-در-دوره-بندی-تاریخ-معماری-ایران.pdf\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در گلستان هنر، بهار ۱۳۸۶</span></a></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2024/03/Amuzesh-Memari-dar-doran-pish-az-modern.pdf\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2024/03/s-ساختار_نظریه_و_الفبای_نظریه_پردازی06.pdf\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ساختار نظریه و الفبای نظریهپردازی، در صفه، ش ۴۰، ۱۳۸۴</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2024/03/بررسی_انتقادی_چهار_تاریخ_نامۀ_معماری.pdf\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در خیال، ش ۱۵، پاییز ۱۳۸۴</span></a></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">افکار و آثار الگ گرابار، در دانشنامه (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, <span style=\"text-align: left;\">2005</span></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمام گنجعلیخان، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرسۀ غیاثیۀ خرگرد، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عمارت هشتبهشت، در رواق، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در گلستان هنر، ش۱۳، پاییز ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در گلستان هنر، ش ۶، زمستان ۱۳۸۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در صفه، ش ۳۹، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در صفه، ش ۳۷، زمستان ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">نمادپردازی، وایتال پری، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی، اکهارت نویباوئر، در خیال، ش ۱۱، پاییز ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ج) جستار و مصاحبه و سخنرانی</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></span></li>\n <li>\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\n</li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">جستار: تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در مردمنامه، ۱۳۹۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\">گفتگو: فلسفۀ معماری، در اطلاعات حکمت و معرفت، ۱۳۹۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\">جستار: معماری چون مظهر فرهنگ، در فصلنامۀ معماری و فرهنگ، ۱۳۹۳</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\">گفتگو: شارحان پریشانی، مجلۀ سورۀ اندیشه، ۱۳۹۰</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب نگارههای چوبی مساجد آذربایجان، ۱۳۸۹</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2024/03/حمایت-و-هنرپروری-و-زوایای-پنهان-در-تاریخ-هنر-ایران.pdf\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در گلستان هنر، ش ۱۳، پاییز ۱۳۸۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2024/03/لایه-های-باغ-ایرانی.pdf\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: لایههای باغ ایرانی، در گلستان هنر، ش ۱۲، تابستان ۱۳۸۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2024/03/مرمت_دل_و_مرمت_گل__شیرازی_در_سلسله_مرمتگران-.pdf\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در گلستان هنر، شمارۀ ویژه، ۱۳۸۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2024/03/دشواریهای-مطالعات-تاریخی-معماری-ایران-و-پدیده-ی-سید-باقر-شیرازی.pdf\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در گلستان هنر، ش ۸، تابستان ۱۳۸۶</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2024/03/اصفهان-صفوی-و-معضل-طبقه-بندی.pdf\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در گلستان هنر، ش ۵، زمستان ۱۳۸۵</span></a></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: طرح تاریخ شفاهی معماری ایران، در وبگاه ، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چو غلام آفتابم ...، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: نامۀ گنج، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">بنیادهای فهم تاریخ معماری: درسنامهای میانرشتهای، انتشارات متن (فرهنگستان هنر)، ۱۴۰۲</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">معماری خانقاه در خراسان سده پنجم (به اتفاق سینا سلطانی)، انتشارات کتاب بهار، ۱۴۰۲</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۲، انتشارات سمت، ۱۳۹۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۱، انتشارات سمت، ۱۳۹۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گنجنامه: فرهنگ آثار معماری اسلامی ایران (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۱۵ و ۱۶ (خانهها)، دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\">کتابنگاشت توضیحی نظریههای معماری و هنر، انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\">پژوهشهای معماری و هنر (تاریخ و نظر)، انتشارات روزنه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ده حکایت معماری (المختار من نوادر اخبار العمار)، انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گفتارهایی در مبانی و تاریخ معماری و هنر، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">واژهنامۀ سهزبانۀ معماری اسلامی (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گنجنامه: فرهنگ آثار معماری اسلامی ایران (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری اختیار یا سرنوشت، انتشارات روزنه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معنا در معماری غرب، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پویهشناسی صور معماری، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰ و ۱۳۹۴.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هندسه و تزیین در معماری اسلامی (طومار توپقاپی)، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹ و ۱۳۹۸.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هنر خط و تذهیب قرآنی، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ه) درسگفتارهای منتشرشده</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 12pt;\">مبانی نظری نقد فرمالیستی معماری</span>، <span style=\"font-size: 12pt;\">۲۴ جلسه، آفلاین، کانال آسمانه و سایت چهارراه، تابستان و پاییز ۱۴۰۲</span></span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۷. تدریس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> دروس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">منابع تاریخ معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مقدمه بر تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران،دانشکدهٔ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا ۱۴۰۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نقد آثار تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹- ۱۴۰۰.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه دورۀ دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۸. پایاننامه و رساله</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> الف. راهنمایی</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مهرنوش دلشاد، ایوان مداین: موقعیت و کالبد و کارکرد؛ نقد پیشینهٔ مطالعات، کارشناسی ارشد مطالعات معماری ایران، دانشکدهٔ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سارا بمانیان، معماری بنای سعدیه؛ نقدی بر محور مفهوم معماریت، کارشناسی ارشد مطالعات معماری ایران، دانشکدهٔ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرزاد زرهداران، شناخت ذهنیات معماری در ایران زمین در دوره نخست اسلامی؛ در خراسان و ورارود و سیستان (شناسایی استعداد متون فارسی)، کارشناسی ارشد مطالعات معماری ایران، دانشکدهٔ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهاد نظری، وقف و محافظت: پیشنهاد مبناهایی نظری برای گفتگوی دو نظام، دکتری مرمت،دانشکدهٔ مرمت،دانشگاه هنر اصفهان،۱۴۰۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">امید شمس، شبکۀ باور مورخ معماری: نسبت میان تاریخنگاشت معماری با معرفت ضمنی معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۴۰۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمیدرضا پیشوایی، کاخ گلستان در دورۀ ناصری: به مثابۀ آیینۀ تحول ذوق معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۴۰۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مهدی حسینی، تاریخ اجتماعی معماری خانه از منظر ژیروئار: با تکیه بر کتاب زندگی در خانۀ حومۀ شهری انگلیسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مریم شائیان، دگرگونی عینی و ذهنی معماری خانگی در روزنامۀ خاطرات عینالسلطنه: ارزیابی منابع، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمهزهرا زال، نقد کتاب زندگی خانگی و فرهنگ مصرف در ایران: با تکیه بر تبلیغات مطبوعاتی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مطهره داناییفر، بسط اندیشۀ نقد تاریخی معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مهنام نجفی، بازیابی و فهم معنای «میدان»، در ایران دورۀ قاجاریه، دکتری معماری، دانشکدۀ معماری و هنر، دانشگاه یزد، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مریم عمارلو، مناسبات حضور زنان و معماری بازار تهران: از عهد ناصری تا انتهای دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محبوبه جوادیکیا، خوانش کتاب عکس علیخان والی به منزلۀ آینۀ نگاه او به معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مریم ابراهیمی، بازخوانی گورستان ابنبابویه به منزلۀ مکان حافظه: از مشروطه تا انقلاب اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پرستو مقدمی، طرح تحقیقی برای تاریخ فرهنگی معماری ایران در دورۀ ناصری: معماری ساحت مرگ در تهران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مونا بلوری بزاز، فرمالیسم روسی، از ادبیات تا معماری: تبیین مدلی برای خوانش معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه هنر، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">یاسمن بخیت، مسجد امام خمینی (شاه) تهران: شناخت تغییراتِ کیفیتِ فضایی از زمان ساخت بنا تا پایان سلطنت مظفرالدینشاه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">ریحانه حیدری، فایدۀ تاریخ معماری: بررسی آراء دانشوران معاصر آلمانیزبان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">روحاله مجتهدزاده، نسبت معماری و علوم در ایران دوران اسلامی؛ با تأکید بر علوم عملی، دکتری معماری اسلامی، دانشگاه هنر اصفهان، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ذاتالله نیکزاد، حفاظت معماری و تحقیق تاریخ معماری: تمهید مبنایی نظری برای حفاظت به منزلۀ حوزهای میانرشتهای در پیشبرد تحقیق تاریخ معماری ایران، دکتری مرمت ابنیه، دانشکدۀ مرمت، دانشگاه هنر اصفهان، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطورهشناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی محمدی، واژگان معماری مطلعالشمس: گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶ </span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آزاده رسولی یزدی، تفکر دربارۀ معماری منظر از طریق پیوند واژهها، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در مثنوی معنوی: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> ب. مشاوره</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>اطلاعات شخصی</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تولد: ۱۳۳۸، تهران\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان مادری: فارسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان دوم: انگلیسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان سوم: عربی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>','Persian CV','','publish','closed','closed','','persian-cv','','','2025-03-06 13:17:40','2025-03-06 09:47:40','',0,'https://qayyoomi.com/?page_id=61',0,'page','',0),(62,1,'2016-03-09 15:55:57','2016-03-09 15:55:57','<p dir=\"rtl\"><strong>تحصیل</strong>\r\n۱۳۸۶ w دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران\r\n۱۳۸۱ w کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران\r\n۱۳۶۶ w کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران\r\n۱۳۵۷ w دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران\r\n2. افتخارات و جایزهها\r\n۱۳۹۲ w برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی\r\n۱۳۹۰ w پژوهشگر نمونۀ دانشگاه شهید بهشتی\r\n۱۳۸۹ w برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ رسالۀ معماریه\r\n۱۳۸۸ w برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست\r\n۱۳۸۷ w برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب معنا در معماری غرب\r\n۱۳۸۱ w برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب هندسه و تزیین در معماری اسلامی\r\n3. عضویت در مراکز علمی\r\nاز ۱۳۸۲ تا کنون w عضو وابستۀ فرهنگستان هنر\r\nاز ۱۳۹۱ تا کنون w عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم\r\nاز ۱۳۹۱ تا کنون w عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی\r\nاز ۱۳۸۷ تا کنون w عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)\r\nاز ۱۳۸۵ تا کنون w عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)\r\nاز ۱۳۸۴ تا کنون w عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر\r\nاز ۱۳۸۰ تا کنون w عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر\r\n4. حوزههای علاقه\r\nw تاریخ معماری ایرانزمین\r\nw تاریخ هنر ایرانزمین\r\nw مباحث نظری تاریخ معماری و هنر\r\nw مباحث نظری معماری و هنر\r\n5. سمتهای علمی و فرهنگی\r\nاز ۱۳۸۶ تا کنون w استادیار گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی\r\nاز ۱۳۸۷ تا ۱۳۹۰ w مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی،\r\nدانشگاه شهید بهشتی\r\nاز ۱۳۸۲ تا کنون w عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی\r\nاز ۱۳۸۱ تا ۱۳۸۶ w مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی\r\nاز ۱۳۸۴ تا پایان انتشار w سردبیر گلستان هنر (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)\r\nاز ۱۳۸۱ تا پایان انتشار w عضو هیئت تحریریه خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)\r\nاز ۱۳۸۰ تا کنون w عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر\r\nاز ۱۳۸۳ تا ۱۳۸۶ w عضو هیئت علمی فرهنگستان هنر\r\nاز ۱۳۸۵ تا ۱۳۸۶ w رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر\r\nاز ۱۳۸۱ تا ۱۳۸۴ w سردبیر خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)\r\nاز ۱۳۸۱ تا ۱۳۸۲ w مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور\r\nاردیبهشت ۱۳۸۲ w عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان\r\nاز ۱۳۸۱ تا ۱۳۸۶ w عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور\r\nاز ۱۳۷۹ تا ۱۳۸۱ w مدیر کل موزهها، سازمان میراث فرهنگی کشور\r\nاز ۱۳۷۹ تا ۱۳۸۱ w عضو هیئت تحریریه مجلۀ موزهها (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)\r\nاز ۱۳۷۹ تا ۱۳۸۰ w دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر\r\nاز ۱۳۷۸ تا ۱۳۷۹ w معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان\r\nاز ۱۳۷۷ تا ۱۳۷۸ w سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴\r\n6. نوشتههای منتشرشده\r\nالف) مقاله و یادداشت (تألیف)</p>\r\n۱۳۹۳ w بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در نامۀ معماری و شهرسازی، ش ۱۳\r\n\r\n۱۳۹۲ w رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در مطالعات تاریخ فرهنگی، ش ۱۷\r\n\r\n۱۳۹۲ w هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)،\r\nدر نامۀ معماری و شهرسازی، ش ۱۰\r\nبهار و تابستان\r\n۱۳۹۲ w خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)،\r\nدر مطالعات معماری ایران، ش ۳\r\n۱۳۹۲ w پیشگفتار کتاب در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان\r\n\r\n2013 w The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, no. 7\r\nپاییز و زمستان\r\n۱۳۹۱ w درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در مطالعات معماری ایران، ش ۲\r\n\r\n۱۳۹۱ w دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در فصلنامۀ آموزش مهندسی ایران\r\n\r\nبهار و تابستان ۱۳۹۱ w بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در مطالعات معماری ایران، ش ۱\r\n2010 w Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur, 2010\r\n2010 w The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in al-Shajarah, Special issue.\r\n\r\n۱۳۸۹ w درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مولاناپژوهی\r\n۱۳۸۹ w بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در تاریخ و تمدن اسلامی، ش ۱۲\r\nتابستان ۱۳۸۹ w از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در صفه، ش ۴۸\r\n۱۳۸۹ w پیشگفتار کتاب نگارههای چوبی مساجد آذربایجان\r\n\r\n۱۳۸۹ w جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه\r\n\r\nMay 2009 w From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones\r\n۱۳۸۸ w تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در پژوهشنامۀ فرهنگستان هنر\r\n\r\nآبان ۱۳۸۸ w از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز\r\nبهار ۱۳۸۸ w سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در گلستان هنر، ش۱۵\r\nپاییز ۱۳۸۷ w حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در گلستان هنر، ش ۱۳\r\nتابستان ۱۳۸۷ w لایههای باغ ایرانی، در گلستان هنر، ش ۱۲\r\nتابستان ۱۳۸۷ w باغهای خراسان در تاریخ بیهقی، در صفه، ش ۴۶\r\n۱۳۸۷ w مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در گلستان هنر، شمارۀ ویژه\r\nزمستان ۱۳۸۶ w آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در گلستان هنر، ش۱۰\r\nتابستان ۱۳۸۶ w دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در گلستان هنر، ش ۸\r\nبهار ۱۳۸۶ w مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در گلستان هنر، ش ۷\r\nزمستان ۱۳۸۵ w مقالۀ اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در گلستان هنر، ش ۵\r\n\r\n۱۳۸۵ w باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور\r\n۱۳۸۵ w تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر\r\n۱۳۸۴ w ساختار نظریه و الفبای نظریهپردازی، در صفه، ش ۴۰\r\nپاییز ۱۳۸۴ w بررسی انتقادی چهار تاریخنامۀ معماری ایران، در خیال، ش ۱۵\r\n۱۳۸۳ w افکار و آثار الگ گرابار، در دانشنامه (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲\r\n\r\n۱۳۸۵ w اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر\r\n۱۳۸۵ w آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲\r\n۱۳۸۲ w یادداشت طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی\r\n۱۳۸۲ w یادداشت میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی\r\n۱۳۸۲ w یادداشت چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی\r\n\r\n۱۳۸۲ w معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران\r\n2002 w The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California\r\n2005 w Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali\r\nزمستان ۱۳۷۸ w حمام گنجعلیخان، در رواق، ش ۴\r\nزمستان ۱۳۷۸ w چو غلام آفتابم ...، در رواق، ش ۴\r\nبهار ۱۳۷۷ w مدرسۀ غیاثیۀ خرگرد، در رواق، ش ۲\r\nتابستان ۱۳۷۷ w عمارت هشتبهشت، در رواق، ش ۳\r\nبهار ۱۳۷۷ w یادداشت نامۀ گنج، در رواق، ش ۲\r\n\r\n۱۳۷۷ w رسالۀ معماریه و معمار مسجد احمدیه، در مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده، دانشگاه هنر\r\n\r\n۱۳۷۵ w نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور\r\nب) مقاله (ترجمه)\r\nپاییز ۱۳۸۷ w معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در گلستان هنر، ش۱۳\r\nزمستان ۱۳۸۵ w چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در گلستان هنر، ش ۶\r\nبهار ۱۳۸۴ w تحقیق تفسیریـ تاریخی، دیوید ونگ، در صفه، ش ۳۹\r\nزمستان ۱۳۸۲ w نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در صفه، ش ۳۷\r\n۱۳۸۲ w نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)\r\n۱۳۸۲ w نمادپردازی، وایتال پری، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)\r\nپاییز ۱۳۸۳ w صفیالدین ارموی، اکهارت نویباوئر، در خیال، ش ۱۱\r\nپاییز ۱۳۷۷ w سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در رواق، ش ۱\r\nپاییز ۱۳۷۷ w احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در رواق، ش ۱\r\nپاییز ۱۳۷۷ w نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در رواق، ش ۱\r\nج) کتاب (تألیف)\r\n۱۳۹۰ w گفتارهایی در مبانی و تاریخ معماری و هنر، انتشارات علمی و فرهنگی\r\n\r\n۱۳۹۱ w درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست، دانشگاه شهید بهشتی\r\n۱۳۹۰ w فرهنگنامۀ معماری ایران در مراجع فارسی، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر\r\n۱۳۸۸ w فرهنگنامۀ معماری ایران در مراجع فارسی، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر\r\n۱۳۸۷ w واژهنامۀ سهزبانۀ معماری اسلامی (به اتفاق سیدعلی عمادی استرآبادی)\r\n\r\n۱۳۸۳ w گنجنامه: فرهنگ آثار معماری اسلامی ایران (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی\r\nد) کتاب (ترجمه)\r\n۱۳۹۲ w نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر\r\n۱۳۹۰ w رسالۀ معماریه، جعفر افندی، انتشارات فرهنگستان هنر\r\n۱۳۸۶ و ۱۳۹۰ w معنا در معماری غرب، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر\r\n۱۳۸۲ و ۱۳۸۶ w پویهشناسی صور معماری، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر\r\n۱۳۹۰ و ۱۳۹۲ w معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات روزنه\r\n۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰ w معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی\r\n۱۳۷۹ و ۱۳۸۹ w هندسه و تزیین در معماری اسلامی (طومار توپقاپی)، گلرو نجیباوغلو، انتشارات روزنه\r\n۱۳۷۷ w هنر خط و تذهیب قرآنی، مارتین لینگز، انتشارات گرّوس','','','inherit','closed','closed','','61-revision-v1','','','2016-03-09 15:55:57','2016-03-09 15:55:57','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(64,1,'2016-03-10 03:12:46','2016-03-10 03:12:46','<p dir=\"rtl\"><strong>تحصیل</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li> دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران</li>\r\n <li> کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران</li>\r\n <li> کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران</li>\r\n <li> دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>افتخارات و جایزهها</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی</li>\r\n <li>پژوهشگر نمونۀ دانشگاه شهید بهشتی</li>\r\n <li>برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ رسالۀ معماریه</li>\r\n <li>برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست</li>\r\n <li>برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب معنا در معماری غرب</li>\r\n <li>برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب هندسه و تزیین در معماری اسلامی</li>\r\n <li>عضویت در مراکز علمی</li>\r\n <li>عضو وابستۀ فرهنگستان هنرw عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم</li>\r\n <li>عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی</li>\r\n <li>عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)</li>\r\n <li>عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)</li>\r\n <li>عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر</li>\r\n <li>عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر</li>\r\n</ul>','','','inherit','closed','closed','','61-revision-v1','','','2016-03-10 03:12:46','2016-03-10 03:12:46','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(65,1,'2016-03-10 03:24:05','2016-03-10 03:24:05','<p dir=\"rtl\"><strong>تحصیل</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li> دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران</li>\r\n <li> کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران</li>\r\n <li> کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران</li>\r\n <li> دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>افتخارات و جایزهها</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی</li>\r\n <li>پژوهشگر نمونۀ دانشگاه شهید بهشتی</li>\r\n <li>برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ رسالۀ معماریه</li>\r\n <li>برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست</li>\r\n <li>برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب معنا در معماری غرب</li>\r\n <li>برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب هندسه و تزیین در معماری اسلامی</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>عضویت در مراکز علمی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>عضو وابستۀ فرهنگستان هنر</li>\r\n <li>عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم</li>\r\n <li>عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی</li>\r\n <li>عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)</li>\r\n <li>عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)</li>\r\n <li>عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر</li>\r\n <li>عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر</li>\r\n <li> حوزههای علاقه</li>\r\n <li>تاریخ معماری ایرانزمین</li>\r\n <li>تاریخ هنر ایرانزمین</li>\r\n <li>مباحث نظری تاریخ معماری و هنر</li>\r\n <li>مباحث نظری معماری و هنر</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>سمتهای علمی و فرهنگی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>استادیار گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</li>\r\n <li>مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی،\r\nدانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</li>\r\n <li>عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</li>\r\n <li>مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</li>\r\n <li>سردبیر گلستان هنر (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</li>\r\n <li>عضو هیئت تحریریه خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</li>\r\n <li>عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</li>\r\n <li>عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</li>\r\n <li>رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</li>\r\n <li>سردبیر خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</li>\r\n <li>مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</li>\r\n <li>عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</li>\r\n <li>عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</li>\r\n <li>مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</li>\r\n <li>عضو هیئت تحریریه مجلۀ موزهها (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</li>\r\n <li>دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</li>\r\n <li>معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</li>\r\n <li>سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴،از ۱۳۷۷ تا ۱۳۷۸</li>\r\n</ul>','','','inherit','closed','closed','','61-revision-v1','','','2016-03-10 03:24:05','2016-03-10 03:24:05','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(66,1,'2016-03-10 03:45:11','2016-03-10 03:45:11','<p dir=\"rtl\"><strong>تحصیل</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li> دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران</li>\r\n <li> کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران</li>\r\n <li> کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران</li>\r\n <li> دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>افتخارات و جایزهها</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی</li>\r\n <li>پژوهشگر نمونۀ دانشگاه شهید بهشتی</li>\r\n <li>برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ رسالۀ معماریه</li>\r\n <li>برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست</li>\r\n <li>برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب معنا در معماری غرب</li>\r\n <li>برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب هندسه و تزیین در معماری اسلامی</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>عضویت در مراکز علمی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>عضو وابستۀ فرهنگستان هنر</li>\r\n <li>عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم</li>\r\n <li>عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی</li>\r\n <li>عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)</li>\r\n <li>عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)</li>\r\n <li>عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر</li>\r\n <li>عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر</li>\r\n <li> حوزههای علاقه</li>\r\n <li>تاریخ معماری ایرانزمین</li>\r\n <li>تاریخ هنر ایرانزمین</li>\r\n <li>مباحث نظری تاریخ معماری و هنر</li>\r\n <li>مباحث نظری معماری و هنر</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>سمتهای علمی و فرهنگی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>استادیار گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</li>\r\n <li>مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی،\r\nدانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</li>\r\n <li>عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</li>\r\n <li>مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</li>\r\n <li>سردبیر گلستان هنر (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</li>\r\n <li>عضو هیئت تحریریه خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</li>\r\n <li>عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</li>\r\n <li>عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</li>\r\n <li>رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</li>\r\n <li>سردبیر خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</li>\r\n <li>مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</li>\r\n <li>عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</li>\r\n <li>عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</li>\r\n <li>مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</li>\r\n <li>عضو هیئت تحریریه مجلۀ موزهها (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</li>\r\n <li>دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</li>\r\n <li>معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</li>\r\n <li>سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>نوشتههای منتشرشده: الف) مقاله و یادداشت </strong>(تألیف)</p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در نامۀ معماری و شهرسازی، ش ۱۳، ۱۳۹۳</li>\r\n <li>رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در مطالعات تاریخ فرهنگی، ش ۱۷، ۱۳۹۲</li>\r\n <li>هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در نامۀ معماری و شهرسازی، ش ۱۰، ۱۳۹۲</li>\r\n <li>خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)،در مطالعات معماری ایران، ش ۳، بهار و تابستان ۱۳۹۲</li>\r\n</ul>','','','inherit','closed','closed','','61-revision-v1','','','2016-03-10 03:45:11','2016-03-10 03:45:11','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(67,1,'2016-03-10 03:53:23','2016-03-10 03:53:23','<p dir=\"rtl\"><strong>تحصیل</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li> دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران</li>\r\n <li> کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران</li>\r\n <li> کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران</li>\r\n <li> دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>افتخارات و جایزهها</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی</li>\r\n <li>پژوهشگر نمونۀ دانشگاه شهید بهشتی</li>\r\n <li>برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ رسالۀ معماریه</li>\r\n <li>برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست</li>\r\n <li>برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب معنا در معماری غرب</li>\r\n <li>برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب هندسه و تزیین در معماری اسلامی</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>عضویت در مراکز علمی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>عضو وابستۀ فرهنگستان هنر</li>\r\n <li>عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم</li>\r\n <li>عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی</li>\r\n <li>عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)</li>\r\n <li>عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)</li>\r\n <li>عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر</li>\r\n <li>عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر</li>\r\n <li> حوزههای علاقه</li>\r\n <li>تاریخ معماری ایرانزمین</li>\r\n <li>تاریخ هنر ایرانزمین</li>\r\n <li>مباحث نظری تاریخ معماری و هنر</li>\r\n <li>مباحث نظری معماری و هنر</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>سمتهای علمی و فرهنگی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>استادیار گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</li>\r\n <li>مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی،\r\nدانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</li>\r\n <li>عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</li>\r\n <li>مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</li>\r\n <li>سردبیر گلستان هنر (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</li>\r\n <li>عضو هیئت تحریریه خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</li>\r\n <li>عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</li>\r\n <li>عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</li>\r\n <li>رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</li>\r\n <li>سردبیر خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</li>\r\n <li>مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</li>\r\n <li>عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</li>\r\n <li>عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</li>\r\n <li>مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</li>\r\n <li>عضو هیئت تحریریه مجلۀ موزهها (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</li>\r\n <li>دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</li>\r\n <li>معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</li>\r\n <li>سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>نوشتههای منتشرشده: الف) مقاله و یادداشت </strong>(تألیف)</p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در نامۀ معماری و شهرسازی، ش ۱۳، ۱۳۹۳</li>\r\n <li>رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در مطالعات تاریخ فرهنگی، ش ۱۷، ۱۳۹۲</li>\r\n <li>هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در نامۀ معماری و شهرسازی، ش ۱۰، ۱۳۹۲</li>\r\n <li>خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)،در مطالعات معماری ایران، ش ۳، بهار و تابستان ۱۳۹۲</li>\r\n <li>پیشگفتار کتاب در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، ۱۳۹۲</li>\r\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, no. 7, 2013</li>\r\n <li>درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در مطالعات معماری ایران، ش ۲، پاییز و زمستان ۱۳۹۱</li>\r\n <li>دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در فصلنامۀ آموزش مهندسی ایران، ۱۳۹۱</li>\r\n</ul>','','','inherit','closed','closed','','61-revision-v1','','','2016-03-10 03:53:23','2016-03-10 03:53:23','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(68,1,'2016-03-10 03:54:07','2016-03-10 03:54:07','<p dir=\"rtl\"><strong>تحصیل</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li> دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران</li>\r\n <li> کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران</li>\r\n <li> کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران</li>\r\n <li> دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>افتخارات و جایزهها</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی</li>\r\n <li>پژوهشگر نمونۀ دانشگاه شهید بهشتی</li>\r\n <li>برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ رسالۀ معماریه</li>\r\n <li>برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست</li>\r\n <li>برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب معنا در معماری غرب</li>\r\n <li>برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب هندسه و تزیین در معماری اسلامی</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>عضویت در مراکز علمی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>عضو وابستۀ فرهنگستان هنر</li>\r\n <li>عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم</li>\r\n <li>عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی</li>\r\n <li>عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)</li>\r\n <li>عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)</li>\r\n <li>عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر</li>\r\n <li>عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر</li>\r\n <li> حوزههای علاقه</li>\r\n <li>تاریخ معماری ایرانزمین</li>\r\n <li>تاریخ هنر ایرانزمین</li>\r\n <li>مباحث نظری تاریخ معماری و هنر</li>\r\n <li>مباحث نظری معماری و هنر</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>سمتهای علمی و فرهنگی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>استادیار گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</li>\r\n <li>مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی،\r\nدانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</li>\r\n <li>عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</li>\r\n <li>مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</li>\r\n <li>سردبیر گلستان هنر (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</li>\r\n <li>عضو هیئت تحریریه خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</li>\r\n <li>عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</li>\r\n <li>عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</li>\r\n <li>رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</li>\r\n <li>سردبیر خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</li>\r\n <li>مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</li>\r\n <li>عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</li>\r\n <li>عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</li>\r\n <li>مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</li>\r\n <li>عضو هیئت تحریریه مجلۀ موزهها (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</li>\r\n <li>دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</li>\r\n <li>معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</li>\r\n <li>سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>نوشتههای منتشرشده: الف) مقاله و یادداشت </strong>(تألیف)</p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در نامۀ معماری و شهرسازی، ش ۱۳، ۱۳۹۳</li>\r\n <li>رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در مطالعات تاریخ فرهنگی، ش ۱۷، ۱۳۹۲</li>\r\n <li>هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در نامۀ معماری و شهرسازی، ش ۱۰، ۱۳۹۲</li>\r\n <li>خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)،در مطالعات معماری ایران، ش ۳، بهار و تابستان ۱۳۹۲</li>\r\n <li>پیشگفتار کتاب در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، ۱۳۹۲</li>\r\n <li dir=\"ltr\">The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, no. 7, 2013</li>\r\n <li>درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در مطالعات معماری ایران، ش ۲، پاییز و زمستان ۱۳۹۱</li>\r\n <li>دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در فصلنامۀ آموزش مهندسی ایران، ۱۳۹۱</li>\r\n</ul>','','','inherit','closed','closed','','61-revision-v1','','','2016-03-10 03:54:07','2016-03-10 03:54:07','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(69,1,'2016-03-10 04:09:27','2016-03-10 04:09:27','<p dir=\"rtl\"><strong>تحصیل</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li> دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران</li>\r\n <li> کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران</li>\r\n <li> کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران</li>\r\n <li> دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>افتخارات و جایزهها</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی</li>\r\n <li>پژوهشگر نمونۀ دانشگاه شهید بهشتی</li>\r\n <li>برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ رسالۀ معماریه</li>\r\n <li>برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست</li>\r\n <li>برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب معنا در معماری غرب</li>\r\n <li>برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب هندسه و تزیین در معماری اسلامی</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>عضویت در مراکز علمی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>عضو وابستۀ فرهنگستان هنر</li>\r\n <li>عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم</li>\r\n <li>عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی</li>\r\n <li>عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)</li>\r\n <li>عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)</li>\r\n <li>عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر</li>\r\n <li>عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر</li>\r\n <li> حوزههای علاقه</li>\r\n <li>تاریخ معماری ایرانزمین</li>\r\n <li>تاریخ هنر ایرانزمین</li>\r\n <li>مباحث نظری تاریخ معماری و هنر</li>\r\n <li>مباحث نظری معماری و هنر</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>سمتهای علمی و فرهنگی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>استادیار گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</li>\r\n <li>مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی،\r\nدانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</li>\r\n <li>عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</li>\r\n <li>مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</li>\r\n <li>سردبیر گلستان هنر (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</li>\r\n <li>عضو هیئت تحریریه خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</li>\r\n <li>عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</li>\r\n <li>عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</li>\r\n <li>رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</li>\r\n <li>سردبیر خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</li>\r\n <li>مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</li>\r\n <li>عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</li>\r\n <li>عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</li>\r\n <li>مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</li>\r\n <li>عضو هیئت تحریریه مجلۀ موزهها (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</li>\r\n <li>دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</li>\r\n <li>معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</li>\r\n <li>سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>نوشتههای منتشرشده: الف) مقاله و یادداشت </strong>(تألیف)</p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در نامۀ معماری و شهرسازی، ش ۱۳، ۱۳۹۳</li>\r\n <li>رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در مطالعات تاریخ فرهنگی، ش ۱۷، ۱۳۹۲</li>\r\n <li>هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در نامۀ معماری و شهرسازی، ش ۱۰، ۱۳۹۲</li>\r\n <li>خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)،در مطالعات معماری ایران، ش ۳، بهار و تابستان ۱۳۹۲</li>\r\n <li>پیشگفتار کتاب در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، ۱۳۹۲</li>\r\n <li dir=\"ltr\">The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, no. 7, 2013</li>\r\n <li>درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در مطالعات معماری ایران، ش ۲، پاییز و زمستان ۱۳۹۱</li>\r\n <li>دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در فصلنامۀ آموزش مهندسی ایران، ۱۳۹۱</li>\r\n <li>بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در مطالعات معماری ایران، ش ۱، بهار و تابستان ۱۳۹۱</li>\r\n <li>Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur, 2010</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in al-Shajarah, Special issue, 2010</li>\r\n <li>درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مولاناپژوهی، ۱۳۸۹</li>\r\n <li>بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در تاریخ و تمدن اسلامی، ش ۱۲، ۱۳۸۹</li>\r\n <li>از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در صفه، ش ۴۸، تابستان ۱۳۸۹</li>\r\n <li>پیشگفتار کتاب نگارههای چوبی مساجد آذربایجان، ۱۳۸۹</li>\r\n <li>جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</li>\r\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</li>\r\n <li>تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در پژوهشنامۀ فرهنگستان هنر، ۱۳۸۸</li>\r\n <li>از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</li>\r\n <li>سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در گلستان هنر، ش۱۵، بهار ۱۳۸۸</li>\r\n <li>حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در گلستان هنر، ش ۱۳، پاییز ۱۳۸۷</li>\r\n <li>لایههای باغ ایرانی، در گلستان هنر، ش ۱۲، تابستان ۱۳۸۷</li>\r\n <li>باغهای خراسان در تاریخ بیهقی، در صفه، ش ۴۶، تابستان ۱۳۸۷</li>\r\n <li>مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در گلستان هنر، شمارۀ ویژه، ۱۳۸۷</li>\r\n <li>آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در گلستان هنر، ش۱۰، زمستان ۱۳۸۶</li>\r\n <li>دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در گلستان هنر، ش ۸، تابستان ۱۳۸۶</li>\r\n <li>مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در گلستان هنر، ش ۷، بهار ۱۳۸۶</li>\r\n <li>مقالۀ اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در گلستان هنر، ش ۵، زمستان ۱۳۸۵</li>\r\n <li>باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</li>\r\n <li>تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</li>\r\n <li>ساختار نظریه و الفبای نظریهپردازی، در صفه، ش ۴۰، ۱۳۸۴</li>\r\n <li>بررسی انتقادی چهار تاریخنامۀ معماری ایران، در خیال، ش ۱۵، پاییز ۱۳۸۴</li>\r\n <li>افکار و آثار الگ گرابار، در دانشنامه (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</li>\r\n <li>اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</li>\r\n <li>آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</li>\r\n <li>یادداشت طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</li>\r\n <li>یادداشت میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</li>\r\n <li>یادداشت چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</li>\r\n <li>معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</li>\r\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</li>\r\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, 2005</li>\r\n <li>حمام گنجعلیخان، در رواق، ش ۴، زمستان ۱۳۷۸</li>\r\n <li>چو غلام آفتابم ...، در رواق، ش ۴، زمستان ۱۳۷۸</li>\r\n <li>مدرسۀ غیاثیۀ خرگرد، در رواق، ش ۲، بهار ۱۳۷۷</li>\r\n <li>عمارت هشتبهشت، در رواق، ش ۳، تابستان ۱۳۷۷</li>\r\n <li>یادداشت نامۀ گنج، در رواق، ش ۲، بهار ۱۳۷۷</li>\r\n <li>رسالۀ معماریه و معمار مسجد احمدیه، در مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده، دانشگاه هنر، ۱۳۷۷</li>\r\n <li>نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۷۵</li>\r\n</ul>\r\n</ul>','','','inherit','closed','closed','','61-revision-v1','','','2016-03-10 04:09:27','2016-03-10 04:09:27','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(70,1,'2016-03-10 05:06:35','2016-03-10 05:06:35','<p dir=\"rtl\"><strong>تحصیل</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li> دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران</li>\r\n <li> کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران</li>\r\n <li> کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران</li>\r\n <li> دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>افتخارات و جایزهها</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی</li>\r\n <li>پژوهشگر نمونۀ دانشگاه شهید بهشتی</li>\r\n <li>برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ رسالۀ معماریه</li>\r\n <li>برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست</li>\r\n <li>برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب معنا در معماری غرب</li>\r\n <li>برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب هندسه و تزیین در معماری اسلامی</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>عضویت در مراکز علمی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>عضو وابستۀ فرهنگستان هنر</li>\r\n <li>عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم</li>\r\n <li>عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی</li>\r\n <li>عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)</li>\r\n <li>عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)</li>\r\n <li>عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر</li>\r\n <li>عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر</li>\r\n <li> حوزههای علاقه</li>\r\n <li>تاریخ معماری ایرانزمین</li>\r\n <li>تاریخ هنر ایرانزمین</li>\r\n <li>مباحث نظری تاریخ معماری و هنر</li>\r\n <li>مباحث نظری معماری و هنر</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>سمتهای علمی و فرهنگی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>استادیار گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</li>\r\n <li>مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی،\r\nدانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</li>\r\n <li>عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</li>\r\n <li>مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</li>\r\n <li>سردبیر گلستان هنر (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</li>\r\n <li>عضو هیئت تحریریه خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</li>\r\n <li>عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</li>\r\n <li>عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</li>\r\n <li>رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</li>\r\n <li>سردبیر خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</li>\r\n <li>مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</li>\r\n <li>عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</li>\r\n <li>عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</li>\r\n <li>مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</li>\r\n <li>عضو هیئت تحریریه مجلۀ موزهها (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</li>\r\n <li>دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</li>\r\n <li>معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</li>\r\n <li>سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>نوشتههای منتشرشده: الف) مقاله و یادداشت </strong>(تألیف)</p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در نامۀ معماری و شهرسازی، ش ۱۳، ۱۳۹۳</li>\r\n <li>رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در مطالعات تاریخ فرهنگی، ش ۱۷، ۱۳۹۲</li>\r\n <li>هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در نامۀ معماری و شهرسازی، ش ۱۰، ۱۳۹۲</li>\r\n <li>خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)،در مطالعات معماری ایران، ش ۳، بهار و تابستان ۱۳۹۲</li>\r\n <li>پیشگفتار کتاب در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، ۱۳۹۲</li>\r\n <li dir=\"ltr\">The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, no. 7, 2013</li>\r\n <li>درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در مطالعات معماری ایران، ش ۲، پاییز و زمستان ۱۳۹۱</li>\r\n <li>دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در فصلنامۀ آموزش مهندسی ایران، ۱۳۹۱</li>\r\n <li>بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در مطالعات معماری ایران، ش ۱، بهار و تابستان ۱۳۹۱</li>\r\n <li>Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur, 2010</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in al-Shajarah, Special issue, 2010</li>\r\n <li>درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مولاناپژوهی، ۱۳۸۹</li>\r\n <li>بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در تاریخ و تمدن اسلامی، ش ۱۲، ۱۳۸۹</li>\r\n <li>از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در صفه، ش ۴۸، تابستان ۱۳۸۹</li>\r\n <li>پیشگفتار کتاب نگارههای چوبی مساجد آذربایجان، ۱۳۸۹</li>\r\n <li>جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</li>\r\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</li>\r\n <li>تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در پژوهشنامۀ فرهنگستان هنر، ۱۳۸۸</li>\r\n <li>از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</li>\r\n <li>سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در گلستان هنر، ش۱۵، بهار ۱۳۸۸</li>\r\n <li>حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در گلستان هنر، ش ۱۳، پاییز ۱۳۸۷</li>\r\n <li>لایههای باغ ایرانی، در گلستان هنر، ش ۱۲، تابستان ۱۳۸۷</li>\r\n <li>باغهای خراسان در تاریخ بیهقی، در صفه، ش ۴۶، تابستان ۱۳۸۷</li>\r\n <li>مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در گلستان هنر، شمارۀ ویژه، ۱۳۸۷</li>\r\n <li>آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در گلستان هنر، ش۱۰، زمستان ۱۳۸۶</li>\r\n <li>دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در گلستان هنر، ش ۸، تابستان ۱۳۸۶</li>\r\n <li>مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در گلستان هنر، ش ۷، بهار ۱۳۸۶</li>\r\n <li>مقالۀ اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در گلستان هنر، ش ۵، زمستان ۱۳۸۵</li>\r\n <li>باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</li>\r\n <li>تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</li>\r\n <li>ساختار نظریه و الفبای نظریهپردازی، در صفه، ش ۴۰، ۱۳۸۴</li>\r\n <li>بررسی انتقادی چهار تاریخنامۀ معماری ایران، در خیال، ش ۱۵، پاییز ۱۳۸۴</li>\r\n <li>افکار و آثار الگ گرابار، در دانشنامه (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</li>\r\n <li>اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</li>\r\n <li>آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</li>\r\n <li>یادداشت طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</li>\r\n <li>یادداشت میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</li>\r\n <li>یادداشت چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</li>\r\n <li>معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</li>\r\n <li dir=\"ltr\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</li>\r\n <li dir=\"ltr\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, 2005</li>\r\n <li>حمام گنجعلیخان، در رواق، ش ۴، زمستان ۱۳۷۸</li>\r\n <li>چو غلام آفتابم ...، در رواق، ش ۴، زمستان ۱۳۷۸</li>\r\n <li>مدرسۀ غیاثیۀ خرگرد، در رواق، ش ۲، بهار ۱۳۷۷</li>\r\n <li>عمارت هشتبهشت، در رواق، ش ۳، تابستان ۱۳۷۷</li>\r\n <li>یادداشت نامۀ گنج، در رواق، ش ۲، بهار ۱۳۷۷</li>\r\n <li>رسالۀ معماریه و معمار مسجد احمدیه، در مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده، دانشگاه هنر، ۱۳۷۷</li>\r\n <li>نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۷۵</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong> ب) مقاله (ترجمه)</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در گلستان هنر، ش۱۳، پاییز ۱۳۸۷</li>\r\n <li>چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در گلستان هنر، ش ۶، زمستان ۱۳۸۵</li>\r\n <li>تحقیق تفسیریـ تاریخی، دیوید ونگ، در صفه، ش ۳۹، بهار ۱۳۸۴</li>\r\n <li>نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در صفه، ش ۳۷، زمستان ۱۳۸۲</li>\r\n <li>نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</li>\r\n <li>نمادپردازی، وایتال پری، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</li>\r\n <li>صفیالدین ارموی، اکهارت نویباوئر، در خیال، ش ۱۱، پاییز ۱۳۸۳</li>\r\n <li>سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در رواق، ش ۱، پاییز ۱۳۷۷</li>\r\n <li>احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در رواق، ش ۱، پاییز ۱۳۷۷</li>\r\n <li>نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در رواق، ش ۱، پاییز ۱۳۷۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>ج) کتاب (تألیف)</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>گفتارهایی در مبانی و تاریخ معماری و هنر، انتشارات علمی و فرهنگی، ۱۳۹۰</li>\r\n <li>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست، دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>فرهنگنامۀ معماری ایران در مراجع فارسی، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</li>\r\n <li>فرهنگنامۀ معماری ایران در مراجع فارسی، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</li>\r\n <li>واژهنامۀ سهزبانۀ معماری اسلامی (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</li>\r\n <li>گنجنامه: فرهنگ آثار معماری اسلامی ایران (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>د) کتاب (ترجمه)</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</li>\r\n <li>رسالۀ معماریه، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</li>\r\n <li>معنا در معماری غرب، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</li>\r\n <li>پویهشناسی صور معماری، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</li>\r\n <li>معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</li>\r\n <li>معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</li>\r\n <li>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</li>\r\n <li>هنر خط و تذهیب قرآنی، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>تدریس</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</li>\r\n <li>دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</li>\r\n <li>دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</li>\r\n <li>درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</li>\r\n <li>درس ویژه، دورۀ دکتری مرمت آثار، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</li>\r\n <li>آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</li>\r\n <li>کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</li>\r\n <li>آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</li>\r\n <li>طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong> پایاننامه الف. راهنمایی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</li>\r\n <li>منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</li>\r\n <li>مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</li>\r\n <li>مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</li>\r\n <li>مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>حمیدرضا پیشوائی، آسمانها و آسمانهها در مثنوی معنوی: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</li>\r\n <li>فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</li>\r\n <li>الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</li>\r\n <li>طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</li>\r\n <li>بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</li>\r\n <li>محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</li>\r\n <li>سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</li>\r\n <li>نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</li>\r\n <li>مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</li>\r\n <li>محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</li>\r\n <li>فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</li>\r\n <li>مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>پایاننامه ب. مشاوره</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</li>\r\n <li>قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</li>\r\n <li>پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</li>\r\n <li>جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</li>\r\n <li>آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>اطلاعات شخصی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>تولد: ۱۳۳۸، تهران</li>\r\n <li>زبان مادری: فارسی</li>\r\n <li>زبان دوم: انگلیسی</li>\r\n <li>زبان سوم: عربی</li>\r\n</ul>\r\n</ul>','','','inherit','closed','closed','','61-revision-v1','','','2016-03-10 05:06:35','2016-03-10 05:06:35','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(71,1,'2016-03-10 05:13:55','2016-03-10 05:13:55','<p dir=\"rtl\"><strong>تحصیل</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li> دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران</li>\r\n <li> کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران</li>\r\n <li> کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران</li>\r\n <li> دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>افتخارات و جایزهها</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی</li>\r\n <li>پژوهشگر نمونۀ دانشگاه شهید بهشتی</li>\r\n <li>برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ رسالۀ معماریه</li>\r\n <li>برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست</li>\r\n <li>برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب معنا در معماری غرب</li>\r\n <li>برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب هندسه و تزیین در معماری اسلامی</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>عضویت در مراکز علمی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>عضو وابستۀ فرهنگستان هنر</li>\r\n <li>عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم</li>\r\n <li>عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی</li>\r\n <li>عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)</li>\r\n <li>عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)</li>\r\n <li>عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر</li>\r\n <li>عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر</li>\r\n <li> حوزههای علاقه</li>\r\n <li>تاریخ معماری ایرانزمین</li>\r\n <li>تاریخ هنر ایرانزمین</li>\r\n <li>مباحث نظری تاریخ معماری و هنر</li>\r\n <li>مباحث نظری معماری و هنر</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>سمتهای علمی و فرهنگی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>استادیار گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</li>\r\n <li>مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی،\r\nدانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</li>\r\n <li>عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</li>\r\n <li>مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</li>\r\n <li>سردبیر گلستان هنر (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</li>\r\n <li>عضو هیئت تحریریه خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</li>\r\n <li>عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</li>\r\n <li>عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</li>\r\n <li>رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</li>\r\n <li>سردبیر خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</li>\r\n <li>مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</li>\r\n <li>عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</li>\r\n <li>عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</li>\r\n <li>مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</li>\r\n <li>عضو هیئت تحریریه مجلۀ موزهها (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</li>\r\n <li>دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</li>\r\n <li>معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</li>\r\n <li>سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>نوشتههای منتشرشده\r\nالف) مقاله و یادداشت </strong>(تألیف)</p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در نامۀ معماری و شهرسازی، ش ۱۳، ۱۳۹۳</li>\r\n <li>رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در مطالعات تاریخ فرهنگی، ش ۱۷، ۱۳۹۲</li>\r\n <li>هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در نامۀ معماری و شهرسازی، ش ۱۰، ۱۳۹۲</li>\r\n <li>خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)،در مطالعات معماری ایران، ش ۳، بهار و تابستان ۱۳۹۲</li>\r\n <li>پیشگفتار کتاب در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، ۱۳۹۲</li>\r\n <li dir=\"ltr\">The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, no. 7, 2013</li>\r\n <li>درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در مطالعات معماری ایران، ش ۲، پاییز و زمستان ۱۳۹۱</li>\r\n <li>دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در فصلنامۀ آموزش مهندسی ایران، ۱۳۹۱</li>\r\n <li>بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در مطالعات معماری ایران، ش ۱، بهار و تابستان ۱۳۹۱</li>\r\n <li>Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur, 2010</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in al-Shajarah, Special issue, 2010</li>\r\n <li>درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مولاناپژوهی، ۱۳۸۹</li>\r\n <li>بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در تاریخ و تمدن اسلامی، ش ۱۲، ۱۳۸۹</li>\r\n <li>از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در صفه، ش ۴۸، تابستان ۱۳۸۹</li>\r\n <li>پیشگفتار کتاب نگارههای چوبی مساجد آذربایجان، ۱۳۸۹</li>\r\n <li>جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</li>\r\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</li>\r\n <li>تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در پژوهشنامۀ فرهنگستان هنر، ۱۳۸۸</li>\r\n <li>از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</li>\r\n <li>سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در گلستان هنر، ش۱۵، بهار ۱۳۸۸</li>\r\n <li>حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در گلستان هنر، ش ۱۳، پاییز ۱۳۸۷</li>\r\n <li>لایههای باغ ایرانی، در گلستان هنر، ش ۱۲، تابستان ۱۳۸۷</li>\r\n <li>باغهای خراسان در تاریخ بیهقی، در صفه، ش ۴۶، تابستان ۱۳۸۷</li>\r\n <li>مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در گلستان هنر، شمارۀ ویژه، ۱۳۸۷</li>\r\n <li>آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در گلستان هنر، ش۱۰، زمستان ۱۳۸۶</li>\r\n <li>دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در گلستان هنر، ش ۸، تابستان ۱۳۸۶</li>\r\n <li>مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در گلستان هنر، ش ۷، بهار ۱۳۸۶</li>\r\n <li>مقالۀ اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در گلستان هنر، ش ۵، زمستان ۱۳۸۵</li>\r\n <li>باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</li>\r\n <li>تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</li>\r\n <li>ساختار نظریه و الفبای نظریهپردازی، در صفه، ش ۴۰، ۱۳۸۴</li>\r\n <li>بررسی انتقادی چهار تاریخنامۀ معماری ایران، در خیال، ش ۱۵، پاییز ۱۳۸۴</li>\r\n <li>افکار و آثار الگ گرابار، در دانشنامه (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</li>\r\n <li>اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</li>\r\n <li>آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</li>\r\n <li>یادداشت طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</li>\r\n <li>یادداشت میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</li>\r\n <li>یادداشت چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</li>\r\n <li>معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</li>\r\n <li dir=\"ltr\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</li>\r\n <li dir=\"ltr\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, 2005</li>\r\n <li>حمام گنجعلیخان، در رواق، ش ۴، زمستان ۱۳۷۸</li>\r\n <li>چو غلام آفتابم ...، در رواق، ش ۴، زمستان ۱۳۷۸</li>\r\n <li>مدرسۀ غیاثیۀ خرگرد، در رواق، ش ۲، بهار ۱۳۷۷</li>\r\n <li>عمارت هشتبهشت، در رواق، ش ۳، تابستان ۱۳۷۷</li>\r\n <li>یادداشت نامۀ گنج، در رواق، ش ۲، بهار ۱۳۷۷</li>\r\n <li>رسالۀ معماریه و معمار مسجد احمدیه، در مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده، دانشگاه هنر، ۱۳۷۷</li>\r\n <li>نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۷۵</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>ب) مقاله (ترجمه)</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در گلستان هنر، ش۱۳، پاییز ۱۳۸۷</li>\r\n <li>چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در گلستان هنر، ش ۶، زمستان ۱۳۸۵</li>\r\n <li>تحقیق تفسیریـ تاریخی، دیوید ونگ، در صفه، ش ۳۹، بهار ۱۳۸۴</li>\r\n <li>نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در صفه، ش ۳۷، زمستان ۱۳۸۲</li>\r\n <li>نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</li>\r\n <li>نمادپردازی، وایتال پری، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</li>\r\n <li>صفیالدین ارموی، اکهارت نویباوئر، در خیال، ش ۱۱، پاییز ۱۳۸۳</li>\r\n <li>سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در رواق، ش ۱، پاییز ۱۳۷۷</li>\r\n <li>احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در رواق، ش ۱، پاییز ۱۳۷۷</li>\r\n <li>نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در رواق، ش ۱، پاییز ۱۳۷۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>ج) کتاب (تألیف)</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>گفتارهایی در مبانی و تاریخ معماری و هنر، انتشارات علمی و فرهنگی، ۱۳۹۰</li>\r\n <li>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست، دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>فرهنگنامۀ معماری ایران در مراجع فارسی، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</li>\r\n <li>فرهنگنامۀ معماری ایران در مراجع فارسی، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</li>\r\n <li>واژهنامۀ سهزبانۀ معماری اسلامی (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</li>\r\n <li>گنجنامه: فرهنگ آثار معماری اسلامی ایران (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>د) کتاب (ترجمه)</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</li>\r\n <li>رسالۀ معماریه، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</li>\r\n <li>معنا در معماری غرب، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</li>\r\n <li>پویهشناسی صور معماری، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</li>\r\n <li>معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</li>\r\n <li>معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</li>\r\n <li>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</li>\r\n <li>هنر خط و تذهیب قرآنی، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>تدریس</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</li>\r\n <li>دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</li>\r\n <li>دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>دروس</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</li>\r\n <li>درس ویژه، دورۀ دکتری مرمت آثار، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</li>\r\n <li>آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</li>\r\n <li>کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</li>\r\n <li>آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</li>\r\n <li>طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong> پایاننامه\r\nالف. راهنمایی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</li>\r\n <li>منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</li>\r\n <li>مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</li>\r\n <li>مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</li>\r\n <li>مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>حمیدرضا پیشوائی، آسمانها و آسمانهها در مثنوی معنوی: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</li>\r\n <li>فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</li>\r\n <li>الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</li>\r\n <li>طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</li>\r\n <li>بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</li>\r\n <li>محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</li>\r\n <li>سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</li>\r\n <li>نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</li>\r\n <li>مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</li>\r\n <li>محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</li>\r\n <li>فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</li>\r\n <li>مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>پایاننامه\r\nب. مشاوره</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</li>\r\n <li>قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</li>\r\n <li>پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</li>\r\n <li>جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</li>\r\n <li>آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>اطلاعات شخصی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>تولد: ۱۳۳۸، تهران</li>\r\n <li>زبان مادری: فارسی</li>\r\n <li>زبان دوم: انگلیسی</li>\r\n <li>زبان سوم: عربی</li>\r\n</ul>\r\n</ul>','','','inherit','closed','closed','','61-revision-v1','','','2016-03-10 05:13:55','2016-03-10 05:13:55','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(72,1,'2016-03-10 05:19:25','2016-03-10 05:19:25','<p dir=\"rtl\"><strong>تحصیل</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li> دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</li>\r\n <li> کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</li>\r\n <li> کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</li>\r\n <li> دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>افتخارات و جایزهها</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</li>\r\n <li>پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ رسالۀ معماریه، ۱۳۸۹</li>\r\n <li>برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</li>\r\n <li>برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب معنا در معماری غرب، ۱۳۸۷</li>\r\n <li>برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب هندسه و تزیین در معماری اسلامی، ۱۳۸۱</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>عضویت در مراکز علمی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</li>\r\n <li>عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</li>\r\n <li>عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</li>\r\n <li>عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</li>\r\n <li>عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</li>\r\n <li>عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</li>\r\n <li>عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong> حوزههای علاقه</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>تاریخ معماری ایرانزمین</li>\r\n <li>تاریخ هنر ایرانزمین</li>\r\n <li>مباحث نظری تاریخ معماری و هنر</li>\r\n <li>مباحث نظری معماری و هنر</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>سمتهای علمی و فرهنگی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>استادیار گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</li>\r\n <li>مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی،\r\nدانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</li>\r\n <li>عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</li>\r\n <li>مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</li>\r\n <li>سردبیر گلستان هنر (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</li>\r\n <li>عضو هیئت تحریریه خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</li>\r\n <li>عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</li>\r\n <li>عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</li>\r\n <li>رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</li>\r\n <li>سردبیر خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</li>\r\n <li>مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</li>\r\n <li>عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</li>\r\n <li>عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</li>\r\n <li>مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</li>\r\n <li>عضو هیئت تحریریه مجلۀ موزهها (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</li>\r\n <li>دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</li>\r\n <li>معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</li>\r\n <li>سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>نوشتههای منتشرشده\r\nالف) مقاله و یادداشت </strong>(تألیف)</p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در نامۀ معماری و شهرسازی، ش ۱۳، ۱۳۹۳</li>\r\n <li>رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در مطالعات تاریخ فرهنگی، ش ۱۷، ۱۳۹۲</li>\r\n <li>هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در نامۀ معماری و شهرسازی، ش ۱۰، ۱۳۹۲</li>\r\n <li>خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)،در مطالعات معماری ایران، ش ۳، بهار و تابستان ۱۳۹۲</li>\r\n <li>پیشگفتار کتاب در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، ۱۳۹۲</li>\r\n <li dir=\"ltr\">The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, no. 7, 2013</li>\r\n <li>درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در مطالعات معماری ایران، ش ۲، پاییز و زمستان ۱۳۹۱</li>\r\n <li>دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در فصلنامۀ آموزش مهندسی ایران، ۱۳۹۱</li>\r\n <li>بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در مطالعات معماری ایران، ش ۱، بهار و تابستان ۱۳۹۱</li>\r\n <li>Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur, 2010</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in al-Shajarah, Special issue, 2010</li>\r\n <li>درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مولاناپژوهی، ۱۳۸۹</li>\r\n <li>بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در تاریخ و تمدن اسلامی، ش ۱۲، ۱۳۸۹</li>\r\n <li>از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در صفه، ش ۴۸، تابستان ۱۳۸۹</li>\r\n <li>پیشگفتار کتاب نگارههای چوبی مساجد آذربایجان، ۱۳۸۹</li>\r\n <li>جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</li>\r\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</li>\r\n <li>تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در پژوهشنامۀ فرهنگستان هنر، ۱۳۸۸</li>\r\n <li>از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</li>\r\n <li>سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در گلستان هنر، ش۱۵، بهار ۱۳۸۸</li>\r\n <li>حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در گلستان هنر، ش ۱۳، پاییز ۱۳۸۷</li>\r\n <li>لایههای باغ ایرانی، در گلستان هنر، ش ۱۲، تابستان ۱۳۸۷</li>\r\n <li>باغهای خراسان در تاریخ بیهقی، در صفه، ش ۴۶، تابستان ۱۳۸۷</li>\r\n <li>مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در گلستان هنر، شمارۀ ویژه، ۱۳۸۷</li>\r\n <li>آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در گلستان هنر، ش۱۰، زمستان ۱۳۸۶</li>\r\n <li>دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در گلستان هنر، ش ۸، تابستان ۱۳۸۶</li>\r\n <li>مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در گلستان هنر، ش ۷، بهار ۱۳۸۶</li>\r\n <li>مقالۀ اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در گلستان هنر، ش ۵، زمستان ۱۳۸۵</li>\r\n <li>باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</li>\r\n <li>تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</li>\r\n <li>ساختار نظریه و الفبای نظریهپردازی، در صفه، ش ۴۰، ۱۳۸۴</li>\r\n <li>بررسی انتقادی چهار تاریخنامۀ معماری ایران، در خیال، ش ۱۵، پاییز ۱۳۸۴</li>\r\n <li>افکار و آثار الگ گرابار، در دانشنامه (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</li>\r\n <li>اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</li>\r\n <li>آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</li>\r\n <li>یادداشت طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</li>\r\n <li>یادداشت میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</li>\r\n <li>یادداشت چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</li>\r\n <li>معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</li>\r\n <li dir=\"ltr\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</li>\r\n <li dir=\"ltr\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, 2005</li>\r\n <li>حمام گنجعلیخان، در رواق، ش ۴، زمستان ۱۳۷۸</li>\r\n <li>چو غلام آفتابم ...، در رواق، ش ۴، زمستان ۱۳۷۸</li>\r\n <li>مدرسۀ غیاثیۀ خرگرد، در رواق، ش ۲، بهار ۱۳۷۷</li>\r\n <li>عمارت هشتبهشت، در رواق، ش ۳، تابستان ۱۳۷۷</li>\r\n <li>یادداشت نامۀ گنج، در رواق، ش ۲، بهار ۱۳۷۷</li>\r\n <li>رسالۀ معماریه و معمار مسجد احمدیه، در مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده، دانشگاه هنر، ۱۳۷۷</li>\r\n <li>نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۷۵</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>ب) مقاله (ترجمه)</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در گلستان هنر، ش۱۳، پاییز ۱۳۸۷</li>\r\n <li>چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در گلستان هنر، ش ۶، زمستان ۱۳۸۵</li>\r\n <li>تحقیق تفسیریـ تاریخی، دیوید ونگ، در صفه، ش ۳۹، بهار ۱۳۸۴</li>\r\n <li>نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در صفه، ش ۳۷، زمستان ۱۳۸۲</li>\r\n <li>نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</li>\r\n <li>نمادپردازی، وایتال پری، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</li>\r\n <li>صفیالدین ارموی، اکهارت نویباوئر، در خیال، ش ۱۱، پاییز ۱۳۸۳</li>\r\n <li>سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در رواق، ش ۱، پاییز ۱۳۷۷</li>\r\n <li>احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در رواق، ش ۱، پاییز ۱۳۷۷</li>\r\n <li>نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در رواق، ش ۱، پاییز ۱۳۷۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>ج) کتاب (تألیف)</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>گفتارهایی در مبانی و تاریخ معماری و هنر، انتشارات علمی و فرهنگی، ۱۳۹۰</li>\r\n <li>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست، دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>فرهنگنامۀ معماری ایران در مراجع فارسی، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</li>\r\n <li>فرهنگنامۀ معماری ایران در مراجع فارسی، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</li>\r\n <li>واژهنامۀ سهزبانۀ معماری اسلامی (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</li>\r\n <li>گنجنامه: فرهنگ آثار معماری اسلامی ایران (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>د) کتاب (ترجمه)</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</li>\r\n <li>رسالۀ معماریه، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</li>\r\n <li>معنا در معماری غرب، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</li>\r\n <li>پویهشناسی صور معماری، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</li>\r\n <li>معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</li>\r\n <li>معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</li>\r\n <li>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</li>\r\n <li>هنر خط و تذهیب قرآنی، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>تدریس</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</li>\r\n <li>دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</li>\r\n <li>دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>دروس</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</li>\r\n <li>درس ویژه، دورۀ دکتری مرمت آثار، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</li>\r\n <li>آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</li>\r\n <li>کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</li>\r\n <li>آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</li>\r\n <li>طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong> پایاننامه\r\nالف. راهنمایی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</li>\r\n <li>منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</li>\r\n <li>مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</li>\r\n <li>مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</li>\r\n <li>مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>حمیدرضا پیشوائی، آسمانها و آسمانهها در مثنوی معنوی: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</li>\r\n <li>فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</li>\r\n <li>الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</li>\r\n <li>طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</li>\r\n <li>بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</li>\r\n <li>محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</li>\r\n <li>سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</li>\r\n <li>نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</li>\r\n <li>مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</li>\r\n <li>محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</li>\r\n <li>فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</li>\r\n <li>مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>پایاننامه\r\nب. مشاوره</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</li>\r\n <li>قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</li>\r\n <li>پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</li>\r\n <li>جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</li>\r\n <li>آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>اطلاعات شخصی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>تولد: ۱۳۳۸، تهران</li>\r\n <li>زبان مادری: فارسی</li>\r\n <li>زبان دوم: انگلیسی</li>\r\n <li>زبان سوم: عربی</li>\r\n</ul>\r\n</ul>','','','inherit','closed','closed','','61-revision-v1','','','2016-03-10 05:19:25','2016-03-10 05:19:25','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(73,1,'2016-03-10 05:20:45','2016-03-10 05:20:45','<p dir=\"rtl\"><strong>تحصیل</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li> دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</li>\r\n <li> کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</li>\r\n <li> کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</li>\r\n <li> دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>افتخارات و جایزهها</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</li>\r\n <li>پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ رسالۀ معماریه، ۱۳۸۹</li>\r\n <li>برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</li>\r\n <li>برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب معنا در معماری غرب، ۱۳۸۷</li>\r\n <li>برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب هندسه و تزیین در معماری اسلامی، ۱۳۸۱</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>عضویت در مراکز علمی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</li>\r\n <li>عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</li>\r\n <li>عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</li>\r\n <li>عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</li>\r\n <li>عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</li>\r\n <li>عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</li>\r\n <li>عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong> حوزههای علاقه</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>تاریخ معماری ایرانزمین</li>\r\n <li>تاریخ هنر ایرانزمین</li>\r\n <li>مباحث نظری تاریخ معماری و هنر</li>\r\n <li>مباحث نظری معماری و هنر</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>سمتهای علمی و فرهنگی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>استادیار گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</li>\r\n <li>مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی،\r\nدانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</li>\r\n <li>عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</li>\r\n <li>مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</li>\r\n <li>سردبیر گلستان هنر (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</li>\r\n <li>عضو هیئت تحریریه خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</li>\r\n <li>عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</li>\r\n <li>عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</li>\r\n <li>رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</li>\r\n <li>سردبیر خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</li>\r\n <li>مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</li>\r\n <li>عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</li>\r\n <li>عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</li>\r\n <li>مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</li>\r\n <li>عضو هیئت تحریریه مجلۀ موزهها (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</li>\r\n <li>دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</li>\r\n <li>معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</li>\r\n <li>سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>نوشتههای منتشرشده\r\nالف) مقاله و یادداشت </strong>(تألیف)</p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در نامۀ معماری و شهرسازی، ش ۱۳، ۱۳۹۳</li>\r\n <li>رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در مطالعات تاریخ فرهنگی، ش ۱۷، ۱۳۹۲</li>\r\n <li>هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در نامۀ معماری و شهرسازی، ش ۱۰، ۱۳۹۲</li>\r\n <li>خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)،در مطالعات معماری ایران، ش ۳، بهار و تابستان ۱۳۹۲</li>\r\n <li>پیشگفتار کتاب در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، ۱۳۹۲</li>\r\n <li dir=\"ltr\">The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, no. 7, 2013</li>\r\n <li>درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در مطالعات معماری ایران، ش ۲، پاییز و زمستان ۱۳۹۱</li>\r\n <li>دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در فصلنامۀ آموزش مهندسی ایران، ۱۳۹۱</li>\r\n <li>بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در مطالعات معماری ایران، ش ۱، بهار و تابستان ۱۳۹۱</li>\r\n <li>Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur, 2010</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in al-Shajarah, Special issue, 2010</li>\r\n <li>درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مولاناپژوهی، ۱۳۸۹</li>\r\n <li>بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در تاریخ و تمدن اسلامی، ش ۱۲، ۱۳۸۹</li>\r\n <li>از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در صفه، ش ۴۸، تابستان ۱۳۸۹</li>\r\n <li>پیشگفتار کتاب نگارههای چوبی مساجد آذربایجان، ۱۳۸۹</li>\r\n <li>جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</li>\r\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</li>\r\n <li>تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در پژوهشنامۀ فرهنگستان هنر، ۱۳۸۸</li>\r\n <li>از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</li>\r\n <li>سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در گلستان هنر، ش۱۵، بهار ۱۳۸۸</li>\r\n <li>حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در گلستان هنر، ش ۱۳، پاییز ۱۳۸۷</li>\r\n <li>لایههای باغ ایرانی، در گلستان هنر، ش ۱۲، تابستان ۱۳۸۷</li>\r\n <li>باغهای خراسان در تاریخ بیهقی، در صفه، ش ۴۶، تابستان ۱۳۸۷</li>\r\n <li>مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در گلستان هنر، شمارۀ ویژه، ۱۳۸۷</li>\r\n <li>آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در گلستان هنر، ش۱۰، زمستان ۱۳۸۶</li>\r\n <li>دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در گلستان هنر، ش ۸، تابستان ۱۳۸۶</li>\r\n <li>مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در گلستان هنر، ش ۷، بهار ۱۳۸۶</li>\r\n <li>مقالۀ اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در گلستان هنر، ش ۵، زمستان ۱۳۸۵</li>\r\n <li>باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</li>\r\n <li>تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</li>\r\n <li>ساختار نظریه و الفبای نظریهپردازی، در صفه، ش ۴۰، ۱۳۸۴</li>\r\n <li>بررسی انتقادی چهار تاریخنامۀ معماری ایران، در خیال، ش ۱۵، پاییز ۱۳۸۴</li>\r\n <li>افکار و آثار الگ گرابار، در دانشنامه (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</li>\r\n <li>اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</li>\r\n <li>آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</li>\r\n <li>یادداشت طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</li>\r\n <li>یادداشت میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</li>\r\n <li>یادداشت چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</li>\r\n <li>معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</li>\r\n <li dir=\"ltr\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</li>\r\n <li dir=\"ltr\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, 2005</li>\r\n <li>حمام گنجعلیخان، در رواق، ش ۴، زمستان ۱۳۷۸</li>\r\n <li>چو غلام آفتابم ...، در رواق، ش ۴، زمستان ۱۳۷۸</li>\r\n <li>مدرسۀ غیاثیۀ خرگرد، در رواق، ش ۲، بهار ۱۳۷۷</li>\r\n <li>عمارت هشتبهشت، در رواق، ش ۳، تابستان ۱۳۷۷</li>\r\n <li>یادداشت نامۀ گنج، در رواق، ش ۲، بهار ۱۳۷۷</li>\r\n <li>رسالۀ معماریه و معمار مسجد احمدیه، در مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده، دانشگاه هنر، ۱۳۷۷</li>\r\n <li>نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۷۵</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>ب) مقاله (ترجمه)</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در گلستان هنر، ش۱۳، پاییز ۱۳۸۷</li>\r\n <li>چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در گلستان هنر، ش ۶، زمستان ۱۳۸۵</li>\r\n <li>تحقیق تفسیریـ تاریخی، دیوید ونگ، در صفه، ش ۳۹، بهار ۱۳۸۴</li>\r\n <li>نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در صفه، ش ۳۷، زمستان ۱۳۸۲</li>\r\n <li>نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</li>\r\n <li>نمادپردازی، وایتال پری، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</li>\r\n <li>صفیالدین ارموی، اکهارت نویباوئر، در خیال، ش ۱۱، پاییز ۱۳۸۳</li>\r\n <li>سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در رواق، ش ۱، پاییز ۱۳۷۷</li>\r\n <li>احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در رواق، ش ۱، پاییز ۱۳۷۷</li>\r\n <li>نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در رواق، ش ۱، پاییز ۱۳۷۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>ج) کتاب (تألیف)</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>گفتارهایی در مبانی و تاریخ معماری و هنر، انتشارات علمی و فرهنگی، ۱۳۹۰</li>\r\n <li>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست، دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>فرهنگنامۀ معماری ایران در مراجع فارسی، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</li>\r\n <li>فرهنگنامۀ معماری ایران در مراجع فارسی، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</li>\r\n <li>واژهنامۀ سهزبانۀ معماری اسلامی (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</li>\r\n <li>گنجنامه: فرهنگ آثار معماری اسلامی ایران (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>د) کتاب (ترجمه)</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</li>\r\n <li>رسالۀ معماریه، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</li>\r\n <li>معنا در معماری غرب، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</li>\r\n <li>پویهشناسی صور معماری، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</li>\r\n <li>معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</li>\r\n <li>معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</li>\r\n <li>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</li>\r\n <li>هنر خط و تذهیب قرآنی، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>تدریس</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</li>\r\n <li>دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</li>\r\n <li>دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>دروس</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</li>\r\n <li>درس ویژه، دورۀ دکتری مرمت آثار، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</li>\r\n <li>آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</li>\r\n <li>کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</li>\r\n <li>آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</li>\r\n <li>طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong> پایاننامه\r\nالف. راهنمایی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</li>\r\n <li>منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</li>\r\n <li>مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</li>\r\n <li>مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</li>\r\n <li>مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>حمیدرضا پیشوائی، آسمانها و آسمانهها در مثنوی معنوی: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</li>\r\n <li>فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</li>\r\n <li>الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</li>\r\n <li>طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</li>\r\n <li>بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</li>\r\n <li>محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</li>\r\n <li>سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</li>\r\n <li>نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</li>\r\n <li>مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</li>\r\n <li>محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</li>\r\n <li>فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</li>\r\n <li>مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>پایاننامه\r\nب. مشاوره</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</li>\r\n <li>قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</li>\r\n <li>پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</li>\r\n <li>جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</li>\r\n <li>آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>اطلاعات شخصی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>تولد: ۱۳۳۸، تهران</li>\r\n <li>زبان مادری: فارسی</li>\r\n <li>زبان دوم: انگلیسی</li>\r\n <li>زبان سوم: عربی</li>\r\n</ul>\r\n</ul>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2016-03-10 05:20:45','2016-03-10 05:20:45','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(74,1,'2016-03-10 05:23:56','2016-03-10 05:23:56',' ','','','publish','closed','closed','','74','','','2016-09-09 04:04:18','2016-09-09 04:04:18','',0,'https://qayyoomi.com/?p=74',3,'nav_menu_item','',0),(75,1,'2016-03-10 05:29:49','2016-03-10 05:29:49','<strong>Mehrdad Qayyoomi Bidhendi</strong>\r\n\r\nAssociate Professor, Shahid Beheshti University\r\nAssociate Member, The Iranian Academy of Art\r\nInvited Member, The Iranian Academy of Science\r\n\r\n<strong>Education</strong>\r\n<ul>\r\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\r\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\r\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\r\n</ul>\r\n<strong>Honors and Awards</strong>\r\n<ul>\r\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\r\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\r\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\r\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\r\n <li>Research Fellowship, Farabi International Award 2010</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\r\n</ul>\r\n<strong>Memberships</strong>\r\n<ul>\r\n <li>Associate Member, the Iranian Academy of Art Since 2005</li>\r\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\r\n <li>Invited Member, the Iranian Academy of Persian Language and Literature Since 2012</li>\r\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\r\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\r\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\r\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 200</li>\r\n</ul>\r\n<strong>Present Positions</strong>\r\n<ul>\r\n <li>Faculty Member, Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\r\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\r\n</ul>\r\n<strong> Past Positions</strong>\r\n<ul>\r\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\r\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\r\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\r\n <li>Faculty Member, the Iranian Academy of Art 2004-2007</li>\r\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\r\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\r\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\r\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\r\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\r\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\r\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\r\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\r\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\r\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\r\n</ul>\r\n<strong> Research and Teaching Interests</strong>\r\n<ul>\r\n <li>History of Iranian and Persianate Architecture and Art</li>\r\n <li>Islamic Architecture and Art</li>\r\n <li>Theory and Methodology of Architectural History</li>\r\n <li>Theory of Architecture and Art</li>\r\n</ul>\r\n<strong> Publications: 1. Articles and Essays</strong>\r\n<ul>\r\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in Nāma-yi Me’m¬¬ārī-u Shahrsāsī, no. 13 2014</li>\r\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in Mutāli’āt-i Tārikh-i Farhangī, no. 17 2013</li>\r\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in Nāma-yi Me’m¬¬ārī-u Shahrsāsī, no. 10 2013</li>\r\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in Mutāli’āt-i Me’m¬¬ārī-yi Īrān, no. 3 2013</li>\r\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in Mutāli’āt-i Me’m¬¬ārī-yi Īrān, no. 2 2013</li>\r\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān, no. 56 2013</li>\r\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, no. 7 2012</li>\r\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in Mutāli’āt-i Me’m¬¬ārī-yi Īrān, no. 1 2012</li>\r\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in Mawlānā- Pazhūhī, no. 4 2011</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in al-Shajarah, Special issue. 2010</li>\r\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in Tārīkh-u Tamaddon-i Islāmī, no. 12 2010</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in Suffa (Soffeh), no. 48 2010</li>\r\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\r\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in Pazhūhesh-nāma-yi Farhangistān-i Hunar, no. 15 2010</li>\r\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\r\n <li>On the Sources of the History of Iranian Architecture and Its Research Principles, in Gulistān-i Hunar (Golestān-e Honar), no. 15 2009</li>\r\n <li>Patronage and the Hidden Aspects of the History of Iranian Art, in Gulistān-i Hunar (Golestān-e Honar), no. 13 2008</li>\r\n <li>The Layers of Persian Garden, in Gulistān-i Hunar (Golestān-e Honar), no. 12 2008</li>\r\n <li>Gardens of Khurāsān in Beyhaqī’s History, in Suffa (Soffeh), no. 46 2008</li>\r\n <li>Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in Gulistān-i Hunar (Golestān-e Honar), Special Issue 2008</li>\r\n <li>Craft Ethics: Adab Treatises as Resources of Iranian Art History, in Gulistān-i Hunar (Golestān-e Honar), no. 10 2008</li>\r\n <li>Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in Gulistān-i Hunar (Golestān-e Honar), no. 8 2007</li>\r\n <li>Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in Gulistān-i Hunar (Golestān-e Honar), no. 7 2007</li>\r\n <li>Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in Gulistān-i Hunar (Golestān-e Honar), no. 5 2007</li>\r\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\r\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\r\n <li>Theory Construction and the alphabet of Theory Creating, in Suffa (Soffeh), no. 40 2006</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in Suffa (Soffeh), no. 42 2006</li>\r\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in Khiyāl, no. 15 2005</li>\r\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005 2005</li>\r\n <li>Oleg Grabar, His Thoughts and Work, in Dānishnāma, no. 2 2004</li>\r\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\r\n <li>A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\r\n <li>The Architect and Zikr, in Irfān-i Īrān, no. 12 2002</li>\r\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002 2002</li>\r\n <li>Ganj-Ali Khān Public Bath, in Ravāq, no. 4 2000</li>\r\n <li>For I’m the Sun-slave…, in Ravāq, no. 4 2000</li>\r\n <li>Hasht-Behesht Pavilion, in Ravāq, no. 3 1999</li>\r\n <li>Ghiyāssiyya Madrasa in Khargird, in Ravāq, no. 2 1999</li>\r\n <li>A Letter of Treasure: a Review on Ganjnameh, in Ravāq, no. 2 1999</li>\r\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998 1998</li>\r\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996 1996</li>\r\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in Gulistān-i Hunar (Golestān-e Honar), no. 13 2008</li>\r\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in Gulistān-i Hunar (Golestān-e Honar), no. 6 2007</li>\r\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in Suffa (Soffeh), no. 39 2005</li>\r\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in Suffa (Soffeh), no. 37 2004</li>\r\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia) 2004</li>\r\n <li>Persian translation of \"Symbolism\" by Vital Perry, in Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia) 2004</li>\r\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in Khiyāl, no. 11 2004</li>\r\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in Ravāq, no. 1 1998</li>\r\n</ul>\r\n<strong>Publications: 2. Books</strong>\r\n<ul>\r\n <li>Essays on the Theory and History of Architecture and Art 2012</li>\r\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti) 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti) 2010</li>\r\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi) 2009</li>\r\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi) 2005</li>\r\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane 2011</li>\r\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz 2007</li>\r\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim 2003</li>\r\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander 2002</li>\r\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu 2001</li>\r\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings 1998</li>\r\n</ul>\r\n<strong>Teaching Experience</strong>\r\n<ul>\r\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\r\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\r\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\r\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\r\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\r\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\r\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\r\n</ul>\r\n<strong>Dissertations: 1. Supervised</strong>\r\n<ul>\r\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\r\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\r\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\r\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\r\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\r\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\r\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\r\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\r\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\r\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\r\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\r\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\r\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\r\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\r\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\r\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\r\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\r\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\r\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\r\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\r\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\r\n</ul>\r\n<strong>Dissertations: 2. Consulted</strong>\r\n<ul>\r\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\r\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\r\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\r\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\r\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\r\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\r\n</ul>\r\n<strong>Personal Information</strong>\r\n<ul>\r\n <li>Born: Tehran, 1960</li>\r\n</ul>\r\n<strong>Languages</strong>\r\n<ul>\r\n <li>Reading and Translation Competence in English and Arabic</li>\r\n <li>Native in Persian</li>\r\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2016-03-10 05:29:49','2016-03-10 05:29:49','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(76,1,'2016-03-10 05:31:20','2016-03-10 05:31:20','<p dir=\"rtl\"><strong>مهرداد قیومی بیدهندی</strong></p>\r\n<p dir=\"rtl\">استادیار دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی\r\nعضو وابستۀ فرهنگستان هنر\r\nعضو مدعوّ فرهنگستان علوم</p>\r\n<p dir=\"rtl\"><strong>تحصیل</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li> دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</li>\r\n <li> کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</li>\r\n <li> کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</li>\r\n <li> دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>افتخارات و جایزهها</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</li>\r\n <li>پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ رسالۀ معماریه، ۱۳۸۹</li>\r\n <li>برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</li>\r\n <li>برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب معنا در معماری غرب، ۱۳۸۷</li>\r\n <li>برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب هندسه و تزیین در معماری اسلامی، ۱۳۸۱</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>عضویت در مراکز علمی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</li>\r\n <li>عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</li>\r\n <li>عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</li>\r\n <li>عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</li>\r\n <li>عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</li>\r\n <li>عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</li>\r\n <li>عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong> حوزههای علاقه</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>تاریخ معماری ایرانزمین</li>\r\n <li>تاریخ هنر ایرانزمین</li>\r\n <li>مباحث نظری تاریخ معماری و هنر</li>\r\n <li>مباحث نظری معماری و هنر</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>سمتهای علمی و فرهنگی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>استادیار گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</li>\r\n <li>مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی،\r\nدانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</li>\r\n <li>عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</li>\r\n <li>مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</li>\r\n <li>سردبیر گلستان هنر (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</li>\r\n <li>عضو هیئت تحریریه خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</li>\r\n <li>عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</li>\r\n <li>عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</li>\r\n <li>رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</li>\r\n <li>سردبیر خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</li>\r\n <li>مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</li>\r\n <li>عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</li>\r\n <li>عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</li>\r\n <li>مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</li>\r\n <li>عضو هیئت تحریریه مجلۀ موزهها (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</li>\r\n <li>دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</li>\r\n <li>معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</li>\r\n <li>سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>نوشتههای منتشرشده\r\nالف) مقاله و یادداشت </strong>(تألیف)</p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در نامۀ معماری و شهرسازی، ش ۱۳، ۱۳۹۳</li>\r\n <li>رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در مطالعات تاریخ فرهنگی، ش ۱۷، ۱۳۹۲</li>\r\n <li>هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در نامۀ معماری و شهرسازی، ش ۱۰، ۱۳۹۲</li>\r\n <li>خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)،در مطالعات معماری ایران، ش ۳، بهار و تابستان ۱۳۹۲</li>\r\n <li>پیشگفتار کتاب در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، ۱۳۹۲</li>\r\n <li dir=\"ltr\">The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, no. 7, 2013</li>\r\n <li>درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در مطالعات معماری ایران، ش ۲، پاییز و زمستان ۱۳۹۱</li>\r\n <li>دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در فصلنامۀ آموزش مهندسی ایران، ۱۳۹۱</li>\r\n <li>بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در مطالعات معماری ایران، ش ۱، بهار و تابستان ۱۳۹۱</li>\r\n <li>Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur, 2010</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in al-Shajarah, Special issue, 2010</li>\r\n <li>درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مولاناپژوهی، ۱۳۸۹</li>\r\n <li>بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در تاریخ و تمدن اسلامی، ش ۱۲، ۱۳۸۹</li>\r\n <li>از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در صفه، ش ۴۸، تابستان ۱۳۸۹</li>\r\n <li>پیشگفتار کتاب نگارههای چوبی مساجد آذربایجان، ۱۳۸۹</li>\r\n <li>جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</li>\r\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</li>\r\n <li>تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در پژوهشنامۀ فرهنگستان هنر، ۱۳۸۸</li>\r\n <li>از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</li>\r\n <li>سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در گلستان هنر، ش۱۵، بهار ۱۳۸۸</li>\r\n <li>حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در گلستان هنر، ش ۱۳، پاییز ۱۳۸۷</li>\r\n <li>لایههای باغ ایرانی، در گلستان هنر، ش ۱۲، تابستان ۱۳۸۷</li>\r\n <li>باغهای خراسان در تاریخ بیهقی، در صفه، ش ۴۶، تابستان ۱۳۸۷</li>\r\n <li>مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در گلستان هنر، شمارۀ ویژه، ۱۳۸۷</li>\r\n <li>آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در گلستان هنر، ش۱۰، زمستان ۱۳۸۶</li>\r\n <li>دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در گلستان هنر، ش ۸، تابستان ۱۳۸۶</li>\r\n <li>مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در گلستان هنر، ش ۷، بهار ۱۳۸۶</li>\r\n <li>مقالۀ اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در گلستان هنر، ش ۵، زمستان ۱۳۸۵</li>\r\n <li>باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</li>\r\n <li>تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</li>\r\n <li>ساختار نظریه و الفبای نظریهپردازی، در صفه، ش ۴۰، ۱۳۸۴</li>\r\n <li>بررسی انتقادی چهار تاریخنامۀ معماری ایران، در خیال، ش ۱۵، پاییز ۱۳۸۴</li>\r\n <li>افکار و آثار الگ گرابار، در دانشنامه (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</li>\r\n <li>اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</li>\r\n <li>آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</li>\r\n <li>یادداشت طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</li>\r\n <li>یادداشت میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</li>\r\n <li>یادداشت چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</li>\r\n <li>معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</li>\r\n <li dir=\"ltr\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</li>\r\n <li dir=\"ltr\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, 2005</li>\r\n <li>حمام گنجعلیخان، در رواق، ش ۴، زمستان ۱۳۷۸</li>\r\n <li>چو غلام آفتابم ...، در رواق، ش ۴، زمستان ۱۳۷۸</li>\r\n <li>مدرسۀ غیاثیۀ خرگرد، در رواق، ش ۲، بهار ۱۳۷۷</li>\r\n <li>عمارت هشتبهشت، در رواق، ش ۳، تابستان ۱۳۷۷</li>\r\n <li>یادداشت نامۀ گنج، در رواق، ش ۲، بهار ۱۳۷۷</li>\r\n <li>رسالۀ معماریه و معمار مسجد احمدیه، در مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده، دانشگاه هنر، ۱۳۷۷</li>\r\n <li>نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۷۵</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>ب) مقاله (ترجمه)</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در گلستان هنر، ش۱۳، پاییز ۱۳۸۷</li>\r\n <li>چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در گلستان هنر، ش ۶، زمستان ۱۳۸۵</li>\r\n <li>تحقیق تفسیریـ تاریخی، دیوید ونگ، در صفه، ش ۳۹، بهار ۱۳۸۴</li>\r\n <li>نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در صفه، ش ۳۷، زمستان ۱۳۸۲</li>\r\n <li>نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</li>\r\n <li>نمادپردازی، وایتال پری، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</li>\r\n <li>صفیالدین ارموی، اکهارت نویباوئر، در خیال، ش ۱۱، پاییز ۱۳۸۳</li>\r\n <li>سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در رواق، ش ۱، پاییز ۱۳۷۷</li>\r\n <li>احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در رواق، ش ۱، پاییز ۱۳۷۷</li>\r\n <li>نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در رواق، ش ۱، پاییز ۱۳۷۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>ج) کتاب (تألیف)</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>گفتارهایی در مبانی و تاریخ معماری و هنر، انتشارات علمی و فرهنگی، ۱۳۹۰</li>\r\n <li>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست، دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>فرهنگنامۀ معماری ایران در مراجع فارسی، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</li>\r\n <li>فرهنگنامۀ معماری ایران در مراجع فارسی، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</li>\r\n <li>واژهنامۀ سهزبانۀ معماری اسلامی (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</li>\r\n <li>گنجنامه: فرهنگ آثار معماری اسلامی ایران (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>د) کتاب (ترجمه)</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</li>\r\n <li>رسالۀ معماریه، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</li>\r\n <li>معنا در معماری غرب، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</li>\r\n <li>پویهشناسی صور معماری، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</li>\r\n <li>معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</li>\r\n <li>معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</li>\r\n <li>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</li>\r\n <li>هنر خط و تذهیب قرآنی، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>تدریس</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</li>\r\n <li>دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</li>\r\n <li>دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>دروس</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</li>\r\n <li>درس ویژه، دورۀ دکتری مرمت آثار، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</li>\r\n <li>آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</li>\r\n <li>کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</li>\r\n <li>آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</li>\r\n <li>طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong> پایاننامه\r\nالف. راهنمایی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</li>\r\n <li>منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</li>\r\n <li>مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</li>\r\n <li>مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</li>\r\n <li>مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>حمیدرضا پیشوائی، آسمانها و آسمانهها در مثنوی معنوی: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</li>\r\n <li>فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</li>\r\n <li>الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</li>\r\n <li>طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</li>\r\n <li>بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</li>\r\n <li>محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</li>\r\n <li>سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</li>\r\n <li>نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</li>\r\n <li>مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</li>\r\n <li>محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</li>\r\n <li>فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</li>\r\n <li>مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>پایاننامه\r\nب. مشاوره</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</li>\r\n <li>قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</li>\r\n <li>پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</li>\r\n <li>جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</li>\r\n <li>آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>اطلاعات شخصی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>تولد: ۱۳۳۸، تهران</li>\r\n <li>زبان مادری: فارسی</li>\r\n <li>زبان دوم: انگلیسی</li>\r\n <li>زبان سوم: عربی</li>\r\n</ul>\r\n</ul>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2016-03-10 05:31:20','2016-03-10 05:31:20','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(77,1,'2016-03-10 05:32:00','2016-03-10 05:32:00','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\r\nAssociate Professor, Shahid Beheshti University\r\nAssociate Member, The Iranian Academy of Art\r\nInvited Member, The Iranian Academy of Science\r\n\r\n<strong>Education</strong>\r\n<ul>\r\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\r\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\r\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\r\n</ul>\r\n<strong>Honors and Awards</strong>\r\n<ul>\r\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\r\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\r\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\r\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\r\n <li>Research Fellowship, Farabi International Award 2010</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\r\n</ul>\r\n<strong>Memberships</strong>\r\n<ul>\r\n <li>Associate Member, the Iranian Academy of Art Since 2005</li>\r\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\r\n <li>Invited Member, the Iranian Academy of Persian Language and Literature Since 2012</li>\r\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\r\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\r\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\r\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 200</li>\r\n</ul>\r\n<strong>Present Positions</strong>\r\n<ul>\r\n <li>Faculty Member, Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\r\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\r\n</ul>\r\n<strong> Past Positions</strong>\r\n<ul>\r\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\r\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\r\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\r\n <li>Faculty Member, the Iranian Academy of Art 2004-2007</li>\r\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\r\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\r\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\r\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\r\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\r\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\r\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\r\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\r\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\r\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\r\n</ul>\r\n<strong> Research and Teaching Interests</strong>\r\n<ul>\r\n <li>History of Iranian and Persianate Architecture and Art</li>\r\n <li>Islamic Architecture and Art</li>\r\n <li>Theory and Methodology of Architectural History</li>\r\n <li>Theory of Architecture and Art</li>\r\n</ul>\r\n<strong> Publications: 1. Articles and Essays</strong>\r\n<ul>\r\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in Nāma-yi Me’m¬¬ārī-u Shahrsāsī, no. 13 2014</li>\r\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in Mutāli’āt-i Tārikh-i Farhangī, no. 17 2013</li>\r\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in Nāma-yi Me’m¬¬ārī-u Shahrsāsī, no. 10 2013</li>\r\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in Mutāli’āt-i Me’m¬¬ārī-yi Īrān, no. 3 2013</li>\r\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in Mutāli’āt-i Me’m¬¬ārī-yi Īrān, no. 2 2013</li>\r\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān, no. 56 2013</li>\r\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, no. 7 2012</li>\r\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in Mutāli’āt-i Me’m¬¬ārī-yi Īrān, no. 1 2012</li>\r\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in Mawlānā- Pazhūhī, no. 4 2011</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in al-Shajarah, Special issue. 2010</li>\r\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in Tārīkh-u Tamaddon-i Islāmī, no. 12 2010</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in Suffa (Soffeh), no. 48 2010</li>\r\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\r\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in Pazhūhesh-nāma-yi Farhangistān-i Hunar, no. 15 2010</li>\r\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\r\n <li>On the Sources of the History of Iranian Architecture and Its Research Principles, in Gulistān-i Hunar (Golestān-e Honar), no. 15 2009</li>\r\n <li>Patronage and the Hidden Aspects of the History of Iranian Art, in Gulistān-i Hunar (Golestān-e Honar), no. 13 2008</li>\r\n <li>The Layers of Persian Garden, in Gulistān-i Hunar (Golestān-e Honar), no. 12 2008</li>\r\n <li>Gardens of Khurāsān in Beyhaqī’s History, in Suffa (Soffeh), no. 46 2008</li>\r\n <li>Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in Gulistān-i Hunar (Golestān-e Honar), Special Issue 2008</li>\r\n <li>Craft Ethics: Adab Treatises as Resources of Iranian Art History, in Gulistān-i Hunar (Golestān-e Honar), no. 10 2008</li>\r\n <li>Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in Gulistān-i Hunar (Golestān-e Honar), no. 8 2007</li>\r\n <li>Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in Gulistān-i Hunar (Golestān-e Honar), no. 7 2007</li>\r\n <li>Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in Gulistān-i Hunar (Golestān-e Honar), no. 5 2007</li>\r\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\r\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\r\n <li>Theory Construction and the alphabet of Theory Creating, in Suffa (Soffeh), no. 40 2006</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in Suffa (Soffeh), no. 42 2006</li>\r\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in Khiyāl, no. 15 2005</li>\r\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005 2005</li>\r\n <li>Oleg Grabar, His Thoughts and Work, in Dānishnāma, no. 2 2004</li>\r\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\r\n <li>A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\r\n <li>The Architect and Zikr, in Irfān-i Īrān, no. 12 2002</li>\r\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002 2002</li>\r\n <li>Ganj-Ali Khān Public Bath, in Ravāq, no. 4 2000</li>\r\n <li>For I’m the Sun-slave…, in Ravāq, no. 4 2000</li>\r\n <li>Hasht-Behesht Pavilion, in Ravāq, no. 3 1999</li>\r\n <li>Ghiyāssiyya Madrasa in Khargird, in Ravāq, no. 2 1999</li>\r\n <li>A Letter of Treasure: a Review on Ganjnameh, in Ravāq, no. 2 1999</li>\r\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998 1998</li>\r\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996 1996</li>\r\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in Gulistān-i Hunar (Golestān-e Honar), no. 13 2008</li>\r\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in Gulistān-i Hunar (Golestān-e Honar), no. 6 2007</li>\r\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in Suffa (Soffeh), no. 39 2005</li>\r\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in Suffa (Soffeh), no. 37 2004</li>\r\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia) 2004</li>\r\n <li>Persian translation of \"Symbolism\" by Vital Perry, in Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia) 2004</li>\r\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in Khiyāl, no. 11 2004</li>\r\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in Ravāq, no. 1 1998</li>\r\n</ul>\r\n<strong>Publications: 2. Books</strong>\r\n<ul>\r\n <li>Essays on the Theory and History of Architecture and Art 2012</li>\r\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti) 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti) 2010</li>\r\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi) 2009</li>\r\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi) 2005</li>\r\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane 2011</li>\r\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz 2007</li>\r\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim 2003</li>\r\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander 2002</li>\r\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu 2001</li>\r\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings 1998</li>\r\n</ul>\r\n<strong>Teaching Experience</strong>\r\n<ul>\r\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\r\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\r\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\r\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\r\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\r\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\r\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\r\n</ul>\r\n<strong>Dissertations: 1. Supervised</strong>\r\n<ul>\r\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\r\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\r\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\r\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\r\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\r\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\r\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\r\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\r\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\r\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\r\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\r\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\r\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\r\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\r\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\r\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\r\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\r\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\r\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\r\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\r\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\r\n</ul>\r\n<strong>Dissertations: 2. Consulted</strong>\r\n<ul>\r\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\r\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\r\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\r\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\r\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\r\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\r\n</ul>\r\n<strong>Personal Information</strong>\r\n<ul>\r\n <li>Born: Tehran, 1960</li>\r\n</ul>\r\n<strong>Languages</strong>\r\n<ul>\r\n <li>Reading and Translation Competence in English and Arabic</li>\r\n <li>Native in Persian</li>\r\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2016-03-10 05:32:00','2016-03-10 05:32:00','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(78,1,'2016-03-10 05:32:32','2016-03-10 05:32:32','<h3 dir=\"rtl\"><strong>مهرداد قیومی بیدهندی</strong></h3>\r\n<p dir=\"rtl\">استادیار دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی\r\nعضو وابستۀ فرهنگستان هنر\r\nعضو مدعوّ فرهنگستان علوم</p>\r\n<p dir=\"rtl\"><strong>تحصیل</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li> دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</li>\r\n <li> کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</li>\r\n <li> کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</li>\r\n <li> دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>افتخارات و جایزهها</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</li>\r\n <li>پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ رسالۀ معماریه، ۱۳۸۹</li>\r\n <li>برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</li>\r\n <li>برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب معنا در معماری غرب، ۱۳۸۷</li>\r\n <li>برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب هندسه و تزیین در معماری اسلامی، ۱۳۸۱</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>عضویت در مراکز علمی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</li>\r\n <li>عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</li>\r\n <li>عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</li>\r\n <li>عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</li>\r\n <li>عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</li>\r\n <li>عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</li>\r\n <li>عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong> حوزههای علاقه</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>تاریخ معماری ایرانزمین</li>\r\n <li>تاریخ هنر ایرانزمین</li>\r\n <li>مباحث نظری تاریخ معماری و هنر</li>\r\n <li>مباحث نظری معماری و هنر</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>سمتهای علمی و فرهنگی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>استادیار گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</li>\r\n <li>مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی،\r\nدانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</li>\r\n <li>عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</li>\r\n <li>مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</li>\r\n <li>سردبیر گلستان هنر (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</li>\r\n <li>عضو هیئت تحریریه خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</li>\r\n <li>عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</li>\r\n <li>عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</li>\r\n <li>رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</li>\r\n <li>سردبیر خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</li>\r\n <li>مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</li>\r\n <li>عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</li>\r\n <li>عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</li>\r\n <li>مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</li>\r\n <li>عضو هیئت تحریریه مجلۀ موزهها (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</li>\r\n <li>دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</li>\r\n <li>معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</li>\r\n <li>سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</li>\r\n</ul>\r\n<p dir=\"rtl\"><strong>نوشتههای منتشرشده\r\nالف) مقاله و یادداشت </strong>(تألیف)</p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در نامۀ معماری و شهرسازی، ش ۱۳، ۱۳۹۳</li>\r\n <li>رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در مطالعات تاریخ فرهنگی، ش ۱۷، ۱۳۹۲</li>\r\n <li>هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در نامۀ معماری و شهرسازی، ش ۱۰، ۱۳۹۲</li>\r\n <li>خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)،در مطالعات معماری ایران، ش ۳، بهار و تابستان ۱۳۹۲</li>\r\n <li>پیشگفتار کتاب در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، ۱۳۹۲</li>\r\n <li dir=\"ltr\">The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, no. 7, 2013</li>\r\n <li>درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در مطالعات معماری ایران، ش ۲، پاییز و زمستان ۱۳۹۱</li>\r\n <li>دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در فصلنامۀ آموزش مهندسی ایران، ۱۳۹۱</li>\r\n <li>بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در مطالعات معماری ایران، ش ۱، بهار و تابستان ۱۳۹۱</li>\r\n <li>Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur, 2010</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in al-Shajarah, Special issue, 2010</li>\r\n <li>درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مولاناپژوهی، ۱۳۸۹</li>\r\n <li>بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در تاریخ و تمدن اسلامی، ش ۱۲، ۱۳۸۹</li>\r\n <li>از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در صفه، ش ۴۸، تابستان ۱۳۸۹</li>\r\n <li>پیشگفتار کتاب نگارههای چوبی مساجد آذربایجان، ۱۳۸۹</li>\r\n <li>جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</li>\r\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</li>\r\n <li>تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در پژوهشنامۀ فرهنگستان هنر، ۱۳۸۸</li>\r\n <li>از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</li>\r\n <li>سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در گلستان هنر، ش۱۵، بهار ۱۳۸۸</li>\r\n <li>حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در گلستان هنر، ش ۱۳، پاییز ۱۳۸۷</li>\r\n <li>لایههای باغ ایرانی، در گلستان هنر، ش ۱۲، تابستان ۱۳۸۷</li>\r\n <li>باغهای خراسان در تاریخ بیهقی، در صفه، ش ۴۶، تابستان ۱۳۸۷</li>\r\n <li>مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در گلستان هنر، شمارۀ ویژه، ۱۳۸۷</li>\r\n <li>آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در گلستان هنر، ش۱۰، زمستان ۱۳۸۶</li>\r\n <li>دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در گلستان هنر، ش ۸، تابستان ۱۳۸۶</li>\r\n <li>مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در گلستان هنر، ش ۷، بهار ۱۳۸۶</li>\r\n <li>مقالۀ اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در گلستان هنر، ش ۵، زمستان ۱۳۸۵</li>\r\n <li>باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</li>\r\n <li>تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</li>\r\n <li>ساختار نظریه و الفبای نظریهپردازی، در صفه، ش ۴۰، ۱۳۸۴</li>\r\n <li>بررسی انتقادی چهار تاریخنامۀ معماری ایران، در خیال، ش ۱۵، پاییز ۱۳۸۴</li>\r\n <li>افکار و آثار الگ گرابار، در دانشنامه (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</li>\r\n <li>اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</li>\r\n <li>آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</li>\r\n <li>یادداشت طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</li>\r\n <li>یادداشت میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</li>\r\n <li>یادداشت چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</li>\r\n <li>معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</li>\r\n <li dir=\"ltr\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</li>\r\n <li dir=\"ltr\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, 2005</li>\r\n <li>حمام گنجعلیخان، در رواق، ش ۴، زمستان ۱۳۷۸</li>\r\n <li>چو غلام آفتابم ...، در رواق، ش ۴، زمستان ۱۳۷۸</li>\r\n <li>مدرسۀ غیاثیۀ خرگرد، در رواق، ش ۲، بهار ۱۳۷۷</li>\r\n <li>عمارت هشتبهشت، در رواق، ش ۳، تابستان ۱۳۷۷</li>\r\n <li>یادداشت نامۀ گنج، در رواق، ش ۲، بهار ۱۳۷۷</li>\r\n <li>رسالۀ معماریه و معمار مسجد احمدیه، در مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده، دانشگاه هنر، ۱۳۷۷</li>\r\n <li>نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۷۵</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>ب) مقاله (ترجمه)</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در گلستان هنر، ش۱۳، پاییز ۱۳۸۷</li>\r\n <li>چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در گلستان هنر، ش ۶، زمستان ۱۳۸۵</li>\r\n <li>تحقیق تفسیریـ تاریخی، دیوید ونگ، در صفه، ش ۳۹، بهار ۱۳۸۴</li>\r\n <li>نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در صفه، ش ۳۷، زمستان ۱۳۸۲</li>\r\n <li>نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</li>\r\n <li>نمادپردازی، وایتال پری، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</li>\r\n <li>صفیالدین ارموی، اکهارت نویباوئر، در خیال، ش ۱۱، پاییز ۱۳۸۳</li>\r\n <li>سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در رواق، ش ۱، پاییز ۱۳۷۷</li>\r\n <li>احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در رواق، ش ۱، پاییز ۱۳۷۷</li>\r\n <li>نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در رواق، ش ۱، پاییز ۱۳۷۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>ج) کتاب (تألیف)</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>گفتارهایی در مبانی و تاریخ معماری و هنر، انتشارات علمی و فرهنگی، ۱۳۹۰</li>\r\n <li>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست، دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>فرهنگنامۀ معماری ایران در مراجع فارسی، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</li>\r\n <li>فرهنگنامۀ معماری ایران در مراجع فارسی، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</li>\r\n <li>واژهنامۀ سهزبانۀ معماری اسلامی (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</li>\r\n <li>گنجنامه: فرهنگ آثار معماری اسلامی ایران (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>د) کتاب (ترجمه)</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</li>\r\n <li>رسالۀ معماریه، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</li>\r\n <li>معنا در معماری غرب، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</li>\r\n <li>پویهشناسی صور معماری، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</li>\r\n <li>معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</li>\r\n <li>معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</li>\r\n <li>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</li>\r\n <li>هنر خط و تذهیب قرآنی، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>تدریس</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</li>\r\n <li>دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</li>\r\n <li>دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>دروس</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</li>\r\n <li>درس ویژه، دورۀ دکتری مرمت آثار، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</li>\r\n <li>آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</li>\r\n <li>کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</li>\r\n <li>آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</li>\r\n <li>طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong> پایاننامه\r\nالف. راهنمایی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</li>\r\n <li>منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</li>\r\n <li>مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</li>\r\n <li>مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</li>\r\n <li>مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>حمیدرضا پیشوائی، آسمانها و آسمانهها در مثنوی معنوی: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</li>\r\n <li>فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</li>\r\n <li>الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</li>\r\n <li>طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</li>\r\n <li>بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</li>\r\n <li>محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</li>\r\n <li>سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</li>\r\n <li>نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</li>\r\n <li>مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</li>\r\n <li>محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</li>\r\n <li>فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</li>\r\n <li>مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>پایاننامه\r\nب. مشاوره</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</li>\r\n <li>قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</li>\r\n <li>ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</li>\r\n <li>پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</li>\r\n <li>محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</li>\r\n <li>جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</li>\r\n <li>آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</li>\r\n</ul>\r\n</ul>\r\n<p dir=\"rtl\"><strong>اطلاعات شخصی</strong></p>\r\n\r\n<ul dir=\"rtl\">\r\n<ul dir=\"rtl\">\r\n <li>تولد: ۱۳۳۸، تهران</li>\r\n <li>زبان مادری: فارسی</li>\r\n <li>زبان دوم: انگلیسی</li>\r\n <li>زبان سوم: عربی</li>\r\n</ul>\r\n</ul>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2016-03-10 05:32:32','2016-03-10 05:32:32','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(80,1,'2016-03-10 06:42:45','2016-03-10 06:42:45','Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture\r\n\r\nمعماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan\r\n\r\n ','Articles','','inherit','closed','closed','','11-revision-v1','','','2016-03-10 06:42:45','2016-03-10 06:42:45','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(81,1,'2016-03-10 06:50:20','2016-03-10 06:50:20','Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture\r\n\r\nمعماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan\r\n\r\n<a class=\"text-gray-darker\" href=\"https://www.academia.edu/10099351/%D8%A8%D8%A7%D8%BA_%D9%87%D8%A7%DB%8C_%D8%AE%D8%B1%D8%A7%D8%B3%D8%A7%D9%86_%D8%AF%D8%B1_%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE_%D8%A8%DB%8C%D9%87%D9%82%DB%8C_Gardens_of_Khurasan_in_Beyhaqis_History\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"http://www.academia.edu/4101249/%D8%AF%D8%B1%D8%A2%D9%85%D8%AF%DB%8C_%D8%A8%D8%B1_%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE_%D8%B0%D9%87%D9%86%DB%8C%D8%AA_%D8%B9%D8%A7%D9%85%D9%87_%D8%AF%D8%B1_%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C_%D8%A7%DB%8C%D8%B1%D8%A7%D9%86\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://www.academia.edu/6305692/%D8%B1%D9%88%DB%8C%DA%A9%D8%B1%D8%AF_%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE_%D9%81%D8%B1%D9%87%D9%86%DA%AF%DB%8C_%D9%88_%D8%A7%D9%85%DA%A9%D8%A7%D9%86_%D9%88_%D9%81%D9%88%D8%A7%DB%8C%D8%AF_%D8%A2%D9%86_%D8%AF%D8%B1_%D9%85%D8%B7%D8%A7%D9%84%D8%B9%D8%A7%D8%AA_%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C_%D8%A7%DB%8C%D8%B1%D8%A7%D9%86\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://www.academia.edu/4106621/%D8%A8%D8%A7%D9%85_%D9%88_%D8%A8%D9%88%D9%85_%D9%88_%D9%85%D8%B1%D8%AF%D9%85_%D8%A8%D8%A7%D8%B2%D8%AE%D9%88%D8%A7%D9%86%DB%8C_%D9%88_%D9%86%D9%82%D8%AF_%D8%A7%D8%B5%D9%88%D9%84_%D9%BE%DB%8C%D8%B4%D9%86%D9%87%D8%A7%D8%AF%DB%8C_%D9%BE%DB%8C%D8%B1%D9%86%DB%8C%D8%A7_%D8%A8%D8%B1%D8%A7%DB%8C_%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C_%D8%A7%DB%8C%D8%B1%D8%A7%D9%86%DB%8C\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"http://www.academia.edu/7728542/%D8%A8%D9%86%D8%A7%DB%8C_%D8%B1%D8%B4%D8%AA_%D8%AE%D9%88%D8%A7%D8%B1_%D9%85%D8%B3%D8%AC%D8%AF_%DB%8C%D8%A7_%D8%AE%D8%A7%D9%86%D9%82%D8%A7%D9%87_\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://www.academia.edu/5573758/%D9%87%D9%86%D8%AC%D8%A7%D8%B1_%D9%85%D8%A7%D8%AF%DB%8C_%D9%86%D8%B8%D8%A7%D9%85_%D9%85%D8%AF%DB%8C%D8%B1%DB%8C%D8%AA_%D8%A2%D8%A8_%D8%AF%D8%B1_%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86_%D8%B5%D9%81%D9%88%DB%8C\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://www.academia.edu/9402407/%D9%86%D9%82%D8%B4_%D9%88_%D9%81%D8%B1%D8%A7%D8%AA%D8%B1_%D8%A7%D8%B2_%D9%86%D9%82%D8%B4_%D8%AF%D8%B1%D8%A2%D9%85%D8%AF%DB%8C_%D8%A8%D8%B1_%D8%AC%D9%85%D8%A7%D9%84_%D8%B4%D9%86%D8%A7%D8%B3%DB%8C_%D8%B5%D9%86%D8%A7%D8%B9%D8%AA_%D9%86%D9%82%D8%A7%D8%B4%DB%8C_%D8%AF%D8%B1_%D9%85%D8%AB%D9%86%D9%88%DB%8C_%D9%85%D8%B9%D9%86%D9%88%DB%8C\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنو</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://www.academia.edu/5766838/%D8%AE%D8%A7%DA%A9_%D9%88_%D8%AE%D8%B1%D8%AF_%D8%AA%D8%A3%D9%85%D9%84%DB%8C_%D8%AF%D8%B1_%D8%B4%D8%A3%D9%86_%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C_%D8%AF%D8%B1_%D9%85%D8%AB%D9%86%D9%88%DB%8C_%D9%85%D8%B9%D9%86%D9%88%DB%8C\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://www.academia.edu/4263121/%D8%AF%D8%B1%D8%A2%D9%85%D8%AF%DB%8C_%D8%A8%D8%B1_%D9%86%D8%B3%D8%A8%D8%AA_%D9%85%DB%8C%D8%A7%D9%86_%D9%85%DA%A9%D8%A7%D9%86_%D9%88_%D8%A7%D9%86%D8%B3%D8%A7%D9%86_%D8%AF%D8%B1_%D9%85%D8%AB%D9%86%D9%88%DB%8C_%D9%85%D8%B9%D9%86%D9%88%DB%8C\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://www.academia.edu/4162064/%D8%AF%D8%A7%D9%85%D9%86%DB%8C_%D9%BE%D8%B1%DA%AF%D9%84_%D8%A7%D8%B5%D8%AD%D8%A7%D8%A8_%D9%85%D8%AF%D8%B1%D8%B3%D9%87_%D8%B1%D8%A7_%D8%AA%D8%A3%D9%85%D9%84%DB%8C_%D8%AF%D8%B1_%D8%A2%D9%88%D8%B1%D8%AF%D9%87_%D9%87%D8%A7%DB%8C_%D9%BE%DB%8C%D8%B1%D9%86%DB%8C%D8%A7_%D8%A8%D8%B1%D8%A7%DB%8C_%D8%A2%D9%85%D9%88%D8%B2%D8%B4_%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C_%D8%A7%DB%8C%D8%B1%D8%A7%D9%86\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://www.academia.edu/4157514/%D8%B3%D8%B1%D9%85%D9%82%D8%A7%D9%84%D9%87_%D9%87%D8%A7%DB%8C_%D9%81%D8%B5%D9%84%D9%86%D8%A7%D9%85%D9%87_%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86_%D9%87%D9%86%D8%B1_%DB%B1%DB%B3%DB%B8%DB%B4-_%DB%B1%DB%B3%DB%B8%DB%B8\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n\r\n ','Articles','','inherit','closed','closed','','11-revision-v1','','','2016-03-10 06:50:20','2016-03-10 06:50:20','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(82,1,'2016-03-10 06:56:06','2016-03-10 06:56:06','','A Lost Architecture','','inherit','open','closed','','a-lost-architecture','','','2016-03-10 06:56:06','2016-03-10 06:56:06','',0,'https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf',0,'attachment','application/pdf',0),(83,1,'2016-03-10 06:56:11','2016-03-10 06:56:11','','Architecture_Land_and_Man_Rereading_Revi','','inherit','open','closed','','architecture_land_and_man_rereading_revi','','','2016-03-10 06:56:11','2016-03-10 06:56:11','',0,'https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf',0,'attachment','application/pdf',0),(84,1,'2016-03-10 06:56:23','2016-03-10 06:56:23','','Gardens_of','','inherit','open','closed','','gardens_of','','','2016-03-10 06:56:23','2016-03-10 06:56:23','',0,'https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf',0,'attachment','application/pdf',0),(85,1,'2016-03-10 06:58:11','2016-03-10 06:58:11','<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\nمعماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan\r\n\r\n<a class=\"text-gray-darker\" href=\"https://www.academia.edu/10099351/%D8%A8%D8%A7%D8%BA_%D9%87%D8%A7%DB%8C_%D8%AE%D8%B1%D8%A7%D8%B3%D8%A7%D9%86_%D8%AF%D8%B1_%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE_%D8%A8%DB%8C%D9%87%D9%82%DB%8C_Gardens_of_Khurasan_in_Beyhaqis_History\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"http://www.academia.edu/4101249/%D8%AF%D8%B1%D8%A2%D9%85%D8%AF%DB%8C_%D8%A8%D8%B1_%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE_%D8%B0%D9%87%D9%86%DB%8C%D8%AA_%D8%B9%D8%A7%D9%85%D9%87_%D8%AF%D8%B1_%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C_%D8%A7%DB%8C%D8%B1%D8%A7%D9%86\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://www.academia.edu/6305692/%D8%B1%D9%88%DB%8C%DA%A9%D8%B1%D8%AF_%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE_%D9%81%D8%B1%D9%87%D9%86%DA%AF%DB%8C_%D9%88_%D8%A7%D9%85%DA%A9%D8%A7%D9%86_%D9%88_%D9%81%D9%88%D8%A7%DB%8C%D8%AF_%D8%A2%D9%86_%D8%AF%D8%B1_%D9%85%D8%B7%D8%A7%D9%84%D8%B9%D8%A7%D8%AA_%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C_%D8%A7%DB%8C%D8%B1%D8%A7%D9%86\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://www.academia.edu/4106621/%D8%A8%D8%A7%D9%85_%D9%88_%D8%A8%D9%88%D9%85_%D9%88_%D9%85%D8%B1%D8%AF%D9%85_%D8%A8%D8%A7%D8%B2%D8%AE%D9%88%D8%A7%D9%86%DB%8C_%D9%88_%D9%86%D9%82%D8%AF_%D8%A7%D8%B5%D9%88%D9%84_%D9%BE%DB%8C%D8%B4%D9%86%D9%87%D8%A7%D8%AF%DB%8C_%D9%BE%DB%8C%D8%B1%D9%86%DB%8C%D8%A7_%D8%A8%D8%B1%D8%A7%DB%8C_%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C_%D8%A7%DB%8C%D8%B1%D8%A7%D9%86%DB%8C\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"http://www.academia.edu/7728542/%D8%A8%D9%86%D8%A7%DB%8C_%D8%B1%D8%B4%D8%AA_%D8%AE%D9%88%D8%A7%D8%B1_%D9%85%D8%B3%D8%AC%D8%AF_%DB%8C%D8%A7_%D8%AE%D8%A7%D9%86%D9%82%D8%A7%D9%87_\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://www.academia.edu/5573758/%D9%87%D9%86%D8%AC%D8%A7%D8%B1_%D9%85%D8%A7%D8%AF%DB%8C_%D9%86%D8%B8%D8%A7%D9%85_%D9%85%D8%AF%DB%8C%D8%B1%DB%8C%D8%AA_%D8%A2%D8%A8_%D8%AF%D8%B1_%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86_%D8%B5%D9%81%D9%88%DB%8C\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://www.academia.edu/9402407/%D9%86%D9%82%D8%B4_%D9%88_%D9%81%D8%B1%D8%A7%D8%AA%D8%B1_%D8%A7%D8%B2_%D9%86%D9%82%D8%B4_%D8%AF%D8%B1%D8%A2%D9%85%D8%AF%DB%8C_%D8%A8%D8%B1_%D8%AC%D9%85%D8%A7%D9%84_%D8%B4%D9%86%D8%A7%D8%B3%DB%8C_%D8%B5%D9%86%D8%A7%D8%B9%D8%AA_%D9%86%D9%82%D8%A7%D8%B4%DB%8C_%D8%AF%D8%B1_%D9%85%D8%AB%D9%86%D9%88%DB%8C_%D9%85%D8%B9%D9%86%D9%88%DB%8C\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنو</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://www.academia.edu/5766838/%D8%AE%D8%A7%DA%A9_%D9%88_%D8%AE%D8%B1%D8%AF_%D8%AA%D8%A3%D9%85%D9%84%DB%8C_%D8%AF%D8%B1_%D8%B4%D8%A3%D9%86_%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C_%D8%AF%D8%B1_%D9%85%D8%AB%D9%86%D9%88%DB%8C_%D9%85%D8%B9%D9%86%D9%88%DB%8C\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://www.academia.edu/4263121/%D8%AF%D8%B1%D8%A2%D9%85%D8%AF%DB%8C_%D8%A8%D8%B1_%D9%86%D8%B3%D8%A8%D8%AA_%D9%85%DB%8C%D8%A7%D9%86_%D9%85%DA%A9%D8%A7%D9%86_%D9%88_%D8%A7%D9%86%D8%B3%D8%A7%D9%86_%D8%AF%D8%B1_%D9%85%D8%AB%D9%86%D9%88%DB%8C_%D9%85%D8%B9%D9%86%D9%88%DB%8C\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://www.academia.edu/4162064/%D8%AF%D8%A7%D9%85%D9%86%DB%8C_%D9%BE%D8%B1%DA%AF%D9%84_%D8%A7%D8%B5%D8%AD%D8%A7%D8%A8_%D9%85%D8%AF%D8%B1%D8%B3%D9%87_%D8%B1%D8%A7_%D8%AA%D8%A3%D9%85%D9%84%DB%8C_%D8%AF%D8%B1_%D8%A2%D9%88%D8%B1%D8%AF%D9%87_%D9%87%D8%A7%DB%8C_%D9%BE%DB%8C%D8%B1%D9%86%DB%8C%D8%A7_%D8%A8%D8%B1%D8%A7%DB%8C_%D8%A2%D9%85%D9%88%D8%B2%D8%B4_%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C_%D8%A7%DB%8C%D8%B1%D8%A7%D9%86\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://www.academia.edu/4157514/%D8%B3%D8%B1%D9%85%D9%82%D8%A7%D9%84%D9%87_%D9%87%D8%A7%DB%8C_%D9%81%D8%B5%D9%84%D9%86%D8%A7%D9%85%D9%87_%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86_%D9%87%D9%86%D8%B1_%DB%B1%DB%B3%DB%B8%DB%B4-_%DB%B1%DB%B3%DB%B8%DB%B8\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n\r\n ','Articles','','inherit','closed','closed','','11-revision-v1','','','2016-03-10 06:58:11','2016-03-10 06:58:11','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(86,1,'2016-03-10 07:00:00','2016-03-10 07:00:00','<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"http://www.academia.edu/4101249/%D8%AF%D8%B1%D8%A2%D9%85%D8%AF%DB%8C_%D8%A8%D8%B1_%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE_%D8%B0%D9%87%D9%86%DB%8C%D8%AA_%D8%B9%D8%A7%D9%85%D9%87_%D8%AF%D8%B1_%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C_%D8%A7%DB%8C%D8%B1%D8%A7%D9%86\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://www.academia.edu/6305692/%D8%B1%D9%88%DB%8C%DA%A9%D8%B1%D8%AF_%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE_%D9%81%D8%B1%D9%87%D9%86%DA%AF%DB%8C_%D9%88_%D8%A7%D9%85%DA%A9%D8%A7%D9%86_%D9%88_%D9%81%D9%88%D8%A7%DB%8C%D8%AF_%D8%A2%D9%86_%D8%AF%D8%B1_%D9%85%D8%B7%D8%A7%D9%84%D8%B9%D8%A7%D8%AA_%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C_%D8%A7%DB%8C%D8%B1%D8%A7%D9%86\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://www.academia.edu/4106621/%D8%A8%D8%A7%D9%85_%D9%88_%D8%A8%D9%88%D9%85_%D9%88_%D9%85%D8%B1%D8%AF%D9%85_%D8%A8%D8%A7%D8%B2%D8%AE%D9%88%D8%A7%D9%86%DB%8C_%D9%88_%D9%86%D9%82%D8%AF_%D8%A7%D8%B5%D9%88%D9%84_%D9%BE%DB%8C%D8%B4%D9%86%D9%87%D8%A7%D8%AF%DB%8C_%D9%BE%DB%8C%D8%B1%D9%86%DB%8C%D8%A7_%D8%A8%D8%B1%D8%A7%DB%8C_%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C_%D8%A7%DB%8C%D8%B1%D8%A7%D9%86%DB%8C\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"http://www.academia.edu/7728542/%D8%A8%D9%86%D8%A7%DB%8C_%D8%B1%D8%B4%D8%AA_%D8%AE%D9%88%D8%A7%D8%B1_%D9%85%D8%B3%D8%AC%D8%AF_%DB%8C%D8%A7_%D8%AE%D8%A7%D9%86%D9%82%D8%A7%D9%87_\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://www.academia.edu/5573758/%D9%87%D9%86%D8%AC%D8%A7%D8%B1_%D9%85%D8%A7%D8%AF%DB%8C_%D9%86%D8%B8%D8%A7%D9%85_%D9%85%D8%AF%DB%8C%D8%B1%DB%8C%D8%AA_%D8%A2%D8%A8_%D8%AF%D8%B1_%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86_%D8%B5%D9%81%D9%88%DB%8C\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://www.academia.edu/9402407/%D9%86%D9%82%D8%B4_%D9%88_%D9%81%D8%B1%D8%A7%D8%AA%D8%B1_%D8%A7%D8%B2_%D9%86%D9%82%D8%B4_%D8%AF%D8%B1%D8%A2%D9%85%D8%AF%DB%8C_%D8%A8%D8%B1_%D8%AC%D9%85%D8%A7%D9%84_%D8%B4%D9%86%D8%A7%D8%B3%DB%8C_%D8%B5%D9%86%D8%A7%D8%B9%D8%AA_%D9%86%D9%82%D8%A7%D8%B4%DB%8C_%D8%AF%D8%B1_%D9%85%D8%AB%D9%86%D9%88%DB%8C_%D9%85%D8%B9%D9%86%D9%88%DB%8C\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنو</a>\r\n\r\n<a class=\"text-gray-darker\" 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href=\"https://www.academia.edu/4162064/%D8%AF%D8%A7%D9%85%D9%86%DB%8C_%D9%BE%D8%B1%DA%AF%D9%84_%D8%A7%D8%B5%D8%AD%D8%A7%D8%A8_%D9%85%D8%AF%D8%B1%D8%B3%D9%87_%D8%B1%D8%A7_%D8%AA%D8%A3%D9%85%D9%84%DB%8C_%D8%AF%D8%B1_%D8%A2%D9%88%D8%B1%D8%AF%D9%87_%D9%87%D8%A7%DB%8C_%D9%BE%DB%8C%D8%B1%D9%86%DB%8C%D8%A7_%D8%A8%D8%B1%D8%A7%DB%8C_%D8%A2%D9%85%D9%88%D8%B2%D8%B4_%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C_%D8%A7%DB%8C%D8%B1%D8%A7%D9%86\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://www.academia.edu/4157514/%D8%B3%D8%B1%D9%85%D9%82%D8%A7%D9%84%D9%87_%D9%87%D8%A7%DB%8C_%D9%81%D8%B5%D9%84%D9%86%D8%A7%D9%85%D9%87_%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86_%D9%87%D9%86%D8%B1_%DB%B1%DB%B3%DB%B8%DB%B4-_%DB%B1%DB%B3%DB%B8%DB%B8\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n\r\n ','Articles','','inherit','closed','closed','','11-revision-v1','','','2016-03-10 07:00:00','2016-03-10 07:00:00','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(87,1,'2016-03-10 07:12:40','2016-03-10 07:12:40','','Cultural History in Iranian Architectural History','','inherit','open','closed','','cultural-history-in-iranian-architectural-history','','','2016-03-10 07:12:40','2016-03-10 07:12:40','',0,'https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf',0,'attachment','application/pdf',0),(88,1,'2016-03-10 07:12:45','2016-03-10 07:12:45','','Rereading Pirnia’s Principles for Iranian Architecture','','inherit','open','closed','','rereading-pirnias-principles-for-iranian-architecture','','','2016-03-10 07:12:45','2016-03-10 07:12:45','',0,'https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf',0,'attachment','application/pdf',0),(89,1,'2016-03-10 07:13:09','2016-03-10 07:13:09','','Roshtkhār Monument','','inherit','open','closed','','roshtkhar-monument','','','2016-03-10 07:13:09','2016-03-10 07:13:09','',0,'https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf',0,'attachment','application/pdf',0),(90,1,'2016-03-10 07:13:49','2016-03-10 07:13:49','','History of Mentalities in Iranian Architecture','','inherit','open','closed','','history-of-mentalities-in-iranian-architecture','','','2016-03-10 07:13:49','2016-03-10 07:13:49','',0,'https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf',0,'attachment','application/pdf',0),(91,1,'2016-03-10 07:15:29','2016-03-10 07:15:29','<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://www.academia.edu/5573758/%D9%87%D9%86%D8%AC%D8%A7%D8%B1_%D9%85%D8%A7%D8%AF%DB%8C_%D9%86%D8%B8%D8%A7%D9%85_%D9%85%D8%AF%DB%8C%D8%B1%DB%8C%D8%AA_%D8%A2%D8%A8_%D8%AF%D8%B1_%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86_%D8%B5%D9%81%D9%88%DB%8C\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://www.academia.edu/9402407/%D9%86%D9%82%D8%B4_%D9%88_%D9%81%D8%B1%D8%A7%D8%AA%D8%B1_%D8%A7%D8%B2_%D9%86%D9%82%D8%B4_%D8%AF%D8%B1%D8%A2%D9%85%D8%AF%DB%8C_%D8%A8%D8%B1_%D8%AC%D9%85%D8%A7%D9%84_%D8%B4%D9%86%D8%A7%D8%B3%DB%8C_%D8%B5%D9%86%D8%A7%D8%B9%D8%AA_%D9%86%D9%82%D8%A7%D8%B4%DB%8C_%D8%AF%D8%B1_%D9%85%D8%AB%D9%86%D9%88%DB%8C_%D9%85%D8%B9%D9%86%D9%88%DB%8C\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنو</a>\r\n\r\n<a class=\"text-gray-darker\" 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07:15:29','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(92,1,'2016-03-10 07:43:21','2016-03-10 07:43:21','','An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi','','inherit','open','closed','','an-introduction-to-relation-of-man-and-space-as-seen-in-rumis-mathnawi','','','2016-03-10 07:43:21','2016-03-10 07:43:21','',0,'https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf',0,'attachment','application/pdf',0),(93,1,'2016-03-10 07:43:27','2016-03-10 07:43:27','','Naghsh','','inherit','open','closed','','naghsh','','','2016-03-10 07:43:27','2016-03-10 07:43:27','',0,'https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf',0,'attachment','application/pdf',0),(94,1,'2016-03-10 07:43:46','2016-03-10 07:43:46','','Reflections on the Status of Architecture in Rumi’s Mathnaw','','inherit','open','closed','','reflections-on-the-status-of-architecture-in-rumis-mathnaw','','','2016-03-10 07:43:46','2016-03-10 07:43:46','',0,'https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf',0,'attachment','application/pdf',0),(95,1,'2016-03-10 07:44:33','2016-03-10 07:44:33','','Water Management System in Safavid Isfahan','','inherit','open','closed','','water-management-system-in-safavid-isfahan','','','2016-03-10 07:44:33','2016-03-10 07:44:33','',0,'https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf',0,'attachment','application/pdf',0),(96,1,'2016-03-10 07:46:18','2016-03-10 07:46:18','<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنو</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://www.academia.edu/4162064/%D8%AF%D8%A7%D9%85%D9%86%DB%8C_%D9%BE%D8%B1%DA%AF%D9%84_%D8%A7%D8%B5%D8%AD%D8%A7%D8%A8_%D9%85%D8%AF%D8%B1%D8%B3%D9%87_%D8%B1%D8%A7_%D8%AA%D8%A3%D9%85%D9%84%DB%8C_%D8%AF%D8%B1_%D8%A2%D9%88%D8%B1%D8%AF%D9%87_%D9%87%D8%A7%DB%8C_%D9%BE%DB%8C%D8%B1%D9%86%DB%8C%D8%A7_%D8%A8%D8%B1%D8%A7%DB%8C_%D8%A2%D9%85%D9%88%D8%B2%D8%B4_%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C_%D8%A7%DB%8C%D8%B1%D8%A7%D9%86\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://www.academia.edu/4157514/%D8%B3%D8%B1%D9%85%D9%82%D8%A7%D9%84%D9%87_%D9%87%D8%A7%DB%8C_%D9%81%D8%B5%D9%84%D9%86%D8%A7%D9%85%D9%87_%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86_%D9%87%D9%86%D8%B1_%DB%B1%DB%B3%DB%B8%DB%B4-_%DB%B1%DB%B3%DB%B8%DB%B8\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n\r\n ','Articles','','inherit','closed','closed','','11-revision-v1','','','2016-03-10 07:46:18','2016-03-10 07:46:18','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(97,1,'2016-03-10 08:07:39','2016-03-10 08:07:39','','Reflections on Pirnia’s Achievements for Architectural Education in Iran','','inherit','open','closed','','reflections-on-pirnias-achievements-for-architectural-education-in-iran','','','2016-03-10 08:07:39','2016-03-10 08:07:39','',0,'https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf',0,'attachment','application/pdf',0),(98,1,'2016-03-10 08:08:20','2016-03-10 08:08:20','','31663754','','inherit','open','closed','','31663754','','','2016-03-10 08:08:20','2016-03-10 08:08:20','',0,'https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf',0,'attachment','application/pdf',0),(99,1,'2016-03-10 08:08:41','2016-03-10 08:08:41','<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنو</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n\r\n ','Articles','','inherit','closed','closed','','11-revision-v1','','','2016-03-10 08:08:41','2016-03-10 08:08:41','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(100,1,'2016-03-10 08:13:35','2016-03-10 08:13:35','<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنو</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n<h3>Interviews</h3>\r\n<a class=\"text-gray-darker\" href=\"https://www.academia.edu/15028233/%DA%AF%D9%81%D8%AA%DA%AF%D9%88_%D9%81%D9%84%D8%B3%D9%81%D9%87_%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-_%D8%A7%D8%B7%D9%84%D8%A7%D8%B9%D8%A7%D8%AA_%D8%AD%DA%A9%D9%85%D8%AA_%D9%88_%D9%85%D8%B9%D8%B1%D9%81%D8%AA_%D9%85%D8%B1%D8%AF%D8%A7%D8%AF_%DB%B1%DB%B3%DB%B9%DB%B4\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://www.academia.edu/13303129/%D8%B4%D9%87%D8%B1_%D8%B1%D9%88%D8%A7%D9%86_%D9%BE%D8%B1%DB%8C%D8%B4_%D9%88_%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C_%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C-_%D8%B4%D9%81%D9%82%D9%86%D8%A7_%D8%A8%D9%87%D9%85%D9%86_%DB%B1%DB%B3%DB%B9%DB%B3\">شهر روانپریش و معماری اسلامی- شفقنا، بهمن ۱۳۹۳</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://www.academia.edu/13302731/%D8%B4%D8%A7%D8%B1%D8%AD%D8%A7%D9%86_%D9%BE%D8%B1%DB%8C%D8%B4%D8%A7%D9%86%DB%8C_%DA%AF%D9%81%D8%AA%DA%AF%D9%88_%D8%A8%D8%A7_%D9%85%D8%AC%D9%84%DB%80_%D8%B3%D9%88%D8%B1%DB%80_%D8%A7%D9%86%D8%AF%DB%8C%D8%B4%D9%87_%D8%AA%DB%8C%D8%B1_%D9%88_%D9%85%D8%B1%D8%AF%D8%A7%D8%AF_%DB%B1%DB%B3%DB%B9%DB%B0\">شارحان پریشانی: گفتگو با مجلۀ سورۀ اندیشه، تیر و مرداد ۱۳۹۰</a>\r\n<h3 class=\"hr-heading\"><span class=\"hr-heading-text text-uppercase text-bold\">Notes & Prefaces</span></h3>\r\n<div class=\"media-heading text-serif\"><a class=\"text-gray-darker\" href=\"https://www.academia.edu/14250977/%DB%8C%D8%A7%D8%AF%D8%AF%D8%A7%D8%B4%D8%AA_%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C_%DA%86%D9%88%D9%86_%D9%85%D8%B8%D9%87%D8%B1_%D9%81%D8%B1%D9%87%D9%86%DA%AF\">یادداشت: معماری چون مظهر فرهنگ</a></div>','Articles','','inherit','closed','closed','','11-revision-v1','','','2016-03-10 08:13:35','2016-03-10 08:13:35','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(101,1,'2016-03-10 08:19:18','2016-03-10 08:19:18','','38512716','','inherit','open','closed','','38512716','','','2016-03-10 08:19:18','2016-03-10 08:19:18','',0,'https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf',0,'attachment','application/pdf',0),(102,1,'2016-03-10 08:20:53','2016-03-10 08:20:53','','38009203','','inherit','open','closed','','38009203','','','2016-03-10 08:20:53','2016-03-10 08:20:53','',0,'https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf',0,'attachment','application/pdf',0),(103,1,'2016-03-10 08:24:24','2016-03-10 08:24:24','','38008915','','inherit','open','closed','','38008915','','','2016-03-10 08:24:24','2016-03-10 08:24:24','',0,'https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf',0,'attachment','application/pdf',0),(104,1,'2016-03-10 08:26:26','2016-03-10 08:26:26','<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنو</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n<h3>Interviews</h3>\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\" target=\"_blank\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\" target=\"_blank\">شهر روانپریش و معماری اسلامی- شفقنا، بهمن ۱۳۹۳</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\" target=\"_blank\">شارحان پریشانی: گفتگو با مجلۀ سورۀ اندیشه، تیر و مرداد ۱۳۹۰</a>\r\n<h3 class=\"hr-heading\"><span class=\"hr-heading-text text-uppercase text-bold\">Notes & Prefaces</span></h3>\r\n<div class=\"media-heading text-serif\"><a class=\"text-gray-darker\" href=\"https://www.academia.edu/14250977/%DB%8C%D8%A7%D8%AF%D8%AF%D8%A7%D8%B4%D8%AA_%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C_%DA%86%D9%88%D9%86_%D9%85%D8%B8%D9%87%D8%B1_%D9%81%D8%B1%D9%87%D9%86%DA%AF\">یادداشت: معماری چون مظهر فرهنگ</a></div>','Articles','','inherit','closed','closed','','11-revision-v1','','','2016-03-10 08:26:26','2016-03-10 08:26:26','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(105,1,'2016-03-10 08:28:42','2016-03-10 08:28:42','','38246038','','inherit','open','closed','','38246038','','','2016-03-10 08:28:42','2016-03-10 08:28:42','',0,'https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf',0,'attachment','application/pdf',0),(106,1,'2016-03-10 08:29:21','2016-03-10 08:29:21','<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنو</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n<h3>Interviews</h3>\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\" target=\"_blank\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\" target=\"_blank\">شهر 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Ali Emadi Estarabadi) 2009\r\n\r\nGanjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi) 2005\r\n\r\nPersian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane 2011\r\n\r\nPersian translation of Meaning in Western Architecture, by Christian Norberg-Schulz 2007\r\n\r\nPersian translation of the Dynamics of Architectural Form, by Rudolf Arnheim 2003\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander 2002\r\n\r\nPersian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu 2001\r\n\r\nPersian translation of Quranic Art and Calligraphy, by Martin Lings 1998','Books','','inherit','closed','closed','','24-revision-v1','','','2016-03-10 14:53:14','2016-03-10 14:53:14','',24,'https://qayyoomi.com/24-revision-v1/',0,'revision','',0),(127,1,'2016-03-10 15:03:03','2016-03-10 15:03:03','<img class=\"size-medium wp-image-113 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/6-245x300.png\" alt=\"6\" width=\"245\" height=\"300\" />\r\n\r\nTheories of Architectural and Art History; An Annotated Babliography\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-111 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" />\r\n\r\nResearchs on Art and Architecture\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-108 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/1-245x300.png\" alt=\"1\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Dynamics of Architectural Form\r\n2014\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-119 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/12-245x300.png\" alt=\"12\" width=\"245\" height=\"300\" />\r\n\r\nEssays on the Theory and History of Architecture and Art\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-117 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/10-245x300.png\" alt=\"10\" width=\"245\" height=\"300\" />\r\n\r\nPersian Literature as Source of Architectural History: a Bibliographical Introduction,\r\nvolume 1: Persian Prose of the First Islamic Centuries\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-122 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/16-241x300.png\" alt=\"16\" width=\"241\" height=\"300\" />\r\n\r\nDictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti) 2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-123 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/17-244x300.png\" alt=\"17\" width=\"244\" height=\"300\" />\r\n\r\nDictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti)\r\n2010\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-125 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/19-300x253.png\" alt=\"19\" width=\"300\" height=\"253\" />\r\n\r\nTrilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi)\r\n2009\r\n\r\nGanjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi)\r\n2005\r\n\r\nPersian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane\r\n2011\r\n\r\nPersian translation of Meaning in Western Architecture, by Christian Norberg-Schulz\r\n2007\r\n\r\nPersian translation of the Dynamics of Architectural Form, by Rudolf Arnheim\r\n2003\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2002\r\n\r\nPersian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu\r\n2001\r\n\r\nPersian translation of Quranic Art and Calligraphy, by Martin Lings\r\n1998','Books','','inherit','closed','closed','','24-revision-v1','','','2016-03-10 15:03:03','2016-03-10 15:03:03','',24,'https://qayyoomi.com/24-revision-v1/',0,'revision','',0),(128,1,'2016-03-10 15:10:53','2016-03-10 15:10:53','<img class=\"size-medium wp-image-113 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/6-245x300.png\" alt=\"6\" width=\"245\" height=\"300\" />\r\n\r\nTheories of Architectural and Art History; An Annotated Babliography\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-111 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" />\r\n\r\nResearchs on Art and Architecture\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-108 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/1-245x300.png\" alt=\"1\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Dynamics of Architectural Form\r\n2014\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-119 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/12-245x300.png\" alt=\"12\" width=\"245\" height=\"300\" />\r\n\r\nEssays on the Theory and History of Architecture and Art\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-117 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/10-245x300.png\" alt=\"10\" width=\"245\" height=\"300\" />\r\n\r\nPersian Literature as Source of Architectural History: a Bibliographical Introduction,\r\nvolume 1: Persian Prose of the First Islamic Centuries\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-122 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/16-241x300.png\" alt=\"16\" width=\"241\" height=\"300\" />\r\n\r\nDictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti) 2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-123 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/17-244x300.png\" alt=\"17\" width=\"244\" height=\"300\" />\r\n\r\nDictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti)\r\n2010\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-125 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/19-300x253.png\" alt=\"19\" width=\"300\" height=\"253\" />\r\n\r\nTrilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi)\r\n2009\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-124 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/18-244x300.png\" alt=\"18\" width=\"244\" height=\"300\" />\r\n\r\nGanjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi)\r\n2005\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-121 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/14-245x300.png\" alt=\"14\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-115 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/8-295x300.png\" alt=\"8\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Meaning in Western Architecture, by Christian Norberg-Schulz\r\n2007\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-114 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/7-245x300.png\" alt=\"7\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Dynamics of Architectural Form, by Rudolf Arnheim\r\n2003\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-110 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/3-245x300.png\" alt=\"3\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2002\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-109 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/2-295x300.png\" alt=\"2\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2002\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-118 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/11-245x300.png\" alt=\"11\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2002\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-116 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/9-295x300.png\" alt=\"9\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu\r\n2001\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nPersian translation of Quranic Art and Calligraphy, by Martin Lings\r\n1998','Books','','inherit','closed','closed','','24-revision-v1','','','2016-03-10 15:10:53','2016-03-10 15:10:53','',24,'https://qayyoomi.com/24-revision-v1/',0,'revision','',0),(129,1,'2016-03-10 15:15:11','2016-03-10 15:15:11','<img class=\"size-medium wp-image-113 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/6-245x300.png\" alt=\"6\" width=\"245\" height=\"300\" />\r\n\r\nTheories of Architectural and Art History; An Annotated Babliography\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-111 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" />\r\n\r\nResearches on Art and Architecture;\r\nHistory and Theory\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-108 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/1-245x300.png\" alt=\"1\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Dynamics of Architectural Form\r\n2014\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-119 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/12-245x300.png\" alt=\"12\" width=\"245\" height=\"300\" />\r\n\r\nEssays on the Theory and History of Architecture and Art\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-117 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/10-245x300.png\" alt=\"10\" width=\"245\" height=\"300\" />\r\n\r\nPersian Literature as Source of Architectural History: a Bibliographical Introduction,\r\nvolume 1: Persian Prose of the First Islamic Centuries\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-122 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/16-241x300.png\" alt=\"16\" width=\"241\" height=\"300\" />\r\n\r\nDictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti) 2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-123 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/17-244x300.png\" alt=\"17\" width=\"244\" height=\"300\" />\r\n\r\nDictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti)\r\n2010\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-125 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/19-300x253.png\" alt=\"19\" width=\"300\" height=\"253\" />\r\n\r\nTrilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi)\r\n2009\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-124 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/18-244x300.png\" alt=\"18\" width=\"244\" height=\"300\" />\r\n\r\nGanjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi)\r\n2005\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-121 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/14-245x300.png\" alt=\"14\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-115 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/8-295x300.png\" alt=\"8\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Meaning in Western Architecture, by Christian Norberg-Schulz\r\n2007\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-114 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/7-245x300.png\" alt=\"7\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Dynamics of Architectural Form, by Rudolf Arnheim\r\n2003\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-110 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/3-245x300.png\" alt=\"3\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2002\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-109 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/2-295x300.png\" alt=\"2\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2002\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-118 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/11-245x300.png\" alt=\"11\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2002\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-116 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/9-295x300.png\" alt=\"9\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu\r\n2001\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nPersian translation of Quranic Art and Calligraphy, by Martin Lings\r\n1998','Books','','inherit','closed','closed','','24-revision-v1','','','2016-03-10 15:15:11','2016-03-10 15:15:11','',24,'https://qayyoomi.com/24-revision-v1/',0,'revision','',0),(130,1,'2016-03-10 15:26:23','2016-03-10 15:26:23','<img class=\"size-medium wp-image-113 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/6-245x300.png\" alt=\"6\" width=\"245\" height=\"300\" />\r\n\r\nTheories of Architectural and Art History; An Annotated Babliography\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-111 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" />\r\n\r\nResearches on Art and Architecture;\r\nHistory and Theory\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-108 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/1-245x300.png\" alt=\"1\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Dynamics of Architectural Form\r\n2014\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-119 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/12-245x300.png\" alt=\"12\" width=\"245\" height=\"300\" />\r\n\r\nEssays on the Theory and History of Architecture and Art\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-117 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/10-245x300.png\" alt=\"10\" width=\"245\" height=\"300\" />\r\n\r\nPersian Literature as Source of Architectural History: a Bibliographical Introduction,\r\nvolume 1: Persian Prose of the First Islamic Centuries\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-122 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/16-241x300.png\" alt=\"16\" width=\"241\" height=\"300\" />\r\n\r\nDictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti) 2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-123 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/17-244x300.png\" alt=\"17\" width=\"244\" height=\"300\" />\r\n\r\nDictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti)\r\n2010\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-125 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/19-300x253.png\" alt=\"19\" width=\"300\" height=\"253\" />\r\n\r\nTrilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi)\r\n2009\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-124 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/18-244x300.png\" alt=\"18\" width=\"244\" height=\"300\" />\r\n\r\nGanjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi)\r\n2005\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-121 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/14-245x300.png\" alt=\"14\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-115 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/8-295x300.png\" alt=\"8\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Meaning in Western Architecture, by Christian Norberg-Schulz\r\n2007\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-114 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/7-245x300.png\" alt=\"7\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Dynamics of Architectural Form, by Rudolf Arnheim\r\n2003\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-109 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/2-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2013\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-110 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/3-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-118 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/11-245x300.png\" alt=\"11\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2002\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-116 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/9-295x300.png\" alt=\"9\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu\r\n2001\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nPersian translation of Quranic Art and Calligraphy, by Martin Lings\r\n1998','Books','','inherit','closed','closed','','24-revision-v1','','','2016-03-10 15:26:23','2016-03-10 15:26:23','',24,'https://qayyoomi.com/24-revision-v1/',0,'revision','',0),(132,1,'2016-03-11 03:44:28','2016-03-11 03:44:28','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\r\nAssociate Professor, Shahid Beheshti University\r\nAssociate Member, The Iranian Academy of Art\r\nInvited Member, The Iranian Academy of Science\r\n\r\n<strong>Education</strong>\r\n<ul>\r\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\r\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\r\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\r\n</ul>\r\n<strong>Honors and Awards</strong>\r\n<ul>\r\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\r\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\r\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\r\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\r\n <li>Research Fellowship, Farabi International Award 2010</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\r\n</ul>\r\n<strong>Memberships</strong>\r\n<ul>\r\n <li>Associate Member, the Iranian Academy of Art Since 2005</li>\r\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\r\n <li>Invited Member, the Iranian Academy of Persian Language and Literature Since 2012</li>\r\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\r\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\r\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\r\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 200</li>\r\n</ul>\r\n<strong>Present Positions</strong>\r\n<ul>\r\n <li>Faculty Member, Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\r\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\r\n</ul>\r\n<strong> Past Positions</strong>\r\n<ul>\r\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\r\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\r\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\r\n <li>Faculty Member, the Iranian Academy of Art 2004-2007</li>\r\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\r\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\r\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\r\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\r\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\r\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\r\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\r\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\r\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\r\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\r\n</ul>\r\n<strong> Research and Teaching Interests</strong>\r\n<ul>\r\n <li>History of Iranian and Persianate Architecture and Art</li>\r\n <li>Islamic Architecture and Art</li>\r\n <li>Theory and Methodology of Architectural History</li>\r\n <li>Theory of Architecture and Art</li>\r\n</ul>\r\n<strong> Publications: 1. Articles and Essays</strong>\r\n<ul>\r\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in Nāma-yi Me’m¬¬ārī-u Shahrsāsī, no. 13, 2014</li>\r\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in Mutāli’āt-i Tārikh-i Farhangī, no. 17, 2013</li>\r\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in Nāma-yi Me’m¬¬ārī-u Shahrsāsī, no. 10, 2013</li>\r\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in Mutāli’āt-i Me’m¬¬ārī-yi Īrān, no. 3, 2013</li>\r\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in Mutāli’āt-i Me’m¬¬ārī-yi Īrān, no. 2, 2013</li>\r\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān, no. 56, 2013</li>\r\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, no. 7, 2012</li>\r\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in Mutāli’āt-i Me’m¬¬ārī-yi Īrān, no. 1, 2012</li>\r\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in Mawlānā- Pazhūhī, no. 4, 2011</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in al-Shajarah, Special issue. 2010</li>\r\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in Tārīkh-u Tamaddon-i Islāmī, no. 12, 2010</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in Suffa (Soffeh), no. 48, 2010</li>\r\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\r\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in Pazhūhesh-nāma-yi Farhangistān-i Hunar, no. 15, 2010</li>\r\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\r\n <li>On the Sources of the History of Iranian Architecture and Its Research Principles, in Gulistān-i Hunar (Golestān-e Honar), no. 15, 2009</li>\r\n <li>Patronage and the Hidden Aspects of the History of Iranian Art, in Gulistān-i Hunar (Golestān-e Honar), no. 13, 2008</li>\r\n <li>The Layers of Persian Garden, in Gulistān-i Hunar (Golestān-e Honar), no. 12, 2008</li>\r\n <li>Gardens of Khurāsān in Beyhaqī’s History, in Suffa (Soffeh), no. 46, 2008</li>\r\n <li>Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in Gulistān-i Hunar (Golestān-e Honar), Special Issue 2008</li>\r\n <li>Craft Ethics: Adab Treatises as Resources of Iranian Art History, in Gulistān-i Hunar (Golestān-e Honar), no. 10, 2008</li>\r\n <li>Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in Gulistān-i Hunar (Golestān-e Honar), no. 8, 2007</li>\r\n <li>Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in Gulistān-i Hunar (Golestān-e Honar), no. 7, 2007</li>\r\n <li>Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in Gulistān-i Hunar (Golestān-e Honar), no. 5, 2007</li>\r\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\r\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\r\n <li>Theory Construction and the alphabet of Theory Creating, in Suffa (Soffeh), no. 40, 2006</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in Suffa (Soffeh), no. 42, 2006</li>\r\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in Khiyāl, no. 15, 2005</li>\r\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\r\n <li>Oleg Grabar, His Thoughts and Work, in Dānishnāma, no. 2, 2004</li>\r\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\r\n <li>A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\r\n <li>The Architect and Zikr, in Irfān-i Īrān, no. 12, 2002</li>\r\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\r\n <li>Ganj-Ali Khān Public Bath, in Ravāq, no. 4, 2000</li>\r\n <li>For I’m the Sun-slave…, in Ravāq, no. 4, 2000</li>\r\n <li>Hasht-Behesht Pavilion, in Ravāq, no. 3, 1999</li>\r\n <li>Ghiyāssiyya Madrasa in Khargird, in Ravāq, no. 2, 1999</li>\r\n <li>A Letter of Treasure: a Review on Ganjnameh, in Ravāq, no. 2, 1999</li>\r\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\r\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\r\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in Gulistān-i Hunar (Golestān-e Honar), no. 13, 2008</li>\r\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in Gulistān-i Hunar (Golestān-e Honar), no. 6, 2007</li>\r\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in Suffa (Soffeh), no. 39, 2005</li>\r\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in Suffa (Soffeh), no. 37, 2004</li>\r\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia) 2004</li>\r\n <li>Persian translation of \"Symbolism\" by Vital Perry, in Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia) 2004</li>\r\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in Khiyāl, no. 11, 2004</li>\r\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in Ravāq, no. 1, 1998</li>\r\n</ul>\r\n<strong>Publications: 2. Books</strong>\r\n<ul>\r\n <li>Essays on the Theory and History of Architecture and Art 2012</li>\r\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti) 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti) 2010</li>\r\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi) 2009</li>\r\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi) 2005</li>\r\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane 2011</li>\r\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz 2007</li>\r\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim 2003</li>\r\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander 2002</li>\r\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu 2001</li>\r\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings 1998</li>\r\n</ul>\r\n<strong>Teaching Experience</strong>\r\n<ul>\r\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\r\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\r\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\r\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\r\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\r\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\r\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\r\n</ul>\r\n<strong>Dissertations: 1. Supervised</strong>\r\n<ul>\r\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\r\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\r\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\r\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\r\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\r\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\r\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\r\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\r\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\r\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\r\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\r\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\r\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\r\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\r\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\r\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\r\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\r\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\r\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\r\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\r\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\r\n</ul>\r\n<strong>Dissertations: 2. Consulted</strong>\r\n<ul>\r\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\r\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\r\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\r\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\r\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\r\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\r\n</ul>\r\n<strong>Personal Information</strong>\r\n<ul>\r\n <li>Born: Tehran, 1960</li>\r\n</ul>\r\n<strong>Languages</strong>\r\n<ul>\r\n <li>Reading and Translation Competence in English and Arabic</li>\r\n <li>Native in Persian</li>\r\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2016-03-11 03:44:28','2016-03-11 03:44:28','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(133,1,'2016-03-11 04:08:23','2016-03-11 04:08:23','<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n<h3>Interviews</h3>\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\" target=\"_blank\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\" target=\"_blank\">شهر روانپریش و معماری اسلامی- شفقنا، بهمن ۱۳۹۳</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\" target=\"_blank\">شارحان پریشانی: گفتگو با مجلۀ سورۀ اندیشه، تیر و مرداد ۱۳۹۰</a>\r\n<h3 class=\"hr-heading\"><span class=\"hr-heading-text text-uppercase text-bold\">Notes & Prefaces</span></h3>\r\n<div class=\"media-heading text-serif\"><a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\" target=\"_blank\">یادداشت: معماری چون مظهر فرهنگ</a></div>','Articles','','inherit','closed','closed','','11-revision-v1','','','2016-03-11 04:08:23','2016-03-11 04:08:23','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(134,1,'2016-03-12 16:38:21','2016-03-12 16:38:21','','','','publish','closed','closed','','134-2','','','2016-06-18 09:00:46','2016-06-18 09:00:46','',0,'https://qayyoomi.com/?page_id=134',0,'page','',0),(135,1,'2016-03-12 16:38:21','2016-03-12 16:38:21','Mehrdad Qayyoomi is Associate Professor of Shahid Beheshti University, Department of Architectural History','','','inherit','closed','closed','','134-revision-v1','','','2016-03-12 16:38:21','2016-03-12 16:38:21','',134,'https://qayyoomi.com/134-revision-v1/',0,'revision','',0),(137,1,'2016-03-17 06:17:19','2016-03-17 06:17:19','<p style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\n<p style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\n\n\n<hr />\n\n \n<p style=\"text-align: center;\"></p>\n\n<h3><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\n</ul>\n<h3><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n</ul>\n<h3><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\n</ul>\n \n<ul>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\n</ul>\n \n<ul>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\n</ul>\n \n<ul>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\n</ul>\n<h3><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\n<span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span>\n<ul>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li>\n<p dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></p>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></li>\n <li>\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></li>\n <li>\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\n <li>\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li>\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\n</li>\n <li>\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span>\n<ul>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></li>\n</ul>\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span>\n<ul>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span>\n<ul>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\n</ul>\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span>\n<ul>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\n</ul>\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span>\n<ul>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\n</ul>\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span>\n<ul>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span>\n\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span>\n<ul>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n</ul>\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span>\n\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span>\n\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span>\n<ul>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\n</ul>\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span>\n\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span>\n\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span>\n\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span>\n\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span>\n\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span>\n\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span>\n\n ','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2016-03-17 06:17:19','2016-03-17 06:17:19','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0);
INSERT INTO `ql_posts` VALUES (138,1,'2016-03-17 06:17:39','2016-03-17 06:17:39','<p style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr />\r\n\r\n \r\n<h3><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n</ul>\r\n \r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n</ul>\r\n \r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n</ul>\r\n \r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li>\r\n<p dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span>\r\n\r\n ','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2016-03-17 06:17:39','2016-03-17 06:17:39','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(140,1,'2016-03-17 06:24:07','2016-03-17 06:24:07','<p style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr />\r\n\r\n \r\n<h3><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul>\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n</ul>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n</ul>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n</ul>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li>\r\n<p dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span>\r\n\r\n ','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2016-03-17 06:24:07','2016-03-17 06:24:07','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(141,1,'2016-03-17 06:26:29','2016-03-17 06:26:29','<p style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr />\r\n\r\n \r\n<h3><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul>\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n</ul>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n</ul>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li>\r\n<p dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span>\r\n\r\n ','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2016-03-17 06:26:29','2016-03-17 06:26:29','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(142,1,'2016-03-17 06:27:14','2016-03-17 06:27:14','<p style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr />\r\n\r\n \r\n<h3><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul>\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li>\r\n<p dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span>\r\n<ul>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span>\r\n\r\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span>\r\n\r\n ','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2016-03-17 06:27:14','2016-03-17 06:27:14','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(143,1,'2016-03-17 06:44:46','2016-03-17 06:44:46','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n<p dir=\"rtl\"></p>\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li>\r\n<p dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2016-03-17 06:44:46','2016-03-17 06:44:46','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(145,1,'2016-04-02 15:07:25','2016-04-02 15:07:25','','8_1','','inherit','open','closed','','8_1','','','2016-04-02 15:07:25','2016-04-02 15:07:25','',24,'https://qayyoomi.com/wp-content/uploads/2016/02/8_1.png',0,'attachment','image/png',0),(146,1,'2016-04-02 15:08:13','2016-04-02 15:08:13','','3_1','','inherit','open','closed','','3_1','','','2016-04-02 15:08:13','2016-04-02 15:08:13','',24,'https://qayyoomi.com/wp-content/uploads/2016/02/3_1.png',0,'attachment','image/png',0),(147,1,'2016-04-02 15:09:37','2016-04-02 15:09:37','','9_1','','inherit','open','closed','','9_1','','','2016-04-02 15:09:37','2016-04-02 15:09:37','',24,'https://qayyoomi.com/wp-content/uploads/2016/02/9_1.png',0,'attachment','image/png',0),(148,1,'2016-04-02 15:10:34','2016-04-02 15:10:34','','15','','inherit','open','closed','','15','','','2016-04-02 15:10:34','2016-04-02 15:10:34','',24,'https://qayyoomi.com/wp-content/uploads/2016/02/15.png',0,'attachment','image/png',0),(149,1,'2016-04-02 15:10:44','2016-04-02 15:10:44','','20','','inherit','open','closed','','20','','','2016-04-02 15:10:44','2016-04-02 15:10:44','',24,'https://qayyoomi.com/wp-content/uploads/2016/02/20.png',0,'attachment','image/png',0),(150,1,'2016-04-02 15:10:50','2016-04-02 15:10:50','','21','','inherit','open','closed','','21','','','2016-04-02 15:10:50','2016-04-02 15:10:50','',24,'https://qayyoomi.com/wp-content/uploads/2016/02/21.png',0,'attachment','image/png',0),(151,1,'2016-04-02 15:11:33','2016-04-02 15:11:33','','5_1','','inherit','open','closed','','5_1','','','2016-04-02 15:11:33','2016-04-02 15:11:33','',24,'https://qayyoomi.com/wp-content/uploads/2016/02/5_1.png',0,'attachment','image/png',0),(152,1,'2016-04-02 15:13:26','2016-04-02 15:13:26','<img class=\"size-medium wp-image-113 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/6-245x300.png\" alt=\"6\" width=\"245\" height=\"300\" />\r\n\r\nTheories of Architectural and Art History; An Annotated Babliography\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-111 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" />\r\n\r\nResearches on Art and Architecture;\r\nHistory and Theory\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-108 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/1-245x300.png\" alt=\"1\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Dynamics of Architectural Form\r\n2014\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-119 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/12-245x300.png\" alt=\"12\" width=\"245\" height=\"300\" />\r\n\r\nEssays on the Theory and History of Architecture and Art\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-117 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/10-245x300.png\" alt=\"10\" width=\"245\" height=\"300\" />\r\n\r\nPersian Literature as Source of Architectural History: a Bibliographical Introduction,\r\nvolume 1: Persian Prose of the First Islamic Centuries\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-122 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/16-241x300.png\" alt=\"16\" width=\"241\" height=\"300\" />\r\n\r\nDictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti) 2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-123 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/17-244x300.png\" alt=\"17\" width=\"244\" height=\"300\" />\r\n\r\nDictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti)\r\n2010\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-125 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/19-300x253.png\" alt=\"19\" width=\"300\" height=\"253\" />\r\n\r\nTrilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi)\r\n2009\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-124 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/18-244x300.png\" alt=\"18\" width=\"244\" height=\"300\" />\r\n\r\nGanjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi)\r\n2005\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-121 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/14-245x300.png\" alt=\"14\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-145 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/8_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Meaning in Western Architecture, by Christian Norberg-Schulz\r\n2007\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-114 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/7-245x300.png\" alt=\"7\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Dynamics of Architectural Form, by Rudolf Arnheim\r\n2003\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-109 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/2-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2013\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-146 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/3_1-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-118 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/11-245x300.png\" alt=\"11\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2002\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-147 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/9_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu\r\n2001\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nPersian translation of Quranic Art and Calligraphy, by Martin Lings\r\n1998','Books','','inherit','closed','closed','','24-revision-v1','','','2016-04-02 15:13:26','2016-04-02 15:13:26','',24,'https://qayyoomi.com/24-revision-v1/',0,'revision','',0),(153,1,'2016-04-02 15:16:54','2016-04-02 15:16:54','<img class=\"size-medium wp-image-113 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/6-245x300.png\" alt=\"6\" width=\"245\" height=\"300\" />\r\n\r\nTheories of Architectural and Art History; An Annotated Babliography\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-111 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" />\r\n\r\nResearches on Art and Architecture;\r\nHistory and Theory\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-108 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/1-245x300.png\" alt=\"1\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Dynamics of Architectural Form\r\n2014\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-119 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/12-245x300.png\" alt=\"12\" width=\"245\" height=\"300\" />\r\n\r\nEssays on the Theory and History of Architecture and Art\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-117 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/10-245x300.png\" alt=\"10\" width=\"245\" height=\"300\" />\r\n\r\nPersian Literature as Source of Architectural History: a Bibliographical Introduction,\r\nvolume 1: Persian Prose of the First Islamic Centuries\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-122 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/16-241x300.png\" alt=\"16\" width=\"241\" height=\"300\" />\r\n\r\nDictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti) 2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-123 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/17-244x300.png\" alt=\"17\" width=\"244\" height=\"300\" />\r\n\r\nDictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti)\r\n2010\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-125 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/19-300x253.png\" alt=\"19\" width=\"300\" height=\"253\" />\r\n\r\nTrilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi)\r\n2009\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-124 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/18-244x300.png\" alt=\"18\" width=\"244\" height=\"300\" />\r\n\r\nGanjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi)\r\n2005\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-121 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/14-245x300.png\" alt=\"14\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-145 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/8_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Meaning in Western Architecture, by Christian Norberg-Schulz\r\n2007\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-114 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/7-245x300.png\" alt=\"7\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Dynamics of Architectural Form, by Rudolf Arnheim\r\n2003\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-109 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/2-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2013\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-146 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/3_1-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-118 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/11-245x300.png\" alt=\"11\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2002\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-147 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/9_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu\r\n2001\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nPersian translation of Quranic Art and Calligraphy, by Martin Lings\r\n1998','Books','','inherit','closed','closed','','24-revision-v1','','','2016-04-02 15:16:54','2016-04-02 15:16:54','',24,'https://qayyoomi.com/24-revision-v1/',0,'revision','',0),(154,1,'2016-04-02 15:33:36','2016-04-02 15:33:36','<img class=\"size-medium wp-image-113 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/6-245x300.png\" alt=\"6\" width=\"245\" height=\"300\" />\r\n\r\nTheories of Architectural and Art History; An Annotated Babliography\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-111 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" />\r\n\r\nResearches on Art and Architecture;\r\nHistory and Theory\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-108 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/1-245x300.png\" alt=\"1\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Dynamics of Architectural Form\r\n2014\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-119 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/12-245x300.png\" alt=\"12\" width=\"245\" height=\"300\" />\r\n\r\nEssays on the Theory and History of Architecture and Art\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-117 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/10-245x300.png\" alt=\"10\" width=\"245\" height=\"300\" />\r\n\r\nPersian Literature as Source of Architectural History: a Bibliographical Introduction,\r\nvolume 1: Persian Prose of the First Islamic Centuries\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-122 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/16-241x300.png\" alt=\"16\" width=\"241\" height=\"300\" />\r\n\r\nDictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti) 2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-123 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/17-244x300.png\" alt=\"17\" width=\"244\" height=\"300\" />\r\n\r\nDictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti)\r\n2010\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-125 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/19-300x253.png\" alt=\"19\" width=\"300\" height=\"253\" />\r\n\r\nTrilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi)\r\n2009\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-124 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/18-244x300.png\" alt=\"18\" width=\"244\" height=\"300\" />\r\n\r\nGanjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi)\r\n2005\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-121 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/14-245x300.png\" alt=\"14\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-145 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/8_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Meaning in Western Architecture, by Christian Norberg-Schulz\r\n2007\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-114 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/7-245x300.png\" alt=\"7\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Dynamics of Architectural Form, by Rudolf Arnheim\r\n2003\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-109 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/2-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2013\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-146 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/3_1-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-118 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/11-245x300.png\" alt=\"11\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2002\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-147 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/9_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu\r\n2001\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-148 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/15-245x300.png\" alt=\"15\" width=\"245\" height=\"300\" />Persian translation of Quranic Art and Calligraphy, by Martin Lings\r\n1998','Books','','inherit','closed','closed','','24-revision-v1','','','2016-04-02 15:33:36','2016-04-02 15:33:36','',24,'https://qayyoomi.com/24-revision-v1/',0,'revision','',0),(155,1,'2016-04-02 15:39:20','2016-04-02 15:39:20','<img class=\"size-medium wp-image-113 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/6-245x300.png\" alt=\"6\" width=\"245\" height=\"300\" />\r\n\r\nTheories of Architectural and Art History; An Annotated Babliography\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-111 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" />\r\n\r\nResearches on Art and Architecture;\r\nHistory and Theory\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-108 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/1-245x300.png\" alt=\"1\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Dynamics of Architectural Form\r\n2014\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-119 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/12-245x300.png\" alt=\"12\" width=\"245\" height=\"300\" />\r\n\r\nEssays on the Theory and History of Architecture and Art\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-117 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/10-245x300.png\" alt=\"10\" width=\"245\" height=\"300\" />\r\n\r\nPersian Literature as Source of Architectural History: a Bibliographical Introduction,\r\nvolume 1: Persian Prose of the First Islamic Centuries\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-122 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/16-241x300.png\" alt=\"16\" width=\"241\" height=\"300\" />\r\n\r\nDictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti) 2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-123 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/17-244x300.png\" alt=\"17\" width=\"244\" height=\"300\" />\r\n\r\nDictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti)\r\n2010\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-125 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/19-300x253.png\" alt=\"19\" width=\"300\" height=\"253\" />\r\n\r\nTrilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi)\r\n2009\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-124 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/18-244x300.png\" alt=\"18\" width=\"244\" height=\"300\" />\r\n\r\nGanjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi)\r\n2005\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-121 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/14-245x300.png\" alt=\"14\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-145 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/8_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Meaning in Western Architecture, by Christian Norberg-Schulz\r\n2007\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-114 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/7-245x300.png\" alt=\"7\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Dynamics of Architectural Form, by Rudolf Arnheim\r\n2003\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-109 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/2-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2013\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-146 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/3_1-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-118 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/11-245x300.png\" alt=\"11\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2002\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-147 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/9_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu\r\n2001\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-148 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/15-245x300.png\" alt=\"15\" width=\"245\" height=\"300\" />Persian translation of Quranic Art and Calligraphy, by Martin Lings\r\n1998\r\n\r\n \r\n\r\n \r\n\r\n ','Books','','inherit','closed','closed','','24-revision-v1','','','2016-04-02 15:39:20','2016-04-02 15:39:20','',24,'https://qayyoomi.com/24-revision-v1/',0,'revision','',0),(157,1,'2016-04-17 05:56:54','2016-04-17 05:56:54','<img class=\"size-medium wp-image-113 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/6-245x300.png\" alt=\"6\" width=\"245\" height=\"300\" />\r\n\r\nTheories of Architectural and Art History; An Annotated Babliography\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-111 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" />\r\n\r\nResearches on Art and Architecture;\r\nHistory and Theory\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-120 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/13-247x300.png\" alt=\"13\" width=\"247\" height=\"300\" />\r\n\r\nTen Stories on Architecture\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-108 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/1-245x300.png\" alt=\"1\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Dynamics of Architectural Form\r\n2014\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-119 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/12-245x300.png\" alt=\"12\" width=\"245\" height=\"300\" />\r\n\r\nEssays on the Theory and History of Architecture and Art\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-117 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/10-245x300.png\" alt=\"10\" width=\"245\" height=\"300\" />\r\n\r\nPersian Literature as Source of Architectural History: a Bibliographical Introduction,\r\nvolume 1: Persian Prose of the First Islamic Centuries\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-122 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/16-241x300.png\" alt=\"16\" width=\"241\" height=\"300\" />\r\n\r\nDictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti)\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-123 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/17-244x300.png\" alt=\"17\" width=\"244\" height=\"300\" />\r\n\r\nDictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti)\r\n2010\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-125 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/19-300x253.png\" alt=\"19\" width=\"300\" height=\"253\" />\r\n\r\nTrilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi)\r\n2009\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-124 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/18-244x300.png\" alt=\"18\" width=\"244\" height=\"300\" />\r\n\r\nGanjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi)\r\n2005\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-121 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/14-245x300.png\" alt=\"14\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-145 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/8_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Meaning in Western Architecture, by Christian Norberg-Schulz\r\n2007\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-114 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/7-245x300.png\" alt=\"7\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Dynamics of Architectural Form, by Rudolf Arnheim\r\n2003\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-109 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/2-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2013\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-146 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/3_1-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-118 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/11-245x300.png\" alt=\"11\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2002\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-147 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/9_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu\r\n2001\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-148 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/15-245x300.png\" alt=\"15\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of Quranic Art and Calligraphy, by Martin Lings\r\n1998\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-149 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/20-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nGolestān-e Honar\r\n(Quarterly on the History of Iranian Art and Architecture)\r\n2005-2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-150 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/21-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nRavāq\r\n(Quarterly on architecture & art studies)\r\n1998-2000\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Books','','inherit','closed','closed','','24-revision-v1','','','2016-04-17 05:56:54','2016-04-17 05:56:54','',24,'https://qayyoomi.com/24-revision-v1/',0,'revision','',0),(158,1,'2016-04-17 06:05:01','2016-04-17 06:05:01','<img class=\"size-medium wp-image-113 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/6-245x300.png\" alt=\"6\" width=\"245\" height=\"300\" />\r\n\r\nTheories of Architectural and Art History; An Annotated Babliography\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-111 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" />\r\n\r\nResearches on Art and Architecture;\r\nHistory and Theory\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-120 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/13-247x300.png\" alt=\"13\" width=\"247\" height=\"300\" />\r\n\r\nTen Stories on Architecture\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-108 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/1-245x300.png\" alt=\"1\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Dynamics of Architectural Form\r\n2014\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-119 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/12-245x300.png\" alt=\"12\" width=\"245\" height=\"300\" />\r\n\r\nEssays on the Theory and History of Architecture and Art\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-117 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/10-245x300.png\" alt=\"10\" width=\"245\" height=\"300\" />\r\n\r\nPersian Literature as Source of Architectural History: a Bibliographical Introduction,\r\nvolume 1: Persian Prose of the First Islamic Centuries\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-122 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/16-241x300.png\" alt=\"16\" width=\"241\" height=\"300\" />\r\n\r\nDictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti)\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-151 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/5_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Architecture: Choice Or Fate\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-123 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/17-244x300.png\" alt=\"17\" width=\"244\" height=\"300\" />\r\n\r\nDictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti)\r\n2010\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-125 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/19-300x253.png\" alt=\"19\" width=\"300\" height=\"253\" />\r\n\r\nTrilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi)\r\n2009\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-124 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/18-244x300.png\" alt=\"18\" width=\"244\" height=\"300\" />\r\n\r\nGanjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi)\r\n2005\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-121 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/14-245x300.png\" alt=\"14\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-145 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/8_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Meaning in Western Architecture, by Christian Norberg-Schulz\r\n2007\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-114 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/7-245x300.png\" alt=\"7\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Dynamics of Architectural Form, by Rudolf Arnheim\r\n2003\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-109 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/2-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2013\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-146 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/3_1-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-118 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/11-245x300.png\" alt=\"11\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2002\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-147 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/9_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu\r\n2001\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-148 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/15-245x300.png\" alt=\"15\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of Quranic Art and Calligraphy, by Martin Lings\r\n1998\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-149 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/20-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nGolestān-e Honar\r\n(Quarterly on the History of Iranian Art and Architecture)\r\n2005-2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-150 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/21-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nRavāq\r\n(Quarterly on architecture & art studies)\r\n1998-2000\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Books','','inherit','closed','closed','','24-revision-v1','','','2016-04-17 06:05:01','2016-04-17 06:05:01','',24,'https://qayyoomi.com/24-revision-v1/',0,'revision','',0),(159,1,'2016-04-17 06:38:18','2016-04-17 06:38:18','<img class=\"size-medium wp-image-111 aligncenter\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" />\r\n<p dir=\"rtl\" style=\"text-align: center;\"><strong>پژوهشهای معماری و هنر: تاریخ و نظر</strong>\r\nبه کوشش مهرداد قیومی بیدهندی\r\nتهران، روزنه\r\n۱۳۹۴</p>\r\n<p dir=\"rtl\">این گاهنامه مجموعهای است از آثار محققان معماری و هنر ایران، بهويژه در زمینۀ تاریخ و تئوری معماری و هنر. در این مجموعه، مقالههایی از رشتهها و با دیدگاههای گوناگون در کنار هم قرار میگیرد تا اصحاب رشتهها و دیدگاههای گوناگون از تجربهها و یافتهها و دیدههای یکدیگر بیاموزند. این مجموعه مقالات مبلّغِ نوعی از دیدگاه یا رویکرد یا روش در مطالعات معماری و هنر نیست؛ بلکه راه اقسام اینها- به شرط عمق و دقت و مناسبت با هدفِ فهم بهتر معماری و هنر ایران یا گسترش و تعمیق بنیادهای آن در نظر و روش و شناخت منابع- بدان گشوده است.</p>','Studies on Art and Architecture; History and Theory','','publish','closed','closed','','%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1','','','2016-06-22 07:05:46','2016-06-22 07:05:46','',0,'https://qayyoomi.com/?page_id=159',0,'page','',0),(160,1,'2016-04-17 06:38:18','2016-04-17 06:38:18','<img class=\"size-medium wp-image-111 aligncenter\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" />\r\n<p dir=\"rtl\">این گاهنامه مجموعهای است از آثار محققان معماری و هنر ایران، بهويژه در زمینۀ تاریخ و تئوری معماری و هنر. در این مجموعه، مقالههایی از رشتهها و با دیدگاههای گوناگون در کنار هم قرار میگیرد تا اصحاب رشتهها و دیدگاههای گوناگون از تجربهها و یافتهها و دیدههای یکدیگر بیاموزند. این مجموعه مقالات مبلّغِ نوعی از دیدگاه یا رویکرد یا روش در مطالعات معماری و هنر نیست؛ بلکه راه اقسام اینها- به شرط عمق و دقت و مناسبت با هدفِ فهم بهتر معماری و هنر ایران یا گسترش و تعمیق بنیادهای آن در نظر و روش و شناخت منابع- بدان گشوده است.</p>','پژوهشهای معماری و هنر (تاریخ و نظر)','','inherit','closed','closed','','159-revision-v1','','','2016-04-17 06:38:18','2016-04-17 06:38:18','',159,'https://qayyoomi.com/159-revision-v1/',0,'revision','',0),(161,1,'2016-04-17 06:39:05','2016-04-17 06:39:05','<img class=\"size-medium wp-image-113 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/6-245x300.png\" alt=\"6\" width=\"245\" height=\"300\" />\r\n\r\nTheories of Architectural and Art History; An Annotated Babliography\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-111 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" />\r\n\r\n<strong>Researches on Art and Architecture;</strong>\r\n<strong> History and Theory</strong>\r\n<strong> 2015</strong>\r\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-120 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/13-247x300.png\" alt=\"13\" width=\"247\" height=\"300\" />\r\n\r\nTen Stories on Architecture\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-108 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/1-245x300.png\" alt=\"1\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Dynamics of Architectural Form\r\n2014\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-119 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/12-245x300.png\" alt=\"12\" width=\"245\" height=\"300\" />\r\n\r\nEssays on the Theory and History of Architecture and Art\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-117 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/10-245x300.png\" alt=\"10\" width=\"245\" height=\"300\" />\r\n\r\nPersian Literature as Source of Architectural History: a Bibliographical Introduction,\r\nvolume 1: Persian Prose of the First Islamic Centuries\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-122 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/16-241x300.png\" alt=\"16\" width=\"241\" height=\"300\" />\r\n\r\nDictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti)\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-151 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/5_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Architecture: Choice Or Fate\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-123 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/17-244x300.png\" alt=\"17\" width=\"244\" height=\"300\" />\r\n\r\nDictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti)\r\n2010\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-125 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/19-300x253.png\" alt=\"19\" width=\"300\" height=\"253\" />\r\n\r\nTrilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi)\r\n2009\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-124 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/18-244x300.png\" alt=\"18\" width=\"244\" height=\"300\" />\r\n\r\nGanjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi)\r\n2005\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-121 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/14-245x300.png\" alt=\"14\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-145 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/8_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Meaning in Western Architecture, by Christian Norberg-Schulz\r\n2007\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-114 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/7-245x300.png\" alt=\"7\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Dynamics of Architectural Form, by Rudolf Arnheim\r\n2003\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-109 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/2-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2013\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-146 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/3_1-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-118 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/11-245x300.png\" alt=\"11\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2002\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-147 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/9_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu\r\n2001\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-148 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/15-245x300.png\" alt=\"15\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of Quranic Art and Calligraphy, by Martin Lings\r\n1998\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-149 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/20-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nGolestān-e Honar\r\n(Quarterly on the History of Iranian Art and Architecture)\r\n2005-2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-150 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/21-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nRavāq\r\n(Quarterly on architecture & art studies)\r\n1998-2000\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Books','','inherit','closed','closed','','24-revision-v1','','','2016-04-17 06:39:05','2016-04-17 06:39:05','',24,'https://qayyoomi.com/24-revision-v1/',0,'revision','',0),(163,1,'2016-04-17 06:49:01','2016-04-17 06:49:01','<img class=\"size-medium wp-image-111 aligncenter\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" />\r\n<p dir=\"rtl\" style=\"text-align: center;\"><strong>پژوهشهای معماری و هنر: تاریخ و نظر</strong>\r\nبه کوشش مهرداد قیومی بیدهندی\r\nتهران، روزنه\r\n۱۳۹۴</p>\r\n<p dir=\"rtl\">این گاهنامه مجموعهای است از آثار محققان معماری و هنر ایران، بهويژه در زمینۀ تاریخ و تئوری معماری و هنر. در این مجموعه، مقالههایی از رشتهها و با دیدگاههای گوناگون در کنار هم قرار میگیرد تا اصحاب رشتهها و دیدگاههای گوناگون از تجربهها و یافتهها و دیدههای یکدیگر بیاموزند. این مجموعه مقالات مبلّغِ نوعی از دیدگاه یا رویکرد یا روش در مطالعات معماری و هنر نیست؛ بلکه راه اقسام اینها- به شرط عمق و دقت و مناسبت با هدفِ فهم بهتر معماری و هنر ایران یا گسترش و تعمیق بنیادهای آن در نظر و روش و شناخت منابع- بدان گشوده است.</p>','پژوهشهای معماری و هنر (تاریخ و نظر)','','inherit','closed','closed','','159-revision-v1','','','2016-04-17 06:49:01','2016-04-17 06:49:01','',159,'https://qayyoomi.com/159-revision-v1/',0,'revision','',0),(164,1,'2016-04-17 06:49:51','2016-04-17 06:49:51','<img class=\"size-medium wp-image-111 aligncenter\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" />\r\n<p dir=\"rtl\" style=\"text-align: center;\"><strong>پژوهشهای معماری و هنر: تاریخ و نظر</strong>\r\nبه کوشش مهرداد قیومی بیدهندی\r\nتهران، روزنه\r\n۱۳۹۴</p>\r\n<p dir=\"rtl\">این گاهنامه مجموعهای است از آثار محققان معماری و هنر ایران، بهويژه در زمینۀ تاریخ و تئوری معماری و هنر. در این مجموعه، مقالههایی از رشتهها و با دیدگاههای گوناگون در کنار هم قرار میگیرد تا اصحاب رشتهها و دیدگاههای گوناگون از تجربهها و یافتهها و دیدههای یکدیگر بیاموزند. این مجموعه مقالات مبلّغِ نوعی از دیدگاه یا رویکرد یا روش در مطالعات معماری و هنر نیست؛ بلکه راه اقسام اینها- به شرط عمق و دقت و مناسبت با هدفِ فهم بهتر معماری و هنر ایران یا گسترش و تعمیق بنیادهای آن در نظر و روش و شناخت منابع- بدان گشوده است.</p>','','','inherit','closed','closed','','159-revision-v1','','','2016-04-17 06:49:51','2016-04-17 06:49:51','',159,'https://qayyoomi.com/159-revision-v1/',0,'revision','',0),(165,1,'2016-04-17 06:56:21','2016-04-17 06:56:21','<img class=\"size-medium wp-image-111 aligncenter\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" />\r\n<p dir=\"rtl\" style=\"text-align: center;\"><strong>پژوهشهای معماری و هنر: تاریخ و نظر</strong>\r\nبه کوشش مهرداد قیومی بیدهندی\r\nتهران، روزنه\r\n۱۳۹۴</p>\r\n<p dir=\"rtl\">این گاهنامه مجموعهای است از آثار محققان معماری و هنر ایران، بهويژه در زمینۀ تاریخ و تئوری معماری و هنر. در این مجموعه، مقالههایی از رشتهها و با دیدگاههای گوناگون در کنار هم قرار میگیرد تا اصحاب رشتهها و دیدگاههای گوناگون از تجربهها و یافتهها و دیدههای یکدیگر بیاموزند. این مجموعه مقالات مبلّغِ نوعی از دیدگاه یا رویکرد یا روش در مطالعات معماری و هنر نیست؛ بلکه راه اقسام اینها- به شرط عمق و دقت و مناسبت با هدفِ فهم بهتر معماری و هنر ایران یا گسترش و تعمیق بنیادهای آن در نظر و روش و شناخت منابع- بدان گشوده است.</p>','Researches on Art and Architecture; History and Theory','','inherit','closed','closed','','159-revision-v1','','','2016-04-17 06:56:21','2016-04-17 06:56:21','',159,'https://qayyoomi.com/159-revision-v1/',0,'revision','',0),(167,1,'2016-04-17 07:21:33','2016-04-17 07:21:33','<img class=\"wp-image-113 size-medium aligncenter\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/6-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n<p dir=\"rtl\" style=\"text-align: center;\"><strong>کتابنگاشت توضیحی نظریههای تاریخ معماری و هنر</strong>\r\nمهرداد قیومی بیدهندی و همکاران\r\nتهران، دانشگاه شهید بهشتی\r\n۱۳۹۴</p>\r\n<p dir=\"rtl\">فهم درست و ژرف تاریخ هنر مغربزمین و نقد آن نیازمند شناخت بنیادهای نظری آن است. همچنین فهم هنر ایرانزمین و تاریخ آن و بنیاد کردن تاریخ هنر متناسب با ایرانزمین نیازمند تمهیدی نظری است. اینها بدون شناخت وضع کنونی مباحث نظری تاریخ معماری و هنر در جهان ممکن نیست. هدف «کتابنگاشت توضیحی نظریههای تاریخ معماری و هنر» شناسایی و معرفی مهمترین و تازهترین کتابهای این حوزه است. این معرفی آنگاه در اختیار هدف خواهد بود که اطلاعات بیشتری از درون کتاب در اختیار خواننده بگذارد، در حدی که او را از تصفح کتاب کمابیش بینیاز کند. این مقصود با کتابنگاشت توضیحی حاصل شده است.</p>','Theories of Architectural and Art History; An Annotated Bibliography','','publish','closed','closed','','theories-of-architectural-and-art-history-an-annotated-babliography','','','2016-06-22 07:06:29','2016-06-22 07:06:29','',0,'https://qayyoomi.com/?page_id=167',0,'page','',0),(168,1,'2016-04-17 07:21:33','2016-04-17 07:21:33','<img class=\"wp-image-113 size-medium aligncenter\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/6-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n<p dir=\"rtl\" style=\"text-align: center;\"><strong>کتابنگاشت توضیحی نظریههای تاریخ معماری و هنر</strong>\r\nمهرداد قیومی بیدهندی و همکاران\r\nتهران، دانشگاه شهید بهشتی\r\n۱۳۹۴</p>\r\n<p dir=\"rtl\">فهم درست و ژرف تاریخ هنر مغربزمین و نقد آن نیازمند شناخت بنیادهای نظری آن است. همچنین فهم هنر ایرانزمین و تاریخ آن و بنیاد کردن تاریخ هنر متناسب با ایرانزمین نیازمند تمهیدی نظری است. اینها بدون شناخت وضع کنونی مباحث نظری تاریخ معماری و هنر در جهان ممکن نیست. هدف «کتابنگاشت توضیحی نظریههای تاریخ معماری و هنر» شناسایی و معرفی مهمترین و تازهترین کتابهای این حوزه است. این معرفی آنگاه در اختیار هدف خواهد بود که اطلاعات بیشتری از درون کتاب در اختیار خواننده بگذارد، در حدی که او را از تصفح کتاب کمابیش بینیاز کند. این مقصود با کتابنگاشت توضیحی حاصل شده است.</p>','Theories of Architectural and Art History; An Annotated Babliography','','inherit','closed','closed','','167-revision-v1','','','2016-04-17 07:21:33','2016-04-17 07:21:33','',167,'https://qayyoomi.com/167-revision-v1/',0,'revision','',0),(169,1,'2016-04-17 07:23:09','2016-04-17 07:23:09','<a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\"><img class=\"size-medium wp-image-113 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/6-245x300.png\" alt=\"6\" width=\"245\" height=\"300\" /></a>\r\n\r\n<strong>Theories of Architectural and Art History; An Annotated Babliography</strong>\r\n<strong> 2015</strong>\r\nAbstract\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\"><img class=\"size-medium wp-image-111 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" /></a>\r\n\r\n<strong>Researches on Art and Architecture;</strong>\r\n<strong> History and Theory</strong>\r\n<strong> 2015</strong>\r\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-120 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/13-247x300.png\" alt=\"13\" width=\"247\" height=\"300\" />\r\n\r\nTen Stories on Architecture\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-108 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/1-245x300.png\" alt=\"1\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Dynamics of Architectural Form\r\n2014\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-119 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/12-245x300.png\" alt=\"12\" width=\"245\" height=\"300\" />\r\n\r\nEssays on the Theory and History of Architecture and Art\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-117 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/10-245x300.png\" alt=\"10\" width=\"245\" height=\"300\" />\r\n\r\nPersian Literature as Source of Architectural History: a Bibliographical Introduction,\r\nvolume 1: Persian Prose of the First Islamic Centuries\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-122 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/16-241x300.png\" alt=\"16\" width=\"241\" height=\"300\" />\r\n\r\nDictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti)\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-151 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/5_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Architecture: Choice Or Fate\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-123 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/17-244x300.png\" alt=\"17\" width=\"244\" height=\"300\" />\r\n\r\nDictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti)\r\n2010\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-125 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/19-300x253.png\" alt=\"19\" width=\"300\" height=\"253\" />\r\n\r\nTrilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi)\r\n2009\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-124 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/18-244x300.png\" alt=\"18\" width=\"244\" height=\"300\" />\r\n\r\nGanjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi)\r\n2005\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-121 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/14-245x300.png\" alt=\"14\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-145 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/8_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Meaning in Western Architecture, by Christian Norberg-Schulz\r\n2007\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-114 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/7-245x300.png\" alt=\"7\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Dynamics of Architectural Form, by Rudolf Arnheim\r\n2003\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-109 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/2-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2013\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-146 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/3_1-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-118 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/11-245x300.png\" alt=\"11\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2002\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-147 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/9_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu\r\n2001\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-148 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/15-245x300.png\" alt=\"15\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of Quranic Art and Calligraphy, by Martin Lings\r\n1998\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-149 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/20-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nGolestān-e Honar\r\n(Quarterly on the History of Iranian Art and Architecture)\r\n2005-2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-150 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/21-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nRavāq\r\n(Quarterly on architecture & art studies)\r\n1998-2000\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Books','','inherit','closed','closed','','24-revision-v1','','','2016-04-17 07:23:09','2016-04-17 07:23:09','',24,'https://qayyoomi.com/24-revision-v1/',0,'revision','',0),(170,1,'2016-04-17 07:36:41','2016-04-17 07:36:41','<a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\"><img class=\"size-medium wp-image-113 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/6-245x300.png\" alt=\"6\" width=\"245\" height=\"300\" /></a>\r\n\r\n<strong>Theories of Architectural and Art History; An Annotated Babliography</strong>\r\n<strong> 2015</strong>\r\n<a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\"><img class=\"size-medium wp-image-111 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" /></a>\r\n\r\n<strong>Researches on Art and Architecture;</strong>\r\n<strong> History and Theory</strong>\r\n<strong> 2015</strong>\r\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-120 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/13-247x300.png\" alt=\"13\" width=\"247\" height=\"300\" />\r\n\r\nTen Stories on Architecture\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-108 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/1-245x300.png\" alt=\"1\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Dynamics of Architectural Form\r\n2014\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-119 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/12-245x300.png\" alt=\"12\" width=\"245\" height=\"300\" />\r\n\r\nEssays on the Theory and History of Architecture and Art\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-117 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/10-245x300.png\" alt=\"10\" width=\"245\" height=\"300\" />\r\n\r\nPersian Literature as Source of Architectural History: a Bibliographical Introduction,\r\nvolume 1: Persian Prose of the First Islamic Centuries\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-122 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/16-241x300.png\" alt=\"16\" width=\"241\" height=\"300\" />\r\n\r\nDictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti)\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-151 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/5_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Architecture: Choice Or Fate\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-123 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/17-244x300.png\" alt=\"17\" width=\"244\" height=\"300\" />\r\n\r\nDictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti)\r\n2010\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-125 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/19-300x253.png\" alt=\"19\" width=\"300\" height=\"253\" />\r\n\r\nTrilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi)\r\n2009\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-124 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/18-244x300.png\" alt=\"18\" width=\"244\" height=\"300\" />\r\n\r\nGanjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi)\r\n2005\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-121 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/14-245x300.png\" alt=\"14\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-145 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/8_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Meaning in Western Architecture, by Christian Norberg-Schulz\r\n2007\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-114 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/7-245x300.png\" alt=\"7\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Dynamics of Architectural Form, by Rudolf Arnheim\r\n2003\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-109 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/2-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2013\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-146 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/3_1-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-118 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/11-245x300.png\" alt=\"11\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2002\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-147 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/9_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu\r\n2001\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-148 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/15-245x300.png\" alt=\"15\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of Quranic Art and Calligraphy, by Martin Lings\r\n1998\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-149 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/20-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nGolestān-e Honar\r\n(Quarterly on the History of Iranian Art and Architecture)\r\n2005-2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-150 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/21-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nRavāq\r\n(Quarterly on architecture & art studies)\r\n1998-2000\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Books','','inherit','closed','closed','','24-revision-v1','','','2016-04-17 07:36:41','2016-04-17 07:36:41','',24,'https://qayyoomi.com/24-revision-v1/',0,'revision','',0),(171,1,'2016-04-17 07:39:51','2016-04-17 07:39:51','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li>\r\n<p dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2016-04-17 07:39:51','2016-04-17 07:39:51','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(172,1,'2016-04-17 08:06:29','2016-04-17 08:06:29','<a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\"><img class=\"size-medium wp-image-113 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/6-245x300.png\" alt=\"6\" width=\"245\" height=\"300\" /></a>\r\n\r\n<strong>Theories of Architectural and Art\r\nHistory; An Annotated Babliography</strong>\r\n<strong> 2015</strong>\r\n<a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\"><img class=\"size-medium wp-image-111 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" /></a>\r\n\r\n<strong>Researches on Art and Architecture;</strong>\r\n<strong> History and Theory</strong>\r\n<strong> 2015</strong>\r\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-120 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/13-247x300.png\" alt=\"13\" width=\"247\" height=\"300\" />\r\n\r\nTen Stories on Architecture\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-108 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/1-245x300.png\" alt=\"1\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Dynamics of Architectural Form\r\n2014\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-119 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/12-245x300.png\" alt=\"12\" width=\"245\" height=\"300\" />\r\n\r\nEssays on the Theory and History of Architecture and Art\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-117 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/10-245x300.png\" alt=\"10\" width=\"245\" height=\"300\" />\r\n\r\nPersian Literature as Source of Architectural History: a Bibliographical Introduction,\r\nvolume 1: Persian Prose of the First Islamic Centuries\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-122 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/16-241x300.png\" alt=\"16\" width=\"241\" height=\"300\" />\r\n\r\nDictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti)\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-151 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/5_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Architecture: Choice Or Fate\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-123 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/17-244x300.png\" alt=\"17\" width=\"244\" height=\"300\" />\r\n\r\nDictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti)\r\n2010\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-125 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/19-300x253.png\" alt=\"19\" width=\"300\" height=\"253\" />\r\n\r\nTrilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi)\r\n2009\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-124 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/18-244x300.png\" alt=\"18\" width=\"244\" height=\"300\" />\r\n\r\nGanjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi)\r\n2005\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-121 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/14-245x300.png\" alt=\"14\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-145 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/8_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Meaning in Western Architecture, by Christian Norberg-Schulz\r\n2007\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-114 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/7-245x300.png\" alt=\"7\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Dynamics of Architectural Form, by Rudolf Arnheim\r\n2003\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-109 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/2-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2013\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-146 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/3_1-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-118 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/11-245x300.png\" alt=\"11\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2002\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-147 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/9_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu\r\n2001\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-148 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/15-245x300.png\" alt=\"15\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of Quranic Art and Calligraphy, by Martin Lings\r\n1998\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-149 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/20-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nGolestān-e Honar\r\n(Quarterly on the History of Iranian Art and Architecture)\r\n2005-2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-150 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/21-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nRavāq\r\n(Quarterly on architecture & art studies)\r\n1998-2000\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Books','','inherit','closed','closed','','24-revision-v1','','','2016-04-17 08:06:29','2016-04-17 08:06:29','',24,'https://qayyoomi.com/24-revision-v1/',0,'revision','',0),(174,1,'2016-04-26 14:14:30','2016-04-26 14:14:30','<a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\"><img class=\"size-medium wp-image-113 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/6-245x300.png\" alt=\"6\" width=\"245\" height=\"300\" /></a>\r\n\r\n<strong>Theories of Architectural and Art\r\nHistory; An Annotated Babliography</strong>\r\n<strong> 2015</strong>\r\n<a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\"><img class=\"size-medium wp-image-111 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" /></a>\r\n\r\n<strong>Researches on Art and Architecture;</strong>\r\n<strong> History and Theory</strong>\r\n<strong> 2015</strong>\r\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-120 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/13-247x300.png\" alt=\"13\" width=\"247\" height=\"300\" />\r\n\r\nTen Stories on Architecture\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-108 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/1-245x300.png\" alt=\"1\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Dynamics of Architectural Form\r\n2014\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-119 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/12-245x300.png\" alt=\"12\" width=\"245\" height=\"300\" />\r\n\r\nEssays on the Theory and History of Architecture and Art\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-117 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/10-245x300.png\" alt=\"10\" width=\"245\" height=\"300\" />\r\n\r\nPersian Literature as Source of Architectural History: a Bibliographical Introduction,\r\nvolume 1: Persian Prose of the First Islamic Centuries\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-122 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/16-241x300.png\" alt=\"16\" width=\"241\" height=\"300\" />\r\n\r\nDictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti)\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-151 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/5_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Architecture: Choice Or Fate\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-123 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/17-244x300.png\" alt=\"17\" width=\"244\" height=\"300\" />\r\n\r\nDictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti)\r\n2010\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-125 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/19-300x253.png\" alt=\"19\" width=\"300\" height=\"253\" />\r\n\r\nTrilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi)\r\n2009\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-124 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/18-244x300.png\" alt=\"18\" width=\"244\" height=\"300\" />\r\n\r\nGanjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi)\r\n2005\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-121 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/14-245x300.png\" alt=\"14\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-145 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/8_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Meaning in Western Architecture, by Christian Norberg-Schulz\r\n2007\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-114 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/7-245x300.png\" alt=\"7\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Dynamics of Architectural Form, by Rudolf Arnheim\r\n2003\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-109 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/2-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2013\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-146 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/3_1-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-118 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/11-245x300.png\" alt=\"11\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the Timeless Way of Building by Christopher Alexander\r\n2002\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-147 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/9_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu\r\n2001\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-148 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/15-245x300.png\" alt=\"15\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of Quranic Art and Calligraphy, by Martin Lings\r\n1998\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-149 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/20-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nGolestān-e Honar\r\n(Quarterly on the History of Iranian Art and Architecture)\r\n2005-2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-150 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/21-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nKhiyāl\r\n(Quarterly on architecture & art studies)\r\n2002-2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Books','','inherit','closed','closed','','24-revision-v1','','','2016-04-26 14:14:30','2016-04-26 14:14:30','',24,'https://qayyoomi.com/24-revision-v1/',0,'revision','',0),(175,1,'2016-04-27 04:49:06','2016-04-27 04:49:06','','','','inherit','closed','closed','','134-revision-v1','','','2016-04-27 04:49:06','2016-04-27 04:49:06','',134,'https://qayyoomi.com/134-revision-v1/',0,'revision','',0),(177,1,'2016-04-27 04:50:27','2016-04-27 04:50:27','Mehrdad Qayyoomi is Associate Professor of Shahid Beheshti University, Department of Architectural History','','','inherit','closed','closed','','134-revision-v1','','','2016-04-27 04:50:27','2016-04-27 04:50:27','',134,'https://qayyoomi.com/134-revision-v1/',0,'revision','',0),(178,1,'2016-04-27 05:16:47','2016-04-27 05:16:47','','','','inherit','closed','closed','','134-revision-v1','','','2016-04-27 05:16:47','2016-04-27 05:16:47','',134,'https://qayyoomi.com/134-revision-v1/',0,'revision','',0),(179,1,'2016-04-27 05:24:46','2016-04-27 05:24:46','Mehrdad Qayyoomi is Associate Professor of Shahid Beheshti University, Department of Architectural History','','','inherit','closed','closed','','134-revision-v1','','','2016-04-27 05:24:46','2016-04-27 05:24:46','',134,'https://qayyoomi.com/134-revision-v1/',0,'revision','',0),(180,1,'2016-04-27 09:51:13','2016-04-27 09:51:13','','dav','dav','inherit','open','closed','','dav','','','2016-04-27 09:51:13','2016-04-27 09:51:13','',134,'https://qayyoomi.com/wp-content/uploads/2016/03/IMG_20160427_122350.jpg',0,'attachment','image/jpeg',0),(182,1,'2016-05-07 10:28:06','2016-05-07 10:28:06','','','','inherit','closed','closed','','134-revision-v1','','','2016-05-07 10:28:06','2016-05-07 10:28:06','',134,'https://qayyoomi.com/134-revision-v1/',0,'revision','',0),(184,1,'2016-05-08 17:29:12','2016-05-08 17:29:12','<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n<h3>Translation</h3>\r\nمعماری و جامعه در دورۀ ایلخانان\r\n\r\nچهار منبع دربارۀ ساختههای شاه عباس در اصفهان\r\n\r\nتحقیق تفسیری - تاریخی در معماری\r\n\r\nنظامهای پژوهش و معیارهای کیفیت تحقیق\r\n\r\nسخنی در حکمت هنر اسلامی\r\n\r\nنقشه و طومار معماری در جهان اسلام\r\n\r\nاحداث اصفهان عباسی در متون صفوی\r\n<h3>Interviews</h3>\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\" target=\"_blank\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\" target=\"_blank\">شهر روانپریش و معماری اسلامی- شفقنا، بهمن ۱۳۹۳</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\" target=\"_blank\">شارحان پریشانی: گفتگو با مجلۀ سورۀ اندیشه، تیر و مرداد ۱۳۹۰</a>\r\n<h3 class=\"hr-heading\"><span class=\"hr-heading-text text-uppercase text-bold\">Notes & Prefaces</span></h3>\r\n<div class=\"media-heading text-serif\"><a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\" target=\"_blank\">یادداشت: معماری چون مظهر فرهنگ</a></div>','Articles','','inherit','closed','closed','','11-revision-v1','','','2016-05-08 17:29:12','2016-05-08 17:29:12','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(185,1,'2016-05-09 04:40:36','2016-05-09 04:40:36','','تحقیق تفسیری - تاریخی در معماری، صفه ۳۹','','inherit','open','closed','','%d8%aa%d8%ad%d9%82%db%8c%d9%82-%d8%aa%d9%81%d8%b3%db%8c%d8%b1%db%8c-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae%db%8c-%d8%af%d8%b1-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c%d8%8c-%d8%b5%d9%81%d9%87-%db%b3%db%b9','','','2016-05-09 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05:25:52','','نقشه و طومار معماری در جهان اسلام، رواق ۱','','inherit','open','closed','','%d9%86%d9%82%d8%b4%d9%87-%d9%88-%d8%b7%d9%88%d9%85%d8%a7%d8%b1-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d8%af%d8%b1-%d8%ac%d9%87%d8%a7%d9%86-%d8%a7%d8%b3%d9%84%d8%a7%d9%85%d8%8c-%d8%b1%d9%88%d8%a7%d9%82','','','2016-05-09 05:25:52','2016-05-09 05:25:52','',0,'https://qayyoomi.com/wp-content/uploads/2016/05/نقشه-و-طومار-معماری-در-جهان-اسلام،-رواق-۱.pdf',0,'attachment','application/pdf',0),(192,1,'2016-05-14 14:08:59','2016-05-14 14:08:59','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\r\nAssociate Professor, Shahid Beheshti University\r\nAssociate Member, The Iranian Academy of Art\r\nInvited Member, The Iranian Academy of Science\r\n\r\n<strong>Education</strong>\r\n<ul>\r\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\r\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\r\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\r\n</ul>\r\n<strong>Honors and Awards</strong>\r\n<ul>\r\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\r\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\r\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\r\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\r\n <li>Research Fellowship, Farabi International Award 2010</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\r\n</ul>\r\n<strong>Memberships</strong>\r\n<ul>\r\n <li>Associate Member, the Iranian Academy of Art Since 2005</li>\r\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\r\n <li>Invited Member, the Iranian Academy of Persian Language and Literature Since 2012</li>\r\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\r\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\r\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\r\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 200</li>\r\n</ul>\r\n<strong>Present Positions</strong>\r\n<ul>\r\n <li>Faculty Member, Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\r\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\r\n</ul>\r\n<strong> Past Positions</strong>\r\n<ul>\r\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\r\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\r\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\r\n <li>Faculty Member, the Iranian Academy of Art 2004-2007</li>\r\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\r\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\r\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\r\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\r\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\r\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\r\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\r\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\r\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\r\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\r\n</ul>\r\n<strong> Research and Teaching Interests</strong>\r\n<ul>\r\n <li>History of Iranian and Persianate Architecture and Art</li>\r\n <li>Islamic Architecture and Art</li>\r\n <li>Theory and Methodology of Architectural History</li>\r\n <li>Theory of Architecture and Art</li>\r\n</ul>\r\n<strong> Publications: 1. Articles and Essays</strong>\r\n<ul>\r\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\r\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\r\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\r\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\r\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\r\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\r\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\r\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development</em>, no. 7, 2012</li>\r\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\r\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\r\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\r\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\r\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\r\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\r\n <li>On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\r\n <li>Patronage and the Hidden Aspects of the History of Iranian Art, in Gulistān-i Hunar (Golestān-e Honar), no. 13, 2008</li>\r\n <li>The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\r\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\r\n <li>Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\r\n <li>Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\r\n <li>Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\r\n <li>Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\r\n <li>Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\r\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\r\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\r\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\r\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\r\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\r\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\r\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\r\n <li>A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\r\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\r\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\r\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\r\n <li>For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\r\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\r\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\r\n <li>A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\r\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\r\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\r\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\r\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\r\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\r\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\r\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\r\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\r\n</ul>\r\n<strong>Publications: 2. Books</strong>\r\n<ul>\r\n <li>Essays on the Theory and History of Architecture and Art 2012</li>\r\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti) 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti) 2010</li>\r\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi) 2009</li>\r\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi) 2005</li>\r\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane 2011</li>\r\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz 2007</li>\r\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim 2003</li>\r\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander 2002</li>\r\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu 2001</li>\r\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings 1998</li>\r\n</ul>\r\n<strong>Teaching Experience</strong>\r\n<ul>\r\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\r\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\r\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\r\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\r\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\r\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\r\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\r\n</ul>\r\n<strong>Dissertations: 1. Supervised</strong>\r\n<ul>\r\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\r\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\r\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\r\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\r\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\r\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\r\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\r\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\r\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\r\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\r\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\r\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\r\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\r\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\r\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\r\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\r\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\r\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\r\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\r\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\r\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\r\n</ul>\r\n<strong>Dissertations: 2. Consulted</strong>\r\n<ul>\r\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\r\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\r\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\r\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\r\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\r\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\r\n</ul>\r\n<strong>Personal Information</strong>\r\n<ul>\r\n <li>Born: Tehran, 1960</li>\r\n</ul>\r\n<strong>Languages</strong>\r\n<ul>\r\n <li>Reading and Translation Competence in English and Arabic</li>\r\n <li>Native in Persian</li>\r\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2016-05-14 14:08:59','2016-05-14 14:08:59','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(193,1,'2016-05-14 15:14:41','2016-05-14 15:14:41','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\r\nAssociate Professor, Shahid Beheshti University\r\nAssociate Member, The Iranian Academy of Art\r\nInvited Member, The Iranian Academy of Science\r\n\r\n<strong>Education</strong>\r\n<ul>\r\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\r\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\r\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\r\n</ul>\r\n<strong>Honors and Awards</strong>\r\n<ul>\r\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\r\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\r\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\r\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\r\n <li>Research Fellowship, Farabi International Award 2010</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\r\n</ul>\r\n<strong>Memberships</strong>\r\n<ul>\r\n <li>Associate Member, the Iranian Academy of Art Since 2005</li>\r\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\r\n <li>Invited Member, the Iranian Academy of Persian Language and Literature Since 2012</li>\r\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\r\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\r\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\r\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 200</li>\r\n</ul>\r\n<strong>Present Positions</strong>\r\n<ul>\r\n <li>Faculty Member, Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\r\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\r\n</ul>\r\n<strong> Past Positions</strong>\r\n<ul>\r\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\r\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\r\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\r\n <li>Faculty Member, the Iranian Academy of Art 2004-2007</li>\r\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\r\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\r\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\r\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\r\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\r\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\r\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\r\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\r\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\r\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\r\n</ul>\r\n<strong> Research and Teaching Interests</strong>\r\n<ul>\r\n <li>History of Iranian and Persianate Architecture and Art</li>\r\n <li>Islamic Architecture and Art</li>\r\n <li>Theory and Methodology of Architectural History</li>\r\n <li>Theory of Architecture and Art</li>\r\n</ul>\r\n<strong> Publications: 1. Articles and Essays</strong>\r\n<ul>\r\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\r\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\r\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\r\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\r\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\r\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\r\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\r\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development</em>, no. 7, 2012</li>\r\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\r\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\r\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\r\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\r\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\r\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\r\n <li>On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\r\n <li>Patronage and the Hidden Aspects of the History of Iranian Art, in Gulistān-i Hunar (Golestān-e Honar), no. 13, 2008</li>\r\n <li>The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\r\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\r\n <li>Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\r\n <li>Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\r\n <li>Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\r\n <li>Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\r\n <li>Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\r\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\r\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\r\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\r\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\r\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\r\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\r\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\r\n <li>A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\r\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\r\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\r\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\r\n <li>For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\r\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\r\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\r\n <li>A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\r\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\r\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\r\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\r\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\r\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\r\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\r\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\r\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\r\n</ul>\r\n<strong>Publications: 2. Books</strong>\r\n<ul>\r\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\r\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\r\n <li>Ten Stories on Architecture, 2015</li>\r\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\r\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\r\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\r\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\r\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\r\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\r\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\r\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\r\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\r\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\r\n</ul>\r\n<strong>Teaching Experience</strong>\r\n<ul>\r\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\r\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\r\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\r\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\r\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\r\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\r\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\r\n</ul>\r\n<strong>Dissertations: 1. Supervised</strong>\r\n<ul>\r\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\r\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\r\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\r\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\r\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\r\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\r\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\r\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\r\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\r\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\r\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\r\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\r\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\r\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\r\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\r\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\r\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\r\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\r\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\r\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\r\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\r\n</ul>\r\n<strong>Dissertations: 2. Consulted</strong>\r\n<ul>\r\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\r\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\r\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\r\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\r\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\r\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\r\n</ul>\r\n<strong>Personal Information</strong>\r\n<ul>\r\n <li>Born: Tehran, 1960</li>\r\n</ul>\r\n<strong>Languages</strong>\r\n<ul>\r\n <li>Reading and Translation Competence in English and Arabic</li>\r\n <li>Native in Persian</li>\r\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2016-05-14 15:14:41','2016-05-14 15:14:41','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(194,1,'2016-05-14 15:48:14','2016-05-14 15:48:14','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\r\nAssociate Professor, Shahid Beheshti University\r\nAssociate Member, The Iranian Academy of Art\r\nInvited Member, The Iranian Academy of Science\r\n\r\n<strong>Education</strong>\r\n<ul>\r\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\r\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\r\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\r\n</ul>\r\n<strong>Honors and Awards</strong>\r\n<ul>\r\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\r\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\r\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\r\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\r\n <li>Research Fellowship, Farabi International Award 2010</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\r\n</ul>\r\n<strong>Memberships</strong>\r\n<ul>\r\n <li>Associate Member, the Iranian Academy of Art Since 2005</li>\r\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\r\n <li>Invited Member, the Iranian Academy of Persian Language and Literature Since 2012</li>\r\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\r\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\r\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\r\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 200</li>\r\n</ul>\r\n<strong>Present Positions</strong>\r\n<ul>\r\n <li>Faculty Member, Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\r\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\r\n</ul>\r\n<strong> Past Positions</strong>\r\n<ul>\r\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\r\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\r\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\r\n <li>Faculty Member, the Iranian Academy of Art 2004-2007</li>\r\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\r\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\r\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\r\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\r\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\r\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\r\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\r\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\r\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\r\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\r\n</ul>\r\n<strong> Research and Teaching Interests</strong>\r\n<ul>\r\n <li>History of Iranian and Persianate Architecture and Art</li>\r\n <li>Islamic Architecture and Art</li>\r\n <li>Theory and Methodology of Architectural History</li>\r\n <li>Theory of Architecture and Art</li>\r\n</ul>\r\n<strong> Publications: 1. Articles and Essays</strong>\r\n<ul>\r\n <li>Where is the path of mosque and pub? A discussion on the quiddity of Remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\r\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\r\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\r\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\r\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\r\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\r\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\r\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\r\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development</em>, no. 7, 2012</li>\r\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\r\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\r\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\r\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\r\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\r\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\r\n <li>On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\r\n <li>Patronage and the Hidden Aspects of the History of Iranian Art, in Gulistān-i Hunar (Golestān-e Honar), no. 13, 2008</li>\r\n <li>The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\r\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\r\n <li>Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\r\n <li>Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\r\n <li>Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\r\n <li>Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\r\n <li>Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\r\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\r\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\r\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\r\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\r\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\r\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\r\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\r\n <li>A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\r\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\r\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\r\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\r\n <li>For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\r\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\r\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\r\n <li>A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\r\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\r\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\r\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\r\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\r\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\r\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\r\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\r\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\r\n</ul>\r\n<strong>Publications: 2. Books</strong>\r\n<ul>\r\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\r\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\r\n <li>Ten Stories on Architecture, 2015</li>\r\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\r\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\r\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\r\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\r\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\r\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\r\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\r\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\r\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\r\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\r\n</ul>\r\n<strong>Teaching Experience</strong>\r\n<ul>\r\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\r\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\r\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\r\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\r\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\r\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\r\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\r\n</ul>\r\n<strong>Dissertations: 1. Supervised</strong>\r\n<ul>\r\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\r\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\r\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\r\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\r\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\r\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\r\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\r\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\r\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\r\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\r\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\r\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\r\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\r\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\r\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\r\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\r\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\r\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\r\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\r\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\r\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\r\n</ul>\r\n<strong>Dissertations: 2. Consulted</strong>\r\n<ul>\r\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\r\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\r\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\r\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\r\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\r\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\r\n</ul>\r\n<strong>Personal Information</strong>\r\n<ul>\r\n <li>Born: Tehran, 1960</li>\r\n</ul>\r\n<strong>Languages</strong>\r\n<ul>\r\n <li>Reading and Translation Competence in English and Arabic</li>\r\n <li>Native in Persian</li>\r\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2016-05-14 15:48:14','2016-05-14 15:48:14','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(195,1,'2016-05-14 15:52:29','2016-05-14 15:52:29','<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n<h3>Translation</h3>\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/معماری-و-جامعه-در-دورۀ-ایلخانان،-گلستان-هنر،-ش-۱۳.pdf\">معماری و جامعه در دورۀ ایلخانان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/چهار-منبع-دربارۀ-ساختههای-شاه-عباس-در-اصفهان،-گلستان-هنر،-ش-۶.pdf\">چهار منبع دربارۀ ساختههای شاه عباس در اصفهان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/تحقیق-تفسیری-تاریخی-در-معماری،-صفه-۳۹.pdf\">تحقیق تفسیری - تاریخی در معماری</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نظامهای-پژوهش-و-معیارهای-کیفیت-تحقیق،-صفۀ-۳۷.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/سخنی-در-حکمت-هنر-اسلامی،-رواق-۱.pdf\">سخنی در حکمت هنر اسلامی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقشه-و-طومار-معماری-در-جهان-اسلام،-رواق-۱.pdf\">نقشه و طومار معماری در جهان اسلام</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/احداث-اصفهان-عباسی-در-متون-صفوی،-رواق-ش-۱-.pdf\">احداث اصفهان عباسی در متون صفوی</a>\r\n<h3>Interviews</h3>\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\" target=\"_blank\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\" target=\"_blank\">شهر روانپریش و معماری اسلامی- شفقنا، بهمن ۱۳۹۳</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\" target=\"_blank\">شارحان پریشانی: گفتگو با مجلۀ سورۀ اندیشه، تیر و مرداد ۱۳۹۰</a>\r\n<h3 class=\"hr-heading\"><span class=\"hr-heading-text text-uppercase text-bold\">Notes & Prefaces</span></h3>\r\n<div class=\"media-heading text-serif\"><a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\" target=\"_blank\">یادداشت: معماری چون مظهر فرهنگ</a></div>','Articles','','inherit','closed','closed','','11-revision-v1','','','2016-05-14 15:52:29','2016-05-14 15:52:29','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(197,1,'2016-05-15 03:04:50','2016-05-15 03:04:50','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li>\r\n<p dir=\"ltr\" style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2016-05-15 03:04:50','2016-05-15 03:04:50','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(198,1,'2016-05-15 03:10:26','2016-05-15 03:10:26','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li>\r\n<p dir=\"ltr\" style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2016-05-15 03:10:26','2016-05-15 03:10:26','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(199,1,'2016-05-15 03:11:21','2016-05-15 03:11:21','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li>\r\n<p dir=\"ltr\" style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2016-05-15 03:11:21','2016-05-15 03:11:21','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(200,1,'2016-05-16 15:31:08','2016-05-16 15:31:08','','نقش و جهانشناسی','','inherit','open','closed','','%d9%86%d9%82%d8%b4-%d9%88-%d8%ac%d9%87%d8%a7%d9%86%e2%80%8c%d8%b4%d9%86%d8%a7%d8%b3%db%8c','','','2016-05-16 15:31:08','2016-05-16 15:31:08','',0,'https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf',0,'attachment','application/pdf',0),(201,1,'2016-05-16 15:32:35','2016-05-16 15:32:35','','رمزپردازی','','inherit','open','closed','','%d8%b1%d9%85%d8%b2%d9%be%d8%b1%d8%af%d8%a7%d8%b2%db%8c','','','2016-05-16 15:32:35','2016-05-16 15:32:35','',0,'https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf',0,'attachment','application/pdf',0),(202,1,'2016-05-16 15:34:14','2016-05-16 15:34:14','','صفیالدین ارموی','','inherit','open','closed','','%d8%b5%d9%81%db%8c%e2%80%8c%d8%a7%d9%84%d8%af%db%8c%d9%86-%d8%a7%d8%b1%d9%85%d9%88%db%8c','','','2016-05-16 15:34:14','2016-05-16 15:34:14','',0,'https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf',0,'attachment','application/pdf',0),(203,1,'2016-05-16 15:38:09','2016-05-16 15:38:09','<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n<h3>Translation</h3>\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/معماری-و-جامعه-در-دورۀ-ایلخانان،-گلستان-هنر،-ش-۱۳.pdf\">معماری و جامعه در دورۀ ایلخانان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/چهار-منبع-دربارۀ-ساختههای-شاه-عباس-در-اصفهان،-گلستان-هنر،-ش-۶.pdf\">چهار منبع دربارۀ ساختههای شاه عباس در اصفهان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/تحقیق-تفسیری-تاریخی-در-معماری،-صفه-۳۹.pdf\">تحقیق تفسیری - تاریخی در معماری</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نظامهای-پژوهش-و-معیارهای-کیفیت-تحقیق،-صفۀ-۳۷.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/سخنی-در-حکمت-هنر-اسلامی،-رواق-۱.pdf\">سخنی در حکمت هنر اسلامی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقشه-و-طومار-معماری-در-جهان-اسلام،-رواق-۱.pdf\">نقشه و طومار معماری در جهان اسلام</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/احداث-اصفهان-عباسی-در-متون-صفوی،-رواق-ش-۱-.pdf\">احداث اصفهان عباسی در متون صفوی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">رمز پردازی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی</a>\r\n<h3>Interviews</h3>\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\" target=\"_blank\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\" target=\"_blank\">شهر روانپریش و معماری اسلامی- شفقنا، بهمن ۱۳۹۳</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\" target=\"_blank\">شارحان پریشانی: گفتگو با مجلۀ سورۀ اندیشه، تیر و مرداد ۱۳۹۰</a>\r\n<h3 class=\"hr-heading\"><span class=\"hr-heading-text text-uppercase text-bold\">Notes & Prefaces</span></h3>\r\n<div class=\"media-heading text-serif\"><a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\" target=\"_blank\">یادداشت: معماری چون مظهر فرهنگ</a></div>','Articles','','inherit','closed','closed','','11-revision-v1','','','2016-05-16 15:38:09','2016-05-16 15:38:09','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(204,1,'2016-05-16 15:39:15','2016-05-16 15:39:15','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li>\r\n<p dir=\"ltr\" style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2016-05-16 15:39:15','2016-05-16 15:39:15','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(205,1,'2016-05-17 02:47:23','2016-05-17 02:47:23','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\r\nAssociate Professor, Shahid Beheshti University\r\nAssociate Member, The Iranian Academy of Art\r\nInvited Member, The Iranian Academy of Science\r\n\r\n<strong>Education</strong>\r\n<ul>\r\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\r\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\r\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\r\n</ul>\r\n<strong>Honors and Awards</strong>\r\n<ul>\r\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\r\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\r\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\r\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\r\n <li>Research Fellowship, Farabi International Award 2010</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\r\n</ul>\r\n<strong>Memberships</strong>\r\n<ul>\r\n <li>Associate Member, the Iranian Academy of Art Since 2005</li>\r\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\r\n <li>Invited Member, the Iranian Academy of Persian Language and Literature Since 2012</li>\r\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\r\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\r\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\r\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 200</li>\r\n</ul>\r\n<strong>Present Positions</strong>\r\n<ul>\r\n <li>Faculty Member, Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\r\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\r\n</ul>\r\n<strong> Past Positions</strong>\r\n<ul>\r\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\r\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\r\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\r\n <li>Faculty Member, the Iranian Academy of Art 2004-2007</li>\r\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\r\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\r\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\r\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\r\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\r\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\r\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\r\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\r\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\r\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\r\n</ul>\r\n<strong> Research and Teaching Interests</strong>\r\n<ul>\r\n <li>History of Iranian and Persianate Architecture and Art</li>\r\n <li>Islamic Architecture and Art</li>\r\n <li>Theory and Methodology of Architectural History</li>\r\n <li>Theory of Architecture and Art</li>\r\n</ul>\r\n<strong> Publications: 1. Articles and Essays</strong>\r\n<ul>\r\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\r\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\r\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\r\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\r\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\r\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\r\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\r\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\r\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development</em>, no. 7, 2012</li>\r\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\r\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\r\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\r\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\r\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\r\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\r\n <li>On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\r\n <li>Patronage and the Hidden Aspects of the History of Iranian Art, in Gulistān-i Hunar (Golestān-e Honar), no. 13, 2008</li>\r\n <li>The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\r\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\r\n <li>Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\r\n <li>Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\r\n <li>Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\r\n <li>Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\r\n <li>Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\r\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\r\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\r\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\r\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\r\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\r\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\r\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\r\n <li>A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\r\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\r\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\r\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\r\n <li>For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\r\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\r\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\r\n <li>A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\r\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\r\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\r\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\r\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\r\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\r\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\r\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\r\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\r\n</ul>\r\n<strong>Publications: 2. Books</strong>\r\n<ul>\r\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\r\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\r\n <li>Ten Stories on Architecture, 2015</li>\r\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\r\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\r\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\r\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\r\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\r\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\r\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\r\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\r\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\r\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\r\n</ul>\r\n<strong>Teaching Experience</strong>\r\n<ul>\r\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\r\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\r\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\r\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\r\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\r\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\r\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\r\n</ul>\r\n<strong>Dissertations: 1. Supervised</strong>\r\n<ul>\r\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\r\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\r\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\r\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\r\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\r\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\r\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\r\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\r\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\r\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\r\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\r\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\r\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\r\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\r\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\r\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\r\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\r\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\r\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\r\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\r\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\r\n</ul>\r\n<strong>Dissertations: 2. Consulted</strong>\r\n<ul>\r\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\r\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\r\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\r\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\r\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\r\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\r\n</ul>\r\n<strong>Personal Information</strong>\r\n<ul>\r\n <li>Born: Tehran, 1960</li>\r\n</ul>\r\n<strong>Languages</strong>\r\n<ul>\r\n <li>Reading and Translation Competence in English and Arabic</li>\r\n <li>Native in Persian</li>\r\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2016-05-17 02:47:23','2016-05-17 02:47:23','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(207,1,'2016-06-04 16:48:01','2016-06-04 16:48:01','','آثار و افکار الگ گرابار','','inherit','open','closed','','%d8%a2%d8%ab%d8%a7%d8%b1-%d9%88-%d8%a7%d9%81%da%a9%d8%a7%d8%b1-%d8%a7%d9%84%da%af-%da%af%d8%b1%d8%a7%d8%a8%d8%a7%d8%b1','','','2016-06-04 16:48:01','2016-06-04 16:48:01','',0,'https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf',0,'attachment','application/pdf',0),(208,1,'2016-06-04 16:48:24','2016-06-04 16:48:24','<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n<h3>Translation</h3>\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/معماری-و-جامعه-در-دورۀ-ایلخانان،-گلستان-هنر،-ش-۱۳.pdf\">معماری و جامعه در دورۀ ایلخانان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/چهار-منبع-دربارۀ-ساختههای-شاه-عباس-در-اصفهان،-گلستان-هنر،-ش-۶.pdf\">چهار منبع دربارۀ ساختههای شاه عباس در اصفهان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/تحقیق-تفسیری-تاریخی-در-معماری،-صفه-۳۹.pdf\">تحقیق تفسیری - تاریخی در معماری</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نظامهای-پژوهش-و-معیارهای-کیفیت-تحقیق،-صفۀ-۳۷.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/سخنی-در-حکمت-هنر-اسلامی،-رواق-۱.pdf\">سخنی در حکمت هنر اسلامی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقشه-و-طومار-معماری-در-جهان-اسلام،-رواق-۱.pdf\">نقشه و طومار معماری در جهان اسلام</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/احداث-اصفهان-عباسی-در-متون-صفوی،-رواق-ش-۱-.pdf\">احداث اصفهان عباسی در متون صفوی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">رمز پردازی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">آثار و افکار الگ گرابار</a>\r\n<h3>Interviews</h3>\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\" target=\"_blank\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\" target=\"_blank\">شهر روانپریش و معماری اسلامی- شفقنا، بهمن ۱۳۹۳</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\" target=\"_blank\">شارحان پریشانی: گفتگو با مجلۀ سورۀ اندیشه، تیر و مرداد ۱۳۹۰</a>\r\n<h3 class=\"hr-heading\"><span class=\"hr-heading-text text-uppercase text-bold\">Notes & Prefaces</span></h3>\r\n<div class=\"media-heading text-serif\"><a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\" target=\"_blank\">یادداشت: معماری چون مظهر فرهنگ</a></div>','Articles','','inherit','closed','closed','','11-revision-v1','','','2016-06-04 16:48:24','2016-06-04 16:48:24','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(209,1,'2016-06-04 16:51:11','2016-06-04 16:51:11','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li>\r\n<p dir=\"ltr\" style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2016-06-04 16:51:11','2016-06-04 16:51:11','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(210,1,'2016-06-04 16:52:26','2016-06-04 16:52:26','<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">آثار و افکار الگ گرابار</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n<h3>Translation</h3>\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/معماری-و-جامعه-در-دورۀ-ایلخانان،-گلستان-هنر،-ش-۱۳.pdf\">معماری و جامعه در دورۀ ایلخانان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/چهار-منبع-دربارۀ-ساختههای-شاه-عباس-در-اصفهان،-گلستان-هنر،-ش-۶.pdf\">چهار منبع دربارۀ ساختههای شاه عباس در اصفهان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/تحقیق-تفسیری-تاریخی-در-معماری،-صفه-۳۹.pdf\">تحقیق تفسیری - تاریخی در معماری</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نظامهای-پژوهش-و-معیارهای-کیفیت-تحقیق،-صفۀ-۳۷.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/سخنی-در-حکمت-هنر-اسلامی،-رواق-۱.pdf\">سخنی در حکمت هنر اسلامی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقشه-و-طومار-معماری-در-جهان-اسلام،-رواق-۱.pdf\">نقشه و طومار معماری در جهان اسلام</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/احداث-اصفهان-عباسی-در-متون-صفوی،-رواق-ش-۱-.pdf\">احداث اصفهان عباسی در متون صفوی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">رمز پردازی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی</a>\r\n<h3>Interviews</h3>\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\" target=\"_blank\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\" target=\"_blank\">شهر روانپریش و معماری اسلامی- شفقنا، بهمن ۱۳۹۳</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\" target=\"_blank\">شارحان پریشانی: گفتگو با مجلۀ سورۀ اندیشه، تیر و مرداد ۱۳۹۰</a>\r\n<h3 class=\"hr-heading\"><span class=\"hr-heading-text text-uppercase text-bold\">Notes & Prefaces</span></h3>\r\n<div class=\"media-heading text-serif\"><a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\" target=\"_blank\">یادداشت: معماری چون مظهر فرهنگ</a></div>','Articles','','inherit','closed','closed','','11-revision-v1','','','2016-06-04 16:52:26','2016-06-04 16:52:26','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(211,1,'2016-06-04 16:57:39','2016-06-04 16:57:39','','Home','','publish','closed','closed','','home','','','2016-09-09 04:04:18','2016-09-09 04:04:18','',0,'https://qayyoomi.com/?p=211',1,'nav_menu_item','',0),(213,1,'2016-06-18 09:00:39','2016-06-18 09:00:39','','dav','dav','inherit','open','closed','','dav-2','','','2016-06-18 09:00:39','2016-06-18 09:00:39','',134,'https://qayyoomi.com/wp-content/uploads/2016/03/IMG_20160427_122350-۱.jpg',0,'attachment','image/jpeg',0),(214,1,'2016-06-18 09:09:54','2016-06-18 09:09:54','','photo_2016-04-27_12-31-06','','inherit','open','closed','','photo_2016-04-27_12-31-06','','','2016-06-18 09:09:54','2016-06-18 09:09:54','',0,'https://qayyoomi.com/wp-content/uploads/2016/06/photo_2016-04-27_12-31-06.jpg',0,'attachment','image/jpeg',0),(215,1,'2016-06-18 09:13:52','2016-06-18 09:13:52','','dav','dav','inherit','open','closed','','dav-3','','','2016-06-18 09:13:52','2016-06-18 09:13:52','',0,'https://qayyoomi.com/wp-content/uploads/2016/06/IMG_20160427_122350.jpg',0,'attachment','image/jpeg',0),(216,1,'2016-06-18 09:16:20','2016-06-18 09:16:20','','dav','dav','inherit','open','closed','','dav-4','','','2016-06-18 09:16:20','2016-06-18 09:16:20','',0,'https://qayyoomi.com/wp-content/uploads/2016/06/IMG_20160427_122350-1.jpg',0,'attachment','image/jpeg',0),(217,1,'2016-06-18 09:18:17','2016-06-18 09:18:17','','dav','dav','inherit','open','closed','','dav-5','','','2016-06-18 09:18:17','2016-06-18 09:18:17','',0,'https://qayyoomi.com/wp-content/uploads/2016/06/IMG_20160427_122350-copy-01.jpg',0,'attachment','image/jpeg',0),(218,1,'2016-06-18 09:24:26','2016-06-18 09:24:26','','dav','dav','inherit','open','closed','','dav-6','','','2016-06-18 09:24:26','2016-06-18 09:24:26','',0,'https://qayyoomi.com/wp-content/uploads/2016/06/IMG_20160427_122350-copy-02.jpg',0,'attachment','image/jpeg',0),(219,1,'2016-06-18 09:26:41','2016-06-18 09:26:41','','dav','dav','inherit','open','closed','','dav-7','','','2016-06-18 09:26:41','2016-06-18 09:26:41','',0,'https://qayyoomi.com/wp-content/uploads/2016/06/IMG_20160427_122350-copy-04.jpg',0,'attachment','image/jpeg',0),(220,1,'2016-06-22 07:00:20','2016-06-22 07:00:20','<a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\"><img class=\"size-medium wp-image-113 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/6-245x300.png\" alt=\"6\" width=\"245\" height=\"300\" /></a>\r\n\r\n<em>Theories of Architectural and Art\r\nHistory; An Annotated Bibliography</em>\r\n<em> 2015</em>\r\n<a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\"><img class=\"size-medium wp-image-111 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" /></a>\r\n\r\n<em>Studies on Art and Architecture;</em>\r\n<em> History and Theory</em>\r\n2015\r\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-120 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/13-247x300.png\" alt=\"13\" width=\"247\" height=\"300\" />\r\n\r\n<em>Ten Stories on Architecture</em>\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-108 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/1-245x300.png\" alt=\"1\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The Dynamics of Architectural Form</em>\r\n2014\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-119 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/12-245x300.png\" alt=\"12\" width=\"245\" height=\"300\" />\r\n\r\n<em>Essays on the Theory and History of Architecture and Art</em>\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-117 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/10-245x300.png\" alt=\"10\" width=\"245\" height=\"300\" />\r\n\r\n<em>Persian Literature as Source of Architectural History: a Bibliographical Introduction,</em>\r\nvolume 1: Persian Prose of the First Islamic Centuries\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-122 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/16-241x300.png\" alt=\"16\" width=\"241\" height=\"300\" />\r\n\r\n<em>Dictionary of Iranian Architecture in Persian Reference Books</em>, volume 2: Proper Names (with S. Mohammad Beheshti)\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-151 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/5_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Architecture: Choice Or Fate</em>\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-123 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/17-244x300.png\" alt=\"17\" width=\"244\" height=\"300\" />\r\n\r\n<em>Dictionary of Iranian Architecture in Persian Reference Books</em>, volume 1: Terms and Concepts (with S. Mohammad Beheshti)\r\n2010\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-125 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/19-300x253.png\" alt=\"19\" width=\"300\" height=\"253\" />\r\n\r\n<em>Trilingual Dictionary of Islamic Architecture</em> (with S. Ali Emadi Estarabadi)\r\n2009\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-124 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/18-244x300.png\" alt=\"18\" width=\"244\" height=\"300\" />\r\n\r\n<em>Ganjnameh: Cyclopedia of Iranian Islamic Architecture</em>, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi)\r\n2005\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-121 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/14-245x300.png\" alt=\"14\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>Risāla-yi Mi’mārīyya</em>, by Ja’far Efendi and Howard Crane\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-145 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/8_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Meaning in Western Architecture</em>, by Christian Norberg-Schulz\r\n2007\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-114 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/7-245x300.png\" alt=\"7\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of the <em>Dynamics of Architectural Form</em>, by Rudolf Arnheim\r\n2003\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-109 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/2-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>The Timeless Way of Building </em>by Christopher Alexander\r\n2013\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-146 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/3_1-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The</em> <em>Timeless Way of Building</em> by Christopher Alexander\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-118 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/11-245x300.png\" alt=\"11\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of<em> The Timeless Way of Building</em> by Christopher Alexander\r\n2002\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-147 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/9_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Topkapi Scroll: The Geometry and Ornament in Islamic Architecture</em>, by Gülru Necipoglu\r\n2001\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-148 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/15-245x300.png\" alt=\"15\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>Quranic Art and Calligraphy</em>, by Martin Lings\r\n1998\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-149 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/20-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Golestān-e Honar</em>\r\n(Quarterly on the History of Iranian Art and Architecture)\r\n2005-2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-150 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/21-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Khiyāl</em>\r\n(Quarterly on architecture & art studies)\r\n2002-2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Books','','inherit','closed','closed','','24-revision-v1','','','2016-06-22 07:00:20','2016-06-22 07:00:20','',24,'https://qayyoomi.com/24-revision-v1/',0,'revision','',0),(221,1,'2016-06-22 07:04:25','2016-06-22 07:04:25','<a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\"><img class=\"size-medium wp-image-113 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/6-245x300.png\" alt=\"6\" width=\"245\" height=\"300\" /></a>\r\n\r\n<em>Theories of Architectural and Art\r\nHistory; An Annotated Bibliography</em>\r\n<em> 2015</em>\r\n<a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\"><img class=\"size-medium wp-image-111 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" /></a>\r\n\r\n<em>Studies on Art and Architecture;</em>\r\n<em> History and Theory</em>\r\n2015\r\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-120 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/13-247x300.png\" alt=\"13\" width=\"247\" height=\"300\" />\r\n\r\n<em>Ten Stories on Architecture</em>\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-108 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/1-245x300.png\" alt=\"1\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The Dynamics of Architectural Form</em>\r\n2014\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-119 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/12-245x300.png\" alt=\"12\" width=\"245\" height=\"300\" />\r\n\r\n<em>Essays on the Theory and History of Architecture and Art</em>\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-117 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/10-245x300.png\" alt=\"10\" width=\"245\" height=\"300\" />\r\n\r\n<em>Persian Literature as Source of Architectural History: a Bibliographical Introduction,</em>\r\nvolume 1: Persian Prose of the First Islamic Centuries\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-122 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/16-241x300.png\" alt=\"16\" width=\"241\" height=\"300\" />\r\n\r\n<em>Dictionary of Iranian Architecture in Persian Reference Books</em>, volume 2: Proper Names (with S. Mohammad Beheshti)\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-151 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/5_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Architecture: Choice Or Fate</em>\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-123 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/17-244x300.png\" alt=\"17\" width=\"244\" height=\"300\" />\r\n\r\n<em>Dictionary of Iranian Architecture in Persian Reference Books</em>, volume 1: Terms and Concepts (with S. Mohammad Beheshti)\r\n2010\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-125 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/19-300x253.png\" alt=\"19\" width=\"300\" height=\"253\" />\r\n\r\n<em>Trilingual Dictionary of Islamic Architecture</em> (with S. Ali Emadi Estarabadi)\r\n2009\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-124 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/18-244x300.png\" alt=\"18\" width=\"244\" height=\"300\" />\r\n\r\n<em>Ganjnameh: Cyclopedia of Iranian Islamic Architecture</em>, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi)\r\n2005\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-121 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/14-245x300.png\" alt=\"14\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>Risāla-yi Mi’mārīyya</em>, by Ja’far Efendi and Howard Crane\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-145 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/8_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Meaning in Western Architecture</em>, by Christian Norberg-Schulz\r\n2007\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-114 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/7-245x300.png\" alt=\"7\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The</em> <em>Dynamics of Architectural Form</em>, by Rudolf Arnheim\r\n2003\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-109 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/2-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>The Timeless Way of Building </em>by Christopher Alexander\r\n2013\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-146 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/3_1-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The</em> <em>Timeless Way of Building</em> by Christopher Alexander\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-118 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/11-245x300.png\" alt=\"11\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of<em> The Timeless Way of Building</em> by Christopher Alexander\r\n2002\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-147 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/9_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Topkapi Scroll: The Geometry and Ornament in Islamic Architecture</em>, by Gülru Necipoglu\r\n2001\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-148 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/15-245x300.png\" alt=\"15\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>Quranic Art and Calligraphy</em>, by Martin Lings\r\n1998\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-149 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/20-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Golestān-e Honar</em>\r\n(Quarterly on the History of Iranian Art and Architecture)\r\n2005-2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-150 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/21-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Khiyāl</em>\r\n(Quarterly on architecture & art studies)\r\n2002-2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Books','','inherit','closed','closed','','24-revision-v1','','','2016-06-22 07:04:25','2016-06-22 07:04:25','',24,'https://qayyoomi.com/24-revision-v1/',0,'revision','',0),(222,1,'2016-06-22 07:05:46','2016-06-22 07:05:46','<img class=\"size-medium wp-image-111 aligncenter\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" />\r\n<p dir=\"rtl\" style=\"text-align: center;\"><strong>پژوهشهای معماری و هنر: تاریخ و نظر</strong>\r\nبه کوشش مهرداد قیومی بیدهندی\r\nتهران، روزنه\r\n۱۳۹۴</p>\r\n<p dir=\"rtl\">این گاهنامه مجموعهای است از آثار محققان معماری و هنر ایران، بهويژه در زمینۀ تاریخ و تئوری معماری و هنر. در این مجموعه، مقالههایی از رشتهها و با دیدگاههای گوناگون در کنار هم قرار میگیرد تا اصحاب رشتهها و دیدگاههای گوناگون از تجربهها و یافتهها و دیدههای یکدیگر بیاموزند. این مجموعه مقالات مبلّغِ نوعی از دیدگاه یا رویکرد یا روش در مطالعات معماری و هنر نیست؛ بلکه راه اقسام اینها- به شرط عمق و دقت و مناسبت با هدفِ فهم بهتر معماری و هنر ایران یا گسترش و تعمیق بنیادهای آن در نظر و روش و شناخت منابع- بدان گشوده است.</p>','Studies on Art and Architecture; History and Theory','','inherit','closed','closed','','159-revision-v1','','','2016-06-22 07:05:46','2016-06-22 07:05:46','',159,'https://qayyoomi.com/159-revision-v1/',0,'revision','',0),(223,1,'2016-06-22 07:06:14','2016-06-22 07:06:14','<img class=\"wp-image-113 size-medium aligncenter\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/6-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n<p dir=\"rtl\" style=\"text-align: center;\"><strong>کتابنگاشت توضیحی نظریههای تاریخ معماری و هنر</strong>\r\nمهرداد قیومی بیدهندی و همکاران\r\nتهران، دانشگاه شهید بهشتی\r\n۱۳۹۴</p>\r\n<p dir=\"rtl\">فهم درست و ژرف تاریخ هنر مغربزمین و نقد آن نیازمند شناخت بنیادهای نظری آن است. همچنین فهم هنر ایرانزمین و تاریخ آن و بنیاد کردن تاریخ هنر متناسب با ایرانزمین نیازمند تمهیدی نظری است. اینها بدون شناخت وضع کنونی مباحث نظری تاریخ معماری و هنر در جهان ممکن نیست. هدف «کتابنگاشت توضیحی نظریههای تاریخ معماری و هنر» شناسایی و معرفی مهمترین و تازهترین کتابهای این حوزه است. این معرفی آنگاه در اختیار هدف خواهد بود که اطلاعات بیشتری از درون کتاب در اختیار خواننده بگذارد، در حدی که او را از تصفح کتاب کمابیش بینیاز کند. این مقصود با کتابنگاشت توضیحی حاصل شده است.</p>','Theories of Architectural and Art History; An Annotated Bibliography','','inherit','closed','closed','','167-revision-v1','','','2016-06-22 07:06:14','2016-06-22 07:06:14','',167,'https://qayyoomi.com/167-revision-v1/',0,'revision','',0),(224,1,'2016-06-22 07:06:23','2016-06-22 07:06:23','<img class=\"wp-image-113 size-medium aligncenter\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/6-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n<p dir=\"rtl\" style=\"text-align: center;\"><strong>کتابنگاشت توضیحی نظریههای تاریخ معماری و هنر</strong>\r\nمهرداد قیومی بیدهندی و همکاران\r\nتهران، دانشگاه شهید بهشتی\r\n۱۳۹۴</p>\r\n<p dir=\"rtl\">فهم درست و ژرف تاریخ هنر مغربزمین و نقد آن نیازمند شناخت بنیادهای نظری آن است. همچنین فهم هنر ایرانزمین و تاریخ آن و بنیاد کردن تاریخ هنر متناسب با ایرانزمین نیازمند تمهیدی نظری است. اینها بدون شناخت وضع کنونی مباحث نظری تاریخ معماری و هنر در جهان ممکن نیست. هدف «کتابنگاشت توضیحی نظریههای تاریخ معماری و هنر» شناسایی و معرفی مهمترین و تازهترین کتابهای این حوزه است. این معرفی آنگاه در اختیار هدف خواهد بود که اطلاعات بیشتری از درون کتاب در اختیار خواننده بگذارد، در حدی که او را از تصفح کتاب کمابیش بینیاز کند. این مقصود با کتابنگاشت توضیحی حاصل شده است.</p>','Theories of Architectural and Art History; An Annotated Babliography','','inherit','closed','closed','','167-revision-v1','','','2016-06-22 07:06:23','2016-06-22 07:06:23','',167,'https://qayyoomi.com/167-revision-v1/',0,'revision','',0),(225,1,'2016-06-22 07:06:29','2016-06-22 07:06:29','<img class=\"wp-image-113 size-medium aligncenter\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/6-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n<p dir=\"rtl\" style=\"text-align: center;\"><strong>کتابنگاشت توضیحی نظریههای تاریخ معماری و هنر</strong>\r\nمهرداد قیومی بیدهندی و همکاران\r\nتهران، دانشگاه شهید بهشتی\r\n۱۳۹۴</p>\r\n<p dir=\"rtl\">فهم درست و ژرف تاریخ هنر مغربزمین و نقد آن نیازمند شناخت بنیادهای نظری آن است. همچنین فهم هنر ایرانزمین و تاریخ آن و بنیاد کردن تاریخ هنر متناسب با ایرانزمین نیازمند تمهیدی نظری است. اینها بدون شناخت وضع کنونی مباحث نظری تاریخ معماری و هنر در جهان ممکن نیست. هدف «کتابنگاشت توضیحی نظریههای تاریخ معماری و هنر» شناسایی و معرفی مهمترین و تازهترین کتابهای این حوزه است. این معرفی آنگاه در اختیار هدف خواهد بود که اطلاعات بیشتری از درون کتاب در اختیار خواننده بگذارد، در حدی که او را از تصفح کتاب کمابیش بینیاز کند. این مقصود با کتابنگاشت توضیحی حاصل شده است.</p>','Theories of Architectural and Art History; An Annotated Bibliography','','inherit','closed','closed','','167-revision-v1','','','2016-06-22 07:06:29','2016-06-22 07:06:29','',167,'https://qayyoomi.com/167-revision-v1/',0,'revision','',0),(226,1,'2016-06-22 07:30:35','2016-06-22 07:30:35','<a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\"><img class=\"size-medium wp-image-113 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/6-245x300.png\" alt=\"6\" width=\"245\" height=\"300\" /></a>\r\n\r\n<em>Theories of Architectural and Art\r\nHistory; An Annotated Bibliography</em>\r\n2015\r\n<a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\"><img class=\"size-medium wp-image-111 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" /></a>\r\n\r\n<em>Studies on Art and Architecture;</em>\r\n<em> History and Theory</em>\r\n2015\r\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-120 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/13-247x300.png\" alt=\"13\" width=\"247\" height=\"300\" />\r\n\r\n<em>Ten Stories on Architecture</em>\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-108 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/1-245x300.png\" alt=\"1\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The Dynamics of Architectural Form</em>\r\n2014\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-119 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/12-245x300.png\" alt=\"12\" width=\"245\" height=\"300\" />\r\n\r\n<em>Essays on the Theory and History of Architecture and Art</em>\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-117 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/10-245x300.png\" alt=\"10\" width=\"245\" height=\"300\" />\r\n\r\n<em>Persian Literature as Source of Architectural History: a Bibliographical Introduction,</em>\r\nvolume 1: Persian Prose of the First Islamic Centuries\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-122 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/16-241x300.png\" alt=\"16\" width=\"241\" height=\"300\" />\r\n\r\n<em>Dictionary of Iranian Architecture in Persian Reference Books</em>, volume 2: Proper Names (with S. Mohammad Beheshti)\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-151 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/5_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Architecture: Choice Or Fate</em>\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-123 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/17-244x300.png\" alt=\"17\" width=\"244\" height=\"300\" />\r\n\r\n<em>Dictionary of Iranian Architecture in Persian Reference Books</em>, volume 1: Terms and Concepts (with S. Mohammad Beheshti)\r\n2010\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-125 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/19-300x253.png\" alt=\"19\" width=\"300\" height=\"253\" />\r\n\r\n<em>Trilingual Dictionary of Islamic Architecture</em> (with S. Ali Emadi Estarabadi)\r\n2009\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-124 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/18-244x300.png\" alt=\"18\" width=\"244\" height=\"300\" />\r\n\r\n<em>Ganjnameh: Cyclopedia of Iranian Islamic Architecture</em>, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi)\r\n2005\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-121 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/14-245x300.png\" alt=\"14\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>Risāla-yi Mi’mārīyya</em>, by Ja’far Efendi and Howard Crane\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-145 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/8_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Meaning in Western Architecture</em>, by Christian Norberg-Schulz\r\n2007\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-114 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/7-245x300.png\" alt=\"7\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The</em> <em>Dynamics of Architectural Form</em>, by Rudolf Arnheim\r\n2003\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-109 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/2-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>The Timeless Way of Building </em>by Christopher Alexander\r\n2013\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-146 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/3_1-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The</em> <em>Timeless Way of Building</em> by Christopher Alexander\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-118 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/11-245x300.png\" alt=\"11\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of<em> The Timeless Way of Building</em> by Christopher Alexander\r\n2002\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-147 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/9_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Topkapi Scroll: The Geometry and Ornament in Islamic Architecture</em>, by Gülru Necipoglu\r\n2001\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-148 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/15-245x300.png\" alt=\"15\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>Quranic Art and Calligraphy</em>, by Martin Lings\r\n1998\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-149 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/20-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Golestān-e Honar</em>\r\n(Quarterly on the History of Iranian Art and Architecture)\r\n2005-2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-150 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/21-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Khiyāl</em>\r\n(Quarterly on architecture & art studies)\r\n2002-2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Books','','inherit','closed','closed','','24-revision-v1','','','2016-06-22 07:30:35','2016-06-22 07:30:35','',24,'https://qayyoomi.com/24-revision-v1/',0,'revision','',0),(229,1,'2016-06-25 07:48:37','2016-06-25 07:48:37','','22','','inherit','open','closed','','22','','','2016-06-25 07:48:37','2016-06-25 07:48:37','',24,'https://qayyoomi.com/wp-content/uploads/2016/02/22.png',0,'attachment','image/png',0),(230,1,'2016-06-25 07:51:44','2016-06-25 07:51:44','<a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\"><img class=\"size-medium wp-image-113 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/6-245x300.png\" alt=\"6\" width=\"245\" height=\"300\" /></a>\r\n\r\n<em>Theories of Architectural and Art\r\nHistory; An Annotated Bibliography</em>\r\n2015\r\n<a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\"><img class=\"size-medium wp-image-111 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" /></a>\r\n\r\n<em>Studies on Art and Architecture;</em>\r\n<em> History and Theory</em>\r\n2015\r\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-120 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/13-247x300.png\" alt=\"13\" width=\"247\" height=\"300\" />\r\n\r\n<em>Ten Stories on Architecture</em>\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-108 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/1-245x300.png\" alt=\"1\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The Dynamics of Architectural Form</em>\r\n2014\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-119 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/12-245x300.png\" alt=\"12\" width=\"245\" height=\"300\" />\r\n\r\n<em>Essays on the Theory and History of Architecture and Art</em>\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-117 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/10-245x300.png\" alt=\"10\" width=\"245\" height=\"300\" />\r\n\r\n<em>Persian Literature as Source of Architectural History: a Bibliographical Introduction,</em>\r\nvolume 1: Persian Prose of the First Islamic Centuries\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-122 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/16-241x300.png\" alt=\"16\" width=\"241\" height=\"300\" />\r\n\r\n<em>Dictionary of Iranian Architecture in Persian Reference Books</em>, volume 2: Proper Names (with S. Mohammad Beheshti)\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-151 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/5_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Architecture: Choice Or Fate</em>\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-123 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/17-244x300.png\" alt=\"17\" width=\"244\" height=\"300\" />\r\n\r\n<em>Dictionary of Iranian Architecture in Persian Reference Books</em>, volume 1: Terms and Concepts (with S. Mohammad Beheshti)\r\n2010\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-125 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/19-300x253.png\" alt=\"19\" width=\"300\" height=\"253\" />\r\n\r\n<em>Trilingual Dictionary of Islamic Architecture</em> (with S. Ali Emadi Estarabadi)\r\n2009\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-124 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/18-244x300.png\" alt=\"18\" width=\"244\" height=\"300\" />\r\n\r\n<em>Ganjnameh: Cyclopedia of Iranian Islamic Architecture</em>, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi)\r\n2005\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-121 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/14-245x300.png\" alt=\"14\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>Risāla-yi Mi’mārīyya</em>, by Ja’far Efendi and Howard Crane\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-145 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/8_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Meaning in Western Architecture</em>, by Christian Norberg-Schulz\r\n2007\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-114 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/7-245x300.png\" alt=\"7\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The</em> <em>Dynamics of Architectural Form</em>, by Rudolf Arnheim\r\n2003\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-109 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/2-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>The Timeless Way of Building </em>by Christopher Alexander\r\n2013\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-146 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/3_1-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The</em> <em>Timeless Way of Building</em> by Christopher Alexander\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-118 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/11-245x300.png\" alt=\"11\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of<em> The Timeless Way of Building</em> by Christopher Alexander\r\n2002\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-147 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/9_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Topkapi Scroll: The Geometry and Ornament in Islamic Architecture</em>, by Gülru Necipoglu\r\n2001\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-148 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/15-245x300.png\" alt=\"15\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>Quranic Art and Calligraphy</em>, by Martin Lings\r\n1998\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-149 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/20-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Golestān-e Honar</em>\r\n(Quarterly on the History of Iranian Art and Architecture)\r\n2005-2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-150 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/21-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Khiyāl</em>\r\n(Quarterly on architecture & art studies)\r\n2002-2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"alignright wp-image-229 size-medium\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/22-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Ravāq</em>\r\n(Quarterly on architecture & art studies)\r\n1998-2000\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Books','','inherit','closed','closed','','24-revision-v1','','','2016-06-25 07:51:44','2016-06-25 07:51:44','',24,'https://qayyoomi.com/24-revision-v1/',0,'revision','',0),(232,1,'2016-08-15 07:52:38','2016-08-15 07:52:38','','Art History on the Basis of Artists (prntd)','','inherit','open','closed','','art-history-on-the-basis-of-artists-prntd','','','2016-08-15 07:52:38','2016-08-15 07:52:38','',11,'https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf',0,'attachment','application/pdf',0),(233,1,'2016-08-15 07:56:52','2016-08-15 07:56:52','<a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین /Art History on the Basis of Artists</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">آثار و افکار الگ گرابار</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n<h3>Translation</h3>\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/معماری-و-جامعه-در-دورۀ-ایلخانان،-گلستان-هنر،-ش-۱۳.pdf\">معماری و جامعه در دورۀ ایلخانان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/چهار-منبع-دربارۀ-ساختههای-شاه-عباس-در-اصفهان،-گلستان-هنر،-ش-۶.pdf\">چهار منبع دربارۀ ساختههای شاه عباس در اصفهان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/تحقیق-تفسیری-تاریخی-در-معماری،-صفه-۳۹.pdf\">تحقیق تفسیری - تاریخی در معماری</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نظامهای-پژوهش-و-معیارهای-کیفیت-تحقیق،-صفۀ-۳۷.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/سخنی-در-حکمت-هنر-اسلامی،-رواق-۱.pdf\">سخنی در حکمت هنر اسلامی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقشه-و-طومار-معماری-در-جهان-اسلام،-رواق-۱.pdf\">نقشه و طومار معماری در جهان اسلام</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/احداث-اصفهان-عباسی-در-متون-صفوی،-رواق-ش-۱-.pdf\">احداث اصفهان عباسی در متون صفوی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">رمز پردازی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی</a>\r\n<h3>Interviews</h3>\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\" target=\"_blank\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\" target=\"_blank\">شهر روانپریش و معماری اسلامی- شفقنا، بهمن ۱۳۹۳</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\" target=\"_blank\">شارحان پریشانی: گفتگو با مجلۀ سورۀ اندیشه، تیر و مرداد ۱۳۹۰</a>\r\n<h3 class=\"hr-heading\"><span class=\"hr-heading-text text-uppercase text-bold\">Notes & Prefaces</span></h3>\r\n<div class=\"media-heading text-serif\"><a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\" target=\"_blank\">یادداشت: معماری چون مظهر فرهنگ</a></div>','Articles','','inherit','closed','closed','','11-revision-v1','','','2016-08-15 07:56:52','2016-08-15 07:56:52','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(234,1,'2016-08-15 08:01:27','2016-08-15 08:01:27','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li>\r\n<p dir=\"ltr\" style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2016-08-15 08:01:27','2016-08-15 08:01:27','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(237,1,'2016-09-09 04:03:40','2016-09-09 04:03:40','m-qayyoomi@sbu.ac.ir\r\nqayyoomi@gmail.com','Contact','','publish','closed','closed','','contact','','','2016-09-09 04:03:40','2016-09-09 04:03:40','',0,'https://qayyoomi.com/?page_id=237',0,'page','',0),(238,1,'2016-09-09 04:03:40','2016-09-09 04:03:40','m-qayyoomi@sbu.ac.ir\r\nqayyoomi@gmail.com','Contact','','inherit','closed','closed','','237-revision-v1','','','2016-09-09 04:03:40','2016-09-09 04:03:40','',237,'https://qayyoomi.com/237-revision-v1/',0,'revision','',0),(239,1,'2016-09-09 04:04:18','2016-09-09 04:04:18',' ','','','publish','closed','closed','','239','','','2016-09-09 04:04:18','2016-09-09 04:04:18','',0,'https://qayyoomi.com/?p=239',6,'nav_menu_item','',0),(241,1,'2016-12-18 17:25:23','2016-12-18 17:25:23','','95-08-25','','inherit','open','closed','','95-08-25','','','2016-12-18 17:25:23','2016-12-18 17:25:23','',0,'https://qayyoomi.com/wp-content/uploads/2016/12/95-08-25.jpg',0,'attachment','image/jpeg',0),(243,1,'2017-04-15 04:11:35','2017-04-15 04:11:35','مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران/ The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture\r\n\r\nیادداشتی دربارۀ «تاریخ مردم» در معماری ایران/ Note on the People\'s History of Iranian\r\nArchitecture\r\n<div class=\"media-heading text-serif\"></div>\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین /Art History on the Basis of Artists</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">آثار و افکار الگ گرابار</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n<h3>Translation</h3>\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/معماری-و-جامعه-در-دورۀ-ایلخانان،-گلستان-هنر،-ش-۱۳.pdf\">معماری و جامعه در دورۀ ایلخانان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/چهار-منبع-دربارۀ-ساختههای-شاه-عباس-در-اصفهان،-گلستان-هنر،-ش-۶.pdf\">چهار منبع دربارۀ ساختههای شاه عباس در اصفهان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/تحقیق-تفسیری-تاریخی-در-معماری،-صفه-۳۹.pdf\">تحقیق تفسیری - تاریخی در معماری</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نظامهای-پژوهش-و-معیارهای-کیفیت-تحقیق،-صفۀ-۳۷.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/سخنی-در-حکمت-هنر-اسلامی،-رواق-۱.pdf\">سخنی در حکمت هنر اسلامی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقشه-و-طومار-معماری-در-جهان-اسلام،-رواق-۱.pdf\">نقشه و طومار معماری در جهان اسلام</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/احداث-اصفهان-عباسی-در-متون-صفوی،-رواق-ش-۱-.pdf\">احداث اصفهان عباسی در متون صفوی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">رمز پردازی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی</a>\r\n<h3>Interviews</h3>\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\" target=\"_blank\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\" target=\"_blank\">شهر روانپریش و معماری اسلامی- شفقنا، بهمن ۱۳۹۳</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\" target=\"_blank\">شارحان پریشانی: گفتگو با مجلۀ سورۀ اندیشه، تیر و مرداد ۱۳۹۰</a>\r\n<h3 class=\"hr-heading\"><span class=\"hr-heading-text text-uppercase text-bold\">Notes & Prefaces</span></h3>\r\n<div class=\"media-heading text-serif\"><a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\" target=\"_blank\">یادداشت: معماری چون مظهر فرهنگ</a></div>','Articles','','inherit','closed','closed','','11-revision-v1','','','2017-04-15 04:11:35','2017-04-15 04:11:35','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(244,1,'2017-04-15 04:12:52','2017-04-15 04:12:52','','52284479','','inherit','open','closed','','52284479','','','2017-04-15 04:12:52','2017-04-15 04:12:52','',0,'https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf',0,'attachment','application/pdf',0),(245,1,'2017-04-15 04:12:53','2017-04-15 04:12:53','','jias-v1n10p49-fa','','inherit','open','closed','','jias-v1n10p49-fa','','','2017-04-15 04:12:53','2017-04-15 04:12:53','',0,'https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf',0,'attachment','application/pdf',0),(246,1,'2017-04-15 04:14:02','2017-04-15 04:14:02','مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران/ The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران/ Note on the People\'s History of Iranian</a>\r\nArchitecture\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین /Art History on the Basis of Artists</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">آثار و افکار الگ گرابار</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n<h3>Translation</h3>\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/معماری-و-جامعه-در-دورۀ-ایلخانان،-گلستان-هنر،-ش-۱۳.pdf\">معماری و جامعه در دورۀ ایلخانان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/چهار-منبع-دربارۀ-ساختههای-شاه-عباس-در-اصفهان،-گلستان-هنر،-ش-۶.pdf\">چهار منبع دربارۀ ساختههای شاه عباس در اصفهان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/تحقیق-تفسیری-تاریخی-در-معماری،-صفه-۳۹.pdf\">تحقیق تفسیری - تاریخی در معماری</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نظامهای-پژوهش-و-معیارهای-کیفیت-تحقیق،-صفۀ-۳۷.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/سخنی-در-حکمت-هنر-اسلامی،-رواق-۱.pdf\">سخنی در حکمت هنر اسلامی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقشه-و-طومار-معماری-در-جهان-اسلام،-رواق-۱.pdf\">نقشه و طومار معماری در جهان اسلام</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/احداث-اصفهان-عباسی-در-متون-صفوی،-رواق-ش-۱-.pdf\">احداث اصفهان عباسی در متون صفوی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">رمز پردازی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی</a>\r\n<h3>Interviews</h3>\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\" target=\"_blank\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\" target=\"_blank\">شهر روانپریش و معماری اسلامی- شفقنا، بهمن ۱۳۹۳</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\" target=\"_blank\">شارحان پریشانی: گفتگو با مجلۀ سورۀ اندیشه، تیر و مرداد ۱۳۹۰</a>\r\n<h3 class=\"hr-heading\"><span class=\"hr-heading-text text-uppercase text-bold\">Notes & Prefaces</span></h3>\r\n<div class=\"media-heading text-serif\"><a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\" target=\"_blank\">یادداشت: معماری چون مظهر فرهنگ</a></div>','Articles','','inherit','closed','closed','','11-revision-v1','','','2017-04-15 04:14:02','2017-04-15 04:14:02','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(247,1,'2017-04-15 04:14:26','2017-04-15 04:14:26','<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران/ The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران/ Note on the People\'s History of Iranian</a>\r\nArchitecture\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین /Art History on the Basis of Artists</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">آثار و افکار الگ گرابار</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n<h3>Translation</h3>\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/معماری-و-جامعه-در-دورۀ-ایلخانان،-گلستان-هنر،-ش-۱۳.pdf\">معماری و جامعه در دورۀ ایلخانان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/چهار-منبع-دربارۀ-ساختههای-شاه-عباس-در-اصفهان،-گلستان-هنر،-ش-۶.pdf\">چهار منبع دربارۀ ساختههای شاه عباس در اصفهان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/تحقیق-تفسیری-تاریخی-در-معماری،-صفه-۳۹.pdf\">تحقیق تفسیری - تاریخی در معماری</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نظامهای-پژوهش-و-معیارهای-کیفیت-تحقیق،-صفۀ-۳۷.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/سخنی-در-حکمت-هنر-اسلامی،-رواق-۱.pdf\">سخنی در حکمت هنر اسلامی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقشه-و-طومار-معماری-در-جهان-اسلام،-رواق-۱.pdf\">نقشه و طومار معماری در جهان اسلام</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/احداث-اصفهان-عباسی-در-متون-صفوی،-رواق-ش-۱-.pdf\">احداث اصفهان عباسی در متون صفوی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">رمز پردازی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی</a>\r\n<h3>Interviews</h3>\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\" target=\"_blank\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\" target=\"_blank\">شهر روانپریش و معماری اسلامی- شفقنا، بهمن ۱۳۹۳</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\" target=\"_blank\">شارحان پریشانی: گفتگو با مجلۀ سورۀ اندیشه، تیر و مرداد ۱۳۹۰</a>\r\n<h3 class=\"hr-heading\"><span class=\"hr-heading-text text-uppercase text-bold\">Notes & Prefaces</span></h3>\r\n<div class=\"media-heading text-serif\"><a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\" target=\"_blank\">یادداشت: معماری چون مظهر فرهنگ</a></div>','Articles','','inherit','closed','closed','','11-revision-v1','','','2017-04-15 04:14:26','2017-04-15 04:14:26','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(248,1,'2017-04-15 04:18:43','2017-04-15 04:18:43','<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران/ The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران/ Note on the People\'s History of Iranian</a>\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین /Art History on the Basis of Artists</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">آثار و افکار الگ گرابار</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n<h3>Translation</h3>\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/معماری-و-جامعه-در-دورۀ-ایلخانان،-گلستان-هنر،-ش-۱۳.pdf\">معماری و جامعه در دورۀ ایلخانان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/چهار-منبع-دربارۀ-ساختههای-شاه-عباس-در-اصفهان،-گلستان-هنر،-ش-۶.pdf\">چهار منبع دربارۀ ساختههای شاه عباس در اصفهان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/تحقیق-تفسیری-تاریخی-در-معماری،-صفه-۳۹.pdf\">تحقیق تفسیری - تاریخی در معماری</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نظامهای-پژوهش-و-معیارهای-کیفیت-تحقیق،-صفۀ-۳۷.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/سخنی-در-حکمت-هنر-اسلامی،-رواق-۱.pdf\">سخنی در حکمت هنر اسلامی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقشه-و-طومار-معماری-در-جهان-اسلام،-رواق-۱.pdf\">نقشه و طومار معماری در جهان اسلام</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/احداث-اصفهان-عباسی-در-متون-صفوی،-رواق-ش-۱-.pdf\">احداث اصفهان عباسی در متون صفوی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">رمز پردازی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی</a>\r\n<h3>Interviews</h3>\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\" target=\"_blank\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\" target=\"_blank\">شهر روانپریش و معماری اسلامی- شفقنا، بهمن ۱۳۹۳</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\" target=\"_blank\">شارحان پریشانی: گفتگو با مجلۀ سورۀ اندیشه، تیر و مرداد ۱۳۹۰</a>\r\n<h3 class=\"hr-heading\"><span class=\"hr-heading-text text-uppercase text-bold\">Notes & Prefaces</span></h3>\r\n<div class=\"media-heading text-serif\"><a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\" target=\"_blank\">یادداشت: معماری چون مظهر فرهنگ</a></div>','Articles','','inherit','closed','closed','','11-revision-v1','','','2017-04-15 04:18:43','2017-04-15 04:18:43','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(249,1,'2017-04-15 04:19:25','2017-04-15 04:19:25','<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران/ The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران/ Note on the People\'s History of Iranian</a>\r\nArchitecture\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین /Art History on the Basis of Artists</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">آثار و افکار الگ گرابار</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n<h3>Translation</h3>\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/معماری-و-جامعه-در-دورۀ-ایلخانان،-گلستان-هنر،-ش-۱۳.pdf\">معماری و جامعه در دورۀ ایلخانان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/چهار-منبع-دربارۀ-ساختههای-شاه-عباس-در-اصفهان،-گلستان-هنر،-ش-۶.pdf\">چهار منبع دربارۀ ساختههای شاه عباس در اصفهان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/تحقیق-تفسیری-تاریخی-در-معماری،-صفه-۳۹.pdf\">تحقیق تفسیری - تاریخی در معماری</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نظامهای-پژوهش-و-معیارهای-کیفیت-تحقیق،-صفۀ-۳۷.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/سخنی-در-حکمت-هنر-اسلامی،-رواق-۱.pdf\">سخنی در حکمت هنر اسلامی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقشه-و-طومار-معماری-در-جهان-اسلام،-رواق-۱.pdf\">نقشه و طومار معماری در جهان اسلام</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/احداث-اصفهان-عباسی-در-متون-صفوی،-رواق-ش-۱-.pdf\">احداث اصفهان عباسی در متون صفوی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">رمز پردازی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی</a>\r\n<h3>Interviews</h3>\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\" target=\"_blank\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\" target=\"_blank\">شهر روانپریش و معماری اسلامی- شفقنا، بهمن ۱۳۹۳</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\" target=\"_blank\">شارحان پریشانی: گفتگو با مجلۀ سورۀ اندیشه، تیر و مرداد ۱۳۹۰</a>\r\n<h3 class=\"hr-heading\"><span class=\"hr-heading-text text-uppercase text-bold\">Notes & Prefaces</span></h3>\r\n<div class=\"media-heading text-serif\"><a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\" target=\"_blank\">یادداشت: معماری چون مظهر فرهنگ</a></div>','Articles','','inherit','closed','closed','','11-revision-v1','','','2017-04-15 04:19:25','2017-04-15 04:19:25','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0);
INSERT INTO `ql_posts` VALUES (250,1,'2017-04-15 04:23:40','2017-04-15 04:23:40','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li>\r\n<p dir=\"ltr\" style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2017-04-15 04:23:40','2017-04-15 04:23:40','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(251,1,'2017-04-15 04:27:16','2017-04-15 04:27:16','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li>\r\n<p dir=\"ltr\" style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2017-04-15 04:27:16','2017-04-15 04:27:16','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(252,1,'2017-04-15 04:47:30','2017-04-15 04:47:30','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li>\r\n<p dir=\"ltr\" style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آروز احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2017-04-15 04:47:30','2017-04-15 04:47:30','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(253,1,'2017-04-15 05:12:15','2017-04-15 05:12:15','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li>\r\n<p dir=\"ltr\" style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آروز احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2017-04-15 05:12:15','2017-04-15 05:12:15','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(254,1,'2017-04-15 05:20:39','2017-04-15 05:20:39','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li>\r\n<p dir=\"ltr\" style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مقدمۀ کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آروز احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2017-04-15 05:20:39','2017-04-15 05:20:39','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(255,1,'2017-05-06 10:45:51','2017-05-06 10:45:51','','تاریخ شفاهی','','inherit','open','closed','','%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d8%b4%d9%81%d8%a7%d9%87%db%8c','','','2017-05-06 10:45:51','2017-05-06 10:45:51','',0,'https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf',0,'attachment','application/pdf',0),(256,1,'2017-05-06 10:45:51','2017-05-06 10:45:51','','خرگرد','','inherit','open','closed','','%d8%ae%d8%b1%da%af%d8%b1%d8%af','','','2017-05-06 10:45:51','2017-05-06 10:45:51','',0,'https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf',0,'attachment','application/pdf',0),(257,1,'2017-05-06 10:50:41','2017-05-06 10:50:41','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li>\r\n<p dir=\"ltr\" style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">مقدمۀ کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">مقدمۀ کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آروز احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2017-05-06 10:50:41','2017-05-06 10:50:41','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(258,1,'2017-05-29 05:19:36','2017-05-29 05:19:36','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li>\r\n<p dir=\"ltr\" style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-size: 14pt;\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶ </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">مقدمۀ کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">مقدمۀ کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آروز احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2017-05-29 05:19:36','2017-05-29 05:19:36','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(259,1,'2017-05-29 05:19:55','2017-05-29 05:19:55','','The Exceedence of Architectural Metaphors (prntd)','','inherit','open','closed','','the-exceedence-of-architectural-metaphors-prntd','','','2017-05-29 05:19:55','2017-05-29 05:19:55','',0,'https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf',0,'attachment','application/pdf',0),(260,1,'2017-05-29 05:20:46','2017-05-29 05:20:46','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li>\r\n<p dir=\"ltr\" style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">مقدمۀ کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">مقدمۀ کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آروز احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2017-05-29 05:20:46','2017-05-29 05:20:46','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(262,1,'2017-06-02 09:14:35','2017-06-02 09:14:35','<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران/ The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین /Art History on the Basis of Artists</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">آثار و افکار الگ گرابار</a>\r\n\r\n \r\n<h3>Translation</h3>\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/معماری-و-جامعه-در-دورۀ-ایلخانان،-گلستان-هنر،-ش-۱۳.pdf\">معماری و جامعه در دورۀ ایلخانان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/چهار-منبع-دربارۀ-ساختههای-شاه-عباس-در-اصفهان،-گلستان-هنر،-ش-۶.pdf\">چهار منبع دربارۀ ساختههای شاه عباس در اصفهان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/تحقیق-تفسیری-تاریخی-در-معماری،-صفه-۳۹.pdf\">تحقیق تفسیری - تاریخی در معماری</a>\r\n\r\n<span dir=\"RTL\" lang=\"AR-SA\" style=\"font-size: 13.0pt;\">رمز و بنا و آیین، تامس بری</span>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نظامهای-پژوهش-و-معیارهای-کیفیت-تحقیق،-صفۀ-۳۷.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقشه-و-طومار-معماری-در-جهان-اسلام،-رواق-۱.pdf\">نقشه و طومار معماری در جهان اسلام</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/احداث-اصفهان-عباسی-در-متون-صفوی،-رواق-ش-۱-.pdf\">احداث اصفهان عباسی در متون صفوی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">رمز پردازی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی</a>\r\n<h3>Interviews</h3>\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شهر روانپریش و معماری اسلامی- شفقنا، بهمن ۱۳۹۳</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شارحان پریشانی: گفتگو با مجلۀ سورۀ اندیشه، تیر و مرداد ۱۳۹۰</a>\r\n<h3 class=\"hr-heading\"><span class=\"hr-heading-text text-uppercase text-bold\">Notes & Prefaces</span></h3>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران/ Note on the People\'s History of Iranian</a>\r\nArchitecture\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران<em>، </em>۱۳۹۳</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\"><a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">یادداشت: معماری چون مظهر فرهنگ</a></div>\r\n<div class=\"media-heading text-serif\"></div>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\"></div>','Articles','','inherit','closed','closed','','11-revision-v1','','','2017-06-02 09:14:35','2017-06-02 09:14:35','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(263,1,'2017-06-02 09:14:48','2017-06-02 09:14:48','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li>\r\n<p dir=\"ltr\" style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">مقدمۀ کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آروز احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2017-06-02 09:14:48','2017-06-02 09:14:48','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(264,1,'2017-06-02 09:23:17','2017-06-02 09:23:17','<p dir=\"rtl\"><span style=\"font-size: 24pt;\">تألیف</span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li>\r\n<p dir=\"ltr\" style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 24pt;\"><strong>ترجمه</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 24pt;\"><strong> یادداشت و مصاحبه</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">مقدمۀ کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>','Articles','','inherit','closed','closed','','11-revision-v1','','','2017-06-02 09:23:17','2017-06-02 09:23:17','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(265,1,'2017-06-02 09:36:29','2017-06-02 09:36:29','<p dir=\"rtl\"><span style=\"font-size: 24pt;\">تألیف</span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\n</ul>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n</ul>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li>\n<p dir=\"ltr\" style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\n</li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\n <li>\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\n <li>\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\n <li>\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li>\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\n</li>\n <li>\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 24pt;\"><strong>ترجمه</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\n <li><span style=\"font-size: 14pt;\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</a></span><strong>یادداشت و مصاحبه</strong></li>\n</ul>\n<ul dir=\"rtl\">\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">مقدمۀ کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>','Articles','','inherit','closed','closed','','11-revision-v1','','','2017-06-02 09:36:29','2017-06-02 09:36:29','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(266,1,'2017-06-02 09:36:45','2017-06-02 09:36:45','<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران/ The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین /Art History on the Basis of Artists</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">آثار و افکار الگ گرابار</a>\r\n\r\n \r\n<h3>Translation</h3>\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/معماری-و-جامعه-در-دورۀ-ایلخانان،-گلستان-هنر،-ش-۱۳.pdf\">معماری و جامعه در دورۀ ایلخانان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/چهار-منبع-دربارۀ-ساختههای-شاه-عباس-در-اصفهان،-گلستان-هنر،-ش-۶.pdf\">چهار منبع دربارۀ ساختههای شاه عباس در اصفهان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/تحقیق-تفسیری-تاریخی-در-معماری،-صفه-۳۹.pdf\">تحقیق تفسیری - تاریخی در معماری</a>\r\n\r\n<span dir=\"RTL\" lang=\"AR-SA\" style=\"font-size: 13.0pt;\">رمز و بنا و آیین، تامس بری</span>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نظامهای-پژوهش-و-معیارهای-کیفیت-تحقیق،-صفۀ-۳۷.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقشه-و-طومار-معماری-در-جهان-اسلام،-رواق-۱.pdf\">نقشه و طومار معماری در جهان اسلام</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/احداث-اصفهان-عباسی-در-متون-صفوی،-رواق-ش-۱-.pdf\">احداث اصفهان عباسی در متون صفوی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">رمز پردازی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی</a>\r\n<h3>Interviews</h3>\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شهر روانپریش و معماری اسلامی- شفقنا، بهمن ۱۳۹۳</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شارحان پریشانی: گفتگو با مجلۀ سورۀ اندیشه، تیر و مرداد ۱۳۹۰</a>\r\n<h3 class=\"hr-heading\"><span class=\"hr-heading-text text-uppercase text-bold\">Notes & Prefaces</span></h3>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران/ Note on the People\'s History of Iranian</a>\r\nArchitecture\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران<em>، </em>۱۳۹۳</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\"><a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">یادداشت: معماری چون مظهر فرهنگ</a></div>\r\n<div class=\"media-heading text-serif\"></div>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\"></div>','Articles','','inherit','closed','closed','','11-revision-v1','','','2017-06-02 09:36:45','2017-06-02 09:36:45','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(267,1,'2017-06-02 09:37:54','2017-06-02 09:37:54','<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران/ The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین /Art History on the Basis of Artists</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">آثار و افکار الگ گرابار</a>\r\n\r\n \r\n<h3>Translation</h3>\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/معماری-و-جامعه-در-دورۀ-ایلخانان،-گلستان-هنر،-ش-۱۳.pdf\">معماری و جامعه در دورۀ ایلخانان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/چهار-منبع-دربارۀ-ساختههای-شاه-عباس-در-اصفهان،-گلستان-هنر،-ش-۶.pdf\">چهار منبع دربارۀ ساختههای شاه عباس در اصفهان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/تحقیق-تفسیری-تاریخی-در-معماری،-صفه-۳۹.pdf\">تحقیق تفسیری - تاریخی در معماری</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نظامهای-پژوهش-و-معیارهای-کیفیت-تحقیق،-صفۀ-۳۷.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقشه-و-طومار-معماری-در-جهان-اسلام،-رواق-۱.pdf\">نقشه و طومار معماری در جهان اسلام</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/احداث-اصفهان-عباسی-در-متون-صفوی،-رواق-ش-۱-.pdf\">احداث اصفهان عباسی در متون صفوی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">رمز پردازی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی</a>\r\n<h3>Interviews</h3>\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شهر روانپریش و معماری اسلامی- شفقنا، بهمن ۱۳۹۳</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شارحان پریشانی: گفتگو با مجلۀ سورۀ اندیشه، تیر و مرداد ۱۳۹۰</a>\r\n<h3 class=\"hr-heading\"><span class=\"hr-heading-text text-uppercase text-bold\">Notes & Prefaces</span></h3>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران/ Note on the People\'s History of Iranian</a>\r\nArchitecture\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران<em>، </em>۱۳۹۳</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\"><a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">یادداشت: معماری چون مظهر فرهنگ</a></div>\r\n<div class=\"media-heading text-serif\"></div>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\"></div>','Articles','','inherit','closed','closed','','11-revision-v1','','','2017-06-02 09:37:54','2017-06-02 09:37:54','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(268,1,'2017-06-02 10:15:32','2017-06-02 10:15:32','','رمز و بنا آیین','','inherit','open','closed','','%d8%b1%d9%85%d8%b2-%d9%88-%d8%a8%d9%86%d8%a7-%d8%a2%db%8c%db%8c%d9%86','','','2017-06-02 10:15:32','2017-06-02 10:15:32','',0,'https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf',0,'attachment','application/pdf',0),(269,1,'2017-06-02 10:17:36','2017-06-02 10:17:36','<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران/ The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین /Art History on the Basis of Artists</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">آثار و افکار الگ گرابار</a>\r\n\r\n \r\n<h3>Translation</h3>\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/معماری-و-جامعه-در-دورۀ-ایلخانان،-گلستان-هنر،-ش-۱۳.pdf\">معماری و جامعه در دورۀ ایلخانان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/چهار-منبع-دربارۀ-ساختههای-شاه-عباس-در-اصفهان،-گلستان-هنر،-ش-۶.pdf\">چهار منبع دربارۀ ساختههای شاه عباس در اصفهان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/تحقیق-تفسیری-تاریخی-در-معماری،-صفه-۳۹.pdf\">تحقیق تفسیری - تاریخی در معماری</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/%D8%B1%D9%85%D8%B2-%D9%88-%D8%A8%D9%86%D8%A7-%D8%A2%DB%8C%DB%8C%D9%86.pdf\">رمز و بنا و آیین</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نظامهای-پژوهش-و-معیارهای-کیفیت-تحقیق،-صفۀ-۳۷.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقشه-و-طومار-معماری-در-جهان-اسلام،-رواق-۱.pdf\">نقشه و طومار معماری در جهان اسلام</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/احداث-اصفهان-عباسی-در-متون-صفوی،-رواق-ش-۱-.pdf\">احداث اصفهان عباسی در متون صفوی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">رمز پردازی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی</a>\r\n<h3>Interviews</h3>\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شهر روانپریش و معماری اسلامی- شفقنا، بهمن ۱۳۹۳</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شارحان پریشانی: گفتگو با مجلۀ سورۀ اندیشه، تیر و مرداد ۱۳۹۰</a>\r\n<h3 class=\"hr-heading\"><span class=\"hr-heading-text text-uppercase text-bold\">Notes & Prefaces</span></h3>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران/ Note on the People\'s History of Iranian</a>\r\nArchitecture\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/%D8%AE%D8%B1%DA%AF%D8%B1%D8%AF.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران<em>، </em>۱۳۹۳</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\"><a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">یادداشت: معماری چون مظهر فرهنگ</a></div>\r\n<div class=\"media-heading text-serif\"></div>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\"></div>','Articles','','inherit','closed','closed','','11-revision-v1','','','2017-06-02 10:17:36','2017-06-02 10:17:36','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(270,1,'2017-06-02 10:17:49','2017-06-02 10:17:49','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li>\r\n<p dir=\"ltr\" style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\r\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آروز احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2017-06-02 10:17:49','2017-06-02 10:17:49','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(271,1,'2017-06-21 04:30:20','2017-06-21 04:30:20','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li>\r\n<p dir=\"ltr\" style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\r\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آروز احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2017-06-21 04:30:20','2017-06-21 04:30:20','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(272,1,'2017-07-28 10:41:28','2017-07-28 10:41:28','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\r\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آروز احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2017-07-28 10:41:28','2017-07-28 10:41:28','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(273,1,'2017-07-28 14:03:52','2017-07-28 14:03:52','The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران/ The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین /Art History on the Basis of Artists</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">آثار و افکار الگ گرابار</a>\r\n\r\n \r\n<h3>Translation</h3>\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/معماری-و-جامعه-در-دورۀ-ایلخانان،-گلستان-هنر،-ش-۱۳.pdf\">معماری و جامعه در دورۀ ایلخانان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/چهار-منبع-دربارۀ-ساختههای-شاه-عباس-در-اصفهان،-گلستان-هنر،-ش-۶.pdf\">چهار منبع دربارۀ ساختههای شاه عباس در اصفهان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/تحقیق-تفسیری-تاریخی-در-معماری،-صفه-۳۹.pdf\">تحقیق تفسیری - تاریخی در معماری</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/%D8%B1%D9%85%D8%B2-%D9%88-%D8%A8%D9%86%D8%A7-%D8%A2%DB%8C%DB%8C%D9%86.pdf\">رمز و بنا و آیین</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نظامهای-پژوهش-و-معیارهای-کیفیت-تحقیق،-صفۀ-۳۷.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقشه-و-طومار-معماری-در-جهان-اسلام،-رواق-۱.pdf\">نقشه و طومار معماری در جهان اسلام</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/احداث-اصفهان-عباسی-در-متون-صفوی،-رواق-ش-۱-.pdf\">احداث اصفهان عباسی در متون صفوی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">رمز پردازی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی</a>\r\n<h3>Interviews</h3>\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شهر روانپریش و معماری اسلامی- شفقنا، بهمن ۱۳۹۳</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شارحان پریشانی: گفتگو با مجلۀ سورۀ اندیشه، تیر و مرداد ۱۳۹۰</a>\r\n<h3 class=\"hr-heading\"><span class=\"hr-heading-text text-uppercase text-bold\">Notes & Prefaces</span></h3>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران/ Note on the People\'s History of Iranian</a>\r\nArchitecture\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/%D8%AE%D8%B1%DA%AF%D8%B1%D8%AF.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران<em>، </em>۱۳۹۳</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\"><a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">یادداشت: معماری چون مظهر فرهنگ</a></div>\r\n<div class=\"media-heading text-serif\"></div>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\"></div>','Articles','','inherit','closed','closed','','11-revision-v1','','','2017-07-28 14:03:52','2017-07-28 14:03:52','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(274,1,'2017-09-23 11:27:43','2017-09-23 11:27:43','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\r\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آروز احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2017-09-23 11:27:43','2017-09-23 11:27:43','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(276,1,'2017-09-25 12:31:32','2017-09-25 12:31:32','','تاريخ آموزش طراحى معمارى','','inherit','open','closed','','%d8%aa%d8%a7%d8%b1%d9%8a%d8%ae-%d8%a2%d9%85%d9%88%d8%b2%d8%b4-%d8%b7%d8%b1%d8%a7%d8%ad%d9%89-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%d9%89','','','2017-09-25 12:31:32','2017-09-25 12:31:32','',0,'https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf',0,'attachment','application/pdf',0),(277,1,'2017-09-25 12:34:04','2017-09-25 12:34:04','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\r\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آروز احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2017-09-25 12:34:04','2017-09-25 12:34:04','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(278,1,'2017-09-25 12:35:59','2017-09-25 12:35:59','<a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\">تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی (دانشگاه ملی ایران): مرحلۀ تکوین/ History of Architectural Design Education in Shahid Beheshti University: the Formation Phase</a>\r\n\r\nThe Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران/ The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین /Art History on the Basis of Artists</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">آثار و افکار الگ گرابار</a>\r\n\r\n \r\n<h3>Translation</h3>\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/معماری-و-جامعه-در-دورۀ-ایلخانان،-گلستان-هنر،-ش-۱۳.pdf\">معماری و جامعه در دورۀ ایلخانان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/چهار-منبع-دربارۀ-ساختههای-شاه-عباس-در-اصفهان،-گلستان-هنر،-ش-۶.pdf\">چهار منبع دربارۀ ساختههای شاه عباس در اصفهان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/تحقیق-تفسیری-تاریخی-در-معماری،-صفه-۳۹.pdf\">تحقیق تفسیری - تاریخی در معماری</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/%D8%B1%D9%85%D8%B2-%D9%88-%D8%A8%D9%86%D8%A7-%D8%A2%DB%8C%DB%8C%D9%86.pdf\">رمز و بنا و آیین</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نظامهای-پژوهش-و-معیارهای-کیفیت-تحقیق،-صفۀ-۳۷.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقشه-و-طومار-معماری-در-جهان-اسلام،-رواق-۱.pdf\">نقشه و طومار معماری در جهان اسلام</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/احداث-اصفهان-عباسی-در-متون-صفوی،-رواق-ش-۱-.pdf\">احداث اصفهان عباسی در متون صفوی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">رمز پردازی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی</a>\r\n<h3>Interviews</h3>\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شهر روانپریش و معماری اسلامی- شفقنا، بهمن ۱۳۹۳</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شارحان پریشانی: گفتگو با مجلۀ سورۀ اندیشه، تیر و مرداد ۱۳۹۰</a>\r\n<h3 class=\"hr-heading\"><span class=\"hr-heading-text text-uppercase text-bold\">Notes & Prefaces</span></h3>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران/ Note on the People\'s History of Iranian</a>\r\nArchitecture\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/%D8%AE%D8%B1%DA%AF%D8%B1%D8%AF.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران<em>، </em>۱۳۹۳</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\"><a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">یادداشت: معماری چون مظهر فرهنگ</a></div>\r\n<div class=\"media-heading text-serif\"></div>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\"></div>','Articles','','inherit','closed','closed','','11-revision-v1','','','2017-09-25 12:35:59','2017-09-25 12:35:59','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(279,1,'2017-09-25 12:53:39','2017-09-25 12:53:39','','The_Norm_of_Madi_Managing_Water_in_Safav','','inherit','open','closed','','the_norm_of_madi_managing_water_in_safav','','','2017-09-25 12:53:39','2017-09-25 12:53:39','',0,'https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf',0,'attachment','application/pdf',0);
INSERT INTO `ql_posts` VALUES (280,1,'2017-09-25 12:53:53','2017-09-25 12:53:53','<a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\">تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی (دانشگاه ملی ایران): مرحلۀ تکوین/ History of Architectural Design Education in Shahid Beheshti University: the Formation Phase</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران/ The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین /Art History on the Basis of Artists</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">آثار و افکار الگ گرابار</a>\r\n\r\n \r\n<h3>Translation</h3>\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/معماری-و-جامعه-در-دورۀ-ایلخانان،-گلستان-هنر،-ش-۱۳.pdf\">معماری و جامعه در دورۀ ایلخانان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/چهار-منبع-دربارۀ-ساختههای-شاه-عباس-در-اصفهان،-گلستان-هنر،-ش-۶.pdf\">چهار منبع دربارۀ ساختههای شاه عباس در اصفهان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/تحقیق-تفسیری-تاریخی-در-معماری،-صفه-۳۹.pdf\">تحقیق تفسیری - تاریخی در معماری</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/%D8%B1%D9%85%D8%B2-%D9%88-%D8%A8%D9%86%D8%A7-%D8%A2%DB%8C%DB%8C%D9%86.pdf\">رمز و بنا و آیین</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نظامهای-پژوهش-و-معیارهای-کیفیت-تحقیق،-صفۀ-۳۷.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقشه-و-طومار-معماری-در-جهان-اسلام،-رواق-۱.pdf\">نقشه و طومار معماری در جهان اسلام</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/احداث-اصفهان-عباسی-در-متون-صفوی،-رواق-ش-۱-.pdf\">احداث اصفهان عباسی در متون صفوی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">رمز پردازی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی</a>\r\n<h3>Interviews</h3>\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شهر روانپریش و معماری اسلامی- شفقنا، بهمن ۱۳۹۳</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شارحان پریشانی: گفتگو با مجلۀ سورۀ اندیشه، تیر و مرداد ۱۳۹۰</a>\r\n<h3 class=\"hr-heading\"><span class=\"hr-heading-text text-uppercase text-bold\">Notes & Prefaces</span></h3>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران/ Note on the People\'s History of Iranian</a>\r\nArchitecture\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/%D8%AE%D8%B1%DA%AF%D8%B1%D8%AF.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران<em>، </em>۱۳۹۳</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\"><a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">یادداشت: معماری چون مظهر فرهنگ</a></div>\r\n<div class=\"media-heading text-serif\"></div>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\"></div>','Articles','','inherit','closed','closed','','11-revision-v1','','','2017-09-25 12:53:53','2017-09-25 12:53:53','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(281,1,'2017-09-25 12:56:48','2017-09-25 12:56:48','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\r\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آروز احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2017-09-25 12:56:48','2017-09-25 12:56:48','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(283,1,'2017-10-08 06:06:53','2017-10-08 06:06:53','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\r\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دوره ایلخانی در ایران تحلیل سبک شناختی بر مبنای ترکیب بندی و نقش مایه ها، دکتری مرمت بناها و بافتهای تاریخی، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آروز احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2017-10-08 06:06:53','2017-10-08 06:06:53','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(284,1,'2017-10-10 12:39:49','2017-10-10 12:39:49','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\r\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آروز احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2017-10-10 12:39:49','2017-10-10 12:39:49','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(285,1,'2017-10-10 12:43:07','2017-10-10 12:43:07','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\r\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آروز احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2017-10-10 12:43:07','2017-10-10 12:43:07','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(286,1,'2017-11-12 04:51:49','2017-11-12 04:51:49','','Book_Review_Saeid_Khaghani._Islamic_Arch','','inherit','open','closed','','book_review_saeid_khaghani-_islamic_arch','','','2017-11-12 04:51:49','2017-11-12 04:51:49','',0,'https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf',0,'attachment','application/pdf',0),(287,1,'2017-11-12 04:52:49','2017-11-12 04:52:49','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"ltr\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages.</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\r\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آروز احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2017-11-12 04:52:49','2017-11-12 04:52:49','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(288,1,'2017-11-12 04:54:08','2017-11-12 04:54:08','<a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages.</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\">تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی (دانشگاه ملی ایران): مرحلۀ تکوین/ History of Architectural Design Education in Shahid Beheshti University: the Formation Phase</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران/ The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین /Art History on the Basis of Artists</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">آثار و افکار الگ گرابار</a>\r\n\r\n \r\n<h3>Translation</h3>\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/معماری-و-جامعه-در-دورۀ-ایلخانان،-گلستان-هنر،-ش-۱۳.pdf\">معماری و جامعه در دورۀ ایلخانان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/چهار-منبع-دربارۀ-ساختههای-شاه-عباس-در-اصفهان،-گلستان-هنر،-ش-۶.pdf\">چهار منبع دربارۀ ساختههای شاه عباس در اصفهان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/تحقیق-تفسیری-تاریخی-در-معماری،-صفه-۳۹.pdf\">تحقیق تفسیری - تاریخی در معماری</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/%D8%B1%D9%85%D8%B2-%D9%88-%D8%A8%D9%86%D8%A7-%D8%A2%DB%8C%DB%8C%D9%86.pdf\">رمز و بنا و آیین</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نظامهای-پژوهش-و-معیارهای-کیفیت-تحقیق،-صفۀ-۳۷.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقشه-و-طومار-معماری-در-جهان-اسلام،-رواق-۱.pdf\">نقشه و طومار معماری در جهان اسلام</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/احداث-اصفهان-عباسی-در-متون-صفوی،-رواق-ش-۱-.pdf\">احداث اصفهان عباسی در متون صفوی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">رمز پردازی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی</a>\r\n<h3>Interviews</h3>\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شهر روانپریش و معماری اسلامی- شفقنا، بهمن ۱۳۹۳</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شارحان پریشانی: گفتگو با مجلۀ سورۀ اندیشه، تیر و مرداد ۱۳۹۰</a>\r\n<h3 class=\"hr-heading\"><span class=\"hr-heading-text text-uppercase text-bold\">Notes & Prefaces</span></h3>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران/ Note on the People\'s History of Iranian</a>\r\nArchitecture\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/%D8%AE%D8%B1%DA%AF%D8%B1%D8%AF.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران<em>، </em>۱۳۹۳</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\"><a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">یادداشت: معماری چون مظهر فرهنگ</a></div>\r\n<div class=\"media-heading text-serif\"></div>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\"></div>','Articles','','inherit','closed','closed','','11-revision-v1','','','2017-11-12 04:54:08','2017-11-12 04:54:08','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(289,1,'2017-11-12 05:03:33','2017-11-12 05:03:33','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\r\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-size: 14pt;\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آروز احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2017-11-12 05:03:33','2017-11-12 05:03:33','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(290,1,'2017-11-12 05:04:40','2017-11-12 05:04:40','<a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\">ی در دانشگاه شهید بهشتی (دانشگاه ملی ایران): مرحلۀ تکوین/ History of Architectural Design Education in Shahid Beheshti University: the Formation Phase</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران/ The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین /Art History on the Basis of Artists</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages.</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">آثار و افکار الگ گرابار</a>\r\n\r\n \r\n<h3>Translation</h3>\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/معماری-و-جامعه-در-دورۀ-ایلخانان،-گلستان-هنر،-ش-۱۳.pdf\">معماری و جامعه در دورۀ ایلخانان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/چهار-منبع-دربارۀ-ساختههای-شاه-عباس-در-اصفهان،-گلستان-هنر،-ش-۶.pdf\">چهار منبع دربارۀ ساختههای شاه عباس در اصفهان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/تحقیق-تفسیری-تاریخی-در-معماری،-صفه-۳۹.pdf\">تحقیق تفسیری - تاریخی در معماری</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/%D8%B1%D9%85%D8%B2-%D9%88-%D8%A8%D9%86%D8%A7-%D8%A2%DB%8C%DB%8C%D9%86.pdf\">رمز و بنا و آیین</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نظامهای-پژوهش-و-معیارهای-کیفیت-تحقیق،-صفۀ-۳۷.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقشه-و-طومار-معماری-در-جهان-اسلام،-رواق-۱.pdf\">نقشه و طومار معماری در جهان اسلام</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/احداث-اصفهان-عباسی-در-متون-صفوی،-رواق-ش-۱-.pdf\">احداث اصفهان عباسی در متون صفوی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">رمز پردازی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی</a>\r\n<h3>Interviews</h3>\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شهر روانپریش و معماری اسلامی- شفقنا، بهمن ۱۳۹۳</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شارحان پریشانی: گفتگو با مجلۀ سورۀ اندیشه، تیر و مرداد ۱۳۹۰</a>\r\n<h3 class=\"hr-heading\"><span class=\"hr-heading-text text-uppercase text-bold\">Notes & Prefaces</span></h3>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران/ Note on the People\'s History of Iranian</a>\r\nArchitecture\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/%D8%AE%D8%B1%DA%AF%D8%B1%D8%AF.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران<em>، </em>۱۳۹۳</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\"><a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">یادداشت: معماری چون مظهر فرهنگ</a></div>\r\n<div class=\"media-heading text-serif\"></div>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\"></div>','Articles','','inherit','closed','closed','','11-revision-v1','','','2017-11-12 05:04:40','2017-11-12 05:04:40','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(291,1,'2017-11-12 05:05:06','2017-11-12 05:05:06','<a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages.</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\">تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی (دانشگاه ملی ایران): مرحلۀ تکوین/ History of Architectural Design Education in Shahid Beheshti University: the Formation Phase</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران/ The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین /Art History on the Basis of Artists</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">آثار و افکار الگ گرابار</a>\r\n\r\n \r\n<h3>Translation</h3>\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/معماری-و-جامعه-در-دورۀ-ایلخانان،-گلستان-هنر،-ش-۱۳.pdf\">معماری و جامعه در دورۀ ایلخانان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/چهار-منبع-دربارۀ-ساختههای-شاه-عباس-در-اصفهان،-گلستان-هنر،-ش-۶.pdf\">چهار منبع دربارۀ ساختههای شاه عباس در اصفهان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/تحقیق-تفسیری-تاریخی-در-معماری،-صفه-۳۹.pdf\">تحقیق تفسیری - تاریخی در معماری</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/%D8%B1%D9%85%D8%B2-%D9%88-%D8%A8%D9%86%D8%A7-%D8%A2%DB%8C%DB%8C%D9%86.pdf\">رمز و بنا و آیین</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نظامهای-پژوهش-و-معیارهای-کیفیت-تحقیق،-صفۀ-۳۷.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقشه-و-طومار-معماری-در-جهان-اسلام،-رواق-۱.pdf\">نقشه و طومار معماری در جهان اسلام</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/احداث-اصفهان-عباسی-در-متون-صفوی،-رواق-ش-۱-.pdf\">احداث اصفهان عباسی در متون صفوی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">رمز پردازی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی</a>\r\n<h3>Interviews</h3>\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شهر روانپریش و معماری اسلامی- شفقنا، بهمن ۱۳۹۳</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شارحان پریشانی: گفتگو با مجلۀ سورۀ اندیشه، تیر و مرداد ۱۳۹۰</a>\r\n<h3 class=\"hr-heading\"><span class=\"hr-heading-text text-uppercase text-bold\">Notes & Prefaces</span></h3>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران/ Note on the People\'s History of Iranian</a>\r\nArchitecture\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/%D8%AE%D8%B1%DA%AF%D8%B1%D8%AF.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران<em>، </em>۱۳۹۳</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\"><a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">یادداشت: معماری چون مظهر فرهنگ</a></div>\r\n<div class=\"media-heading text-serif\"></div>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\"></div>','Articles','','inherit','closed','closed','','11-revision-v1','','','2017-11-12 05:05:06','2017-11-12 05:05:06','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(292,1,'2017-11-12 05:05:30','2017-11-12 05:05:30','<a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\">تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی (دانشگاه ملی ایران): مرحلۀ تکوین/ History of Architectural Design Education in Shahid Beheshti University: the Formation Phase</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران/ The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین /Art History on the Basis of Artists</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages.</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">آثار و افکار الگ گرابار</a>\r\n\r\n \r\n<h3>Translation</h3>\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/معماری-و-جامعه-در-دورۀ-ایلخانان،-گلستان-هنر،-ش-۱۳.pdf\">معماری و جامعه در دورۀ ایلخانان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/چهار-منبع-دربارۀ-ساختههای-شاه-عباس-در-اصفهان،-گلستان-هنر،-ش-۶.pdf\">چهار منبع دربارۀ ساختههای شاه عباس در اصفهان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/تحقیق-تفسیری-تاریخی-در-معماری،-صفه-۳۹.pdf\">تحقیق تفسیری - تاریخی در معماری</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/%D8%B1%D9%85%D8%B2-%D9%88-%D8%A8%D9%86%D8%A7-%D8%A2%DB%8C%DB%8C%D9%86.pdf\">رمز و بنا و آیین</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نظامهای-پژوهش-و-معیارهای-کیفیت-تحقیق،-صفۀ-۳۷.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقشه-و-طومار-معماری-در-جهان-اسلام،-رواق-۱.pdf\">نقشه و طومار معماری در جهان اسلام</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/احداث-اصفهان-عباسی-در-متون-صفوی،-رواق-ش-۱-.pdf\">احداث اصفهان عباسی در متون صفوی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">رمز پردازی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی</a>\r\n<h3>Interviews</h3>\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شهر روانپریش و معماری اسلامی- شفقنا، بهمن ۱۳۹۳</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شارحان پریشانی: گفتگو با مجلۀ سورۀ اندیشه، تیر و مرداد ۱۳۹۰</a>\r\n<h3 class=\"hr-heading\"><span class=\"hr-heading-text text-uppercase text-bold\">Notes & Prefaces</span></h3>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران/ Note on the People\'s History of Iranian</a>\r\nArchitecture\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/%D8%AE%D8%B1%DA%AF%D8%B1%D8%AF.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران<em>، </em>۱۳۹۳</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\"><a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">یادداشت: معماری چون مظهر فرهنگ</a></div>\r\n<div class=\"media-heading text-serif\"></div>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\"></div>','Articles','','inherit','closed','closed','','11-revision-v1','','','2017-11-12 05:05:30','2017-11-12 05:05:30','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(293,1,'2017-11-12 05:19:37','2017-11-12 05:19:37','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\r\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-size: 14pt;\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آروز احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2017-11-12 05:19:37','2017-11-12 05:19:37','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(294,1,'2017-11-12 05:32:51','2017-11-12 05:32:51','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\r\nAssociate Professor, Shahid Beheshti University\r\nAssociate Member, The Iranian Academy of Art\r\nInvited Member, The Iranian Academy of Science\r\n\r\n<strong>Education</strong>\r\n<ul>\r\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\r\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\r\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\r\n</ul>\r\n<strong>Honors and Awards</strong>\r\n<ul>\r\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\r\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\r\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\r\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\r\n <li>Research Fellowship, Farabi International Award 2010</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\r\n</ul>\r\n<strong>Memberships</strong>\r\n<ul>\r\n <li>Associate Member, the Iranian Academy of Art Since 2005</li>\r\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\r\n <li>Invited Member, the Iranian Academy of Persian Language and Literature Since 2012</li>\r\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\r\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\r\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\r\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 200</li>\r\n</ul>\r\n<strong>Present Positions</strong>\r\n<ul>\r\n <li>Faculty Member, Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\r\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\r\n</ul>\r\n<strong> Past Positions</strong>\r\n<ul>\r\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\r\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\r\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\r\n <li>Faculty Member, the Iranian Academy of Art 2004-2007</li>\r\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\r\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\r\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\r\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\r\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\r\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\r\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\r\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\r\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\r\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\r\n</ul>\r\n<strong> Research and Teaching Interests</strong>\r\n<ul>\r\n <li>History of Iranian and Persianate Architecture and Art</li>\r\n <li>Islamic Architecture and Art</li>\r\n <li>Theory and Methodology of Architectural History</li>\r\n <li>Theory of Architecture and Art</li>\r\n</ul>\r\n<strong> Publications: 1. Articles and Essays</strong>\r\n<ul>\r\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Sofeh</em>, 2017</li>\r\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\r\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 10, 2017</li>\r\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar. 2015</li>\r\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\r\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\r\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\r\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in Mutāli’āt-i Me’mārī-yi Īrān, no. 6, 2015</li>\r\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\r\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\r\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\r\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\r\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\r\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\r\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\r\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development</em>, no. 7, 2012</li>\r\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\r\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\r\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\r\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\r\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\r\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\r\n <li>On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\r\n <li>Patronage and the Hidden Aspects of the History of Iranian Art, in Gulistān-i Hunar (Golestān-e Honar), no. 13, 2008</li>\r\n <li>The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\r\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\r\n <li>Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\r\n <li>Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\r\n <li>Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\r\n <li>Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\r\n <li>Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\r\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\r\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\r\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\r\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\r\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\r\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\r\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\r\n <li>A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\r\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\r\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\r\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\r\n <li>For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\r\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\r\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\r\n <li>A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\r\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\r\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\r\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\r\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\r\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\r\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\r\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\r\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\r\n</ul>\r\n<strong>Publications: 2. Books</strong>\r\n<ul>\r\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\r\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\r\n <li>Ten Stories on Architecture, 2015</li>\r\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\r\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\r\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\r\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\r\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\r\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\r\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\r\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\r\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\r\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\r\n</ul>\r\n<strong>Teaching Experience</strong>\r\n<ul>\r\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\r\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\r\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\r\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\r\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\r\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\r\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\r\n</ul>\r\n<strong>Dissertations: 1. Supervised</strong>\r\n<ul>\r\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\r\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n</ul>\r\n<ul>\r\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\r\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\r\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\r\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\r\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\r\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\r\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\r\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\r\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\r\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\r\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\r\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\r\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\r\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\r\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\r\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\r\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\r\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\r\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\r\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\r\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\r\n</ul>\r\n<strong>Dissertations: 2. Consulted</strong>\r\n<ul>\r\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\r\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\r\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\r\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\r\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\r\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\r\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\r\n</ul>\r\n<strong>Personal Information</strong>\r\n<ul>\r\n <li>Born: Tehran, 1960</li>\r\n</ul>\r\n<strong>Languages</strong>\r\n<ul>\r\n <li>Reading and Translation Competence in English and Arabic</li>\r\n <li>Native in Persian</li>\r\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2017-11-12 05:32:51','2017-11-12 05:32:51','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(297,1,'2018-02-04 12:09:31','2018-02-04 12:09:31','','55600464','','inherit','open','closed','','55600464','','','2018-02-04 12:09:31','2018-02-04 12:09:31','',61,'https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf',0,'attachment','application/pdf',0),(298,1,'2018-02-04 12:12:27','2018-02-04 12:12:27','','55599404','','inherit','open','closed','','55599404','','','2018-02-04 12:12:27','2018-02-04 12:12:27','',61,'https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf',0,'attachment','application/pdf',0),(299,1,'2018-02-04 12:14:20','2018-02-04 12:14:20','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه آموزشی تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\r\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آروز احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2018-02-04 12:14:20','2018-02-04 12:14:20','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(300,1,'2018-02-04 12:27:41','2018-02-04 12:27:41','','55486653','','inherit','open','closed','','55486653','','','2018-02-04 12:27:41','2018-02-04 12:27:41','',61,'https://qayyoomi.com/wp-content/uploads/2016/03/55486653.pdf',0,'attachment','application/pdf',0),(301,1,'2018-02-04 13:07:53','2018-02-04 13:07:53','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\r\nAssociate Professor, Shahid Beheshti University\r\nAssociate Member, The Iranian Academy of Art\r\nInvited Member, The Iranian Academy of Science\r\n\r\n<strong>Education</strong>\r\n<ul>\r\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\r\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\r\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\r\n</ul>\r\n<strong>Honors and Awards</strong>\r\n<ul>\r\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\r\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\r\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\r\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\r\n <li>Research Fellowship, Farabi International Award 2010</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\r\n</ul>\r\n<strong>Memberships</strong>\r\n<ul>\r\n <li>Associate Member, the Iranian Academy of Art Since 2005</li>\r\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\r\n <li>Invited Member, the Iranian Academy of Persian Language and Literature Since 2012</li>\r\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\r\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\r\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\r\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 200</li>\r\n</ul>\r\n<strong>Present Positions</strong>\r\n<ul>\r\n <li>Faculty Member, Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\r\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\r\n</ul>\r\n<strong> Past Positions</strong>\r\n<ul>\r\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\r\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\r\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\r\n <li>Faculty Member, the Iranian Academy of Art 2004-2007</li>\r\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\r\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\r\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\r\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\r\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\r\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\r\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\r\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\r\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\r\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\r\n</ul>\r\n<strong> Research and Teaching Interests</strong>\r\n<ul>\r\n <li>History of Iranian and Persianate Architecture and Art</li>\r\n <li>Islamic Architecture and Art</li>\r\n <li>Theory and Methodology of Architectural History</li>\r\n <li>Theory of Architecture and Art</li>\r\n</ul>\r\n<strong> Publications:</strong>\r\n\r\n<strong> 1. Articles and Essays</strong>\r\n<ul>\r\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Sofeh</em>, 2017</li>\r\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\r\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 10, 2017</li>\r\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar. 2015</li>\r\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\r\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\r\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\r\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in Mutāli’āt-i Me’mārī-yi Īrān, no. 6, 2015</li>\r\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\r\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\r\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\r\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\r\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\r\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\r\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\r\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development</em>, no. 7, 2012</li>\r\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\r\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\r\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\r\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\r\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\r\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\r\n <li>On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\r\n <li>Patronage and the Hidden Aspects of the History of Iranian Art, in Gulistān-i Hunar (Golestān-e Honar), no. 13, 2008</li>\r\n <li>The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\r\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\r\n <li>Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\r\n <li>Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\r\n <li>Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\r\n <li>Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\r\n <li>Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\r\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\r\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\r\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\r\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\r\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\r\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\r\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\r\n <li>A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\r\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\r\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\r\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\r\n <li>For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\r\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\r\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\r\n <li>A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\r\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\r\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\r\n</ul>\r\n<strong>2. Articles (Translation)</strong>\r\n<ul>\r\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\r\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\r\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\r\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\r\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\r\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\r\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\r\n</ul>\r\n<strong>3. Books </strong>\r\n<ul>\r\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\r\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\r\n <li>Ten Stories on Architecture, 2015</li>\r\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\r\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\r\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\r\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\r\n</ul>\r\n<strong>4. Books (Translation)</strong>\r\n<ul>\r\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\r\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\r\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\r\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\r\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\r\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\r\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\r\n</ul>\r\n<strong>Teaching Experience</strong>\r\n<ul>\r\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\r\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\r\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\r\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\r\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\r\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\r\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\r\n</ul>\r\n<strong>Dissertations: 1. Supervised</strong>\r\n<ul>\r\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\r\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n</ul>\r\n<ul>\r\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\r\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\r\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\r\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\r\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\r\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\r\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\r\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\r\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\r\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\r\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\r\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\r\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\r\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\r\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\r\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\r\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\r\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\r\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\r\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\r\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\r\n</ul>\r\n<strong>Dissertations: 2. Consulted</strong>\r\n<ul>\r\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\r\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\r\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\r\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\r\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\r\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\r\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\r\n</ul>\r\n<strong>Personal Information</strong>\r\n<ul>\r\n <li>Born: Tehran, 1960</li>\r\n</ul>\r\n<strong>Languages</strong>\r\n<ul>\r\n <li>Reading and Translation Competence in English and Arabic</li>\r\n <li>Native in Persian</li>\r\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2018-02-04 13:07:53','2018-02-04 13:07:53','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(302,1,'2018-02-04 13:45:39','2018-02-04 13:45:39','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\r\nAssociate Professor, Shahid Beheshti University\r\nAssociate Member, The Iranian Academy of Art\r\nInvited Member, The Iranian Academy of Science\r\n\r\n<strong>Education</strong>\r\n<ul>\r\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\r\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\r\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\r\n</ul>\r\n<strong>Honors and Awards</strong>\r\n<ul>\r\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\r\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\r\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\r\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\r\n <li>Research Fellowship, Farabi International Award 2010</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\r\n</ul>\r\n<strong>Memberships</strong>\r\n<ul>\r\n <li>Associate Member, the Iranian Academy of Art Since 2005</li>\r\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\r\n <li>Invited Member, the Iranian Academy of Persian Language and Literature Since 2012</li>\r\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\r\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\r\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\r\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 200</li>\r\n</ul>\r\n<strong>Present Positions</strong>\r\n<ul>\r\n <li>Faculty Member, Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\r\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\r\n</ul>\r\n<strong> Past Positions</strong>\r\n<ul>\r\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\r\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\r\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\r\n <li>Faculty Member, the Iranian Academy of Art 2004-2007</li>\r\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\r\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\r\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\r\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\r\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\r\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\r\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\r\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\r\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\r\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\r\n</ul>\r\n<strong> Research and Teaching Interests</strong>\r\n<ul>\r\n <li>History of Iranian and Persianate Architecture and Art</li>\r\n <li>Islamic Architecture and Art</li>\r\n <li>Theory and Methodology of Architectural History</li>\r\n <li>Theory of Architecture and Art</li>\r\n</ul>\r\n<strong> Publications:</strong>\r\n\r\n<strong> 1. Articles</strong>\r\n<ul>\r\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Sofeh</em>, 2017</li>\r\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\r\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 10, 2017</li>\r\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar. 2015</li>\r\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\r\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\r\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\r\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in Mutāli’āt-i Me’mārī-yi Īrān, no. 6, 2015</li>\r\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\r\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\r\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\r\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\r\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\r\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\r\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\r\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development</em>, no. 7, 2012</li>\r\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\r\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\r\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\r\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\r\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\r\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\r\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\r\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\r\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\r\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\r\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\r\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\r\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\r\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\r\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\r\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\r\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\r\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\r\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\r\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\r\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\r\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\r\n</ul>\r\n<strong>2. Articles (Translation)</strong>\r\n<ul>\r\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\r\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\r\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\r\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\r\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\r\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\r\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\r\n</ul>\r\n<strong>3. Notes & Interviews</strong>\r\n<ul>\r\n <li>Preface to the Book: A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage, 2017</li>\r\n <li>Preface to the Book: the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan, 2017</li>\r\n <li>Note: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\r\n <li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\r\n <li>Preface to the Book: An Introduction to the Oral History of Iranian Architecture\", 2014</li>\r\n <li>Note: On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\r\n <li>Note: Patronage and the Hidden Aspects of the History of Iranian Art, in Gulistān-i Hunar (Golestān-e Honar), no. 13, 2008</li>\r\n <li>Note: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\r\n <li>Note: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\r\n <li>Note: Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\r\n <li>Note: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\r\n <li>Note: Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\r\n <li>Note: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\r\n <li>Note: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\r\n <li>Note: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\r\n</ul>\r\n<strong>4. Books </strong>\r\n<ul>\r\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\r\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\r\n <li>Ten Stories on Architecture, 2015</li>\r\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\r\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\r\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\r\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\r\n</ul>\r\n<strong>5. Books (Translation)</strong>\r\n<ul>\r\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\r\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\r\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\r\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\r\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\r\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\r\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\r\n</ul>\r\n<strong>Teaching Experience</strong>\r\n<ul>\r\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\r\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\r\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\r\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\r\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\r\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\r\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\r\n</ul>\r\n<strong>Dissertations: 1. Supervised</strong>\r\n<ul>\r\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\r\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n</ul>\r\n<ul>\r\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\r\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\r\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\r\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\r\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\r\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\r\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\r\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\r\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\r\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\r\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\r\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\r\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\r\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\r\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\r\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\r\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\r\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\r\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\r\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\r\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\r\n</ul>\r\n<strong>Dissertations: 2. Consulted</strong>\r\n<ul>\r\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\r\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\r\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\r\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\r\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\r\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\r\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\r\n</ul>\r\n<strong>Personal Information</strong>\r\n<ul>\r\n <li>Born: Tehran, 1960</li>\r\n</ul>\r\n<strong>Languages</strong>\r\n<ul>\r\n <li>Reading and Translation Competence in English and Arabic</li>\r\n <li>Native in Persian</li>\r\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2018-02-04 13:45:39','2018-02-04 13:45:39','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(304,1,'2018-02-18 04:48:28','2018-02-18 04:48:28','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\r\nAssociate Professor, Shahid Beheshti University\r\nAssociate Member, The Iranian Academy of Art\r\nInvited Member, The Iranian Academy of Science\r\n\r\n<strong>Education</strong>\r\n<ul>\r\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\r\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\r\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\r\n</ul>\r\n<strong>Honors and Awards</strong>\r\n<ul>\r\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\r\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\r\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\r\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\r\n <li>Research Fellowship, Farabi International Award 2010</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\r\n</ul>\r\n<strong>Memberships</strong>\r\n<ul>\r\n <li>Associate Member, the Iranian Academy of Art Since 2005</li>\r\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\r\n <li>Invited Member, the Iranian Academy of Persian Language and Literature Since 2012</li>\r\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\r\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\r\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\r\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 200</li>\r\n</ul>\r\n<strong>Present Positions</strong>\r\n<ul>\r\n <li>Faculty Member, Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\r\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\r\n</ul>\r\n<strong> Past Positions</strong>\r\n<ul>\r\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\r\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\r\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\r\n <li>Faculty Member, the Iranian Academy of Art 2004-2007</li>\r\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\r\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\r\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\r\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\r\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\r\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\r\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\r\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\r\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\r\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\r\n</ul>\r\n<strong> Research and Teaching Interests</strong>\r\n<ul>\r\n <li>History of Iranian and Persianate Architecture and Art</li>\r\n <li>Islamic Architecture and Art</li>\r\n <li>Theory and Methodology of Architectural History</li>\r\n <li>Theory of Architecture and Art</li>\r\n</ul>\r\n<strong> Publications:</strong>\r\n\r\n<strong> 1. Articles</strong>\r\n<ul>\r\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Sofeh</em>, 2017</li>\r\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\r\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 10, 2017</li>\r\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar. 2015</li>\r\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\r\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\r\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\r\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in Mutāli’āt-i Me’mārī-yi Īrān, no. 6, 2015</li>\r\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\r\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\r\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\r\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\r\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\r\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\r\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\r\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development</em>, no. 7, 2012</li>\r\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\r\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\r\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\r\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\r\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\r\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\r\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\r\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\r\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\r\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\r\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\r\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\r\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\r\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\r\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\r\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\r\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\r\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\r\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\r\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\r\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\r\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\r\n</ul>\r\n<strong>2. Articles (Translation)</strong>\r\n<ul>\r\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\r\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\r\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\r\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\r\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\r\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\r\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\r\n</ul>\r\n<strong>3. Prefaces, Notes & Interviews</strong>\r\n<ul>\r\n <li>Preface to the Yahya Sepehri\'s Book: <em>A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage</em>, 2017</li>\r\n <li>Preface to the Safa Mahmoudian\'s Book: <em>the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan</em>, 2017</li>\r\n <li>Note: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\r\n <li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\r\n <li>Interview: Philosophy of Architecture, 2015</li>\r\n <li>Preface to Mehdi Arefi’s Book: <em>Khargird and Madrasa</em>, 2015</li>\r\n <li>Preface to the Mitra Hashemi\'s Book: <em>An Introduction to the Oral History of Iranian Architecture</em>, 2014</li>\r\n <li>Interview: Psychotic City and Islamic Architecture, 2014</li>\r\n <li>Note: Architecture as Cultural Manifestation, 2014</li>\r\n <li>Preface to Mehdi Tamizi’s Book: <i>In the Shade of Cypress: The Picture of Cypress Tombstones in Isfahan, </i>2013</li>\r\n <li>Interview: Commentators of the Western Architecture, 2011</li>\r\n <li>Preface to the Book: <em>Paintings on the Wooden Ceilings of Azarbaijan Vernacular Mosques</em>, 2010</li>\r\n <li>Note: On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\r\n <li>Note: Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13, 2008</li>\r\n <li>Note: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\r\n <li>Note: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\r\n <li>Note: Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\r\n <li>Note: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\r\n <li>Note: Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\r\n <li>Note: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\r\n <li>Note: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\r\n <li>Note: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\r\n</ul>\r\n<strong>4. Books </strong>\r\n<ul>\r\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\r\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\r\n <li>Ten Stories on Architecture, 2015</li>\r\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\r\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\r\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\r\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\r\n</ul>\r\n<strong>5. Books (Translation)</strong>\r\n<ul>\r\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\r\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\r\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\r\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\r\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\r\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\r\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\r\n</ul>\r\n<strong>Teaching Experience</strong>\r\n<ul>\r\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\r\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\r\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\r\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\r\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\r\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\r\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\r\n</ul>\r\n<strong>Dissertations: 1. Supervised</strong>\r\n<ul>\r\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\r\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n</ul>\r\n<ul>\r\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\r\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\r\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\r\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\r\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\r\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\r\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\r\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\r\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\r\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\r\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\r\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\r\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\r\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\r\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\r\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\r\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\r\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\r\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\r\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\r\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\r\n</ul>\r\n<strong>Dissertations: 2. Consulted</strong>\r\n<ul>\r\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\r\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\r\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\r\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\r\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\r\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\r\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\r\n</ul>\r\n<strong>Personal Information</strong>\r\n<ul>\r\n <li>Born: Tehran, 1960</li>\r\n</ul>\r\n<strong>Languages</strong>\r\n<ul>\r\n <li>Reading and Translation Competence in English and Arabic</li>\r\n <li>Native in Persian</li>\r\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2018-02-18 04:48:28','2018-02-18 04:48:28','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(305,1,'2018-04-28 16:07:54','2018-04-28 16:07:54','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\r\nAssociate Professor, Shahid Beheshti University\r\nAssociate Member, The Iranian Academy of Art\r\nInvited Member, The Iranian Academy of Science\r\n\r\n<strong>Education</strong>\r\n<ul>\r\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\r\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\r\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\r\n</ul>\r\n<strong>Honors and Awards</strong>\r\n<ul>\r\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\r\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\r\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\r\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\r\n <li>Research Fellowship, Farabi International Award 2010</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\r\n</ul>\r\n<strong>Memberships</strong>\r\n<ul>\r\n <li>Associate Member, the Iranian Academy of Art Since 2005</li>\r\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\r\n <li>Invited Member, the Iranian Academy of Persian Language and Literature Since 2012</li>\r\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\r\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\r\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\r\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 200</li>\r\n</ul>\r\n<strong>Present Positions</strong>\r\n<ul>\r\n <li>Faculty Member, Center for Iranian Architectural Studies and Documentation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\r\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\r\n</ul>\r\n<strong> Past Positions</strong>\r\n<ul>\r\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\r\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\r\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\r\n <li>Faculty Member, the Iranian Academy of Art 2004-2007</li>\r\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\r\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\r\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\r\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\r\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\r\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\r\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\r\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\r\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\r\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\r\n</ul>\r\n<strong> Research and Teaching Interests</strong>\r\n<ul>\r\n <li>History of Iranian and Persianate Architecture and Art</li>\r\n <li>Islamic Architecture and Art</li>\r\n <li>Theory and Methodology of Architectural History</li>\r\n <li>Theory of Architecture and Art</li>\r\n</ul>\r\n<strong> Publications:</strong>\r\n\r\n<strong> 1. Articles</strong>\r\n<ul>\r\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Sofeh</em>, 2017</li>\r\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\r\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 10, 2017</li>\r\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar. 2015</li>\r\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\r\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\r\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\r\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in Mutāli’āt-i Me’mārī-yi Īrān, no. 6, 2015</li>\r\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\r\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\r\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\r\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\r\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\r\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\r\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\r\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development</em>, no. 7, 2012</li>\r\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\r\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\r\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\r\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\r\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\r\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\r\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\r\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\r\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\r\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\r\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\r\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\r\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\r\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\r\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\r\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\r\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\r\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\r\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\r\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\r\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\r\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\r\n</ul>\r\n<strong>2. Articles (Translation)</strong>\r\n<ul>\r\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\r\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\r\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\r\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\r\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\r\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\r\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\r\n</ul>\r\n<strong>3. Prefaces, Notes & Interviews</strong>\r\n<ul>\r\n <li>Preface to the Yahya Sepehri\'s Book: <em>A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage</em>, 2017</li>\r\n <li>Preface to the Safa Mahmoudian\'s Book: <em>the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan</em>, 2017</li>\r\n <li>Note: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\r\n <li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\r\n <li>Interview: Philosophy of Architecture, 2015</li>\r\n <li>Preface to Mehdi Arefi’s Book: <em>Khargird and Madrasa</em>, 2015</li>\r\n <li>Preface to the Mitra Hashemi\'s Book: <em>An Introduction to the Oral History of Iranian Architecture</em>, 2014</li>\r\n <li>Interview: Psychotic City and Islamic Architecture, 2014</li>\r\n <li>Note: Architecture as Cultural Manifestation, 2014</li>\r\n <li>Preface to Mehdi Tamizi’s Book: <i>In the Shade of Cypress: The Picture of Cypress Tombstones in Isfahan, </i>2013</li>\r\n <li>Interview: Commentators of the Western Architecture, 2011</li>\r\n <li>Preface to the Book: <em>Paintings on the Wooden Ceilings of Azarbaijan Vernacular Mosques</em>, 2010</li>\r\n <li>Note: On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\r\n <li>Note: Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13, 2008</li>\r\n <li>Note: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\r\n <li>Note: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\r\n <li>Note: Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\r\n <li>Note: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\r\n <li>Note: Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\r\n <li>Note: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\r\n <li>Note: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\r\n <li>Note: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\r\n</ul>\r\n<strong>4. Books </strong>\r\n<ul>\r\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\r\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\r\n <li>Ten Stories on Architecture, 2015</li>\r\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\r\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\r\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\r\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\r\n</ul>\r\n<strong>5. Books (Translation)</strong>\r\n<ul>\r\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\r\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\r\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\r\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\r\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\r\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\r\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\r\n</ul>\r\n<strong>Teaching Experience</strong>\r\n<ul>\r\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\r\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\r\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\r\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\r\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\r\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\r\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\r\n</ul>\r\n<strong>Dissertations: 1. Supervised</strong>\r\n<ul>\r\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\r\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n</ul>\r\n<ul>\r\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\r\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\r\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\r\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\r\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\r\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\r\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\r\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\r\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\r\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\r\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\r\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\r\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\r\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\r\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\r\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\r\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\r\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\r\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\r\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\r\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\r\n</ul>\r\n<strong>Dissertations: 2. Consulted</strong>\r\n<ul>\r\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\r\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\r\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\r\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\r\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\r\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\r\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\r\n</ul>\r\n<strong>Personal Information</strong>\r\n<ul>\r\n <li>Born: Tehran, 1960</li>\r\n</ul>\r\n<strong>Languages</strong>\r\n<ul>\r\n <li>Reading and Translation Competence in English and Arabic</li>\r\n <li>Native in Persian</li>\r\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2018-04-28 16:07:54','2018-04-28 16:07:54','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(306,1,'2018-04-28 16:10:11','2018-04-28 16:10:11','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مرکز مستندنگاری و مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\r\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آروز احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2018-04-28 16:10:11','2018-04-28 16:10:11','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(309,1,'2018-05-26 03:18:40','2018-05-26 03:18:40','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مرکز مستندنگاری و مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\r\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه و سخنرانی</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>\r\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.bookcity.org/detail/12685/multimedia/picture\"><span lang=\"FA\">سخنرانی «در ستایش کودکی». در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو. تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷.</span></a></span></p>\r\n</li>\r\n <li>\r\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز». در همایش بزرگداشت مارتین لینگز. تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷.</a></span></p>\r\n</li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آروز احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2018-05-26 03:18:40','2018-05-26 03:18:40','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(310,1,'2018-05-26 03:21:44','2018-05-26 03:21:44','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مرکز مستندنگاری و مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\r\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه و سخنرانی</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>\r\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.bookcity.org/detail/12685/multimedia/picture\"><span lang=\"FA\">سخنرانی «در ستایش کودکی». در مجلس رونمایی <em>کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو</em>. تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷.</span></a></span></p>\r\n</li>\r\n <li>\r\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز». در همایش بزرگداشت مارتین لینگز. تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷.</a></span></p>\r\n</li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آروز احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2018-05-26 03:21:44','2018-05-26 03:21:44','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0);
INSERT INTO `ql_posts` VALUES (311,1,'2018-05-26 03:22:18','2018-05-26 03:22:18','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مرکز مستندنگاری و مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\r\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه و سخنرانی</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>\r\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.bookcity.org/detail/12685/multimedia/picture\"><span lang=\"FA\">سخنرانی «در ستایش کودکی». در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو. تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷.</span></a></span></p>\r\n</li>\r\n <li>\r\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز». در همایش بزرگداشت مارتین لینگز. تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷.</a></span></p>\r\n</li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آروز احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2018-05-26 03:22:18','2018-05-26 03:22:18','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(312,1,'2018-05-26 03:23:28','2018-05-26 03:23:28','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مرکز مستندنگاری و مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\r\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه و سخنرانی</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>\r\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.bookcity.org/detail/12685/multimedia/picture\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></span></p>\r\n</li>\r\n <li>\r\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\r\n</li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آروز احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2018-05-26 03:23:28','2018-05-26 03:23:28','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(313,1,'2018-05-28 04:22:47','2018-05-28 04:22:47','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مرکز مستندنگاری و مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\r\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه و سخنرانی</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>\r\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></span></p>\r\n</li>\r\n <li>\r\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\r\n</li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آروز احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2018-05-28 04:22:47','2018-05-28 04:22:47','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(316,1,'2018-10-20 08:20:59','2018-10-20 08:20:59','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مرکز مستندنگاری و مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\r\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه و سخنرانی</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>\r\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></span></p>\r\n</li>\r\n <li>\r\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\r\n</li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آروز احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2018-10-20 08:20:59','2018-10-20 08:20:59','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(317,1,'2018-10-20 08:22:06','2018-10-20 08:22:06','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مرکز مستندنگاری و مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\r\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه و سخنرانی</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>\r\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></span></p>\r\n</li>\r\n <li>\r\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\r\n</li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آروز احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2018-10-20 08:22:06','2018-10-20 08:22:06','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(318,1,'2018-10-20 08:23:35','2018-10-20 08:23:35','معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، ۱۳۹۷/ The Architecture of Dār al-Funūn School and Its Changes in Qajar Period\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\">تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی (دانشگاه ملی ایران): مرحلۀ تکوین/ History of Architectural Design Education in Shahid Beheshti University: the Formation Phase</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران/ The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین /Art History on the Basis of Artists</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages.</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">آثار و افکار الگ گرابار</a>\r\n\r\n \r\n<h3>Translation</h3>\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/معماری-و-جامعه-در-دورۀ-ایلخانان،-گلستان-هنر،-ش-۱۳.pdf\">معماری و جامعه در دورۀ ایلخانان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/چهار-منبع-دربارۀ-ساختههای-شاه-عباس-در-اصفهان،-گلستان-هنر،-ش-۶.pdf\">چهار منبع دربارۀ ساختههای شاه عباس در اصفهان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/تحقیق-تفسیری-تاریخی-در-معماری،-صفه-۳۹.pdf\">تحقیق تفسیری - تاریخی در معماری</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/%D8%B1%D9%85%D8%B2-%D9%88-%D8%A8%D9%86%D8%A7-%D8%A2%DB%8C%DB%8C%D9%86.pdf\">رمز و بنا و آیین</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نظامهای-پژوهش-و-معیارهای-کیفیت-تحقیق،-صفۀ-۳۷.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقشه-و-طومار-معماری-در-جهان-اسلام،-رواق-۱.pdf\">نقشه و طومار معماری در جهان اسلام</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/احداث-اصفهان-عباسی-در-متون-صفوی،-رواق-ش-۱-.pdf\">احداث اصفهان عباسی در متون صفوی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">رمز پردازی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی</a>\r\n<h3>Interviews</h3>\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شهر روانپریش و معماری اسلامی- شفقنا، بهمن ۱۳۹۳</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شارحان پریشانی: گفتگو با مجلۀ سورۀ اندیشه، تیر و مرداد ۱۳۹۰</a>\r\n<h3 class=\"hr-heading\"><span class=\"hr-heading-text text-uppercase text-bold\">Notes & Prefaces</span></h3>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران/ Note on the People\'s History of Iranian</a>\r\nArchitecture\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/%D8%AE%D8%B1%DA%AF%D8%B1%D8%AF.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران<em>، </em>۱۳۹۳</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\"><a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">یادداشت: معماری چون مظهر فرهنگ</a></div>\r\n<div class=\"media-heading text-serif\"></div>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\"></div>','Articles','','inherit','closed','closed','','11-revision-v1','','','2018-10-20 08:23:35','2018-10-20 08:23:35','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(319,1,'2018-10-20 08:24:17','2018-10-20 08:24:17','<a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، ۱۳۹۷/ The Architecture of Dār al-Funūn School and Its Changes in Qajar Period</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\">تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی (دانشگاه ملی ایران): مرحلۀ تکوین/ History of Architectural Design Education in Shahid Beheshti University: the Formation Phase</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران/ The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین /Art History on the Basis of Artists</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages.</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">آثار و افکار الگ گرابار</a>\r\n\r\n \r\n<h3>Translation</h3>\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/معماری-و-جامعه-در-دورۀ-ایلخانان،-گلستان-هنر،-ش-۱۳.pdf\">معماری و جامعه در دورۀ ایلخانان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/چهار-منبع-دربارۀ-ساختههای-شاه-عباس-در-اصفهان،-گلستان-هنر،-ش-۶.pdf\">چهار منبع دربارۀ ساختههای شاه عباس در اصفهان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/تحقیق-تفسیری-تاریخی-در-معماری،-صفه-۳۹.pdf\">تحقیق تفسیری - تاریخی در معماری</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/%D8%B1%D9%85%D8%B2-%D9%88-%D8%A8%D9%86%D8%A7-%D8%A2%DB%8C%DB%8C%D9%86.pdf\">رمز و بنا و آیین</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نظامهای-پژوهش-و-معیارهای-کیفیت-تحقیق،-صفۀ-۳۷.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقشه-و-طومار-معماری-در-جهان-اسلام،-رواق-۱.pdf\">نقشه و طومار معماری در جهان اسلام</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/احداث-اصفهان-عباسی-در-متون-صفوی،-رواق-ش-۱-.pdf\">احداث اصفهان عباسی در متون صفوی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">رمز پردازی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی</a>\r\n<h3>Interviews</h3>\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شهر روانپریش و معماری اسلامی- شفقنا، بهمن ۱۳۹۳</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شارحان پریشانی: گفتگو با مجلۀ سورۀ اندیشه، تیر و مرداد ۱۳۹۰</a>\r\n<h3 class=\"hr-heading\"><span class=\"hr-heading-text text-uppercase text-bold\">Notes & Prefaces</span></h3>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران/ Note on the People\'s History of Iranian</a>\r\nArchitecture\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/%D8%AE%D8%B1%DA%AF%D8%B1%D8%AF.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران<em>، </em>۱۳۹۳</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\"><a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">یادداشت: معماری چون مظهر فرهنگ</a></div>\r\n<div class=\"media-heading text-serif\"></div>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\"></div>','Articles','','inherit','closed','closed','','11-revision-v1','','','2018-10-20 08:24:17','2018-10-20 08:24:17','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(321,1,'2018-10-20 08:30:59','2018-10-20 08:30:59','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\r\nAssociate Professor, Shahid Beheshti University\r\nAssociate Member, The Iranian Academy of Art\r\nInvited Member, The Iranian Academy of Science\r\n\r\n<strong>Education</strong>\r\n<ul>\r\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\r\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\r\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\r\n</ul>\r\n<strong>Honors and Awards</strong>\r\n<ul>\r\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\r\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\r\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\r\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\r\n <li>Research Fellowship, Farabi International Award 2010</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\r\n</ul>\r\n<strong>Memberships</strong>\r\n<ul>\r\n <li>Associate Member, the Iranian Academy of Art Since 2005</li>\r\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\r\n <li>Invited Member, the Iranian Academy of Persian Language and Literature Since 2012</li>\r\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\r\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\r\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\r\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 200</li>\r\n</ul>\r\n<strong>Present Positions</strong>\r\n<ul>\r\n <li>Faculty Member, Center for Iranian Architectural Studies and Documentation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\r\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\r\n</ul>\r\n<strong> Past Positions</strong>\r\n<ul>\r\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\r\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\r\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\r\n <li>Faculty Member, the Iranian Academy of Art 2004-2007</li>\r\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\r\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\r\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\r\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\r\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\r\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\r\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\r\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\r\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\r\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\r\n</ul>\r\n<strong> Research and Teaching Interests</strong>\r\n<ul>\r\n <li>History of Iranian and Persianate Architecture and Art</li>\r\n <li>Islamic Architecture and Art</li>\r\n <li>Theory and Methodology of Architectural History</li>\r\n <li>Theory of Architecture and Art</li>\r\n</ul>\r\n<strong> Publications:</strong>\r\n\r\n<strong> 1. Articles</strong>\r\n<ul>\r\n <li>The Architecture of Dār al-Funūn School and Its Changes in Qajar Period, (With Boshra Moossavi), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 20, 2018</li>\r\n <li>The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work, in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 13, 2018</li>\r\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Sofeh</em>, 2017</li>\r\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\r\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 10, 2017</li>\r\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar, 2015</li>\r\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\r\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\r\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\r\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in Mutāli’āt-i Me’mārī-yi Īrān, no. 6, 2015</li>\r\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\r\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\r\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\r\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\r\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\r\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\r\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\r\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development</em>, no. 7, 2012</li>\r\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\r\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\r\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\r\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\r\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\r\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\r\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\r\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\r\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\r\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\r\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\r\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\r\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\r\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\r\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\r\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\r\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\r\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\r\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\r\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\r\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\r\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\r\n</ul>\r\n<strong>2. Articles (Translation)</strong>\r\n<ul>\r\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\r\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\r\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\r\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\r\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\r\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\r\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\r\n</ul>\r\n<strong>3. Prefaces, Notes & Interviews</strong>\r\n<ul>\r\n <li>Preface to the Yahya Sepehri\'s Book: <em>A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage</em>, 2017</li>\r\n <li>Preface to the Safa Mahmoudian\'s Book: <em>the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan</em>, 2017</li>\r\n <li>Note: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\r\n <li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\r\n <li>Interview: Philosophy of Architecture, 2015</li>\r\n <li>Preface to Mehdi Arefi’s Book: <em>Khargird and Madrasa</em>, 2015</li>\r\n <li>Preface to the Mitra Hashemi\'s Book: <em>An Introduction to the Oral History of Iranian Architecture</em>, 2014</li>\r\n <li>Interview: Psychotic City and Islamic Architecture, 2014</li>\r\n <li>Note: Architecture as Cultural Manifestation, 2014</li>\r\n <li>Preface to Mehdi Tamizi’s Book: <i>In the Shade of Cypress: The Picture of Cypress Tombstones in Isfahan, </i>2013</li>\r\n <li>Interview: Commentators of the Western Architecture, 2011</li>\r\n <li>Preface to the Book: <em>Paintings on the Wooden Ceilings of Azarbaijan Vernacular Mosques</em>, 2010</li>\r\n <li>Note: On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\r\n <li>Note: Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13, 2008</li>\r\n <li>Note: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\r\n <li>Note: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\r\n <li>Note: Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\r\n <li>Note: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\r\n <li>Note: Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\r\n <li>Note: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\r\n <li>Note: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\r\n <li>Note: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\r\n</ul>\r\n<strong>4. Books </strong>\r\n<ul>\r\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\r\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\r\n <li>Ten Stories on Architecture, 2015</li>\r\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\r\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\r\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\r\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\r\n</ul>\r\n<strong>5. Books (Translation)</strong>\r\n<ul>\r\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\r\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\r\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\r\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\r\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\r\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\r\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\r\n</ul>\r\n<strong>Teaching Experience</strong>\r\n<ul>\r\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\r\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\r\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\r\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\r\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\r\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\r\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\r\n</ul>\r\n<strong>Dissertations: 1. Supervised</strong>\r\n<ul>\r\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\r\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n</ul>\r\n<ul>\r\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\r\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\r\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\r\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\r\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\r\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\r\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\r\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\r\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\r\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\r\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\r\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\r\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\r\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\r\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\r\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\r\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\r\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\r\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\r\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\r\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\r\n</ul>\r\n<strong>Dissertations: 2. Consulted</strong>\r\n<ul>\r\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\r\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\r\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\r\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\r\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\r\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\r\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\r\n</ul>\r\n<strong>Personal Information</strong>\r\n<ul>\r\n <li>Born: Tehran, 1960</li>\r\n</ul>\r\n<strong>Languages</strong>\r\n<ul>\r\n <li>Reading and Translation Competence in English and Arabic</li>\r\n <li>Native in Persian</li>\r\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2018-10-20 08:30:59','2018-10-20 08:30:59','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(322,1,'2018-10-20 08:33:39','2018-10-20 08:33:39','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مرکز مستندنگاری و مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\r\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه و سخنرانی</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>\r\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></span></p>\r\n</li>\r\n <li>\r\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\r\n</li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آروز احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2018-10-20 08:33:39','2018-10-20 08:33:39','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(323,1,'2018-10-20 08:35:30','2018-10-20 08:35:30','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\r\nAssociate Professor, Shahid Beheshti University\r\nAssociate Member, The Iranian Academy of Art\r\nInvited Member, The Iranian Academy of Science\r\n\r\n<strong>Education</strong>\r\n<ul>\r\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\r\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\r\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\r\n</ul>\r\n<strong>Honors and Awards</strong>\r\n<ul>\r\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\r\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\r\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\r\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\r\n <li>Research Fellowship, Farabi International Award 2010</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\r\n</ul>\r\n<strong>Memberships</strong>\r\n<ul>\r\n <li>Associate Member, the Iranian Academy of Art Since 2005</li>\r\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\r\n <li>Invited Member, the Iranian Academy of Persian Language and Literature Since 2012</li>\r\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\r\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\r\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\r\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 200</li>\r\n</ul>\r\n<strong>Present Positions</strong>\r\n<ul>\r\n <li>Faculty Member, Center for Iranian Architectural Studies and Documentation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\r\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\r\n</ul>\r\n<strong> Past Positions</strong>\r\n<ul>\r\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\r\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\r\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\r\n <li>Faculty Member, the Iranian Academy of Art 2004-2007</li>\r\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\r\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\r\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\r\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\r\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\r\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\r\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\r\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\r\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\r\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\r\n</ul>\r\n<strong> Research and Teaching Interests</strong>\r\n<ul>\r\n <li>History of Iranian and Persianate Architecture and Art</li>\r\n <li>Islamic Architecture and Art</li>\r\n <li>Theory and Methodology of Architectural History</li>\r\n <li>Theory of Architecture and Art</li>\r\n</ul>\r\n<strong> Publications:</strong>\r\n\r\n<strong> 1. Articles</strong>\r\n<ul>\r\n <li>The Architecture of Dār al-Funūn School and Its Changes in Qajar Period, (With Boshra Moossavi), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 20, 2018</li>\r\n <li>The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work, (with R. Mojtahedzadeh), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 13, 2018</li>\r\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Sofeh</em>, 2017</li>\r\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\r\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 10, 2017</li>\r\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar, 2015</li>\r\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\r\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\r\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\r\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in Mutāli’āt-i Me’mārī-yi Īrān, no. 6, 2015</li>\r\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\r\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\r\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\r\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\r\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\r\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\r\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\r\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development</em>, no. 7, 2012</li>\r\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\r\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\r\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\r\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\r\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\r\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\r\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\r\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\r\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\r\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\r\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\r\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\r\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\r\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\r\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\r\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\r\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\r\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\r\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\r\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\r\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\r\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\r\n</ul>\r\n<strong>2. Articles (Translation)</strong>\r\n<ul>\r\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\r\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\r\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\r\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\r\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\r\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\r\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\r\n</ul>\r\n<strong>3. Prefaces, Notes & Interviews</strong>\r\n<ul>\r\n <li>Preface to the Yahya Sepehri\'s Book: <em>A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage</em>, 2017</li>\r\n <li>Preface to the Safa Mahmoudian\'s Book: <em>the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan</em>, 2017</li>\r\n <li>Note: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\r\n <li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\r\n <li>Interview: Philosophy of Architecture, 2015</li>\r\n <li>Preface to Mehdi Arefi’s Book: <em>Khargird and Madrasa</em>, 2015</li>\r\n <li>Preface to the Mitra Hashemi\'s Book: <em>An Introduction to the Oral History of Iranian Architecture</em>, 2014</li>\r\n <li>Interview: Psychotic City and Islamic Architecture, 2014</li>\r\n <li>Note: Architecture as Cultural Manifestation, 2014</li>\r\n <li>Preface to Mehdi Tamizi’s Book: <i>In the Shade of Cypress: The Picture of Cypress Tombstones in Isfahan, </i>2013</li>\r\n <li>Interview: Commentators of the Western Architecture, 2011</li>\r\n <li>Preface to the Book: <em>Paintings on the Wooden Ceilings of Azarbaijan Vernacular Mosques</em>, 2010</li>\r\n <li>Note: On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\r\n <li>Note: Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13, 2008</li>\r\n <li>Note: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\r\n <li>Note: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\r\n <li>Note: Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\r\n <li>Note: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\r\n <li>Note: Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\r\n <li>Note: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\r\n <li>Note: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\r\n <li>Note: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\r\n</ul>\r\n<strong>4. Books </strong>\r\n<ul>\r\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\r\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\r\n <li>Ten Stories on Architecture, 2015</li>\r\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\r\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\r\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\r\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\r\n</ul>\r\n<strong>5. Books (Translation)</strong>\r\n<ul>\r\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\r\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\r\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\r\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\r\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\r\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\r\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\r\n</ul>\r\n<strong>Teaching Experience</strong>\r\n<ul>\r\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\r\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\r\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\r\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\r\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\r\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\r\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\r\n</ul>\r\n<strong>Dissertations: 1. Supervised</strong>\r\n<ul>\r\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\r\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n</ul>\r\n<ul>\r\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\r\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\r\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\r\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\r\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\r\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\r\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\r\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\r\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\r\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\r\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\r\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\r\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\r\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\r\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\r\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\r\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\r\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\r\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\r\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\r\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\r\n</ul>\r\n<strong>Dissertations: 2. Consulted</strong>\r\n<ul>\r\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\r\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\r\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\r\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\r\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\r\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\r\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\r\n</ul>\r\n<strong>Personal Information</strong>\r\n<ul>\r\n <li>Born: Tehran, 1960</li>\r\n</ul>\r\n<strong>Languages</strong>\r\n<ul>\r\n <li>Reading and Translation Competence in English and Arabic</li>\r\n <li>Native in Persian</li>\r\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2018-10-20 08:35:30','2018-10-20 08:35:30','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(324,1,'2018-10-20 08:39:42','2018-10-20 08:39:42','<a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، ۱۳۹۷/ The Architecture of Dār al-Funūn School and Its Changes in Qajar Period</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی/ The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\">تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی (دانشگاه ملی ایران): مرحلۀ تکوین/ History of Architectural Design Education in Shahid Beheshti University: the Formation Phase</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران/ The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین /Art History on the Basis of Artists</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages.</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">آثار و افکار الگ گرابار</a>\r\n\r\n \r\n<h3>Translation</h3>\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/معماری-و-جامعه-در-دورۀ-ایلخانان،-گلستان-هنر،-ش-۱۳.pdf\">معماری و جامعه در دورۀ ایلخانان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/چهار-منبع-دربارۀ-ساختههای-شاه-عباس-در-اصفهان،-گلستان-هنر،-ش-۶.pdf\">چهار منبع دربارۀ ساختههای شاه عباس در اصفهان</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/تحقیق-تفسیری-تاریخی-در-معماری،-صفه-۳۹.pdf\">تحقیق تفسیری - تاریخی در معماری</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/%D8%B1%D9%85%D8%B2-%D9%88-%D8%A8%D9%86%D8%A7-%D8%A2%DB%8C%DB%8C%D9%86.pdf\">رمز و بنا و آیین</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نظامهای-پژوهش-و-معیارهای-کیفیت-تحقیق،-صفۀ-۳۷.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقشه-و-طومار-معماری-در-جهان-اسلام،-رواق-۱.pdf\">نقشه و طومار معماری در جهان اسلام</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/احداث-اصفهان-عباسی-در-متون-صفوی،-رواق-ش-۱-.pdf\">احداث اصفهان عباسی در متون صفوی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">رمز پردازی</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی</a>\r\n<h3>Interviews</h3>\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شهر روانپریش و معماری اسلامی- شفقنا، بهمن ۱۳۹۳</a>\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شارحان پریشانی: گفتگو با مجلۀ سورۀ اندیشه، تیر و مرداد ۱۳۹۰</a>\r\n<h3 class=\"hr-heading\"><span class=\"hr-heading-text text-uppercase text-bold\">Notes & Prefaces</span></h3>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a>\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران/ Note on the People\'s History of Iranian</a>\r\nArchitecture\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/%D8%AE%D8%B1%DA%AF%D8%B1%D8%AF.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران<em>، </em>۱۳۹۳</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\"><a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">یادداشت: معماری چون مظهر فرهنگ</a></div>\r\n<div class=\"media-heading text-serif\"></div>\r\n<div class=\"media-heading text-serif\">\r\n\r\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\r\n\r\n</div>\r\n<div class=\"media-heading text-serif\"></div>','Articles','','inherit','closed','closed','','11-revision-v1','','','2018-10-20 08:39:42','2018-10-20 08:39:42','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(325,1,'2018-10-20 10:26:20','2018-10-20 10:26:20','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\r\nAssociate Professor, Shahid Beheshti University\r\nAssociate Member, The Iranian Academy of Art\r\nInvited Member, The Iranian Academy of Science\r\n\r\n<strong>Education</strong>\r\n<ul>\r\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\r\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\r\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\r\n</ul>\r\n<strong>Honors and Awards</strong>\r\n<ul>\r\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\r\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\r\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\r\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\r\n <li>Research Fellowship, Farabi International Award 2010</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\r\n</ul>\r\n<strong>Memberships</strong>\r\n<ul>\r\n <li>Associate Member, the Iranian Academy of Art Since 2005</li>\r\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\r\n <li>Invited Member, the Iranian Academy of Persian Language and Literature Since 2012</li>\r\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\r\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\r\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\r\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 200</li>\r\n</ul>\r\n<strong>Present Positions</strong>\r\n<ul>\r\n <li>Faculty Member, Center for Iranian Architectural Studies and Documentation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\r\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\r\n</ul>\r\n<strong> Past Positions</strong>\r\n<ul>\r\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\r\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\r\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\r\n <li>Faculty Member, the Iranian Academy of Art 2004-2007</li>\r\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\r\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\r\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\r\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\r\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\r\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\r\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\r\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\r\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\r\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\r\n</ul>\r\n<strong> Research and Teaching Interests</strong>\r\n<ul>\r\n <li>History of Iranian and Persianate Architecture and Art</li>\r\n <li>Islamic Architecture and Art</li>\r\n <li>Theory and Methodology of Architectural History</li>\r\n <li>Theory of Architecture and Art</li>\r\n</ul>\r\n<strong> Publications:</strong>\r\n\r\n<strong> 1. Articles</strong>\r\n<ul>\r\n <li>The Architecture of Dār al-Funūn School and Its Changes in Qajar Period, (with Boshra Moossavi), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 20, 2018</li>\r\n <li>The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work, (with R. Mojtahedzadeh), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 13, 2018</li>\r\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Sofeh</em>, 2017</li>\r\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\r\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 10, 2017</li>\r\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar, 2015</li>\r\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\r\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\r\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\r\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in Mutāli’āt-i Me’mārī-yi Īrān, no. 6, 2015</li>\r\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\r\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\r\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\r\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\r\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\r\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\r\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\r\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development</em>, no. 7, 2012</li>\r\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\r\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\r\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\r\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\r\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\r\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\r\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\r\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\r\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\r\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\r\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\r\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\r\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\r\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\r\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\r\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\r\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\r\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\r\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\r\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\r\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\r\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\r\n</ul>\r\n<strong>2. Articles (Translation)</strong>\r\n<ul>\r\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\r\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\r\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\r\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\r\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\r\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\r\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\r\n</ul>\r\n<strong>3. Prefaces, Notes & Interviews</strong>\r\n<ul>\r\n <li>Preface to the Yahya Sepehri\'s Book: <em>A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage</em>, 2017</li>\r\n <li>Preface to the Safa Mahmoudian\'s Book: <em>the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan</em>, 2017</li>\r\n <li>Note: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\r\n <li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\r\n <li>Interview: Philosophy of Architecture, 2015</li>\r\n <li>Preface to Mehdi Arefi’s Book: <em>Khargird and Madrasa</em>, 2015</li>\r\n <li>Preface to the Mitra Hashemi\'s Book: <em>An Introduction to the Oral History of Iranian Architecture</em>, 2014</li>\r\n <li>Interview: Psychotic City and Islamic Architecture, 2014</li>\r\n <li>Note: Architecture as Cultural Manifestation, 2014</li>\r\n <li>Preface to Mehdi Tamizi’s Book: <i>In the Shade of Cypress: The Picture of Cypress Tombstones in Isfahan, </i>2013</li>\r\n <li>Interview: Commentators of the Western Architecture, 2011</li>\r\n <li>Preface to the Book: <em>Paintings on the Wooden Ceilings of Azarbaijan Vernacular Mosques</em>, 2010</li>\r\n <li>Note: On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\r\n <li>Note: Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13, 2008</li>\r\n <li>Note: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\r\n <li>Note: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\r\n <li>Note: Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\r\n <li>Note: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\r\n <li>Note: Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\r\n <li>Note: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\r\n <li>Note: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\r\n <li>Note: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\r\n</ul>\r\n<strong>4. Books </strong>\r\n<ul>\r\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\r\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\r\n <li>Ten Stories on Architecture, 2015</li>\r\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\r\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\r\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\r\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\r\n</ul>\r\n<strong>5. Books (Translation)</strong>\r\n<ul>\r\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\r\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\r\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\r\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\r\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\r\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\r\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\r\n</ul>\r\n<strong>Teaching Experience</strong>\r\n<ul>\r\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\r\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\r\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\r\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\r\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\r\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\r\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\r\n</ul>\r\n<strong>Dissertations: 1. Supervised</strong>\r\n<ul>\r\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\r\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n</ul>\r\n<ul>\r\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\r\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\r\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\r\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\r\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\r\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\r\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\r\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\r\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\r\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\r\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\r\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\r\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\r\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\r\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\r\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\r\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\r\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\r\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\r\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\r\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\r\n</ul>\r\n<strong>Dissertations: 2. Consulted</strong>\r\n<ul>\r\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\r\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\r\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\r\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\r\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\r\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\r\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\r\n</ul>\r\n<strong>Personal Information</strong>\r\n<ul>\r\n <li>Born: Tehran, 1960</li>\r\n</ul>\r\n<strong>Languages</strong>\r\n<ul>\r\n <li>Reading and Translation Competence in English and Arabic</li>\r\n <li>Native in Persian</li>\r\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2018-10-20 10:26:20','2018-10-20 10:26:20','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(326,1,'2018-10-21 07:26:38','2018-10-21 07:26:38','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مرکز مستندنگاری و مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</span></a></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\r\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em>Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em>2005</span></p>\r\n</li>\r\n <li>\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه و سخنرانی</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>\r\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></span></p>\r\n</li>\r\n <li>\r\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\r\n</li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطوره شناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آروز احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2018-10-21 07:26:38','2018-10-21 07:26:38','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(327,1,'2018-10-21 07:29:45','2018-10-21 07:29:45','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\r\nAssociate Professor, Shahid Beheshti University\r\nAssociate Member, The Iranian Academy of Art\r\nInvited Member, The Iranian Academy of Science\r\n\r\n<strong>Education</strong>\r\n<ul>\r\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\r\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\r\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\r\n</ul>\r\n<strong>Honors and Awards</strong>\r\n<ul>\r\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\r\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\r\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\r\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\r\n <li>Research Fellowship, Farabi International Award 2010</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\r\n</ul>\r\n<strong>Memberships</strong>\r\n<ul>\r\n <li>Associate Member, the Iranian Academy of Art Since 2005</li>\r\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\r\n <li>Invited Member, the Iranian Academy of Persian Language and Literature Since 2012</li>\r\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\r\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\r\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\r\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 200</li>\r\n</ul>\r\n<strong>Present Positions</strong>\r\n<ul>\r\n <li>Faculty Member, Center for Iranian Architectural Studies and Documentation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\r\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\r\n</ul>\r\n<strong> Past Positions</strong>\r\n<ul>\r\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\r\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\r\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\r\n <li>Faculty Member, the Iranian Academy of Art 2004-2007</li>\r\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\r\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\r\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\r\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\r\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\r\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\r\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\r\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\r\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\r\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\r\n</ul>\r\n<strong> Research and Teaching Interests</strong>\r\n<ul>\r\n <li>History of Iranian and Persianate Architecture and Art</li>\r\n <li>Islamic Architecture and Art</li>\r\n <li>Theory and Methodology of Architectural History</li>\r\n <li>Theory of Architecture and Art</li>\r\n</ul>\r\n<strong> Publications:</strong>\r\n\r\n<strong> 1. Articles</strong>\r\n<ul>\r\n <li>The Architecture of Dār al-Funūn School and Its Changes in Qajar Period, (with Boshra Moossavi), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 20, 2018</li>\r\n <li>The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work, (with R. Mojtahedzadeh), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 13, 2018</li>\r\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Sofeh</em>, 2017</li>\r\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\r\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 10, 2017</li>\r\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar, 2015</li>\r\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\r\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\r\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\r\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in Mutāli’āt-i Me’mārī-yi Īrān, no. 6, 2015</li>\r\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\r\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\r\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\r\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\r\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\r\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\r\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\r\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development</em>, no. 7, 2012</li>\r\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\r\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\r\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\r\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\r\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\r\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\r\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\r\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\r\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\r\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\r\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\r\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\r\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\r\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\r\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\r\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\r\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\r\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\r\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\r\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\r\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\r\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\r\n</ul>\r\n<strong>2. Articles (Translation)</strong>\r\n<ul>\r\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\r\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\r\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\r\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\r\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\r\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\r\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\r\n</ul>\r\n<strong>3. Prefaces, Notes & Interviews</strong>\r\n<ul>\r\n <li>Preface to the Yahya Sepehri\'s Book: <em>A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage</em>, 2017</li>\r\n <li>Preface to the Safa Mahmoudian\'s Book: <em>the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan</em>, 2017</li>\r\n <li>Note: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\r\n <li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\r\n <li>Interview: Philosophy of Architecture, 2015</li>\r\n <li>Preface to Mehdi Arefi’s Book: <em>Khargird and Madrasa</em>, 2015</li>\r\n <li>Preface to the Mitra Hashemi\'s Book: <em>An Introduction to the Oral History of Iranian Architecture</em>, 2014</li>\r\n <li>Interview: Psychotic City and Islamic Architecture, 2014</li>\r\n <li>Note: Architecture as Cultural Manifestation, 2014</li>\r\n <li>Preface to Mehdi Tamizi’s Book: <i>In the Shade of Cypress: The Picture of Cypress Tombstones in Isfahan, </i>2013</li>\r\n <li>Interview: Commentators of the Western Architecture, 2011</li>\r\n <li>Preface to the Book: <em>Paintings on the Wooden Ceilings of Azarbaijan Vernacular Mosques</em>, 2010</li>\r\n <li>Note: On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\r\n <li>Note: Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13, 2008</li>\r\n <li>Note: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\r\n <li>Note: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\r\n <li>Note: Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\r\n <li>Note: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\r\n <li>Note: Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\r\n <li>Note: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\r\n <li>Note: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\r\n <li>Note: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\r\n</ul>\r\n<strong>4. Books </strong>\r\n<ul>\r\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\r\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\r\n <li>Ten Stories on Architecture, 2015</li>\r\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\r\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\r\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\r\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\r\n</ul>\r\n<strong>5. Books (Translation)</strong>\r\n<ul>\r\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\r\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\r\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\r\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\r\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\r\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\r\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\r\n</ul>\r\n<strong>Teaching Experience</strong>\r\n<ul>\r\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\r\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\r\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\r\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\r\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\r\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\r\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\r\n</ul>\r\n<strong>Dissertations: 1. Supervised</strong>\r\n<ul>\r\n <li>Reading architecture in Haft peikar of Nezami with mythology approach, by Sepideh Ahmadkhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2018</li>\r\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\r\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\r\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\r\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\r\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\r\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\r\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\r\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\r\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\r\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\r\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\r\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\r\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\r\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\r\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\r\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\r\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\r\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\r\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\r\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\r\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\r\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\r\n</ul>\r\n<strong>Dissertations: 2. Consulted</strong>\r\n<ul>\r\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\r\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\r\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\r\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\r\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\r\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\r\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\r\n</ul>\r\n<strong>Personal Information</strong>\r\n<ul>\r\n <li>Born: Tehran, 1960</li>\r\n</ul>\r\n<strong>Languages</strong>\r\n<ul>\r\n <li>Reading and Translation Competence in English and Arabic</li>\r\n <li>Native in Persian</li>\r\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2018-10-21 07:29:45','2018-10-21 07:29:45','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(328,1,'2018-11-10 04:39:48','2018-11-10 04:39:48','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مرکز مستندنگاری و مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-size: 14pt;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</a></span></li>\r\n <li dir=\"ltr\">\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span>\r\n<ul>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\r\n</ul>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\r\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em style=\"text-align: left;\">Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em><span style=\"text-align: left;\">2005</span></span></li>\r\n <li dir=\"ltr\">\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه و سخنرانی</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>\r\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></span></p>\r\n</li>\r\n <li>\r\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\r\n</li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطوره شناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2018-11-10 04:39:48','2018-11-10 04:39:48','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(329,1,'2018-11-10 04:49:17','2018-11-10 04:49:17','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مرکز مستندنگاری و مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</span></a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</a></span></li>\r\n <li dir=\"ltr\">\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span>\r\n<ul>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\r\n</ul>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\r\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em style=\"text-align: left;\">Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em><span style=\"text-align: left;\">2005</span></span></li>\r\n <li dir=\"ltr\">\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه و سخنرانی</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>\r\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></span></p>\r\n</li>\r\n <li>\r\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\r\n</li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطوره شناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2018-11-10 04:49:17','2018-11-10 04:49:17','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(331,1,'2018-11-10 05:17:28','2018-11-10 05:17:28','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\r\nAssociate Professor, Shahid Beheshti University\r\nAssociate Member, The Iranian Academy of Art\r\nInvited Member, The Iranian Academy of Science\r\n\r\n<strong>Education</strong>\r\n<ul>\r\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\r\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\r\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\r\n</ul>\r\n<strong>Honors and Awards</strong>\r\n<ul>\r\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\r\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\r\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\r\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\r\n <li>Research Fellowship, Farabi International Award 2010</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\r\n</ul>\r\n<strong>Memberships</strong>\r\n<ul>\r\n <li>Associate Member, the Iranian Academy of Art Since 2005</li>\r\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\r\n <li>Invited Member, the Iranian Academy of Persian Language and Literature Since 2012</li>\r\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\r\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\r\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\r\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 200</li>\r\n</ul>\r\n<strong>Present Positions</strong>\r\n<ul>\r\n <li>Faculty Member, Center for Iranian Architectural Studies and Documentation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\r\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\r\n</ul>\r\n<strong> Past Positions</strong>\r\n<ul>\r\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\r\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\r\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\r\n <li>Faculty Member, the Iranian Academy of Art 2004-2007</li>\r\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\r\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\r\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\r\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\r\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\r\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\r\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\r\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\r\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\r\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\r\n</ul>\r\n<strong> Research and Teaching Interests</strong>\r\n<ul>\r\n <li>History of Iranian and Persianate Architecture and Art</li>\r\n <li>Islamic Architecture and Art</li>\r\n <li>Theory and Methodology of Architectural History</li>\r\n <li>Theory of Architecture and Art</li>\r\n</ul>\r\n<strong> Publications:</strong>\r\n\r\n<strong> 1. Articles</strong>\r\n<ul>\r\n <li>The Architecture of Dār al-Funūn School and Its Changes in Qajar Period, (with Boshra Moossavi), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 20, 2018</li>\r\n <li>The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work, (with R. Mojtahedzadeh), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 13, 2018</li>\r\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Sofeh</em>, 2017</li>\r\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\r\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 10, 2017</li>\r\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar, 2015</li>\r\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\r\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\r\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\r\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in Mutāli’āt-i Me’mārī-yi Īrān, no. 6, 2015</li>\r\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\r\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\r\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\r\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\r\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\r\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\r\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\r\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development</em>, no. 7, 2012</li>\r\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\r\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\r\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\r\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\r\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\r\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\r\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\r\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\r\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\r\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\r\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\r\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\r\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\r\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\r\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\r\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\r\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\r\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\r\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\r\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\r\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\r\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\r\n</ul>\r\n<strong>2. Articles (Translation)</strong>\r\n<ul>\r\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\r\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\r\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\r\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\r\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\r\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\r\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\r\n</ul>\r\n<strong>3. Prefaces, Notes & Interviews</strong>\r\n<ul>\r\n <li>Preface to the Yahya Sepehri\'s Book: <em>A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage</em>, 2017</li>\r\n <li>Preface to the Safa Mahmoudian\'s Book: <em>the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan</em>, 2017</li>\r\n <li>Note: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\r\n <li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\r\n <li>Interview: Philosophy of Architecture, 2015</li>\r\n <li>Preface to Mehdi Arefi’s Book: <em>Khargird and Madrasa</em>, 2015</li>\r\n <li>Preface to the Mitra Hashemi\'s Book: <em>An Introduction to the Oral History of Iranian Architecture</em>, 2014</li>\r\n <li>Interview: Psychotic City and Islamic Architecture, 2014</li>\r\n <li>Note: Architecture as Cultural Manifestation, 2014</li>\r\n <li>Preface to Mehdi Tamizi’s Book: <i>In the Shade of Cypress: The Picture of Cypress Tombstones in Isfahan, </i>2013</li>\r\n <li>Interview: Commentators of the Western Architecture, 2011</li>\r\n <li>Preface to the Book: <em>Paintings on the Wooden Ceilings of Azarbaijan Vernacular Mosques</em>, 2010</li>\r\n <li>Note: On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\r\n <li>Note: Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13, 2008</li>\r\n <li>Note: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\r\n <li>Note: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\r\n <li>Note: Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\r\n <li>Note: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\r\n <li>Note: Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\r\n <li>Note: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\r\n <li>Note: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\r\n <li>Note: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\r\n</ul>\r\n<strong>4. Books </strong>\r\n<ul>\r\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\r\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\r\n <li>Ten Stories on Architecture, 2015</li>\r\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\r\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\r\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\r\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\r\n</ul>\r\n<strong>5. Books (Translation)</strong>\r\n<ul>\r\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\r\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\r\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\r\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\r\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\r\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\r\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\r\n</ul>\r\n<strong>Teaching Experience</strong>\r\n<ul>\r\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\r\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\r\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\r\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\r\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\r\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\r\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\r\n</ul>\r\n<strong>Dissertations: 1. Supervised</strong>\r\n<ul>\r\n <li>Reading architecture in Haft peikar of Nezami with mythology approach, by Sepideh Ahmadkhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2018</li>\r\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\r\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\r\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\r\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\r\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\r\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\r\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\r\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\r\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\r\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\r\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\r\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\r\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\r\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\r\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\r\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\r\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\r\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\r\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\r\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\r\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\r\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\r\n</ul>\r\n<strong>Dissertations: 2. Consulted</strong>\r\n<ul>\r\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\r\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Characteristics of Mosques in Persian Timurid Miniatures in Comparison with Their Contemporary Mosques, by Halimeh Kamour Bandari, MA in Islamic Art, Tehran, Soore University, 2014</li>\r\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\r\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\r\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\r\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\r\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\r\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\r\n</ul>\r\n<strong>Personal Information</strong>\r\n<ul>\r\n <li>Born: Tehran, 1960</li>\r\n</ul>\r\n<strong>Languages</strong>\r\n<ul>\r\n <li>Reading and Translation Competence in English and Arabic</li>\r\n <li>Native in Persian</li>\r\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2018-11-10 05:17:28','2018-11-10 05:17:28','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(332,1,'2018-11-10 05:19:42','2018-11-10 05:19:42','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مرکز مستندنگاری و مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا پایان انتشار</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</span></a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</a></span></li>\r\n <li dir=\"ltr\">\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span>\r\n<ul>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\r\n</ul>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\r\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em style=\"text-align: left;\">Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em><span style=\"text-align: left;\">2005</span></span></li>\r\n <li dir=\"ltr\">\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه و سخنرانی</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>\r\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></span></p>\r\n</li>\r\n <li>\r\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\r\n</li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطوره شناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2018-11-10 05:19:42','2018-11-10 05:19:42','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(333,1,'2018-11-10 05:27:16','2018-11-10 05:27:16','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">http://qayyoomi.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا ۱۳۹۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مرکز مستندنگاری و مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</span></a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</a></span></li>\r\n <li dir=\"ltr\">\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span>\r\n<ul>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\r\n</ul>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\r\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em style=\"text-align: left;\">Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em><span style=\"text-align: left;\">2005</span></span></li>\r\n <li dir=\"ltr\">\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه و سخنرانی</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li>\r\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></span></p>\r\n</li>\r\n <li>\r\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\r\n</li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطوره شناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2018-11-10 05:27:16','2018-11-10 05:27:16','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(334,1,'2018-11-10 06:07:23','2018-11-10 06:07:23','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\r\nAssociate Professor, Shahid Beheshti University\r\nInvited Member, The Iranian Academy of Art\r\nInvited Member, The Iranian Academy of Science\r\nHead of Iranshahrpedia (Encyclopedia of Iranian Architectural History)\r\n\r\nm-qayyoomi@sbu.ac.ir\r\nqayyoomi@gmail.com\r\nhttp://qayyoomi.com\r\n\r\n<strong>Education</strong>\r\n<ul>\r\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\r\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\r\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\r\n</ul>\r\n<strong>Honors and Awards</strong>\r\n<ul>\r\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\r\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\r\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\r\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\r\n <li>Research Fellowship, Farabi International Award 2010</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\r\n</ul>\r\n<strong>Memberships</strong>\r\n<ul>\r\n <li>Associate Member, the Iranian Academy of Science, 2003-2007</li>\r\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\r\n <li>Invited Member, the Iranian Academy of Persian Language and Literature 2012-2017</li>\r\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\r\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\r\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\r\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\r\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 2000</li>\r\n</ul>\r\n<strong>Positions</strong>\r\n<ul>\r\n <li>Faculty Member, Center for Iranian Architectural Studies and Documentation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\r\n <li>Head of Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2015</li>\r\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\r\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\r\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\r\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\r\n <li>Faculty Member, the Iranian Academy of Art, 2004-2007</li>\r\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\r\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\r\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\r\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\r\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\r\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\r\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\r\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\r\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\r\n</ul>\r\n<strong> Research and Teaching Interests</strong>\r\n<ul>\r\n <li>History of Iranian and Persianate Architecture and Art</li>\r\n <li>Islamic Architecture and Art</li>\r\n <li>Theory and Methodology of Architectural History</li>\r\n <li>Theory of Architecture and Art</li>\r\n</ul>\r\n<strong> Publications:</strong>\r\n\r\n<strong> 1. Articles</strong>\r\n<ul>\r\n <li>The Architecture of Dār al-Funūn School and Its Changes in Qajar Period, (with Boshra Moossavi), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 20, 2018</li>\r\n <li>The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work, (with R. Mojtahedzadeh), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 13, 2018</li>\r\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Sofeh</em>, 2017</li>\r\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\r\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 10, 2017</li>\r\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar, 2015</li>\r\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\r\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\r\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\r\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in Mutāli’āt-i Me’mārī-yi Īrān, no. 6, 2015</li>\r\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\r\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\r\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\r\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\r\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\r\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\r\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\r\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development</em>, no. 7, 2012</li>\r\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\r\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\r\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\r\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\r\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\r\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\r\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\r\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\r\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\r\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\r\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\r\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\r\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\r\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\r\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\r\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\r\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\r\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\r\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\r\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\r\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\r\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\r\n</ul>\r\n<strong>2. Articles (Translation)</strong>\r\n<ul>\r\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\r\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\r\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\r\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\r\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\r\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\r\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\r\n</ul>\r\n<strong>3. Prefaces, Notes & Interviews</strong>\r\n<ul>\r\n <li>Preface to the Yahya Sepehri\'s Book: <em>A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage</em>, 2017</li>\r\n <li>Preface to the Safa Mahmoudian\'s Book: <em>the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan</em>, 2017</li>\r\n <li>Note: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\r\n <li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\r\n <li>Interview: Philosophy of Architecture, 2015</li>\r\n <li>Preface to Mehdi Arefi’s Book: <em>Khargird and Madrasa</em>, 2015</li>\r\n <li>Preface to the Mitra Hashemi\'s Book: <em>An Introduction to the Oral History of Iranian Architecture</em>, 2014</li>\r\n <li>Interview: Psychotic City and Islamic Architecture, 2014</li>\r\n <li>Note: Architecture as Cultural Manifestation, 2014</li>\r\n <li>Preface to Mehdi Tamizi’s Book: <i>In the Shade of Cypress: The Picture of Cypress Tombstones in Isfahan, </i>2013</li>\r\n <li>Interview: Commentators of the Western Architecture, 2011</li>\r\n <li>Preface to the Book: <em>Paintings on the Wooden Ceilings of Azarbaijan Vernacular Mosques</em>, 2010</li>\r\n <li>Note: On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\r\n <li>Note: Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13, 2008</li>\r\n <li>Note: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\r\n <li>Note: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\r\n <li>Note: Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\r\n <li>Note: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\r\n <li>Note: Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\r\n <li>Note: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\r\n <li>Note: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\r\n <li>Note: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\r\n</ul>\r\n<strong>4. Books </strong>\r\n<ul>\r\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\r\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\r\n <li>Ten Stories on Architecture, 2015</li>\r\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\r\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\r\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\r\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\r\n</ul>\r\n<strong>5. Books (Translation)</strong>\r\n<ul>\r\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\r\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\r\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\r\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\r\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\r\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\r\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\r\n</ul>\r\n<strong>Teaching Experience</strong>\r\n<ul>\r\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\r\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\r\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\r\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\r\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\r\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\r\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\r\n</ul>\r\n<strong>Dissertations: 1. Supervised</strong>\r\n<ul>\r\n <li>Reading architecture in Haft peikar of Nezami with mythology approach, by Sepideh Ahmadkhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2018</li>\r\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\r\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\r\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\r\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\r\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\r\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\r\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\r\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\r\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\r\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\r\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\r\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\r\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\r\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\r\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\r\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\r\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\r\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\r\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\r\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\r\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\r\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\r\n</ul>\r\n<strong>Dissertations: 2. Consulted</strong>\r\n<ul>\r\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\r\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Characteristics of Mosques in Persian Timurid Miniatures in Comparison with Their Contemporary Mosques, by Halimeh Kamour Bandari, MA in Islamic Art, Tehran, Soore University, 2014</li>\r\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\r\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\r\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\r\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\r\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\r\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\r\n</ul>\r\n<strong>Personal Information</strong>\r\n<ul>\r\n <li>Born: Tehran, 1960</li>\r\n</ul>\r\n<strong>Languages</strong>\r\n<ul>\r\n <li>Reading and Translation Competence in English and Arabic</li>\r\n <li>Native in Persian</li>\r\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2018-11-10 06:07:23','2018-11-10 06:07:23','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0);
INSERT INTO `ql_posts` VALUES (336,1,'2019-04-13 08:28:12','2019-04-13 08:28:12','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">http://qayyoomi.com</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا ۱۳۹۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مرکز مستندنگاری و مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</span></a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</a></span></li>\r\n <li dir=\"ltr\">\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span>\r\n<ul>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\r\n</ul>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\r\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em style=\"text-align: left;\">Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em><span style=\"text-align: left;\">2005</span></span></li>\r\n <li dir=\"ltr\">\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه و سخنرانی</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a style=\"font-size: 14pt;\" href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></li>\r\n <li>\r\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\r\n</li>\r\n <li dir=\"ltr\" style=\"text-align: left;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-size: 14pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><em>هنر در تمدن اسلامی: معماری ۱</em></span>، انتشارات سمت، ۱۳۹۷</span></li>\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطوره شناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2019-04-13 08:28:12','2019-04-13 08:28:12','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(337,1,'2019-04-13 08:46:02','2019-04-13 08:46:02','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\r\nAssociate Professor, Shahid Beheshti University\r\nInvited Member, The Iranian Academy of Art\r\nInvited Member, The Iranian Academy of Science\r\nHead of Iranshahrpedia (Encyclopedia of Iranian Architectural History)\r\n\r\nm-qayyoomi@sbu.ac.ir\r\nqayyoomi@gmail.com\r\nhttp://qayyoomi.com\r\n\r\n<strong>Education</strong>\r\n<ul>\r\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\r\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\r\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\r\n</ul>\r\n<strong>Honors and Awards</strong>\r\n<ul>\r\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\r\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\r\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\r\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\r\n <li>Research Fellowship, Farabi International Award 2010</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\r\n</ul>\r\n<strong>Memberships</strong>\r\n<ul>\r\n <li>Associate Member, the Iranian Academy of Science, 2003-2007</li>\r\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\r\n <li>Invited Member, the Iranian Academy of Persian Language and Literature 2012-2017</li>\r\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\r\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\r\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\r\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\r\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 2000</li>\r\n</ul>\r\n<strong>Positions</strong>\r\n<ul>\r\n <li>Faculty Member, Center for Iranian Architectural Studies and Documentation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\r\n <li>Head of Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2015</li>\r\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\r\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\r\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\r\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\r\n <li>Faculty Member, the Iranian Academy of Art, 2004-2007</li>\r\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\r\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\r\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\r\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\r\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\r\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\r\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\r\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\r\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\r\n</ul>\r\n<strong> Research and Teaching Interests</strong>\r\n<ul>\r\n <li>History of Iranian and Persianate Architecture and Art</li>\r\n <li>Islamic Architecture and Art</li>\r\n <li>Theory and Methodology of Architectural History</li>\r\n <li>Theory of Architecture and Art</li>\r\n</ul>\r\n<strong> Publications:</strong>\r\n\r\n<strong> 1. Articles</strong>\r\n<ul>\r\n <li>The Architecture of Dār al-Funūn School and Its Changes in Qajar Period, (with Boshra Moossavi), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 20, 2018</li>\r\n <li>The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work, (with R. Mojtahedzadeh), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 13, 2018</li>\r\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Sofeh</em>, 2017</li>\r\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\r\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 10, 2017</li>\r\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar, 2015</li>\r\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\r\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\r\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\r\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in Mutāli’āt-i Me’mārī-yi Īrān, no. 6, 2015</li>\r\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\r\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\r\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\r\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\r\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\r\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\r\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\r\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development</em>, no. 7, 2012</li>\r\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\r\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\r\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\r\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\r\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\r\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\r\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\r\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\r\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\r\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\r\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\r\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\r\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\r\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\r\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\r\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\r\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\r\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\r\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\r\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\r\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\r\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\r\n</ul>\r\n<strong>2. Articles (Translation)</strong>\r\n<ul>\r\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\r\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\r\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\r\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\r\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\r\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\r\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\r\n</ul>\r\n<strong>3. Prefaces, Notes, Lecture & Interviews</strong>\r\n<ul>\r\n <li>Lecture: The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\r\n <li>Preface to the Yahya Sepehri\'s Book: <em>A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage</em>, 2017</li>\r\n <li>Preface to the Safa Mahmoudian\'s Book: <em>the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan</em>, 2017</li>\r\n <li>Note: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\r\n <li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\r\n <li>Interview: Philosophy of Architecture, 2015</li>\r\n <li>Preface to Mehdi Arefi’s Book: <em>Khargird and Madrasa</em>, 2015</li>\r\n <li>Preface to the Mitra Hashemi\'s Book: <em>An Introduction to the Oral History of Iranian Architecture</em>, 2014</li>\r\n <li>Interview: Psychotic City and Islamic Architecture, 2014</li>\r\n <li>Note: Architecture as Cultural Manifestation, 2014</li>\r\n <li>Preface to Mehdi Tamizi’s Book: <i>In the Shade of Cypress: The Picture of Cypress Tombstones in Isfahan, </i>2013</li>\r\n <li>Interview: Commentators of the Western Architecture, 2011</li>\r\n <li>Preface to the Book: <em>Paintings on the Wooden Ceilings of Azarbaijan Vernacular Mosques</em>, 2010</li>\r\n <li>Note: On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\r\n <li>Note: Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13, 2008</li>\r\n <li>Note: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\r\n <li>Note: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\r\n <li>Note: Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\r\n <li>Note: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\r\n <li>Note: Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\r\n <li>Note: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\r\n <li>Note: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\r\n <li>Note: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\r\n</ul>\r\n<strong>4. Books </strong>\r\n<ul>\r\n <li>Art in Islamic Civilization: Architecture 1, 2018</li>\r\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\r\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\r\n <li>Ten Stories on Architecture, 2015</li>\r\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\r\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\r\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\r\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\r\n</ul>\r\n<strong>5. Books (Translation)</strong>\r\n<ul>\r\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\r\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\r\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\r\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\r\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\r\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\r\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\r\n</ul>\r\n<strong>Teaching Experience</strong>\r\n<ul>\r\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\r\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\r\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\r\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\r\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\r\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\r\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\r\n</ul>\r\n<strong>Dissertations: 1. Supervised</strong>\r\n<ul>\r\n <li>Reading architecture in Haft peikar of Nezami with mythology approach, by Sepideh Ahmadkhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2018</li>\r\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\r\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\r\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\r\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\r\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\r\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\r\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\r\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\r\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\r\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\r\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\r\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\r\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\r\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\r\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\r\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\r\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\r\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\r\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\r\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\r\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\r\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\r\n</ul>\r\n<strong>Dissertations: 2. Consulted</strong>\r\n<ul>\r\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\r\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Characteristics of Mosques in Persian Timurid Miniatures in Comparison with Their Contemporary Mosques, by Halimeh Kamour Bandari, MA in Islamic Art, Tehran, Soore University, 2014</li>\r\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\r\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\r\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\r\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\r\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\r\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\r\n</ul>\r\n<strong>Personal Information</strong>\r\n<ul>\r\n <li>Born: Tehran, 1960</li>\r\n</ul>\r\n<strong>Languages</strong>\r\n<ul>\r\n <li>Reading and Translation Competence in English and Arabic</li>\r\n <li>Native in Persian</li>\r\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2019-04-13 08:46:02','2019-04-13 08:46:02','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(338,1,'2019-04-13 10:06:36','2019-04-13 10:06:36','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">:وبگاهها</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\"><a href=\"http://qayyoomi.com\">وبگاه شخصی</a> </span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\"><a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi/\">آکادمیا</a></span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\"><a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا ۱۳۹۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مرکز مستندنگاری و مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</span></a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</a></span></li>\r\n <li dir=\"ltr\">\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span>\r\n<ul>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\r\n</ul>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\r\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em style=\"text-align: left;\">Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em><span style=\"text-align: left;\">2005</span></span></li>\r\n <li dir=\"ltr\">\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه و سخنرانی</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a style=\"font-size: 14pt;\" href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></li>\r\n <li>\r\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\r\n</li>\r\n <li dir=\"ltr\" style=\"text-align: left;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-size: 14pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><em>هنر در تمدن اسلامی: معماری ۱</em></span>، انتشارات سمت، ۱۳۹۷</span></li>\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطوره شناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2019-04-13 10:06:36','2019-04-13 10:06:36','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(339,1,'2019-04-13 10:29:42','2019-04-13 10:29:42','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">:وبگاهها</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a>،<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a>، <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا ۱۳۹۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مرکز مستندنگاری و مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</span></a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</a></span></li>\r\n <li dir=\"ltr\">\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span>\r\n<ul>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\r\n</ul>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\r\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em style=\"text-align: left;\">Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em><span style=\"text-align: left;\">2005</span></span></li>\r\n <li dir=\"ltr\">\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه و سخنرانی</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a style=\"font-size: 14pt;\" href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></li>\r\n <li>\r\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\r\n</li>\r\n <li dir=\"ltr\" style=\"text-align: left;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-size: 14pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><em>هنر در تمدن اسلامی: معماری ۱</em></span>، انتشارات سمت، ۱۳۹۷</span></li>\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطوره شناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2019-04-13 10:29:42','2019-04-13 10:29:42','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(340,1,'2019-04-13 10:42:57','2019-04-13 10:42:57','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\r\nAssociate Professor, Shahid Beheshti University\r\nInvited Member, The Iranian Academy of Art\r\nInvited Member, The Iranian Academy of Science\r\nHead of Iranshahrpedia (Encyclopedia of Iranian Architectural History)\r\n\r\nEmails:\r\nm-qayyoomi@sbu.ac.ir\r\nqayyoomi@gmail.com\r\n\r\nWebs:\r\n<a href=\"https://qayyoomi.com/\">Personal Web page</a>\r\n<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\">Academia</a>\r\n\r\n<strong>Education</strong>\r\n<ul>\r\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\r\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\r\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\r\n</ul>\r\n<strong>Honors and Awards</strong>\r\n<ul>\r\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\r\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\r\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\r\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\r\n <li>Research Fellowship, Farabi International Award 2010</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\r\n</ul>\r\n<strong>Memberships</strong>\r\n<ul>\r\n <li>Associate Member, the Iranian Academy of Science, 2003-2007</li>\r\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\r\n <li>Invited Member, the Iranian Academy of Persian Language and Literature 2012-2017</li>\r\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\r\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\r\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\r\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\r\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 2000</li>\r\n</ul>\r\n<strong>Positions</strong>\r\n<ul>\r\n <li>Faculty Member, Center for Iranian Architectural Studies and Documentation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\r\n <li>Head of Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2015</li>\r\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\r\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\r\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\r\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\r\n <li>Faculty Member, the Iranian Academy of Art, 2004-2007</li>\r\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\r\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\r\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\r\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\r\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\r\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\r\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\r\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\r\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\r\n</ul>\r\n<strong> Research and Teaching Interests</strong>\r\n<ul>\r\n <li>History of Iranian and Persianate Architecture and Art</li>\r\n <li>Islamic Architecture and Art</li>\r\n <li>Theory and Methodology of Architectural History</li>\r\n <li>Theory of Architecture and Art</li>\r\n</ul>\r\n<strong> Publications:</strong>\r\n\r\n<strong> 1. Articles</strong>\r\n<ul>\r\n <li>The Architecture of Dār al-Funūn School and Its Changes in Qajar Period, (with Boshra Moossavi), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 20, 2018</li>\r\n <li>The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work, (with R. Mojtahedzadeh), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 13, 2018</li>\r\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Sofeh</em>, 2017</li>\r\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\r\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 10, 2017</li>\r\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar, 2015</li>\r\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\r\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\r\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\r\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in Mutāli’āt-i Me’mārī-yi Īrān, no. 6, 2015</li>\r\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\r\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\r\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\r\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\r\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\r\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\r\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\r\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development</em>, no. 7, 2012</li>\r\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\r\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\r\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\r\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\r\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\r\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\r\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\r\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\r\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\r\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\r\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\r\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\r\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\r\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\r\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\r\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\r\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\r\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\r\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\r\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\r\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\r\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\r\n</ul>\r\n<strong>2. Articles (Translation)</strong>\r\n<ul>\r\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\r\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\r\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\r\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\r\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\r\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\r\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\r\n</ul>\r\n<strong>3. Prefaces, Notes, Lecture & Interviews</strong>\r\n<ul>\r\n <li>Lecture: The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\r\n <li>Preface to the Yahya Sepehri\'s Book: <em>A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage</em>, 2017</li>\r\n <li>Preface to the Safa Mahmoudian\'s Book: <em>the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan</em>, 2017</li>\r\n <li>Note: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\r\n <li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\r\n <li>Interview: Philosophy of Architecture, 2015</li>\r\n <li>Preface to Mehdi Arefi’s Book: <em>Khargird and Madrasa</em>, 2015</li>\r\n <li>Preface to the Mitra Hashemi\'s Book: <em>An Introduction to the Oral History of Iranian Architecture</em>, 2014</li>\r\n <li>Interview: Psychotic City and Islamic Architecture, 2014</li>\r\n <li>Note: Architecture as Cultural Manifestation, 2014</li>\r\n <li>Preface to Mehdi Tamizi’s Book: <i>In the Shade of Cypress: The Picture of Cypress Tombstones in Isfahan, </i>2013</li>\r\n <li>Interview: Commentators of the Western Architecture, 2011</li>\r\n <li>Preface to the Book: <em>Paintings on the Wooden Ceilings of Azarbaijan Vernacular Mosques</em>, 2010</li>\r\n <li>Note: On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\r\n <li>Note: Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13, 2008</li>\r\n <li>Note: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\r\n <li>Note: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\r\n <li>Note: Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\r\n <li>Note: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\r\n <li>Note: Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\r\n <li>Note: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\r\n <li>Note: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\r\n <li>Note: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\r\n</ul>\r\n<strong>4. Books </strong>\r\n<ul>\r\n <li>Art in Islamic Civilization: Architecture 1, 2018</li>\r\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\r\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\r\n <li>Ten Stories on Architecture, 2015</li>\r\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\r\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\r\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\r\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\r\n</ul>\r\n<strong>5. Books (Translation)</strong>\r\n<ul>\r\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\r\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\r\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\r\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\r\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\r\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\r\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\r\n</ul>\r\n<strong>Teaching Experience</strong>\r\n<ul>\r\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\r\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\r\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\r\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\r\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\r\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\r\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\r\n</ul>\r\n<strong>Dissertations: 1. Supervised</strong>\r\n<ul>\r\n <li>Reading architecture in Haft peikar of Nezami with mythology approach, by Sepideh Ahmadkhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2018</li>\r\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\r\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\r\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\r\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\r\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\r\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\r\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\r\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\r\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\r\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\r\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\r\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\r\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\r\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\r\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\r\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\r\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\r\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\r\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\r\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\r\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\r\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\r\n</ul>\r\n<strong>Dissertations: 2. Consulted</strong>\r\n<ul>\r\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\r\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Characteristics of Mosques in Persian Timurid Miniatures in Comparison with Their Contemporary Mosques, by Halimeh Kamour Bandari, MA in Islamic Art, Tehran, Soore University, 2014</li>\r\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\r\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\r\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\r\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\r\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\r\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\r\n</ul>\r\n<strong>Personal Information</strong>\r\n<ul>\r\n <li>Born: Tehran, 1960</li>\r\n</ul>\r\n<strong>Languages</strong>\r\n<ul>\r\n <li>Reading and Translation Competence in English and Arabic</li>\r\n <li>Native in Persian</li>\r\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2019-04-13 10:42:57','2019-04-13 10:42:57','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(341,1,'2019-04-13 10:54:31','2019-04-13 10:54:31','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\r\nAssociate Professor, Shahid Beheshti University\r\nInvited Member, The Iranian Academy of Art\r\nInvited Member, The Iranian Academy of Science\r\nHead of Iranshahrpedia (Encyclopedia of Iranian Architectural History)\r\n\r\nEmails:\r\nm-qayyoomi@sbu.ac.ir\r\nqayyoomi@gmail.com\r\n\r\nWebs:\r\n<a href=\"https://qayyoomi.com/\">Personal Web page</a>\r\n<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\">Academia</a>\r\n\r\n<strong>Education</strong>\r\n<ul>\r\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\r\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\r\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\r\n</ul>\r\n<strong>Honors and Awards</strong>\r\n<ul>\r\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\r\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\r\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\r\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\r\n <li>Research Fellowship, Farabi International Award 2010</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\r\n</ul>\r\n<strong>Memberships</strong>\r\n<ul>\r\n <li>Associate Member, the Iranian Academy of Science, 2003-2007</li>\r\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\r\n <li>Invited Member, the Iranian Academy of Persian Language and Literature 2012-2017</li>\r\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\r\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\r\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\r\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\r\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 2000</li>\r\n</ul>\r\n<strong>Positions</strong>\r\n<ul>\r\n <li>Faculty Member, Center for Iranian Architectural Studies and Documentation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\r\n <li>Head of Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2015</li>\r\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\r\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\r\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\r\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\r\n <li>Faculty Member, the Iranian Academy of Art, 2004-2007</li>\r\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\r\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\r\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\r\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\r\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\r\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\r\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\r\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\r\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\r\n</ul>\r\n<strong> Research and Teaching Interests</strong>\r\n<ul>\r\n <li>History of Iranian and Persianate Architecture and Art</li>\r\n <li>Islamic Architecture and Art</li>\r\n <li>Theory and Methodology of Architectural History</li>\r\n <li>Theory of Architecture and Art</li>\r\n</ul>\r\n<strong> Publications:</strong>\r\n\r\n<strong> 1. Articles</strong>\r\n<ul>\r\n <li>The Architecture of Dār al-Funūn School and Its Changes in Qajar Period, (with Boshra Moossavi), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 20, 2018</li>\r\n <li>The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work, (with R. Mojtahedzadeh), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 13, 2018</li>\r\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Sofeh</em>, 2017</li>\r\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\r\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 10, 2017</li>\r\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar, 2015</li>\r\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\r\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\r\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\r\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in Mutāli’āt-i Me’mārī-yi Īrān, no. 6, 2015</li>\r\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\r\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\r\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\r\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\r\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\r\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\r\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\r\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development</em>, no. 7, 2012</li>\r\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\r\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\r\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\r\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\r\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\r\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\r\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\r\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\r\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\r\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\r\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\r\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\r\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\r\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\r\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\r\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\r\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\r\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\r\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\r\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\r\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\r\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\r\n</ul>\r\n<strong>2. Articles (Translation)</strong>\r\n<ul>\r\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\r\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\r\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\r\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\r\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\r\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\r\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\r\n</ul>\r\n<strong>3. Prefaces, Notes, Presentation & Interviews</strong>\r\n<ul>\r\n <li>Presentation: The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\r\n <li>Preface to the Yahya Sepehri\'s Book: <em>A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage</em>, 2017</li>\r\n <li>Preface to the Safa Mahmoudian\'s Book: <em>the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan</em>, 2017</li>\r\n <li>Note: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\r\n <li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\r\n <li>Interview: Philosophy of Architecture, 2015</li>\r\n <li>Preface to Mehdi Arefi’s Book: <em>Khargird and Madrasa</em>, 2015</li>\r\n <li>Preface to the Mitra Hashemi\'s Book: <em>An Introduction to the Oral History of Iranian Architecture</em>, 2014</li>\r\n <li>Interview: Psychotic City and Islamic Architecture, 2014</li>\r\n <li>Note: Architecture as Cultural Manifestation, 2014</li>\r\n <li>Preface to Mehdi Tamizi’s Book: <i>In the Shade of Cypress: The Picture of Cypress Tombstones in Isfahan, </i>2013</li>\r\n <li>Interview: Commentators of the Western Architecture, 2011</li>\r\n <li>Preface to the Book: <em>Paintings on the Wooden Ceilings of Azarbaijan Vernacular Mosques</em>, 2010</li>\r\n <li>Note: On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\r\n <li>Note: Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13, 2008</li>\r\n <li>Note: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\r\n <li>Note: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\r\n <li>Note: Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\r\n <li>Note: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\r\n <li>Note: Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\r\n <li>Note: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\r\n <li>Note: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\r\n <li>Note: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\r\n</ul>\r\n<strong>4. Books </strong>\r\n<ul>\r\n <li>Art in Islamic Civilization: Architecture 1, 2018</li>\r\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\r\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\r\n <li>Ten Stories on Architecture, 2015</li>\r\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\r\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\r\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\r\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\r\n</ul>\r\n<strong>5. Books (Translation)</strong>\r\n<ul>\r\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\r\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\r\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\r\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\r\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\r\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\r\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\r\n</ul>\r\n<strong>Teaching Experience</strong>\r\n<ul>\r\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\r\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\r\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\r\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\r\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\r\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\r\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\r\n</ul>\r\n<strong>Dissertations: 1. Supervised</strong>\r\n<ul>\r\n <li>Reading architecture in Haft peikar of Nezami with mythology approach, by Sepideh Ahmadkhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2018</li>\r\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\r\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\r\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\r\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\r\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\r\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\r\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\r\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\r\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\r\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\r\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\r\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\r\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\r\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\r\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\r\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\r\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\r\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\r\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\r\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\r\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\r\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\r\n</ul>\r\n<strong>Dissertations: 2. Consulted</strong>\r\n<ul>\r\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\r\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Characteristics of Mosques in Persian Timurid Miniatures in Comparison with Their Contemporary Mosques, by Halimeh Kamour Bandari, MA in Islamic Art, Tehran, Soore University, 2014</li>\r\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\r\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\r\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\r\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\r\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\r\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\r\n</ul>\r\n<strong>Personal Information</strong>\r\n<ul>\r\n <li>Born: Tehran, 1960</li>\r\n</ul>\r\n<strong>Languages</strong>\r\n<ul>\r\n <li>Reading and Translation Competence in English and Arabic</li>\r\n <li>Native in Persian</li>\r\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2019-04-13 10:54:31','2019-04-13 10:54:31','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(342,1,'2019-04-13 11:08:11','2019-04-13 11:08:11','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\r\nAssociate Professor, Shahid Beheshti University\r\nInvited Member, The Iranian Academy of Art\r\nInvited Member, The Iranian Academy of Science\r\nHead of Iranshahrpedia (Encyclopedia of Iranian Architectural History)\r\n\r\nEmails:\r\nm-qayyoomi@sbu.ac.ir\r\nqayyoomi@gmail.com\r\n\r\nWebs:\r\n<a href=\"https://qayyoomi.com/\">Personal Web page</a>\r\n<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\">Academia</a>\r\n\r\n<strong>Education</strong>\r\n<ul>\r\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\r\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\r\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\r\n</ul>\r\n<strong>Honors and Awards</strong>\r\n<ul>\r\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\r\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\r\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\r\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\r\n <li>Research Fellowship, Farabi International Award 2010</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\r\n</ul>\r\n<strong>Memberships</strong>\r\n<ul>\r\n <li>Associate Member, the Iranian Academy of Science, 2003-2007</li>\r\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\r\n <li>Invited Member, the Iranian Academy of Persian Language and Literature 2012-2017</li>\r\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\r\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\r\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\r\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\r\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 2000</li>\r\n</ul>\r\n<strong>Positions</strong>\r\n<ul>\r\n <li>Faculty Member, Center for Iranian Architectural Studies and Documentation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\r\n <li>Head of Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2015</li>\r\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\r\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\r\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\r\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\r\n <li>Faculty Member, the Iranian Academy of Art, 2004-2007</li>\r\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\r\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\r\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\r\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\r\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\r\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\r\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\r\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\r\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\r\n</ul>\r\n<strong> Research and Teaching Interests</strong>\r\n<ul>\r\n <li>History of Iranian and Persianate Architecture and Art</li>\r\n <li>Islamic Architecture and Art</li>\r\n <li>Theory and Methodology of Architectural History</li>\r\n <li>Theory of Architecture and Art</li>\r\n</ul>\r\n<strong> Publications:</strong>\r\n\r\n<strong> 1. Articles</strong>\r\n<ul>\r\n <li>The Architecture of Dār al-Funūn School and Its Changes in Qajar Period, (with Boshra Moossavi), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 20, 2018</li>\r\n <li>The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work, (with R. Mojtahedzadeh), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 13, 2018</li>\r\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Sofeh</em>, 2017</li>\r\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\r\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 10, 2017</li>\r\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar, 2015</li>\r\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\r\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\r\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\r\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in Mutāli’āt-i Me’mārī-yi Īrān, no. 6, 2015</li>\r\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\r\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\r\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\r\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\r\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\r\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\r\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\r\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development</em>, no. 7, 2012</li>\r\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\r\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\r\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\r\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\r\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\r\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\r\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\r\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\r\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\r\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\r\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\r\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\r\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\r\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\r\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\r\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\r\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\r\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\r\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\r\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\r\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\r\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\r\n</ul>\r\n<strong>2. Articles (Translation)</strong>\r\n<ul>\r\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\r\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\r\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\r\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\r\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\r\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\r\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\r\n</ul>\r\n<strong>3. Prefaces, Notes, Presentation & Interviews</strong>\r\n<ul>\r\n <li>Presentation: The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\r\n <li>Preface to the Yahya Sepehri\'s Book: <em>A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage</em>, 2017</li>\r\n <li>Preface to the Safa Mahmoudian\'s Book: <em>the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan</em>, 2017</li>\r\n <li>Note: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\r\n <li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\r\n <li>Interview: Philosophy of Architecture, 2015</li>\r\n <li>Preface to Mehdi Arefi’s Book: <em>Khargird and Madrasa</em>, 2015</li>\r\n <li>Preface to the Mitra Hashemi\'s Book: <em>An Introduction to the Oral History of Iranian Architecture</em>, 2014</li>\r\n <li>Interview: Psychotic City and Islamic Architecture, 2014</li>\r\n <li>Note: Architecture as Cultural Manifestation, 2014</li>\r\n <li>Preface to Mehdi Tamizi’s Book: <i>In the Shade of Cypress: The Picture of Cypress Tombstones in Isfahan, </i>2013</li>\r\n <li>Interview: Commentators of the Western Architecture, 2011</li>\r\n <li>Preface to the Book: <em>Paintings on the Wooden Ceilings of Azarbaijan Vernacular Mosques</em>, 2010</li>\r\n <li>Note: On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\r\n <li>Note: Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13, 2008</li>\r\n <li>Note: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\r\n <li>Note: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\r\n <li>Note: Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\r\n <li>Note: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\r\n <li>Note: Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\r\n <li>Note: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\r\n <li>Note: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\r\n <li>Note: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\r\n</ul>\r\n<strong>4. Books </strong>\r\n<ul>\r\n <li>Art in Islamic Civilization: Architecture 1, 2018</li>\r\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\r\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\r\n <li>Ten Stories on Architecture, 2015</li>\r\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\r\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\r\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\r\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\r\n</ul>\r\n<strong>5. Books (Translation)</strong>\r\n<ul>\r\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\r\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\r\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\r\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\r\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\r\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\r\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\r\n</ul>\r\n<strong>Teaching Experience</strong>\r\n<ul>\r\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\r\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\r\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\r\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\r\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\r\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\r\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\r\n</ul>\r\n<strong>Dissertations: 1. Supervised</strong>\r\n<ul>\r\n <li>Reading architecture in Haft peikar of Nezami with mythology approach, by Sepideh Ahmadkhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2018</li>\r\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\r\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\r\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\r\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\r\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\r\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\r\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\r\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\r\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\r\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\r\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\r\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\r\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\r\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\r\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\r\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\r\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\r\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\r\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\r\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\r\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\r\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\r\n</ul>\r\n<strong>Dissertations: 2. Consulted</strong>\r\n<ul>\r\n <li>Harun- i Vilayat Shrine: Its Quiddity and Religious Ties, by Samaneh Pouremadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2019</li>\r\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\r\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Characteristics of Mosques in Persian Timurid Miniatures in Comparison with Their Contemporary Mosques, by Halimeh Kamour Bandari, MA in Islamic Art, Tehran, Soore University, 2014</li>\r\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\r\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\r\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\r\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\r\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\r\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\r\n</ul>\r\n<strong>Personal Information</strong>\r\n<ul>\r\n <li>Born: Tehran, 1960</li>\r\n</ul>\r\n<strong>Languages</strong>\r\n<ul>\r\n <li>Reading and Translation Competence in English and Arabic</li>\r\n <li>Native in Persian</li>\r\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2019-04-13 11:08:11','2019-04-13 11:08:11','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(343,1,'2019-04-15 09:39:31','2019-04-15 09:39:31','','23','','inherit','open','closed','','23','','','2019-04-15 09:39:31','2019-04-15 09:39:31','',24,'https://qayyoomi.com/wp-content/uploads/2016/02/23.png',0,'attachment','image/png',0),(344,1,'2019-04-15 10:15:22','2019-04-15 10:15:22','<img class=\"size-medium wp-image-343 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/23-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Art in Islamic Civilization:\r\nArchitecture 1</em>\r\n2018\r\nAbstract\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener\"><img class=\"size-medium wp-image-113 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/6-245x300.png\" alt=\"6\" width=\"245\" height=\"300\" /></a>\r\n\r\n<em>Theories of Architectural and Art\r\nHistory; An Annotated Bibliography</em>\r\n2015\r\n<a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener\"><img class=\"size-medium wp-image-111 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" /></a>\r\n\r\n<em>Studies on Art and Architecture;</em>\r\n<em> History and Theory</em>\r\n2015\r\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-120 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/13-247x300.png\" alt=\"13\" width=\"247\" height=\"300\" />\r\n\r\n<em>Ten Stories on Architecture</em>\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-108 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/1-245x300.png\" alt=\"1\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The Dynamics of Architectural Form</em>\r\n2014\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-119 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/12-245x300.png\" alt=\"12\" width=\"245\" height=\"300\" />\r\n\r\n<em>Essays on the Theory and History of Architecture and Art</em>\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-117 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/10-245x300.png\" alt=\"10\" width=\"245\" height=\"300\" />\r\n\r\n<em>Persian Literature as Source of Architectural History: a Bibliographical Introduction,</em>\r\nvolume 1: Persian Prose of the First Islamic Centuries\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-122 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/16-241x300.png\" alt=\"16\" width=\"241\" height=\"300\" />\r\n\r\n<em>Dictionary of Iranian Architecture in Persian Reference Books</em>, volume 2: Proper Names (with S. Mohammad Beheshti)\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-151 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/5_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Architecture: Choice Or Fate</em>\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-123 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/17-244x300.png\" alt=\"17\" width=\"244\" height=\"300\" />\r\n\r\n<em>Dictionary of Iranian Architecture in Persian Reference Books</em>, volume 1: Terms and Concepts (with S. Mohammad Beheshti)\r\n2010\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-125 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/19-300x253.png\" alt=\"19\" width=\"300\" height=\"253\" />\r\n\r\n<em>Trilingual Dictionary of Islamic Architecture</em> (with S. Ali Emadi Estarabadi)\r\n2009\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-124 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/18-244x300.png\" alt=\"18\" width=\"244\" height=\"300\" />\r\n\r\n<em>Ganjnameh: Cyclopedia of Iranian Islamic Architecture</em>, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi)\r\n2005\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-121 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/14-245x300.png\" alt=\"14\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>Risāla-yi Mi’mārīyya</em>, by Ja’far Efendi and Howard Crane\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-145 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/8_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Meaning in Western Architecture</em>, by Christian Norberg-Schulz\r\n2007\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-114 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/7-245x300.png\" alt=\"7\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The</em> <em>Dynamics of Architectural Form</em>, by Rudolf Arnheim\r\n2003\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-109 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/2-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>The Timeless Way of Building </em>by Christopher Alexander\r\n2013\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-146 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/3_1-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The</em> <em>Timeless Way of Building</em> by Christopher Alexander\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-118 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/11-245x300.png\" alt=\"11\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of<em> The Timeless Way of Building</em> by Christopher Alexander\r\n2002\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-147 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/9_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Topkapi Scroll: The Geometry and Ornament in Islamic Architecture</em>, by Gülru Necipoglu\r\n2001\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-148 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/15-245x300.png\" alt=\"15\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>Quranic Art and Calligraphy</em>, by Martin Lings\r\n1998\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-149 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/20-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Golestān-e Honar</em>\r\n(Quarterly on the History of Iranian Art and Architecture)\r\n2005-2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-150 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/21-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Khiyāl</em>\r\n(Quarterly on architecture & art studies)\r\n2002-2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"alignright wp-image-229 size-medium\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/22-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Ravāq</em>\r\n(Quarterly on architecture & art studies)\r\n1998-2000\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Books','','inherit','closed','closed','','24-revision-v1','','','2019-04-15 10:15:22','2019-04-15 10:15:22','',24,'https://qayyoomi.com/24-revision-v1/',0,'revision','',0),(346,1,'2019-04-15 10:37:00','2019-04-15 10:37:00','<img class=\"size-medium wp-image-343 aligncenter\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/23-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n<p dir=\"rtl\" style=\"text-align: center;\"><b>هنر در تمدن اسلامی: معماری ۱</b>\r\nزیر نظر مهرداد قیومی بیدهندی\r\nتهران، سمت\r\n۱۳۹۷</p>\r\n<p dir=\"rtl\">موضوع این کتاب معماریای است که در طی سدههای اول تا سیزدهم هجری عمدتاً به دست مسلمانان در سرزمینهای مسلماننشین پدید آمد. هدف از این کتاب به دست دادن تصوری اجمالی از دانش تاریخی موجود دربارۀ این معماری است. تبویب این موضوع در این کتاب از ترکیب تقطیع جغرافیایی و تاریخی به دست آمده است؛ یعنی تقسیم جهان اسلام به سرزمینهای شرقی و غربی و سپس تقسیم تاریخی بر اساس ادوار متناسب با هریک از پهنههای جغرافیایی: بخش اول کلیات و مقدمات؛ بخش دوم آغاز (سدههای اول و دوم)؛ بخش سوم، سرزمینهای شرقی در سدههای سوم تا ششم؛ بخش چهارم، سرزمینهای غربی در سدههای سوم تا هفتم؛ بخش پنجم، سرزمینهای شرقی در سدههای هفتم تا نهم؛ بخش ششم، سرزمینهای غربی در سدههای هفتم تا سیزدهم؛ بخش هفتم، سرزمینهای شرقی در سدههای دهم تا سیزدهم. هریک از این بخشها متشکل از فصولی است منطبق با ادوار حکومتهای اصلی. در پی برخی از فصول مقالهای دربارۀ مبحث نمونهای مربوط به آن فصل درج شده است. کتاب در دو مجلد تنظیم شده است؛ مجلد اول حاوی بخشهای اول تا چهارم کتاب است.</p>','Art in Islamic Civilization: Architecture 1','','publish','closed','closed','','art-in-islamic-civilization-architecture-1','','','2019-04-15 10:55:32','2019-04-15 10:55:32','',0,'https://qayyoomi.com/?page_id=346',0,'page','',0),(347,1,'2019-04-15 10:37:00','2019-04-15 10:37:00','<img class=\"size-medium wp-image-343 aligncenter\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/23-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n<p dir=\"rtl\"><b>هنر در تمدن اسلامی: معماری ۱</b>\r\nزیر نظر مهرداد قیومی بیدهندی\r\nتهران، سمت\r\n۱۳۹۷</p>\r\n<p dir=\"rtl\">موضوع این کتاب معماریای است که در طی سدههای اول تا سیزدهم هجری عمدتاً به دست مسلمانان در سرزمینهای مسلماننشین پدید آمد. هدف از این کتاب به دست دادن تصوری اجمالی از دانش تاریخی موجود دربارۀ این معماری است. تبویب این موضوع در این کتاب از ترکیب تقطیع جغرافیایی و تاریخی به دست آمده است؛ یعنی تقسیم جهان اسلام به سرزمینهای شرقی و غربی و سپس تقسیم تاریخی بر اساس ادوار متناسب با هریک از پهنههای جغرافیایی: بخش اول کلیات و مقدمات؛ بخش دوم آغاز (سدههای اول و دوم)؛ بخش سوم، سرزمینهای شرقی در سدههای سوم تا ششم؛ بخش چهارم، سرزمینهای غربی در سدههای سوم تا هفتم؛ بخش پنجم، سرزمینهای شرقی در سدههای هفتم تا نهم؛ بخش ششم، سرزمینهای غربی در سدههای هفتم تا سیزدهم؛ بخش هفتم، سرزمینهای شرقی در سدههای دهم تا سیزدهم. هریک از این بخشها متشکل از فصولی است منطبق با ادوار حکومتهای اصلی. در پی برخی از فصول مقالهای دربارۀ مبحث نمونهای مربوط به آن فصل درج شده است. کتاب در دو مجلد تنظیم شده است؛ مجلد اول حاوی بخشهای اول تا چهارم کتاب است.</p>','Art in Islamic Civilization: Architecture 1','','inherit','closed','closed','','346-revision-v1','','','2019-04-15 10:37:00','2019-04-15 10:37:00','',346,'https://qayyoomi.com/346-revision-v1/',0,'revision','',0),(348,1,'2019-04-15 10:38:16','2019-04-15 10:38:16','<img class=\"size-medium wp-image-343 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/23-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Art in Islamic Civilization:\r\nArchitecture 1</em>\r\n2018\r\n<a href=\"https://qayyoomi.com/art-in-islamic-c…n-architecture-1/\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener\"><img class=\"size-medium wp-image-113 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/6-245x300.png\" alt=\"6\" width=\"245\" height=\"300\" /></a>\r\n\r\n<em>Theories of Architectural and Art\r\nHistory; An Annotated Bibliography</em>\r\n2015\r\n<a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener\"><img class=\"size-medium wp-image-111 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" /></a>\r\n\r\n<em>Studies on Art and Architecture;</em>\r\n<em> History and Theory</em>\r\n2015\r\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-120 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/13-247x300.png\" alt=\"13\" width=\"247\" height=\"300\" />\r\n\r\n<em>Ten Stories on Architecture</em>\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-108 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/1-245x300.png\" alt=\"1\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The Dynamics of Architectural Form</em>\r\n2014\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-119 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/12-245x300.png\" alt=\"12\" width=\"245\" height=\"300\" />\r\n\r\n<em>Essays on the Theory and History of Architecture and Art</em>\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-117 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/10-245x300.png\" alt=\"10\" width=\"245\" height=\"300\" />\r\n\r\n<em>Persian Literature as Source of Architectural History: a Bibliographical Introduction,</em>\r\nvolume 1: Persian Prose of the First Islamic Centuries\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-122 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/16-241x300.png\" alt=\"16\" width=\"241\" height=\"300\" />\r\n\r\n<em>Dictionary of Iranian Architecture in Persian Reference Books</em>, volume 2: Proper Names (with S. Mohammad Beheshti)\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-151 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/5_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Architecture: Choice Or Fate</em>\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-123 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/17-244x300.png\" alt=\"17\" width=\"244\" height=\"300\" />\r\n\r\n<em>Dictionary of Iranian Architecture in Persian Reference Books</em>, volume 1: Terms and Concepts (with S. Mohammad Beheshti)\r\n2010\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-125 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/19-300x253.png\" alt=\"19\" width=\"300\" height=\"253\" />\r\n\r\n<em>Trilingual Dictionary of Islamic Architecture</em> (with S. Ali Emadi Estarabadi)\r\n2009\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-124 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/18-244x300.png\" alt=\"18\" width=\"244\" height=\"300\" />\r\n\r\n<em>Ganjnameh: Cyclopedia of Iranian Islamic Architecture</em>, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi)\r\n2005\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-121 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/14-245x300.png\" alt=\"14\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>Risāla-yi Mi’mārīyya</em>, by Ja’far Efendi and Howard Crane\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-145 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/8_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Meaning in Western Architecture</em>, by Christian Norberg-Schulz\r\n2007\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-114 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/7-245x300.png\" alt=\"7\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The</em> <em>Dynamics of Architectural Form</em>, by Rudolf Arnheim\r\n2003\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-109 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/2-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>The Timeless Way of Building </em>by Christopher Alexander\r\n2013\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-146 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/3_1-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The</em> <em>Timeless Way of Building</em> by Christopher Alexander\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-118 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/11-245x300.png\" alt=\"11\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of<em> The Timeless Way of Building</em> by Christopher Alexander\r\n2002\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-147 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/9_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Topkapi Scroll: The Geometry and Ornament in Islamic Architecture</em>, by Gülru Necipoglu\r\n2001\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-148 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/15-245x300.png\" alt=\"15\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>Quranic Art and Calligraphy</em>, by Martin Lings\r\n1998\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-149 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/20-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Golestān-e Honar</em>\r\n(Quarterly on the History of Iranian Art and Architecture)\r\n2005-2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-150 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/21-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Khiyāl</em>\r\n(Quarterly on architecture & art studies)\r\n2002-2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"alignright wp-image-229 size-medium\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/22-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Ravāq</em>\r\n(Quarterly on architecture & art studies)\r\n1998-2000\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Books','','inherit','closed','closed','','24-revision-v1','','','2019-04-15 10:38:16','2019-04-15 10:38:16','',24,'https://qayyoomi.com/24-revision-v1/',0,'revision','',0),(349,1,'2019-04-15 10:39:40','2019-04-15 10:39:40','<img class=\"size-medium wp-image-343 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/23-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Art in Islamic Civilization:\r\nArchitecture 1</em>\r\n2018\r\n<a href=\"https://qayyoomi.com/art-in-islamic-civilization-architecture-1/\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener\"><img class=\"size-medium wp-image-113 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/6-245x300.png\" alt=\"6\" width=\"245\" height=\"300\" /></a>\r\n\r\n<em>Theories of Architectural and Art\r\nHistory; An Annotated Bibliography</em>\r\n2015\r\n<a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener\"><img class=\"size-medium wp-image-111 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" /></a>\r\n\r\n<em>Studies on Art and Architecture;</em>\r\n<em> History and Theory</em>\r\n2015\r\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-120 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/13-247x300.png\" alt=\"13\" width=\"247\" height=\"300\" />\r\n\r\n<em>Ten Stories on Architecture</em>\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-108 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/1-245x300.png\" alt=\"1\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The Dynamics of Architectural Form</em>\r\n2014\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-119 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/12-245x300.png\" alt=\"12\" width=\"245\" height=\"300\" />\r\n\r\n<em>Essays on the Theory and History of Architecture and Art</em>\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-117 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/10-245x300.png\" alt=\"10\" width=\"245\" height=\"300\" />\r\n\r\n<em>Persian Literature as Source of Architectural History: a Bibliographical Introduction,</em>\r\nvolume 1: Persian Prose of the First Islamic Centuries\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-122 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/16-241x300.png\" alt=\"16\" width=\"241\" height=\"300\" />\r\n\r\n<em>Dictionary of Iranian Architecture in Persian Reference Books</em>, volume 2: Proper Names (with S. Mohammad Beheshti)\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-151 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/5_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Architecture: Choice Or Fate</em>\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-123 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/17-244x300.png\" alt=\"17\" width=\"244\" height=\"300\" />\r\n\r\n<em>Dictionary of Iranian Architecture in Persian Reference Books</em>, volume 1: Terms and Concepts (with S. Mohammad Beheshti)\r\n2010\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-125 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/19-300x253.png\" alt=\"19\" width=\"300\" height=\"253\" />\r\n\r\n<em>Trilingual Dictionary of Islamic Architecture</em> (with S. Ali Emadi Estarabadi)\r\n2009\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-124 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/18-244x300.png\" alt=\"18\" width=\"244\" height=\"300\" />\r\n\r\n<em>Ganjnameh: Cyclopedia of Iranian Islamic Architecture</em>, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi)\r\n2005\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-121 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/14-245x300.png\" alt=\"14\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>Risāla-yi Mi’mārīyya</em>, by Ja’far Efendi and Howard Crane\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-145 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/8_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Meaning in Western Architecture</em>, by Christian Norberg-Schulz\r\n2007\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-114 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/7-245x300.png\" alt=\"7\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The</em> <em>Dynamics of Architectural Form</em>, by Rudolf Arnheim\r\n2003\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-109 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/2-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>The Timeless Way of Building </em>by Christopher Alexander\r\n2013\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-146 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/3_1-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The</em> <em>Timeless Way of Building</em> by Christopher Alexander\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-118 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/11-245x300.png\" alt=\"11\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of<em> The Timeless Way of Building</em> by Christopher Alexander\r\n2002\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-147 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/9_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Topkapi Scroll: The Geometry and Ornament in Islamic Architecture</em>, by Gülru Necipoglu\r\n2001\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-148 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/15-245x300.png\" alt=\"15\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>Quranic Art and Calligraphy</em>, by Martin Lings\r\n1998\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-149 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/20-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Golestān-e Honar</em>\r\n(Quarterly on the History of Iranian Art and Architecture)\r\n2005-2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-150 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/21-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Khiyāl</em>\r\n(Quarterly on architecture & art studies)\r\n2002-2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"alignright wp-image-229 size-medium\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/22-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Ravāq</em>\r\n(Quarterly on architecture & art studies)\r\n1998-2000\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Books','','inherit','closed','closed','','24-revision-v1','','','2019-04-15 10:39:40','2019-04-15 10:39:40','',24,'https://qayyoomi.com/24-revision-v1/',0,'revision','',0),(350,1,'2019-04-15 10:55:32','2019-04-15 10:55:32','<img class=\"size-medium wp-image-343 aligncenter\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/23-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n<p dir=\"rtl\" style=\"text-align: center;\"><b>هنر در تمدن اسلامی: معماری ۱</b>\r\nزیر نظر مهرداد قیومی بیدهندی\r\nتهران، سمت\r\n۱۳۹۷</p>\r\n<p dir=\"rtl\">موضوع این کتاب معماریای است که در طی سدههای اول تا سیزدهم هجری عمدتاً به دست مسلمانان در سرزمینهای مسلماننشین پدید آمد. هدف از این کتاب به دست دادن تصوری اجمالی از دانش تاریخی موجود دربارۀ این معماری است. تبویب این موضوع در این کتاب از ترکیب تقطیع جغرافیایی و تاریخی به دست آمده است؛ یعنی تقسیم جهان اسلام به سرزمینهای شرقی و غربی و سپس تقسیم تاریخی بر اساس ادوار متناسب با هریک از پهنههای جغرافیایی: بخش اول کلیات و مقدمات؛ بخش دوم آغاز (سدههای اول و دوم)؛ بخش سوم، سرزمینهای شرقی در سدههای سوم تا ششم؛ بخش چهارم، سرزمینهای غربی در سدههای سوم تا هفتم؛ بخش پنجم، سرزمینهای شرقی در سدههای هفتم تا نهم؛ بخش ششم، سرزمینهای غربی در سدههای هفتم تا سیزدهم؛ بخش هفتم، سرزمینهای شرقی در سدههای دهم تا سیزدهم. هریک از این بخشها متشکل از فصولی است منطبق با ادوار حکومتهای اصلی. در پی برخی از فصول مقالهای دربارۀ مبحث نمونهای مربوط به آن فصل درج شده است. کتاب در دو مجلد تنظیم شده است؛ مجلد اول حاوی بخشهای اول تا چهارم کتاب است.</p>','Art in Islamic Civilization: Architecture 1','','inherit','closed','closed','','346-revision-v1','','','2019-04-15 10:55:32','2019-04-15 10:55:32','',346,'https://qayyoomi.com/346-revision-v1/',0,'revision','',0),(352,1,'2019-05-13 11:14:12','2019-05-13 11:14:12','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\r\nAssociate Professor, Shahid Beheshti University\r\nInvited Member, The Iranian Academy of Art\r\nInvited Member, The Iranian Academy of Science\r\nHead of Iranshahrpedia (Encyclopedia of Iranian Architectural History)\r\n\r\nEmails:\r\nm-qayyoomi@sbu.ac.ir\r\nqayyoomi@gmail.com\r\n\r\nWebs:\r\n<a href=\"https://qayyoomi.com/\">Personal Web page</a>\r\n<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\">Academia</a>\r\n\r\n<strong>Education</strong>\r\n<ul>\r\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\r\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\r\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\r\n</ul>\r\n<strong>Honors and Awards</strong>\r\n<ul>\r\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\r\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\r\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\r\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\r\n <li>Research Fellowship, Farabi International Award 2010</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\r\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\r\n</ul>\r\n<strong>Memberships</strong>\r\n<ul>\r\n <li>Associate Member, the Iranian Academy of Science, 2003-2007</li>\r\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\r\n <li>Invited Member, the Iranian Academy of Persian Language and Literature 2012-2017</li>\r\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\r\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\r\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\r\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\r\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 2000</li>\r\n</ul>\r\n<strong>Positions</strong>\r\n<ul>\r\n <li>Faculty Member, Center for Iranian Architectural Studies and Documentation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\r\n <li>Head of Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2015</li>\r\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\r\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\r\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\r\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\r\n <li>Faculty Member, the Iranian Academy of Art, 2004-2007</li>\r\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\r\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\r\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\r\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\r\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\r\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\r\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\r\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\r\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\r\n</ul>\r\n<strong> Research and Teaching Interests</strong>\r\n<ul>\r\n <li>History of Iranian and Persianate Architecture and Art</li>\r\n <li>Islamic Architecture and Art</li>\r\n <li>Theory and Methodology of Architectural History</li>\r\n <li>Theory of Architecture and Art</li>\r\n</ul>\r\n<strong> Publications:</strong>\r\n\r\n<strong> 1. Articles</strong>\r\n<ul>\r\n <li>The Architecture of Dār al-Funūn School and Its Changes in Qajar Period, (with Boshra Moossavi), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 20, 2018</li>\r\n <li>The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work, (with R. Mojtahedzadeh), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 13, 2018</li>\r\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Sofeh</em>, 2017</li>\r\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\r\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 10, 2017</li>\r\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar, 2015</li>\r\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\r\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\r\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\r\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in Mutāli’āt-i Me’mārī-yi Īrān, no. 6, 2015</li>\r\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\r\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\r\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\r\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\r\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\r\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\r\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\r\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development</em>, no. 7, 2012</li>\r\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\r\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\r\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\r\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\r\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\r\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\r\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\r\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\r\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\r\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\r\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\r\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\r\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\r\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\r\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\r\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\r\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\r\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\r\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\r\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\r\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\r\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\r\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\r\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\r\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\r\n</ul>\r\n<strong>2. Articles (Translation)</strong>\r\n<ul>\r\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\r\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\r\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\r\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\r\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\r\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\r\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\r\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\r\n</ul>\r\n<strong>3. Prefaces, Notes, Presentation & Interviews</strong>\r\n<ul>\r\n <li>Presentation: The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\r\n <li>Preface to the Yahya Sepehri\'s Book: <em>A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage</em>, 2017</li>\r\n <li>Preface to the Safa Mahmoudian\'s Book: <em>the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan</em>, 2017</li>\r\n <li>Note: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\r\n <li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\r\n <li>Interview: Philosophy of Architecture, 2015</li>\r\n <li>Preface to Mehdi Arefi’s Book: <em>Khargird and Madrasa</em>, 2015</li>\r\n <li>Preface to the Mitra Hashemi\'s Book: <em>An Introduction to the Oral History of Iranian Architecture</em>, 2014</li>\r\n <li>Interview: Psychotic City and Islamic Architecture, 2014</li>\r\n <li>Note: Architecture as Cultural Manifestation, 2014</li>\r\n <li>Preface to Mehdi Tamizi’s Book: <i>In the Shade of Cypress: The Picture of Cypress Tombstones in Isfahan, </i>2013</li>\r\n <li>Interview: Commentators of the Western Architecture, 2011</li>\r\n <li>Preface to the Book: <em>Paintings on the Wooden Ceilings of Azarbaijan Vernacular Mosques</em>, 2010</li>\r\n <li>Note: On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\r\n <li>Note: Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13, 2008</li>\r\n <li>Note: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\r\n <li>Note: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\r\n <li>Note: Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\r\n <li>Note: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\r\n <li>Note: Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\r\n <li>Note: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\r\n <li>Note: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\r\n <li>Note: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\r\n <li>Note: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\r\n</ul>\r\n<strong>4. Books </strong>\r\n<ul>\r\n <li>Art in Islamic Civilization: Architecture 2, 2019</li>\r\n <li>Art in Islamic Civilization: Architecture 1, 2018</li>\r\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\r\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\r\n <li>Ten Stories on Architecture, 2015</li>\r\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\r\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\r\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\r\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\r\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\r\n</ul>\r\n<strong>5. Books (Translation)</strong>\r\n<ul>\r\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\r\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\r\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\r\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\r\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\r\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\r\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\r\n</ul>\r\n<strong>Teaching Experience</strong>\r\n<ul>\r\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\r\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\r\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\r\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\r\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\r\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\r\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\r\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\r\n</ul>\r\n<strong>Dissertations: 1. Supervised</strong>\r\n<ul>\r\n <li>Reading architecture in Haft peikar of Nezami with mythology approach, by Sepideh Ahmadkhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2018</li>\r\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\r\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\r\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\r\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\r\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\r\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\r\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\r\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\r\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\r\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\r\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\r\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\r\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\r\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\r\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\r\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\r\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\r\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\r\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\r\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\r\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\r\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\r\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\r\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\r\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\r\n</ul>\r\n<strong>Dissertations: 2. Consulted</strong>\r\n<ul>\r\n <li>Harun- i Vilayat Shrine: Its Quiddity and Religious Ties, by Samaneh Pouremadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2019</li>\r\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\r\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\r\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\r\n <li>Characteristics of Mosques in Persian Timurid Miniatures in Comparison with Their Contemporary Mosques, by Halimeh Kamour Bandari, MA in Islamic Art, Tehran, Soore University, 2014</li>\r\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\r\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\r\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\r\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\r\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\r\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\r\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\r\n</ul>\r\n<strong>Personal Information</strong>\r\n<ul>\r\n <li>Born: Tehran, 1960</li>\r\n</ul>\r\n<strong>Languages</strong>\r\n<ul>\r\n <li>Reading and Translation Competence in English and Arabic</li>\r\n <li>Native in Persian</li>\r\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2019-05-13 11:14:12','2019-05-13 11:14:12','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(353,1,'2019-05-13 11:15:54','2019-05-13 11:15:54','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان هنر</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\r\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\r\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">:وبگاهها</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a>،<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a>، <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\r\n\r\n\r\n<hr dir=\"rtl\" />\r\n\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا ۱۳۹۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مرکز مستندنگاری و مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\r\n</ul>\r\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\r\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</span></a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</a></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\r\n</ul>\r\n<ul dir=\"rtl\">\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\r\n <li><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</a></span></li>\r\n <li dir=\"ltr\">\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\r\n</li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span>\r\n<ul>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\r\n</ul>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\r\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\r\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em style=\"text-align: left;\">Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em><span style=\"text-align: left;\">2005</span></span></li>\r\n <li dir=\"ltr\">\r\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\r\n</li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه و سخنرانی</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><a style=\"font-size: 14pt;\" href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></li>\r\n <li>\r\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\r\n</li>\r\n <li dir=\"ltr\" style=\"text-align: left;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\r\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\r\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-size: 14pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><em>هنر در تمدن اسلامی: معماری ۲</em>،</span> انتشارات سمت، ۱۳۹۸</span></li>\r\n <li><span style=\"font-size: 14pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><em>هنر در تمدن اسلامی: معماری ۱</em></span>، انتشارات سمت، ۱۳۹۷</span></li>\r\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\r\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\r\n\r\n<ul dir=\"rtl\">\r\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\r\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطوره شناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\r\n\r\n<ul>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\r\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\r\n</ul>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\r\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2019-05-13 11:15:54','2019-05-13 11:15:54','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(354,1,'2019-05-13 12:09:37','2019-05-13 12:09:37','','newproject','','inherit','open','closed','','newproject','','','2019-05-13 12:11:42','2019-05-13 12:11:42','',24,'https://qayyoomi.com/wp-content/uploads/2019/05/newproject.png',0,'attachment','image/png',0),(355,1,'2019-05-13 12:18:53','2019-05-13 12:18:53','<img class=\" wp-image-354 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2019/05/newproject-183x300.png\" alt=\"\" width=\"168\" height=\"275\" />\r\n\r\n<em>Art in Islamic Civilization:</em><em>\r\nArchitecture 2</em>\r\n2019\r\n<a href=\"https://qayyoomi.com/art-in-islamic-civilization-architecture-1/\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-343 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/23-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Art in Islamic Civilization:</em><em>\r\nArchitecture 1</em>\r\n2018\r\n<a href=\"https://qayyoomi.com/art-in-islamic-civilization-architecture-1/\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener\"><img class=\"size-medium wp-image-113 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/6-245x300.png\" alt=\"6\" width=\"245\" height=\"300\" /></a>\r\n\r\n<em>Theories of Architectural and Art\r\nHistory; An Annotated Bibliography</em>\r\n2015\r\n<a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener\"><img class=\"size-medium wp-image-111 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" /></a>\r\n\r\n<em>Studies on Art and Architecture;</em>\r\n<em> History and Theory</em>\r\n2015\r\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-120 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/13-247x300.png\" alt=\"13\" width=\"247\" height=\"300\" />\r\n\r\n<em>Ten Stories on Architecture</em>\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-108 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/1-245x300.png\" alt=\"1\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The Dynamics of Architectural Form</em>\r\n2014\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-119 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/12-245x300.png\" alt=\"12\" width=\"245\" height=\"300\" />\r\n\r\n<em>Essays on the Theory and History of Architecture and Art</em>\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-117 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/10-245x300.png\" alt=\"10\" width=\"245\" height=\"300\" />\r\n\r\n<em>Persian Literature as Source of Architectural History: a Bibliographical Introduction,</em>\r\nvolume 1: Persian Prose of the First Islamic Centuries\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-122 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/16-241x300.png\" alt=\"16\" width=\"241\" height=\"300\" />\r\n\r\n<em>Dictionary of Iranian Architecture in Persian Reference Books</em>, volume 2: Proper Names (with S. Mohammad Beheshti)\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-151 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/5_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Architecture: Choice Or Fate</em>\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-123 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/17-244x300.png\" alt=\"17\" width=\"244\" height=\"300\" />\r\n\r\n<em>Dictionary of Iranian Architecture in Persian Reference Books</em>, volume 1: Terms and Concepts (with S. Mohammad Beheshti)\r\n2010\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-125 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/19-300x253.png\" alt=\"19\" width=\"300\" height=\"253\" />\r\n\r\n<em>Trilingual Dictionary of Islamic Architecture</em> (with S. Ali Emadi Estarabadi)\r\n2009\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-124 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/18-244x300.png\" alt=\"18\" width=\"244\" height=\"300\" />\r\n\r\n<em>Ganjnameh: Cyclopedia of Iranian Islamic Architecture</em>, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi)\r\n2005\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-121 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/14-245x300.png\" alt=\"14\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>Risāla-yi Mi’mārīyya</em>, by Ja’far Efendi and Howard Crane\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-145 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/8_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Meaning in Western Architecture</em>, by Christian Norberg-Schulz\r\n2007\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-114 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/7-245x300.png\" alt=\"7\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The</em> <em>Dynamics of Architectural Form</em>, by Rudolf Arnheim\r\n2003\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-109 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/2-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>The Timeless Way of Building </em>by Christopher Alexander\r\n2013\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-146 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/3_1-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The</em> <em>Timeless Way of Building</em> by Christopher Alexander\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-118 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/11-245x300.png\" alt=\"11\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of<em> The Timeless Way of Building</em> by Christopher Alexander\r\n2002\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-147 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/9_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Topkapi Scroll: The Geometry and Ornament in Islamic Architecture</em>, by Gülru Necipoglu\r\n2001\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-148 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/15-245x300.png\" alt=\"15\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>Quranic Art and Calligraphy</em>, by Martin Lings\r\n1998\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-149 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/20-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Golestān-e Honar</em>\r\n(Quarterly on the History of Iranian Art and Architecture)\r\n2005-2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-150 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/21-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Khiyāl</em>\r\n(Quarterly on architecture & art studies)\r\n2002-2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"alignright wp-image-229 size-medium\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/22-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Ravāq</em>\r\n(Quarterly on architecture & art studies)\r\n1998-2000\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Books','','inherit','closed','closed','','24-revision-v1','','','2019-05-13 12:18:53','2019-05-13 12:18:53','',24,'https://qayyoomi.com/24-revision-v1/',0,'revision','',0),(356,1,'2019-05-13 12:51:49','2019-05-13 12:51:49','','Untitled-1','','inherit','open','closed','','untitled-1','','','2019-05-13 12:51:49','2019-05-13 12:51:49','',24,'https://qayyoomi.com/wp-content/uploads/2016/02/Untitled-1.png',0,'attachment','image/png',0),(357,1,'2019-05-13 12:52:56','2019-05-13 12:52:56','<p dir=\"ltr\"><img class=\" wp-image-356 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/Untitled-1-245x300.png\" alt=\"\" width=\"222\" height=\"272\" /></p>\r\n<em>Art in Islamic Civilization:</em><em>\r\nArchitecture 2</em>\r\n2019\r\n<a href=\"https://qayyoomi.com/art-in-islamic-civilization-architecture-1/\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-343 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/23-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Art in Islamic Civilization:</em><em>\r\nArchitecture 1</em>\r\n2018\r\n<a href=\"https://qayyoomi.com/art-in-islamic-civilization-architecture-1/\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener\"><img class=\"size-medium wp-image-113 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/6-245x300.png\" alt=\"6\" width=\"245\" height=\"300\" /></a>\r\n\r\n<em>Theories of Architectural and Art\r\nHistory; An Annotated Bibliography</em>\r\n2015\r\n<a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener\"><img class=\"size-medium wp-image-111 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" /></a>\r\n\r\n<em>Studies on Art and Architecture;</em>\r\n<em> History and Theory</em>\r\n2015\r\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-120 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/13-247x300.png\" alt=\"13\" width=\"247\" height=\"300\" />\r\n\r\n<em>Ten Stories on Architecture</em>\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-108 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/1-245x300.png\" alt=\"1\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The Dynamics of Architectural Form</em>\r\n2014\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-119 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/12-245x300.png\" alt=\"12\" width=\"245\" height=\"300\" />\r\n\r\n<em>Essays on the Theory and History of Architecture and Art</em>\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-117 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/10-245x300.png\" alt=\"10\" width=\"245\" height=\"300\" />\r\n\r\n<em>Persian Literature as Source of Architectural History: a Bibliographical Introduction,</em>\r\nvolume 1: Persian Prose of the First Islamic Centuries\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-122 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/16-241x300.png\" alt=\"16\" width=\"241\" height=\"300\" />\r\n\r\n<em>Dictionary of Iranian Architecture in Persian Reference Books</em>, volume 2: Proper Names (with S. Mohammad Beheshti)\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-151 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/5_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Architecture: Choice Or Fate</em>\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-123 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/17-244x300.png\" alt=\"17\" width=\"244\" height=\"300\" />\r\n\r\n<em>Dictionary of Iranian Architecture in Persian Reference Books</em>, volume 1: Terms and Concepts (with S. Mohammad Beheshti)\r\n2010\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-125 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/19-300x253.png\" alt=\"19\" width=\"300\" height=\"253\" />\r\n\r\n<em>Trilingual Dictionary of Islamic Architecture</em> (with S. Ali Emadi Estarabadi)\r\n2009\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-124 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/18-244x300.png\" alt=\"18\" width=\"244\" height=\"300\" />\r\n\r\n<em>Ganjnameh: Cyclopedia of Iranian Islamic Architecture</em>, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi)\r\n2005\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-121 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/14-245x300.png\" alt=\"14\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>Risāla-yi Mi’mārīyya</em>, by Ja’far Efendi and Howard Crane\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-145 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/8_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Meaning in Western Architecture</em>, by Christian Norberg-Schulz\r\n2007\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-114 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/7-245x300.png\" alt=\"7\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The</em> <em>Dynamics of Architectural Form</em>, by Rudolf Arnheim\r\n2003\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-109 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/2-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>The Timeless Way of Building </em>by Christopher Alexander\r\n2013\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-146 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/3_1-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The</em> <em>Timeless Way of Building</em> by Christopher Alexander\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-118 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/11-245x300.png\" alt=\"11\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of<em> The Timeless Way of Building</em> by Christopher Alexander\r\n2002\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-147 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/9_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Topkapi Scroll: The Geometry and Ornament in Islamic Architecture</em>, by Gülru Necipoglu\r\n2001\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-148 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/15-245x300.png\" alt=\"15\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>Quranic Art and Calligraphy</em>, by Martin Lings\r\n1998\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-149 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/20-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Golestān-e Honar</em>\r\n(Quarterly on the History of Iranian Art and Architecture)\r\n2005-2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-150 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/21-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Khiyāl</em>\r\n(Quarterly on architecture & art studies)\r\n2002-2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"alignright wp-image-229 size-medium\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/22-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Ravāq</em>\r\n(Quarterly on architecture & art studies)\r\n1998-2000\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Books','','inherit','closed','closed','','24-revision-v1','','','2019-05-13 12:52:56','2019-05-13 12:52:56','',24,'https://qayyoomi.com/24-revision-v1/',0,'revision','',0),(358,1,'2019-05-13 12:53:16','2019-05-13 12:53:16','<p dir=\"ltr\"><img class=\" wp-image-356 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/Untitled-1-245x300.png\" alt=\"\" width=\"222\" height=\"272\" /><em>Art in Islamic Civilization:</em><em>\r\nArchitecture 2</em>\r\n2019\r\n<a href=\"https://qayyoomi.com/art-in-islamic-civilization-architecture-1/\">Abstract</a></p>\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-343 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/23-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Art in Islamic Civilization:</em><em>\r\nArchitecture 1</em>\r\n2018\r\n<a href=\"https://qayyoomi.com/art-in-islamic-civilization-architecture-1/\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener\"><img class=\"size-medium wp-image-113 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/6-245x300.png\" alt=\"6\" width=\"245\" height=\"300\" /></a>\r\n\r\n<em>Theories of Architectural and Art\r\nHistory; An Annotated Bibliography</em>\r\n2015\r\n<a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener\"><img class=\"size-medium wp-image-111 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" /></a>\r\n\r\n<em>Studies on Art and Architecture;</em>\r\n<em> History and Theory</em>\r\n2015\r\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-120 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/13-247x300.png\" alt=\"13\" width=\"247\" height=\"300\" />\r\n\r\n<em>Ten Stories on Architecture</em>\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-108 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/1-245x300.png\" alt=\"1\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The Dynamics of Architectural Form</em>\r\n2014\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-119 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/12-245x300.png\" alt=\"12\" width=\"245\" height=\"300\" />\r\n\r\n<em>Essays on the Theory and History of Architecture and Art</em>\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-117 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/10-245x300.png\" alt=\"10\" width=\"245\" height=\"300\" />\r\n\r\n<em>Persian Literature as Source of Architectural History: a Bibliographical Introduction,</em>\r\nvolume 1: Persian Prose of the First Islamic Centuries\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-122 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/16-241x300.png\" alt=\"16\" width=\"241\" height=\"300\" />\r\n\r\n<em>Dictionary of Iranian Architecture in Persian Reference Books</em>, volume 2: Proper Names (with S. Mohammad Beheshti)\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-151 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/5_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Architecture: Choice Or Fate</em>\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-123 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/17-244x300.png\" alt=\"17\" width=\"244\" height=\"300\" />\r\n\r\n<em>Dictionary of Iranian Architecture in Persian Reference Books</em>, volume 1: Terms and Concepts (with S. Mohammad Beheshti)\r\n2010\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-125 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/19-300x253.png\" alt=\"19\" width=\"300\" height=\"253\" />\r\n\r\n<em>Trilingual Dictionary of Islamic Architecture</em> (with S. Ali Emadi Estarabadi)\r\n2009\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-124 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/18-244x300.png\" alt=\"18\" width=\"244\" height=\"300\" />\r\n\r\n<em>Ganjnameh: Cyclopedia of Iranian Islamic Architecture</em>, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi)\r\n2005\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-121 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/14-245x300.png\" alt=\"14\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>Risāla-yi Mi’mārīyya</em>, by Ja’far Efendi and Howard Crane\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-145 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/8_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Meaning in Western Architecture</em>, by Christian Norberg-Schulz\r\n2007\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-114 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/7-245x300.png\" alt=\"7\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The</em> <em>Dynamics of Architectural Form</em>, by Rudolf Arnheim\r\n2003\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-109 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/2-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>The Timeless Way of Building </em>by Christopher Alexander\r\n2013\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-146 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/3_1-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The</em> <em>Timeless Way of Building</em> by Christopher Alexander\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-118 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/11-245x300.png\" alt=\"11\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of<em> The Timeless Way of Building</em> by Christopher Alexander\r\n2002\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-147 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/9_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Topkapi Scroll: The Geometry and Ornament in Islamic Architecture</em>, by Gülru Necipoglu\r\n2001\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-148 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/15-245x300.png\" alt=\"15\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>Quranic Art and Calligraphy</em>, by Martin Lings\r\n1998\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-149 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/20-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Golestān-e Honar</em>\r\n(Quarterly on the History of Iranian Art and Architecture)\r\n2005-2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-150 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/21-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Khiyāl</em>\r\n(Quarterly on architecture & art studies)\r\n2002-2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"alignright wp-image-229 size-medium\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/22-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Ravāq</em>\r\n(Quarterly on architecture & art studies)\r\n1998-2000\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Books','','inherit','closed','closed','','24-revision-v1','','','2019-05-13 12:53:16','2019-05-13 12:53:16','',24,'https://qayyoomi.com/24-revision-v1/',0,'revision','',0),(359,1,'2019-05-13 12:55:19','2019-05-13 12:55:19','<p dir=\"rtl\" style=\"text-align: center;\"><img class=\"alignnone size-medium wp-image-356\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/Untitled-1-245x300.png\" alt=\"\" width=\"245\" height=\"300\" /></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><b>هنر در تمدن اسلامی: معماری ۲</b>\r\nزیر نظر مهرداد قیومی بیدهندی\r\nتهران، سمت\r\n۱۳۹۸</p>\r\n<p dir=\"rtl\">موضوع این کتاب معماریای است که در طی سدههای اول تا سیزدهم هجری عمدتاً به دست مسلمانان در سرزمینهای مسلماننشین پدید آمد. هدف از این کتاب به دست دادن تصوری اجمالی از دانش تاریخی موجود دربارۀ این معماری است. تبویب این موضوع در این کتاب از ترکیب تقطیع جغرافیایی و تاریخی به دست آمده است؛ یعنی تقسیم جهان اسلام به سرزمینهای شرقی و غربی و سپس تقسیم تاریخی بر اساس ادوار متناسب با هریک از پهنههای جغرافیایی: بخش اول کلیات و مقدمات؛ بخش دوم آغاز (سدههای اول و دوم)؛ بخش سوم، سرزمینهای شرقی در سدههای سوم تا ششم؛ بخش چهارم، سرزمینهای غربی در سدههای سوم تا هفتم؛ بخش پنجم، سرزمینهای شرقی در سدههای هفتم تا نهم؛ بخش ششم، سرزمینهای غربی در سدههای هفتم تا سیزدهم؛ بخش هفتم، سرزمینهای شرقی در سدههای دهم تا سیزدهم. هریک از این بخشها متشکل از فصولی است منطبق با ادوار حکومتهای اصلی. در پی برخی از فصول مقالهای دربارۀ مبحث نمونهای مربوط به آن فصل درج شده است. کتاب در دو مجلد تنظیم شده است؛ مجلد دوم حاوی بخشهای پنجم به بعد است.</p>','Art in Islamic Civilization: Architecture 2','','publish','closed','closed','','art-in-islamic-civilization-architecture-2','','','2019-05-13 12:57:04','2019-05-13 12:57:04','',0,'https://qayyoomi.com/?page_id=359',0,'page','',0),(360,1,'2019-05-13 12:55:19','2019-05-13 12:55:19','<p dir=\"rtl\" style=\"text-align: center;\"><img class=\"alignnone size-medium wp-image-356\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/Untitled-1-245x300.png\" alt=\"\" width=\"245\" height=\"300\" /></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><b>هنر در تمدن اسلامی: معماری ۱</b>\r\nزیر نظر مهرداد قیومی بیدهندی\r\nتهران، سمت\r\n۱۳۹۷</p>\r\n<p dir=\"rtl\">موضوع این کتاب معماریای است که در طی سدههای اول تا سیزدهم هجری عمدتاً به دست مسلمانان در سرزمینهای مسلماننشین پدید آمد. هدف از این کتاب به دست دادن تصوری اجمالی از دانش تاریخی موجود دربارۀ این معماری است. تبویب این موضوع در این کتاب از ترکیب تقطیع جغرافیایی و تاریخی به دست آمده است؛ یعنی تقسیم جهان اسلام به سرزمینهای شرقی و غربی و سپس تقسیم تاریخی بر اساس ادوار متناسب با هریک از پهنههای جغرافیایی: بخش اول کلیات و مقدمات؛ بخش دوم آغاز (سدههای اول و دوم)؛ بخش سوم، سرزمینهای شرقی در سدههای سوم تا ششم؛ بخش چهارم، سرزمینهای غربی در سدههای سوم تا هفتم؛ بخش پنجم، سرزمینهای شرقی در سدههای هفتم تا نهم؛ بخش ششم، سرزمینهای غربی در سدههای هفتم تا سیزدهم؛ بخش هفتم، سرزمینهای شرقی در سدههای دهم تا سیزدهم. هریک از این بخشها متشکل از فصولی است منطبق با ادوار حکومتهای اصلی. در پی برخی از فصول مقالهای دربارۀ مبحث نمونهای مربوط به آن فصل درج شده است. کتاب در دو مجلد تنظیم شده است؛ مجلد اول حاوی بخشهای اول تا چهارم کتاب است.</p>','Art in Islamic Civilization: Architecture 2','','inherit','closed','closed','','359-revision-v1','','','2019-05-13 12:55:19','2019-05-13 12:55:19','',359,'https://qayyoomi.com/359-revision-v1/',0,'revision','',0),(362,1,'2019-05-13 12:57:04','2019-05-13 12:57:04','<p dir=\"rtl\" style=\"text-align: center;\"><img class=\"alignnone size-medium wp-image-356\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/Untitled-1-245x300.png\" alt=\"\" width=\"245\" height=\"300\" /></p>\r\n<p dir=\"rtl\" style=\"text-align: center;\"><b>هنر در تمدن اسلامی: معماری ۲</b>\r\nزیر نظر مهرداد قیومی بیدهندی\r\nتهران، سمت\r\n۱۳۹۸</p>\r\n<p dir=\"rtl\">موضوع این کتاب معماریای است که در طی سدههای اول تا سیزدهم هجری عمدتاً به دست مسلمانان در سرزمینهای مسلماننشین پدید آمد. هدف از این کتاب به دست دادن تصوری اجمالی از دانش تاریخی موجود دربارۀ این معماری است. تبویب این موضوع در این کتاب از ترکیب تقطیع جغرافیایی و تاریخی به دست آمده است؛ یعنی تقسیم جهان اسلام به سرزمینهای شرقی و غربی و سپس تقسیم تاریخی بر اساس ادوار متناسب با هریک از پهنههای جغرافیایی: بخش اول کلیات و مقدمات؛ بخش دوم آغاز (سدههای اول و دوم)؛ بخش سوم، سرزمینهای شرقی در سدههای سوم تا ششم؛ بخش چهارم، سرزمینهای غربی در سدههای سوم تا هفتم؛ بخش پنجم، سرزمینهای شرقی در سدههای هفتم تا نهم؛ بخش ششم، سرزمینهای غربی در سدههای هفتم تا سیزدهم؛ بخش هفتم، سرزمینهای شرقی در سدههای دهم تا سیزدهم. هریک از این بخشها متشکل از فصولی است منطبق با ادوار حکومتهای اصلی. در پی برخی از فصول مقالهای دربارۀ مبحث نمونهای مربوط به آن فصل درج شده است. کتاب در دو مجلد تنظیم شده است؛ مجلد دوم حاوی بخشهای پنجم به بعد است.</p>','Art in Islamic Civilization: Architecture 2','','inherit','closed','closed','','359-revision-v1','','','2019-05-13 12:57:04','2019-05-13 12:57:04','',359,'https://qayyoomi.com/359-revision-v1/',0,'revision','',0),(363,1,'2019-05-13 13:01:57','2019-05-13 13:01:57','<p dir=\"ltr\"><img class=\" wp-image-356 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/Untitled-1-245x300.png\" alt=\"\" width=\"222\" height=\"272\" /><em>Art in Islamic Civilization:</em><em>\r\nArchitecture 2</em>\r\n2019\r\n<a href=\"https://qayyoomi.com/art-in-islamic-c…n-architecture-2/\">Abstract</a></p>\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-343 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/23-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Art in Islamic Civilization:</em><em>\r\nArchitecture 1</em>\r\n2018\r\n<a href=\"https://qayyoomi.com/art-in-islamic-civilization-architecture-1/\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener\"><img class=\"size-medium wp-image-113 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/6-245x300.png\" alt=\"6\" width=\"245\" height=\"300\" /></a>\r\n\r\n<em>Theories of Architectural and Art\r\nHistory; An Annotated Bibliography</em>\r\n2015\r\n<a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener\"><img class=\"size-medium wp-image-111 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" /></a>\r\n\r\n<em>Studies on Art and Architecture;</em>\r\n<em> History and Theory</em>\r\n2015\r\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-120 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/13-247x300.png\" alt=\"13\" width=\"247\" height=\"300\" />\r\n\r\n<em>Ten Stories on Architecture</em>\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-108 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/1-245x300.png\" alt=\"1\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The Dynamics of Architectural Form</em>\r\n2014\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-119 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/12-245x300.png\" alt=\"12\" width=\"245\" height=\"300\" />\r\n\r\n<em>Essays on the Theory and History of Architecture and Art</em>\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-117 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/10-245x300.png\" alt=\"10\" width=\"245\" height=\"300\" />\r\n\r\n<em>Persian Literature as Source of Architectural History: a Bibliographical Introduction,</em>\r\nvolume 1: Persian Prose of the First Islamic Centuries\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-122 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/16-241x300.png\" alt=\"16\" width=\"241\" height=\"300\" />\r\n\r\n<em>Dictionary of Iranian Architecture in Persian Reference Books</em>, volume 2: Proper Names (with S. Mohammad Beheshti)\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-151 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/5_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Architecture: Choice Or Fate</em>\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-123 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/17-244x300.png\" alt=\"17\" width=\"244\" height=\"300\" />\r\n\r\n<em>Dictionary of Iranian Architecture in Persian Reference Books</em>, volume 1: Terms and Concepts (with S. Mohammad Beheshti)\r\n2010\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-125 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/19-300x253.png\" alt=\"19\" width=\"300\" height=\"253\" />\r\n\r\n<em>Trilingual Dictionary of Islamic Architecture</em> (with S. Ali Emadi Estarabadi)\r\n2009\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-124 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/18-244x300.png\" alt=\"18\" width=\"244\" height=\"300\" />\r\n\r\n<em>Ganjnameh: Cyclopedia of Iranian Islamic Architecture</em>, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi)\r\n2005\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-121 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/14-245x300.png\" alt=\"14\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>Risāla-yi Mi’mārīyya</em>, by Ja’far Efendi and Howard Crane\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-145 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/8_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Meaning in Western Architecture</em>, by Christian Norberg-Schulz\r\n2007\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-114 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/7-245x300.png\" alt=\"7\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The</em> <em>Dynamics of Architectural Form</em>, by Rudolf Arnheim\r\n2003\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-109 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/2-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>The Timeless Way of Building </em>by Christopher Alexander\r\n2013\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-146 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/3_1-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The</em> <em>Timeless Way of Building</em> by Christopher Alexander\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-118 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/11-245x300.png\" alt=\"11\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of<em> The Timeless Way of Building</em> by Christopher Alexander\r\n2002\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-147 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/9_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Topkapi Scroll: The Geometry and Ornament in Islamic Architecture</em>, by Gülru Necipoglu\r\n2001\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-148 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/15-245x300.png\" alt=\"15\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>Quranic Art and Calligraphy</em>, by Martin Lings\r\n1998\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-149 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/20-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Golestān-e Honar</em>\r\n(Quarterly on the History of Iranian Art and Architecture)\r\n2005-2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-150 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/21-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Khiyāl</em>\r\n(Quarterly on architecture & art studies)\r\n2002-2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"alignright wp-image-229 size-medium\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/22-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Ravāq</em>\r\n(Quarterly on architecture & art studies)\r\n1998-2000\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Books','','inherit','closed','closed','','24-revision-v1','','','2019-05-13 13:01:57','2019-05-13 13:01:57','',24,'https://qayyoomi.com/24-revision-v1/',0,'revision','',0),(364,1,'2019-05-13 13:05:29','2019-05-13 13:05:29','<p dir=\"ltr\"><img class=\" wp-image-356 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/Untitled-1-245x300.png\" alt=\"\" width=\"222\" height=\"272\" /><em>Art in Islamic Civilization:</em><em>\r\nArchitecture 2</em>\r\n2019\r\n<a href=\"https://qayyoomi.com/art-in-islamic-civilization-architecture-2/\">Abstract</a></p>\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-343 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/23-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Art in Islamic Civilization:</em><em>\r\nArchitecture 1</em>\r\n2018\r\n<a href=\"https://qayyoomi.com/art-in-islamic-civilization-architecture-1/\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener\"><img class=\"size-medium wp-image-113 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/6-245x300.png\" alt=\"6\" width=\"245\" height=\"300\" /></a>\r\n\r\n<em>Theories of Architectural and Art\r\nHistory; An Annotated Bibliography</em>\r\n2015\r\n<a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener\"><img class=\"size-medium wp-image-111 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/4-245x300.png\" alt=\"4\" width=\"245\" height=\"300\" /></a>\r\n\r\n<em>Studies on Art and Architecture;</em>\r\n<em> History and Theory</em>\r\n2015\r\n<a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener\">Abstract</a>\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-120 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/13-247x300.png\" alt=\"13\" width=\"247\" height=\"300\" />\r\n\r\n<em>Ten Stories on Architecture</em>\r\n2015\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-108 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/1-245x300.png\" alt=\"1\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The Dynamics of Architectural Form</em>\r\n2014\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-119 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/12-245x300.png\" alt=\"12\" width=\"245\" height=\"300\" />\r\n\r\n<em>Essays on the Theory and History of Architecture and Art</em>\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-117 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/10-245x300.png\" alt=\"10\" width=\"245\" height=\"300\" />\r\n\r\n<em>Persian Literature as Source of Architectural History: a Bibliographical Introduction,</em>\r\nvolume 1: Persian Prose of the First Islamic Centuries\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-122 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/16-241x300.png\" alt=\"16\" width=\"241\" height=\"300\" />\r\n\r\n<em>Dictionary of Iranian Architecture in Persian Reference Books</em>, volume 2: Proper Names (with S. Mohammad Beheshti)\r\n2012\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-151 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/5_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Architecture: Choice Or Fate</em>\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-123 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/17-244x300.png\" alt=\"17\" width=\"244\" height=\"300\" />\r\n\r\n<em>Dictionary of Iranian Architecture in Persian Reference Books</em>, volume 1: Terms and Concepts (with S. Mohammad Beheshti)\r\n2010\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-125 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/19-300x253.png\" alt=\"19\" width=\"300\" height=\"253\" />\r\n\r\n<em>Trilingual Dictionary of Islamic Architecture</em> (with S. Ali Emadi Estarabadi)\r\n2009\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-124 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/18-244x300.png\" alt=\"18\" width=\"244\" height=\"300\" />\r\n\r\n<em>Ganjnameh: Cyclopedia of Iranian Islamic Architecture</em>, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi)\r\n2005\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-121 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/14-245x300.png\" alt=\"14\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>Risāla-yi Mi’mārīyya</em>, by Ja’far Efendi and Howard Crane\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-145 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/8_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Meaning in Western Architecture</em>, by Christian Norberg-Schulz\r\n2007\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-114 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/7-245x300.png\" alt=\"7\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The</em> <em>Dynamics of Architectural Form</em>, by Rudolf Arnheim\r\n2003\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-109 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/2-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>The Timeless Way of Building </em>by Christopher Alexander\r\n2013\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-146 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/3_1-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>The</em> <em>Timeless Way of Building</em> by Christopher Alexander\r\n2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-118 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/03/11-245x300.png\" alt=\"11\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of<em> The Timeless Way of Building</em> by Christopher Alexander\r\n2002\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-147 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/9_1-295x300.png\" alt=\"\" width=\"295\" height=\"300\" />\r\n\r\nPersian translation of <em>Topkapi Scroll: The Geometry and Ornament in Islamic Architecture</em>, by Gülru Necipoglu\r\n2001\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"size-medium wp-image-148 alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/15-245x300.png\" alt=\"15\" width=\"245\" height=\"300\" />\r\n\r\nPersian translation of <em>Quranic Art and Calligraphy</em>, by Martin Lings\r\n1998\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-149 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/20-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Golestān-e Honar</em>\r\n(Quarterly on the History of Iranian Art and Architecture)\r\n2005-2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"wp-image-150 size-medium alignright\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/21-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Khiyāl</em>\r\n(Quarterly on architecture & art studies)\r\n2002-2011\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n<img class=\"alignright wp-image-229 size-medium\" src=\"https://qayyoomi.com/wp-content/uploads/2016/02/22-245x300.png\" alt=\"\" width=\"245\" height=\"300\" />\r\n\r\n<em>Ravāq</em>\r\n(Quarterly on architecture & art studies)\r\n1998-2000\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Books','','inherit','closed','closed','','24-revision-v1','','','2019-05-13 13:05:29','2019-05-13 13:05:29','',24,'https://qayyoomi.com/24-revision-v1/',0,'revision','',0),(366,1,'2019-05-20 05:40:19','2019-05-20 05:40:19','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان هنر</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">:وبگاهها</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a>،<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a>، <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\n\n\n<hr dir=\"rtl\" />\n\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul dir=\"rtl\">\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا ۱۳۹۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مرکز مستندنگاری و مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، (به اتفاق محدثه نظیفکار)، در اثر، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</span></a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\n</ul>\n<ul dir=\"rtl\">\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\n <li><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</a></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span>\n<ul>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\n</ul>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em style=\"text-align: left;\">Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em><span style=\"text-align: left;\">2005</span></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه و سخنرانی</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><a style=\"font-size: 14pt;\" href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></li>\n <li>\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\n</li>\n <li dir=\"ltr\" style=\"text-align: left;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-size: 14pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><em>هنر در تمدن اسلامی: معماری ۲</em>،</span> انتشارات سمت، ۱۳۹۸</span></li>\n <li><span style=\"font-size: 14pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><em>هنر در تمدن اسلامی: معماری ۱</em></span>، انتشارات سمت، ۱۳۹۷</span></li>\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطوره شناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2019-05-20 05:40:19','2019-05-20 05:40:19','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(367,1,'2019-05-20 05:40:41','2019-05-20 05:40:41','','Bathrooms of Estarabad (prntd)','','inherit','open','closed','','bathrooms-of-estarabad-prntd','','','2019-05-20 05:40:41','2019-05-20 05:40:41','',0,'https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf',0,'attachment','application/pdf',0),(368,1,'2019-05-20 05:42:30','2019-05-20 05:42:30','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان هنر</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">:وبگاهها</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a>،<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a>، <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\n\n\n<hr dir=\"rtl\" />\n\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul dir=\"rtl\">\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا ۱۳۹۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مرکز مستندنگاری و مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\"><span style=\"font-size: 14pt;\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، (به اتفاق محدثه نظیفکار)، در اثر، ۱۳۹۷</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</span></a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\n</ul>\n<ul dir=\"rtl\">\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\n <li><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</a></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span>\n<ul>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\n</ul>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em style=\"text-align: left;\">Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em><span style=\"text-align: left;\">2005</span></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) یادداشت و مصاحبه و سخنرانی</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><a style=\"font-size: 14pt;\" href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></li>\n <li>\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\n</li>\n <li dir=\"ltr\" style=\"text-align: left;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">یادداشت: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-size: 14pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><em>هنر در تمدن اسلامی: معماری ۲</em>،</span> انتشارات سمت، ۱۳۹۸</span></li>\n <li><span style=\"font-size: 14pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><em>هنر در تمدن اسلامی: معماری ۱</em></span>، انتشارات سمت، ۱۳۹۷</span></li>\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطوره شناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2019-05-20 05:42:30','2019-05-20 05:42:30','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(369,1,'2019-05-20 05:48:45','2019-05-20 05:48:45','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\nAssociate Professor, Shahid Beheshti University\nInvited Member, The Iranian Academy of Art\nInvited Member, The Iranian Academy of Science\nHead of Iranshahrpedia (Encyclopedia of Iranian Architectural History)\n\nEmails:\nm-qayyoomi@sbu.ac.ir\nqayyoomi@gmail.com\n\nWebs:\n<a href=\"https://qayyoomi.com/\">Personal Web page</a>\n<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\">Academia</a>\n\n<strong>Education</strong>\n<ul>\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\n</ul>\n<strong>Honors and Awards</strong>\n<ul>\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\n <li>Research Fellowship, Farabi International Award 2010</li>\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\n</ul>\n<strong>Memberships</strong>\n<ul>\n <li>Associate Member, the Iranian Academy of Science, 2003-2007</li>\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\n <li>Invited Member, the Iranian Academy of Persian Language and Literature 2012-2017</li>\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 2000</li>\n</ul>\n<strong>Positions</strong>\n<ul>\n <li>Faculty Member, Center for Iranian Architectural Studies and Documentation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\n <li>Head of Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2015</li>\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\n <li>Faculty Member, the Iranian Academy of Art, 2004-2007</li>\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\n</ul>\n<strong> Research and Teaching Interests</strong>\n<ul>\n <li>History of Iranian and Persianate Architecture and Art</li>\n <li>Islamic Architecture and Art</li>\n <li>Theory and Methodology of Architectural History</li>\n <li>Theory of Architecture and Art</li>\n</ul>\n<strong> Publications:</strong>\n\n<strong> 1. Articles</strong>\n<ul>\n <li>Estarabad Two Documents Related to the Architecture of Estarabad Village Baths, (with Mohadesseh Nazifkar), in <em>Athar</em>, no. 80, 2018.</li>\n <li>The Architecture of Dār al-Funūn School and Its Changes in Qajar Period, (with Boshra Moossavi), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 20, 2018</li>\n <li>The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work, (with R. Mojtahedzadeh), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 13, 2018</li>\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Sofeh</em>, 2017</li>\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 10, 2017</li>\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar, 2015</li>\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in Mutāli’āt-i Me’mārī-yi Īrān, no. 6, 2015</li>\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development</em>, no. 7, 2012</li>\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\n</ul>\n<strong>2. Articles (Translation)</strong>\n<ul>\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\n</ul>\n<strong>3. Prefaces, Notes, Presentation & Interviews</strong>\n<ul>\n <li>Presentation: The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n <li>Preface to the Yahya Sepehri\'s Book: <em>A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage</em>, 2017</li>\n <li>Preface to the Safa Mahmoudian\'s Book: <em>the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan</em>, 2017</li>\n <li>Note: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\n <li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\n <li>Interview: Philosophy of Architecture, 2015</li>\n <li>Preface to Mehdi Arefi’s Book: <em>Khargird and Madrasa</em>, 2015</li>\n <li>Preface to the Mitra Hashemi\'s Book: <em>An Introduction to the Oral History of Iranian Architecture</em>, 2014</li>\n <li>Interview: Psychotic City and Islamic Architecture, 2014</li>\n <li>Note: Architecture as Cultural Manifestation, 2014</li>\n <li>Preface to Mehdi Tamizi’s Book: <i>In the Shade of Cypress: The Picture of Cypress Tombstones in Isfahan, </i>2013</li>\n <li>Interview: Commentators of the Western Architecture, 2011</li>\n <li>Preface to the Book: <em>Paintings on the Wooden Ceilings of Azarbaijan Vernacular Mosques</em>, 2010</li>\n <li>Note: On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\n <li>Note: Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13, 2008</li>\n <li>Note: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\n <li>Note: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\n <li>Note: Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\n <li>Note: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\n <li>Note: Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\n <li>Note: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\n <li>Note: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Note: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Note: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Note: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\n <li>Note: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\n</ul>\n<strong>4. Books </strong>\n<ul>\n <li>Art in Islamic Civilization: Architecture 2, 2019</li>\n <li>Art in Islamic Civilization: Architecture 1, 2018</li>\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\n <li>Ten Stories on Architecture, 2015</li>\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\n</ul>\n<strong>5. Books (Translation)</strong>\n<ul>\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\n</ul>\n<strong>Teaching Experience</strong>\n<ul>\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\n</ul>\n<strong>Dissertations: 1. Supervised</strong>\n<ul>\n <li>Reading architecture in Haft peikar of Nezami with mythology approach, by Sepideh Ahmadkhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2018</li>\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\n</ul>\n<strong>Dissertations: 2. Consulted</strong>\n<ul>\n <li>Harun- i Vilayat Shrine: Its Quiddity and Religious Ties, by Samaneh Pouremadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2019</li>\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\n <li>Characteristics of Mosques in Persian Timurid Miniatures in Comparison with Their Contemporary Mosques, by Halimeh Kamour Bandari, MA in Islamic Art, Tehran, Soore University, 2014</li>\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\n</ul>\n<strong>Personal Information</strong>\n<ul>\n <li>Born: Tehran, 1960</li>\n</ul>\n<strong>Languages</strong>\n<ul>\n <li>Reading and Translation Competence in English and Arabic</li>\n <li>Native in Persian</li>\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2019-05-20 05:48:45','2019-05-20 05:48:45','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(371,1,'2019-05-20 05:53:39','2019-05-20 05:53:39','<a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\"><span style=\"font-size: 12pt;\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، ۱۳۹۷/ Two Documents Related to the Architecture of Estarabad Village Baths</span></a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، ۱۳۹۷/ The Architecture of Dār al-Funūn School and Its Changes in Qajar Period</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی/ The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\">تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی (دانشگاه ملی ایران): مرحلۀ تکوین/ History of Architectural Design Education in Shahid Beheshti University: the Formation Phase</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران/ The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین /Art History on the Basis of Artists</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages.</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">آثار و افکار الگ گرابار</a>\n<h3>Translation</h3>\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/معماری-و-جامعه-در-دورۀ-ایلخانان،-گلستان-هنر،-ش-۱۳.pdf\">معماری و جامعه در دورۀ ایلخانان</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/چهار-منبع-دربارۀ-ساختههای-شاه-عباس-در-اصفهان،-گلستان-هنر،-ش-۶.pdf\">چهار منبع دربارۀ ساختههای شاه عباس در اصفهان</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/تحقیق-تفسیری-تاریخی-در-معماری،-صفه-۳۹.pdf\">تحقیق تفسیری - تاریخی در معماری</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/%D8%B1%D9%85%D8%B2-%D9%88-%D8%A8%D9%86%D8%A7-%D8%A2%DB%8C%DB%8C%D9%86.pdf\">رمز و بنا و آیین</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نظامهای-پژوهش-و-معیارهای-کیفیت-تحقیق،-صفۀ-۳۷.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقشه-و-طومار-معماری-در-جهان-اسلام،-رواق-۱.pdf\">نقشه و طومار معماری در جهان اسلام</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/احداث-اصفهان-عباسی-در-متون-صفوی،-رواق-ش-۱-.pdf\">احداث اصفهان عباسی در متون صفوی</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">رمز پردازی</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی</a>\n<h3>Interviews</h3>\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شهر روانپریش و معماری اسلامی- شفقنا، بهمن ۱۳۹۳</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شارحان پریشانی: گفتگو با مجلۀ سورۀ اندیشه، تیر و مرداد ۱۳۹۰</a>\n<h3 class=\"hr-heading\"><span class=\"hr-heading-text text-uppercase text-bold\">Notes & Prefaces</span></h3>\n<div class=\"media-heading text-serif\">\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران/ Note on the People\'s History of Iranian</a>\nArchitecture\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/%D8%AE%D8%B1%DA%AF%D8%B1%D8%AF.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a>\n\n</div>\n<div class=\"media-heading text-serif\">\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران<em>، </em>۱۳۹۳</a>\n\n</div>\n<div class=\"media-heading text-serif\"><a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">یادداشت: معماری چون مظهر فرهنگ</a></div>\n<div class=\"media-heading text-serif\"></div>\n<div class=\"media-heading text-serif\">\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\n\n</div>\n<div class=\"media-heading text-serif\"></div>','Articles','','inherit','closed','closed','','11-revision-v1','','','2019-05-20 05:53:39','2019-05-20 05:53:39','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(372,1,'2019-05-20 05:54:27','2019-05-20 05:54:27','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\nAssociate Professor, Shahid Beheshti University\nInvited Member, The Iranian Academy of Art\nInvited Member, The Iranian Academy of Science\nHead of Iranshahrpedia (Encyclopedia of Iranian Architectural History)\n\nEmails:\nm-qayyoomi@sbu.ac.ir\nqayyoomi@gmail.com\n\nWebs:\n<a href=\"https://qayyoomi.com/\">Personal Web page</a>\n<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\">Academia</a>\n\n<strong>Education</strong>\n<ul>\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\n</ul>\n<strong>Honors and Awards</strong>\n<ul>\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\n <li>Research Fellowship, Farabi International Award 2010</li>\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\n</ul>\n<strong>Memberships</strong>\n<ul>\n <li>Associate Member, the Iranian Academy of Science, 2003-2007</li>\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\n <li>Invited Member, the Iranian Academy of Persian Language and Literature 2012-2017</li>\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 2000</li>\n</ul>\n<strong>Positions</strong>\n<ul>\n <li>Faculty Member, Center for Iranian Architectural Studies and Documentation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\n <li>Head of Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2015</li>\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\n <li>Faculty Member, the Iranian Academy of Art, 2004-2007</li>\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\n</ul>\n<strong> Research and Teaching Interests</strong>\n<ul>\n <li>History of Iranian and Persianate Architecture and Art</li>\n <li>Islamic Architecture and Art</li>\n <li>Theory and Methodology of Architectural History</li>\n <li>Theory of Architecture and Art</li>\n</ul>\n<strong> Publications:</strong>\n\n<strong> 1. Articles</strong>\n<ul>\n <li>Two Documents Related to the Architecture of Estarabad Village Baths, (with Mohadesseh Nazifkar), in <em>Athar</em>, no. 80, 2018.</li>\n <li>The Architecture of Dār al-Funūn School and Its Changes in Qajar Period, (with Boshra Moossavi), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 20, 2018</li>\n <li>The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work, (with R. Mojtahedzadeh), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 13, 2018</li>\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Sofeh</em>, 2017</li>\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 10, 2017</li>\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar, 2015</li>\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in Mutāli’āt-i Me’mārī-yi Īrān, no. 6, 2015</li>\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development</em>, no. 7, 2012</li>\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\n</ul>\n<strong>2. Articles (Translation)</strong>\n<ul>\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\n</ul>\n<strong>3. Prefaces, Notes, Presentation & Interviews</strong>\n<ul>\n <li>Presentation: The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n <li>Preface to the Yahya Sepehri\'s Book: <em>A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage</em>, 2017</li>\n <li>Preface to the Safa Mahmoudian\'s Book: <em>the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan</em>, 2017</li>\n <li>Note: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\n <li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\n <li>Interview: Philosophy of Architecture, 2015</li>\n <li>Preface to Mehdi Arefi’s Book: <em>Khargird and Madrasa</em>, 2015</li>\n <li>Preface to the Mitra Hashemi\'s Book: <em>An Introduction to the Oral History of Iranian Architecture</em>, 2014</li>\n <li>Interview: Psychotic City and Islamic Architecture, 2014</li>\n <li>Note: Architecture as Cultural Manifestation, 2014</li>\n <li>Preface to Mehdi Tamizi’s Book: <i>In the Shade of Cypress: The Picture of Cypress Tombstones in Isfahan, </i>2013</li>\n <li>Interview: Commentators of the Western Architecture, 2011</li>\n <li>Preface to the Book: <em>Paintings on the Wooden Ceilings of Azarbaijan Vernacular Mosques</em>, 2010</li>\n <li>Note: On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\n <li>Note: Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13, 2008</li>\n <li>Note: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\n <li>Note: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\n <li>Note: Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\n <li>Note: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\n <li>Note: Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\n <li>Note: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\n <li>Note: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Note: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Note: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Note: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\n <li>Note: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\n</ul>\n<strong>4. Books </strong>\n<ul>\n <li>Art in Islamic Civilization: Architecture 2, 2019</li>\n <li>Art in Islamic Civilization: Architecture 1, 2018</li>\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\n <li>Ten Stories on Architecture, 2015</li>\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\n</ul>\n<strong>5. Books (Translation)</strong>\n<ul>\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\n</ul>\n<strong>Teaching Experience</strong>\n<ul>\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\n</ul>\n<strong>Dissertations: 1. Supervised</strong>\n<ul>\n <li>Reading architecture in Haft peikar of Nezami with mythology approach, by Sepideh Ahmadkhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2018</li>\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\n</ul>\n<strong>Dissertations: 2. Consulted</strong>\n<ul>\n <li>Harun- i Vilayat Shrine: Its Quiddity and Religious Ties, by Samaneh Pouremadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2019</li>\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\n <li>Characteristics of Mosques in Persian Timurid Miniatures in Comparison with Their Contemporary Mosques, by Halimeh Kamour Bandari, MA in Islamic Art, Tehran, Soore University, 2014</li>\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\n</ul>\n<strong>Personal Information</strong>\n<ul>\n <li>Born: Tehran, 1960</li>\n</ul>\n<strong>Languages</strong>\n<ul>\n <li>Reading and Translation Competence in English and Arabic</li>\n <li>Native in Persian</li>\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2019-05-20 05:54:27','2019-05-20 05:54:27','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(373,1,'2019-05-20 05:56:11','2019-05-20 05:56:11','<a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\"><span style=\"font-size: 12pt;\"><span style=\"font-size: 14pt;\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، ۱۳۹۷/ Two Documents Related to the Architecture of Estarabad Village Baths</span></span></a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، ۱۳۹۷/ The Architecture of Dār al-Funūn School and Its Changes in Qajar Period</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی/ The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\">تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی (دانشگاه ملی ایران): مرحلۀ تکوین/ History of Architectural Design Education in Shahid Beheshti University: the Formation Phase</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران/ The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین /Art History on the Basis of Artists</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages.</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">آثار و افکار الگ گرابار</a>\n<h3>Translation</h3>\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/معماری-و-جامعه-در-دورۀ-ایلخانان،-گلستان-هنر،-ش-۱۳.pdf\">معماری و جامعه در دورۀ ایلخانان</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/چهار-منبع-دربارۀ-ساختههای-شاه-عباس-در-اصفهان،-گلستان-هنر،-ش-۶.pdf\">چهار منبع دربارۀ ساختههای شاه عباس در اصفهان</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/تحقیق-تفسیری-تاریخی-در-معماری،-صفه-۳۹.pdf\">تحقیق تفسیری - تاریخی در معماری</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/%D8%B1%D9%85%D8%B2-%D9%88-%D8%A8%D9%86%D8%A7-%D8%A2%DB%8C%DB%8C%D9%86.pdf\">رمز و بنا و آیین</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نظامهای-پژوهش-و-معیارهای-کیفیت-تحقیق،-صفۀ-۳۷.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقشه-و-طومار-معماری-در-جهان-اسلام،-رواق-۱.pdf\">نقشه و طومار معماری در جهان اسلام</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/احداث-اصفهان-عباسی-در-متون-صفوی،-رواق-ش-۱-.pdf\">احداث اصفهان عباسی در متون صفوی</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">رمز پردازی</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی</a>\n<h3>Interviews</h3>\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شهر روانپریش و معماری اسلامی- شفقنا، بهمن ۱۳۹۳</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شارحان پریشانی: گفتگو با مجلۀ سورۀ اندیشه، تیر و مرداد ۱۳۹۰</a>\n<h3 class=\"hr-heading\"><span class=\"hr-heading-text text-uppercase text-bold\">Notes & Prefaces</span></h3>\n<div class=\"media-heading text-serif\">\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران/ Note on the People\'s History of Iranian</a>\nArchitecture\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/%D8%AE%D8%B1%DA%AF%D8%B1%D8%AF.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a>\n\n</div>\n<div class=\"media-heading text-serif\">\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران<em>، </em>۱۳۹۳</a>\n\n</div>\n<div class=\"media-heading text-serif\"><a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">یادداشت: معماری چون مظهر فرهنگ</a></div>\n<div class=\"media-heading text-serif\"></div>\n<div class=\"media-heading text-serif\">\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\n\n</div>\n<div class=\"media-heading text-serif\"></div>','Articles','','inherit','closed','closed','','11-revision-v1','','','2019-05-20 05:56:11','2019-05-20 05:56:11','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(376,1,'2019-06-09 10:27:58','2019-06-09 10:27:58','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان هنر</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">:وبگاهها</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a>،<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a>، <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\n\n\n<hr dir=\"rtl\" />\n\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul dir=\"rtl\">\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا ۱۳۹۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مرکز مستندنگاری و مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\"><span style=\"font-size: 14pt;\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، (به اتفاق محدثه نظیفکار)، در اثر، ۱۳۹۷</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</span></a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\n</ul>\n<ul dir=\"rtl\">\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\n <li><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</a></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span>\n<ul>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\n</ul>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em style=\"text-align: left;\">Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em><span style=\"text-align: left;\">2005</span></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) جستار و مصاحبه و سخنرانی</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><a style=\"font-size: 14pt;\" href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></li>\n <li>\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\n</li>\n <li dir=\"ltr\" style=\"text-align: left;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-size: 14pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><em>هنر در تمدن اسلامی: معماری ۲</em>،</span> انتشارات سمت، ۱۳۹۸</span></li>\n <li><span style=\"font-size: 14pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><em>هنر در تمدن اسلامی: معماری ۱</em></span>، انتشارات سمت، ۱۳۹۷</span></li>\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه و رساله</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\n\n<ul>\n <li dir=\"rtl\">\n<p style=\"font-weight: 400; text-align: right;\"><span style=\"font-size: 14pt;\">روحاله مجتهدزاده، نسبت معماری و علوم در ایران دوران اسلامی؛ با تأکید بر علوم عملی. دکتری معماری اسلامی، دانشگاه هنر اصفهان، ۱۳۹۷</span></p>\n</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطورهشناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2019-06-09 10:27:58','2019-06-09 10:27:58','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(377,1,'2019-06-09 10:42:03','2019-06-09 10:42:03','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان هنر</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">:وبگاهها</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a>،<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a>، <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\n\n\n<hr dir=\"rtl\" />\n\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul dir=\"rtl\">\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا ۱۳۹۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مرکز مستندنگاری و مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\"><span style=\"font-size: 14pt;\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، (به اتفاق محدثه نظیفکار)، در اثر، ۱۳۹۷</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</span></a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\n</ul>\n<ul dir=\"rtl\">\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\n <li><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</a></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span>\n<ul>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\n</ul>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em style=\"text-align: left;\">Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em><span style=\"text-align: left;\">2005</span></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) جستار و مصاحبه و سخنرانی</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><a style=\"font-size: 14pt;\" href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></li>\n <li>\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\n</li>\n <li dir=\"ltr\" style=\"text-align: left;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">جستار: تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-size: 14pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><em>هنر در تمدن اسلامی: معماری ۲</em>،</span> انتشارات سمت، ۱۳۹۸</span></li>\n <li><span style=\"font-size: 14pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><em>هنر در تمدن اسلامی: معماری ۱</em></span>، انتشارات سمت، ۱۳۹۷</span></li>\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه و رساله</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\n\n<ul>\n <li dir=\"rtl\">\n<p style=\"font-weight: 400; text-align: right;\"><span style=\"font-size: 14pt;\">روحاله مجتهدزاده، نسبت معماری و علوم در ایران دوران اسلامی؛ با تأکید بر علوم عملی. دکتری معماری اسلامی، دانشگاه هنر اصفهان، ۱۳۹۷</span></p>\n</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطورهشناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2019-06-09 10:42:03','2019-06-09 10:42:03','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(378,1,'2019-06-09 13:04:38','2019-06-09 13:04:38','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\nAssociate Professor, Shahid Beheshti University\nInvited Member, The Iranian Academy of Art\nInvited Member, The Iranian Academy of Science\nHead of Iranshahrpedia (Encyclopedia of Iranian Architectural History)\n\nEmails:\nm-qayyoomi@sbu.ac.ir\nqayyoomi@gmail.com\n\nWebs:\n<a href=\"https://qayyoomi.com/\">Personal Web page</a>\n<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\">Academia</a>\n\n<strong>Education</strong>\n<ul>\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\n</ul>\n<strong>Honors and Awards</strong>\n<ul>\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\n <li>Research Fellowship, Farabi International Award 2010</li>\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\n</ul>\n<strong>Memberships</strong>\n<ul>\n <li>Associate Member, the Iranian Academy of Science, 2003-2007</li>\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\n <li>Invited Member, the Iranian Academy of Persian Language and Literature 2012-2017</li>\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 2000</li>\n</ul>\n<strong>Positions</strong>\n<ul>\n <li>Faculty Member, Center for Iranian Architectural Studies and Documentation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\n <li>Head of Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2015</li>\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\n <li>Faculty Member, the Iranian Academy of Art, 2004-2007</li>\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\n</ul>\n<strong> Research and Teaching Interests</strong>\n<ul>\n <li>History of Iranian and Persianate Architecture and Art</li>\n <li>Islamic Architecture and Art</li>\n <li>Theory and Methodology of Architectural History</li>\n <li>Theory of Architecture and Art</li>\n</ul>\n<strong> Publications:</strong>\n\n<strong> 1. Articles</strong>\n<ul>\n <li>Two Documents Related to the Architecture of Estarabad Village Baths, (with Mohadesseh Nazifkar), in <em>Athar</em>, no. 80, 2018.</li>\n <li>The Architecture of Dār al-Funūn School and Its Changes in Qajar Period, (with Boshra Moossavi), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 20, 2018</li>\n <li>The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work, (with R. Mojtahedzadeh), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 13, 2018</li>\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Sofeh</em>, 2017</li>\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 10, 2017</li>\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar, 2015</li>\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in Mutāli’āt-i Me’mārī-yi Īrān, no. 6, 2015</li>\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development</em>, no. 7, 2012</li>\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\n</ul>\n<strong>2. Articles (Translation)</strong>\n<ul>\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\n</ul>\n<strong>3. Prefaces, Essays, Presentation & Interviews</strong>\n<ul>\n <li>Presentation: The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n <li>Preface to the Yahya Sepehri\'s Book: <em>A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage</em>, 2017</li>\n <li>Preface to the Safa Mahmoudian\'s Book: <em>the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan</em>, 2017</li>\n <li>Essay: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\n <li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\n <li>Interview: Philosophy of Architecture, 2015</li>\n <li>Preface to Mehdi Arefi’s Book: <em>Khargird and Madrasa</em>, 2015</li>\n <li>Preface to the Mitra Hashemi\'s Book: <em>An Introduction to the Oral History of Iranian Architecture</em>, 2014</li>\n <li>Interview: Psychotic City and Islamic Architecture, 2014</li>\n <li>Essay: Architecture as Cultural Manifestation, 2014</li>\n <li>Preface to Mehdi Tamizi’s Book: <i>In the Shade of Cypress: The Picture of Cypress Tombstones in Isfahan, </i>2013</li>\n <li>Interview: Commentators of the Western Architecture, 2011</li>\n <li>Preface to the Book: <em>Paintings on the Wooden Ceilings of Azarbaijan Vernacular Mosques</em>, 2010</li>\n <li>Essay: On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\n <li>Essay: Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13, 2008</li>\n <li>Essay: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\n <li>Essay: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\n <li>Essay: Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\n <li>Essay: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\n <li>Essay: Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\n <li>Essay: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\n <li>Essay: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\n <li>Essay: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\n</ul>\n<strong>4. Books </strong>\n<ul>\n <li>Art in Islamic Civilization: Architecture 2, 2019</li>\n <li>Art in Islamic Civilization: Architecture 1, 2018</li>\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\n <li>Ten Stories on Architecture, 2015</li>\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\n</ul>\n<strong>5. Books (Translation)</strong>\n<ul>\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\n</ul>\n<strong>Teaching Experience</strong>\n<ul>\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\n</ul>\n<strong>Dissertations & Theses: 1. Supervised</strong>\n<ul>\n <li>Reading architecture in Haft peikar of Nezami with mythology approach, by Sepideh Ahmadkhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2018</li>\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\n</ul>\n<strong>Dissertations: 2. Consulted</strong>\n<ul>\n <li>Harun- i Vilayat Shrine: Its Quiddity and Religious Ties, by Samaneh Pouremadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2019</li>\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\n <li>Characteristics of Mosques in Persian Timurid Miniatures in Comparison with Their Contemporary Mosques, by Halimeh Kamour Bandari, MA in Islamic Art, Tehran, Soore University, 2014</li>\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\n</ul>\n<strong>Personal Information</strong>\n<ul>\n <li>Born: Tehran, 1960</li>\n</ul>\n<strong>Languages</strong>\n<ul>\n <li>Reading and Translation Competence in English and Arabic</li>\n <li>Native in Persian</li>\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2019-06-09 13:04:38','2019-06-09 13:04:38','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0);
INSERT INTO `ql_posts` VALUES (381,1,'2019-06-18 11:41:05','2019-06-18 11:41:05','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان هنر</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">:وبگاهها</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a>،<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a>، <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\n\n\n<hr dir=\"rtl\" />\n\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul dir=\"rtl\">\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا ۱۳۹۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مرکز مستندنگاری و مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\"><span style=\"font-size: 14pt;\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، (به اتفاق محدثه نظیفکار)، در اثر، ۱۳۹۷</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</span></a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\n</ul>\n<ul dir=\"rtl\">\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\n <li><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</a></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span>\n<ul>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\n</ul>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em style=\"text-align: left;\">Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em><span style=\"text-align: left;\">2005</span></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) جستار و مصاحبه و سخنرانی</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><a style=\"font-size: 14pt;\" href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></li>\n <li>\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\n</li>\n <li dir=\"ltr\" style=\"text-align: left;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">جستار: تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، ش۱۵، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر</em>، ش۱۰، زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، ش ۷، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-size: 14pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><em>هنر در تمدن اسلامی: معماری ۲</em>،</span> انتشارات سمت، ۱۳۹۸</span></li>\n <li><span style=\"font-size: 14pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><em>هنر در تمدن اسلامی: معماری ۱</em></span>، انتشارات سمت، ۱۳۹۷</span></li>\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه و رساله</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">روحاله مجتهدزاده، نسبت معماری و علوم در ایران دوران اسلامی؛ با تأکید بر علوم عملی. دکتری معماری اسلامی، دانشگاه هنر اصفهان، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطورهشناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2019-06-18 11:41:05','2019-06-18 11:41:05','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(382,1,'2019-06-18 11:42:01','2019-06-18 11:42:01','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\nAssociate Professor, Shahid Beheshti University\nInvited Member, The Iranian Academy of Art\nInvited Member, The Iranian Academy of Science\nHead of Iranshahrpedia (Encyclopedia of Iranian Architectural History)\n\nEmails:\nm-qayyoomi@sbu.ac.ir\nqayyoomi@gmail.com\n\nWebs:\n<a href=\"https://qayyoomi.com/\">Personal Web page</a>\n<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\">Academia</a>\n\n<strong>Education</strong>\n<ul>\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\n</ul>\n<strong>Honors and Awards</strong>\n<ul>\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\n <li>Research Fellowship, Farabi International Award 2010</li>\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\n</ul>\n<strong>Memberships</strong>\n<ul>\n <li>Associate Member, the Iranian Academy of Science, 2003-2007</li>\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\n <li>Invited Member, the Iranian Academy of Persian Language and Literature 2012-2017</li>\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 2000</li>\n</ul>\n<strong>Positions</strong>\n<ul>\n <li>Faculty Member, Center for Iranian Architectural Studies and Documentation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\n <li>Head of Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2015</li>\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\n <li>Faculty Member, the Iranian Academy of Art, 2004-2007</li>\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\n</ul>\n<strong> Research and Teaching Interests</strong>\n<ul>\n <li>History of Iranian and Persianate Architecture and Art</li>\n <li>Islamic Architecture and Art</li>\n <li>Theory and Methodology of Architectural History</li>\n <li>Theory of Architecture and Art</li>\n</ul>\n<strong> Publications:</strong>\n\n<strong> 1. Articles</strong>\n<ul>\n <li>Two Documents Related to the Architecture of Estarabad Village Baths, (with Mohadesseh Nazifkar), in <em>Athar</em>, no. 80, 2018.</li>\n <li>The Architecture of Dār al-Funūn School and Its Changes in Qajar Period, (with Boshra Moossavi), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 20, 2018</li>\n <li>The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work, (with R. Mojtahedzadeh), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 13, 2018</li>\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Sofeh</em>, 2017</li>\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 10, 2017</li>\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar, 2015</li>\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in Mutāli’āt-i Me’mārī-yi Īrān, no. 6, 2015</li>\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development</em>, no. 7, 2012</li>\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\n</ul>\n<strong>2. Articles (Translation)</strong>\n<ul>\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\n</ul>\n<strong>3. Prefaces, Essays, Presentation & Interviews</strong>\n<ul>\n <li>Presentation: The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n <li>Preface to the Yahya Sepehri\'s Book: <em>A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage</em>, 2017</li>\n <li>Preface to the Safa Mahmoudian\'s Book: <em>the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan</em>, 2017</li>\n <li>Essay: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\n <li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\n <li>Interview: Philosophy of Architecture, 2015</li>\n <li>Preface to Mehdi Arefi’s Book: <em>Khargird and Madrasa</em>, 2015</li>\n <li>Preface to the Mitra Hashemi\'s Book: <em>An Introduction to the Oral History of Iranian Architecture</em>, 2014</li>\n <li>Interview: Psychotic City and Islamic Architecture, 2014</li>\n <li>Essay: Architecture as Cultural Manifestation, 2014</li>\n <li>Preface to Mehdi Tamizi’s Book: <i>In the Shade of Cypress: The Picture of Cypress Tombstones in Isfahan, </i>2013</li>\n <li>Interview: Commentators of the Western Architecture, 2011</li>\n <li>Preface to the Book: <em>Paintings on the Wooden Ceilings of Azarbaijan Vernacular Mosques</em>, 2010</li>\n <li>Essay: On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\n <li>Essay: Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13, 2008</li>\n <li>Essay: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\n <li>Essay: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\n <li>Essay: Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\n <li>Essay: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\n <li>Essay: Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\n <li>Essay: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\n <li>Essay: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\n <li>Essay: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\n</ul>\n<strong>4. Books </strong>\n<ul>\n <li>Art in Islamic Civilization: Architecture 2, 2019</li>\n <li>Art in Islamic Civilization: Architecture 1, 2018</li>\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\n <li>Ten Stories on Architecture, 2015</li>\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\n</ul>\n<strong>5. Books (Translation)</strong>\n<ul>\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\n</ul>\n<strong>Teaching Experience</strong>\n<ul>\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\n</ul>\n<strong>Dissertations & Theses: 1. Supervised</strong>\n<ul>\n <li><span class=\"gmail_default\"></span>Relation between architecture and science in Islamic periods; by emphasis on practical science, by Rouhollah Mojtahedzadeh, PhD in Islamic Architecture, Art University of Isfahan, 2019</li>\n <li>Reading architecture in Haft peikar of Nezami with mythology approach, by Sepideh Ahmadkhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2018</li>\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\n</ul>\n<strong>Dissertations: 2. Consulted</strong>\n<ul>\n <li>Harun- i Vilayat Shrine: Its Quiddity and Religious Ties, by Samaneh Pouremadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2019</li>\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\n <li>Characteristics of Mosques in Persian Timurid Miniatures in Comparison with Their Contemporary Mosques, by Halimeh Kamour Bandari, MA in Islamic Art, Tehran, Soore University, 2014</li>\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\n</ul>\n<strong>Personal Information</strong>\n<ul>\n <li>Born: Tehran, 1960</li>\n</ul>\n<strong>Languages</strong>\n<ul>\n <li>Reading and Translation Competence in English and Arabic</li>\n <li>Native in Persian</li>\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2019-06-18 11:42:01','2019-06-18 11:42:01','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(383,1,'2019-06-18 11:59:15','2019-06-18 11:59:15','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان هنر</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">:وبگاهها</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a>،<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a>، <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\n\n\n<hr dir=\"rtl\" />\n\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul dir=\"rtl\">\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا ۱۳۹۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مرکز مستندنگاری و مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\"><span style=\"font-size: 14pt;\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، (به اتفاق محدثه نظیفکار)، در اثر، ۱۳۹۷</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</span></a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\n</ul>\n<ul dir=\"rtl\">\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\n <li><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</a></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span>\n<ul>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\n</ul>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر، </em>زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em style=\"text-align: left;\">Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em><span style=\"text-align: left;\">2005</span></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) جستار و مصاحبه و سخنرانی</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><a style=\"font-size: 14pt;\" href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></li>\n <li>\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\n</li>\n <li dir=\"ltr\" style=\"text-align: left;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">جستار: تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-size: 14pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><em>هنر در تمدن اسلامی: معماری ۲</em>،</span> انتشارات سمت، ۱۳۹۸</span></li>\n <li><span style=\"font-size: 14pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><em>هنر در تمدن اسلامی: معماری ۱</em></span>، انتشارات سمت، ۱۳۹۷</span></li>\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه و رساله</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">روحاله مجتهدزاده، نسبت معماری و علوم در ایران دوران اسلامی؛ با تأکید بر علوم عملی. دکتری معماری اسلامی، دانشگاه هنر اصفهان، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطورهشناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2019-06-18 11:59:15','2019-06-18 11:59:15','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(384,1,'2019-06-18 12:06:22','2019-06-18 12:06:22','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\nAssociate Professor, Shahid Beheshti University\nInvited Member, The Iranian Academy of Art\nInvited Member, The Iranian Academy of Science\nHead of Iranshahrpedia (Encyclopedia of Iranian Architectural History)\n\nEmails:\nm-qayyoomi@sbu.ac.ir\nqayyoomi@gmail.com\n\nWebs:\n<a href=\"https://qayyoomi.com/\">Personal Web page</a>\n<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\">Academia</a>\n\n<strong>Education</strong>\n<ul>\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\n</ul>\n<strong>Honors and Awards</strong>\n<ul>\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\n <li>Research Fellowship, Farabi International Award 2010</li>\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\n</ul>\n<strong>Memberships</strong>\n<ul>\n <li>Associate Member, the Iranian Academy of Science, 2003-2007</li>\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\n <li>Invited Member, the Iranian Academy of Persian Language and Literature 2012-2017</li>\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 2000</li>\n</ul>\n<strong>Positions</strong>\n<ul>\n <li>Faculty Member, Center for Iranian Architectural Studies and Documentation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\n <li>Head of Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2015</li>\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\n <li>Faculty Member, the Iranian Academy of Art, 2004-2007</li>\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\n</ul>\n<strong> Research and Teaching Interests</strong>\n<ul>\n <li>History of Iranian and Persianate Architecture and Art</li>\n <li>Islamic Architecture and Art</li>\n <li>Theory and Methodology of Architectural History</li>\n <li>Theory of Architecture and Art</li>\n</ul>\n<strong> Publications:</strong>\n\n<strong> 1. Articles</strong>\n<ul>\n <li>Two Documents Related to the Architecture of Estarabad Village Baths, (with Mohadesseh Nazifkar), in <em>Athar</em>, no. 80, 2018.</li>\n <li>The Architecture of Dār al-Funūn School and Its Changes in Qajar Period, (with Boshra Moossavi), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 20, 2018</li>\n <li>The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work, (with R. Mojtahedzadeh), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 13, 2018</li>\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Sofeh</em>, 2017</li>\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 10, 2017</li>\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar, 2015</li>\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in Mutāli’āt-i Me’mārī-yi Īrān, no. 6, 2015</li>\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development</em>, no. 7, 2012</li>\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\n <li>On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\n <li>Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\n <li>Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\n</ul>\n<strong>2. Articles (Translation)</strong>\n<ul>\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\n</ul>\n<strong>3. Prefaces, Essays, Presentation & Interviews</strong>\n<ul>\n <li>Presentation: The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n <li>Preface to the Yahya Sepehri\'s Book: <em>A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage</em>, 2017</li>\n <li>Preface to the Safa Mahmoudian\'s Book: <em>the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan</em>, 2017</li>\n <li>Essay: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\n <li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\n <li>Interview: Philosophy of Architecture, 2015</li>\n <li>Preface to Mehdi Arefi’s Book: <em>Khargird and Madrasa</em>, 2015</li>\n <li>Preface to the Mitra Hashemi\'s Book: <em>An Introduction to the Oral History of Iranian Architecture</em>, 2014</li>\n <li>Interview: Psychotic City and Islamic Architecture, 2014</li>\n <li>Essay: Architecture as Cultural Manifestation, 2014</li>\n <li>Preface to Mehdi Tamizi’s Book: <i>In the Shade of Cypress: The Picture of Cypress Tombstones in Isfahan, </i>2013</li>\n <li>Interview: Commentators of the Western Architecture, 2011</li>\n <li>Preface to the Book: <em>Paintings on the Wooden Ceilings of Azarbaijan Vernacular Mosques</em>, 2010</li>\n <li>Essay: Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13, 2008</li>\n <li>Essay: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\n <li>Essay: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\n <li>Essay: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\n <li>Essay: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\n <li>Essay: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\n <li>Essay: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\n</ul>\n<strong>4. Books </strong>\n<ul>\n <li>Art in Islamic Civilization: Architecture 2, 2019</li>\n <li>Art in Islamic Civilization: Architecture 1, 2018</li>\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\n <li>Ten Stories on Architecture, 2015</li>\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\n</ul>\n<strong>5. Books (Translation)</strong>\n<ul>\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\n</ul>\n<strong>Teaching Experience</strong>\n<ul>\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\n</ul>\n<strong>Dissertations & Theses: 1. Supervised</strong>\n<ul>\n <li><span class=\"gmail_default\"></span>Relation between architecture and science in Islamic periods; by emphasis on practical science, by Rouhollah Mojtahedzadeh, PhD in Islamic Architecture, Art University of Isfahan, 2017</li>\n <li>Reading architecture in Haft peikar of Nezami with mythology approach, by Sepideh Ahmadkhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2018</li>\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\n</ul>\n<strong>Dissertations: 2. Consulted</strong>\n<ul>\n <li>Harun- i Vilayat Shrine: Its Quiddity and Religious Ties, by Samaneh Pouremadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2019</li>\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\n <li>Characteristics of Mosques in Persian Timurid Miniatures in Comparison with Their Contemporary Mosques, by Halimeh Kamour Bandari, MA in Islamic Art, Tehran, Soore University, 2014</li>\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\n</ul>\n<strong>Personal Information</strong>\n<ul>\n <li>Born: Tehran, 1960</li>\n</ul>\n<strong>Languages</strong>\n<ul>\n <li>Reading and Translation Competence in English and Arabic</li>\n <li>Native in Persian</li>\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2019-06-18 12:06:22','2019-06-18 12:06:22','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(391,1,'2019-09-30 06:10:40','2019-09-30 06:10:40','','\'Ilm al-\'Uqud','','inherit','open','closed','','ilm-al-uqud','','','2019-09-30 06:10:40','2019-09-30 06:10:40','',0,'https://qayyoomi.com/wp-content/uploads/2019/09/Ilm-al-Uqud.pdf',0,'attachment','application/pdf',0),(393,1,'2019-09-30 06:12:42','2019-09-30 06:12:42','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان هنر</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">:وبگاهها</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a>،<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a>، <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\n\n\n<hr dir=\"rtl\" />\n\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul dir=\"rtl\">\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا ۱۳۹۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مرکز مستندنگاری و مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\"><span style=\"font-size: 14pt;\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، (به اتفاق محدثه نظیفکار)، در اثر، ۱۳۹۷</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/09/Ilm-al-Uqud.pdf\"><span style=\"font-size: 14pt;\">علم عقود ابنیه: کلیدی برای فهم نسبت علم و معماری در جهان اسلام، (به اتفاق روحاله مجتهدزاده)، در تاریخ علم، ۱۳۹۶</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</span></a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\n</ul>\n<ul dir=\"rtl\">\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\n <li><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</a></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span>\n<ul>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\n</ul>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر، </em>زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em style=\"text-align: left;\">Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em><span style=\"text-align: left;\">2005</span></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) جستار و مصاحبه و سخنرانی</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><a style=\"font-size: 14pt;\" href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></li>\n <li>\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\n</li>\n <li dir=\"ltr\" style=\"text-align: left;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">جستار: تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-size: 14pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><em>هنر در تمدن اسلامی: معماری ۲</em>،</span> انتشارات سمت، ۱۳۹۸</span></li>\n <li><span style=\"font-size: 14pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><em>هنر در تمدن اسلامی: معماری ۱</em></span>، انتشارات سمت، ۱۳۹۷</span></li>\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه و رساله</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">روحاله مجتهدزاده، نسبت معماری و علوم در ایران دوران اسلامی؛ با تأکید بر علوم عملی. دکتری معماری اسلامی، دانشگاه هنر اصفهان، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطورهشناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2019-09-30 06:12:42','2019-09-30 06:12:42','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(394,1,'2019-09-30 06:36:08','2019-09-30 06:36:08','<a href=\"http://علم عقود ابنیه: کلیدی برای فهم نسبت علم و معماری در جهان اسلام/ \'Ilm al-\'Uqud: A Key to Understanding the Relations between the Sciences and Architecture in the Islamic World\" data-wplink-url-error=\"true\">علم عقود ابنیه: کلیدی برای فهم نسبت علم و معماری در جهان اسلام/ \'Ilm al-\'Uqud: A Key to Understanding the Relations between the Sciences and Architecture in the Islamic World</a>\n\n<span style=\"font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\">دو سند دربارۀ معماری حمامهای روستایی استرآباد/ Two Documents Related to the Architecture of Estarabad Village Baths</a></span>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان/ The Architecture of Dār al-Funūn School and Its Changes in Qajar Period</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی/ The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\">تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی (دانشگاه ملی ایران): مرحلۀ تکوین/ History of Architectural Design Education in Shahid Beheshti University: the Formation Phase</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران/ The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین /Art History on the Basis of Artists</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages.</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">آثار و افکار الگ گرابار</a>\n<h3>Translation</h3>\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/معماری-و-جامعه-در-دورۀ-ایلخانان،-گلستان-هنر،-ش-۱۳.pdf\">معماری و جامعه در دورۀ ایلخانان</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/چهار-منبع-دربارۀ-ساختههای-شاه-عباس-در-اصفهان،-گلستان-هنر،-ش-۶.pdf\">چهار منبع دربارۀ ساختههای شاه عباس در اصفهان</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/تحقیق-تفسیری-تاریخی-در-معماری،-صفه-۳۹.pdf\">تحقیق تفسیری - تاریخی در معماری</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/%D8%B1%D9%85%D8%B2-%D9%88-%D8%A8%D9%86%D8%A7-%D8%A2%DB%8C%DB%8C%D9%86.pdf\">رمز و بنا و آیین</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نظامهای-پژوهش-و-معیارهای-کیفیت-تحقیق،-صفۀ-۳۷.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقشه-و-طومار-معماری-در-جهان-اسلام،-رواق-۱.pdf\">نقشه و طومار معماری در جهان اسلام</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/احداث-اصفهان-عباسی-در-متون-صفوی،-رواق-ش-۱-.pdf\">احداث اصفهان عباسی در متون صفوی</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">رمز پردازی</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی</a>\n<h3>Interviews</h3>\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شهر روانپریش و معماری اسلامی- شفقنا، بهمن ۱۳۹۳</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شارحان پریشانی: گفتگو با مجلۀ سورۀ اندیشه، تیر و مرداد ۱۳۹۰</a>\n<h3 class=\"hr-heading\"><span class=\"hr-heading-text text-uppercase text-bold\">Notes & Prefaces</span></h3>\n<div class=\"media-heading text-serif\">\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران/ Note on the People\'s History of Iranian</a>\nArchitecture\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/%D8%AE%D8%B1%DA%AF%D8%B1%D8%AF.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a>\n\n</div>\n<div class=\"media-heading text-serif\">\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران<em>، </em>۱۳۹۳</a>\n\n</div>\n<div class=\"media-heading text-serif\"><a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">یادداشت: معماری چون مظهر فرهنگ</a></div>\n<div class=\"media-heading text-serif\"></div>\n<div class=\"media-heading text-serif\">\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\n\n</div>\n<div class=\"media-heading text-serif\"></div>','Articles','','inherit','closed','closed','','11-revision-v1','','','2019-09-30 06:36:08','2019-09-30 06:36:08','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(395,1,'2019-09-30 06:56:31','2019-09-30 06:56:31','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\nAssociate Professor, Shahid Beheshti University\nInvited Member, The Iranian Academy of Art\nInvited Member, The Iranian Academy of Science\nHead of Iranshahrpedia (Encyclopedia of Iranian Architectural History)\n\nEmails:\nm-qayyoomi@sbu.ac.ir\nqayyoomi@gmail.com\n\nWebs:\n<a href=\"https://qayyoomi.com/\">Personal Web page</a>\n<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\">Academia</a>\n\n<strong>Education</strong>\n<ul>\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\n</ul>\n<strong>Honors and Awards</strong>\n<ul>\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\n <li>Research Fellowship, Farabi International Award 2010</li>\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\n</ul>\n<strong>Memberships</strong>\n<ul>\n <li>Associate Member, the Iranian Academy of Science, 2003-2007</li>\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\n <li>Invited Member, the Iranian Academy of Persian Language and Literature 2012-2017</li>\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 2000</li>\n</ul>\n<strong>Positions</strong>\n<ul>\n <li>Faculty Member, Center for Iranian Architectural Studies and Documentation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\n <li>Head of Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2015</li>\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\n <li>Faculty Member, the Iranian Academy of Art, 2004-2007</li>\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\n</ul>\n<strong> Research and Teaching Interests</strong>\n<ul>\n <li>History of Iranian and Persianate Architecture and Art</li>\n <li>Islamic Architecture and Art</li>\n <li>Theory and Methodology of Architectural History</li>\n <li>Theory of Architecture and Art</li>\n</ul>\n<strong> Publications:</strong>\n\n<strong> 1. Articles</strong>\n<ul>\n <li>\'Ilm al-\'Uqud: A Key to Understanding the Relations between the Sciences and Architecture in the Islamic World, (with R. Mojtahedzadeh), in T<em>ārīx-e</em> \'EIlm, vol. 15, no. 2, 2018.</li>\n <li>Two Documents Related to the Architecture of Estarabad Village Baths, (with Mohadesseh Nazifkar), in <em>Athar</em>, no. 80, 2018.</li>\n <li>The Architecture of Dār al-Funūn School and Its Changes in Qajar Period, (with Boshra Moossavi), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 20, 2018</li>\n <li>The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work, (with R. Mojtahedzadeh), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 13, 2018</li>\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Sofeh</em>, 2017</li>\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 10, 2017</li>\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar, 2015</li>\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in Mutāli’āt-i Me’mārī-yi Īrān, no. 6, 2015</li>\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development</em>, no. 7, 2012</li>\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\n <li>On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\n <li>Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\n <li>Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\n</ul>\n<strong>2. Articles (Translation)</strong>\n<ul>\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\n</ul>\n<strong>3. Prefaces, Essays, Presentation & Interviews</strong>\n<ul>\n <li>Presentation: The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n <li>Preface to the Yahya Sepehri\'s Book: <em>A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage</em>, 2017</li>\n <li>Preface to the Safa Mahmoudian\'s Book: <em>the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan</em>, 2017</li>\n <li>Essay: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\n <li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\n <li>Interview: Philosophy of Architecture, 2015</li>\n <li>Preface to Mehdi Arefi’s Book: <em>Khargird and Madrasa</em>, 2015</li>\n <li>Preface to the Mitra Hashemi\'s Book: <em>An Introduction to the Oral History of Iranian Architecture</em>, 2014</li>\n <li>Interview: Psychotic City and Islamic Architecture, 2014</li>\n <li>Essay: Architecture as Cultural Manifestation, 2014</li>\n <li>Preface to Mehdi Tamizi’s Book: <i>In the Shade of Cypress: The Picture of Cypress Tombstones in Isfahan, </i>2013</li>\n <li>Interview: Commentators of the Western Architecture, 2011</li>\n <li>Preface to the Book: <em>Paintings on the Wooden Ceilings of Azarbaijan Vernacular Mosques</em>, 2010</li>\n <li>Essay: Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13, 2008</li>\n <li>Essay: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\n <li>Essay: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\n <li>Essay: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\n <li>Essay: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\n <li>Essay: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\n <li>Essay: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\n</ul>\n<strong>4. Books </strong>\n<ul>\n <li>Art in Islamic Civilization: Architecture 2, 2019</li>\n <li>Art in Islamic Civilization: Architecture 1, 2018</li>\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\n <li>Ten Stories on Architecture, 2015</li>\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\n</ul>\n<strong>5. Books (Translation)</strong>\n<ul>\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\n</ul>\n<strong>Teaching Experience</strong>\n<ul>\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\n</ul>\n<strong>Dissertations & Theses: 1. Supervised</strong>\n<ul>\n <li><span class=\"gmail_default\"></span>Relation between architecture and science in Islamic periods; by emphasis on practical science, by Rouhollah Mojtahedzadeh, PhD in Islamic Architecture, Art University of Isfahan, 2017</li>\n <li>Reading architecture in Haft peikar of Nezami with mythology approach, by Sepideh Ahmadkhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2018</li>\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\n</ul>\n<strong>Dissertations: 2. Consulted</strong>\n<ul>\n <li>Harun- i Vilayat Shrine: Its Quiddity and Religious Ties, by Samaneh Pouremadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2019</li>\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\n <li>Characteristics of Mosques in Persian Timurid Miniatures in Comparison with Their Contemporary Mosques, by Halimeh Kamour Bandari, MA in Islamic Art, Tehran, Soore University, 2014</li>\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\n</ul>\n<strong>Personal Information</strong>\n<ul>\n <li>Born: Tehran, 1960</li>\n</ul>\n<strong>Languages</strong>\n<ul>\n <li>Reading and Translation Competence in English and Arabic</li>\n <li>Native in Persian</li>\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2019-09-30 06:56:31','2019-09-30 06:56:31','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(396,1,'2019-09-30 07:02:14','2019-09-30 07:02:14','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\nAssociate Professor, Shahid Beheshti University\nInvited Member, The Iranian Academy of Art\nInvited Member, The Iranian Academy of Science\nHead of Iranshahrpedia (Encyclopedia of Iranian Architectural History)\n\nEmails:\nm-qayyoomi@sbu.ac.ir\nqayyoomi@gmail.com\n\nWebs:\n<a href=\"https://qayyoomi.com/\">Personal Web page</a>\n<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\">Academia</a>\n\n<strong>Education</strong>\n<ul>\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\n</ul>\n<strong>Honors and Awards</strong>\n<ul>\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\n <li>Research Fellowship, Farabi International Award 2010</li>\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\n</ul>\n<strong>Memberships</strong>\n<ul>\n <li>Associate Member, the Iranian Academy of Science, 2003-2007</li>\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\n <li>Invited Member, the Iranian Academy of Persian Language and Literature 2012-2017</li>\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 2000</li>\n</ul>\n<strong>Positions</strong>\n<ul>\n <li>Faculty Member, Center for Iranian Architectural Studies and Documentation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\n <li>Head of Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2015</li>\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\n <li>Faculty Member, the Iranian Academy of Art, 2004-2007</li>\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\n</ul>\n<strong> Research and Teaching Interests</strong>\n<ul>\n <li>History of Iranian and Persianate Architecture and Art</li>\n <li>Islamic Architecture and Art</li>\n <li>Theory and Methodology of Architectural History</li>\n <li>Theory of Architecture and Art</li>\n</ul>\n<strong> Publications:</strong>\n\n<strong> 1. Articles</strong>\n<ul>\n <li>Two Documents Related to the Architecture of Estarabad Village Baths, (with Mohadesseh Nazifkar), in <em>Athar</em>, no. 80, 2018</li>\n <li>The Architecture of Dār al-Funūn School and Its Changes in Qajar Period, (with Boshra Moossavi), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 20, 2018</li>\n <li>The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work, (with R. Mojtahedzadeh), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 13, 2018</li>\n <li>\'Ilm al-\'Uqud: A Key to Understanding the Relations between the Sciences and Architecture in the Islamic World, (with R. Mojtahedzadeh), in T<em>ārīx-e</em> \'EIlm, vol. 15, no. 2, 2018</li>\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Sofeh</em>, 2017</li>\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 10, 2017</li>\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar, 2015</li>\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in Mutāli’āt-i Me’mārī-yi Īrān, no. 6, 2015</li>\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development</em>, no. 7, 2012</li>\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\n <li>On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\n <li>Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\n <li>Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\n</ul>\n<strong>2. Articles (Translation)</strong>\n<ul>\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\n</ul>\n<strong>3. Prefaces, Essays, Presentation & Interviews</strong>\n<ul>\n <li>Presentation: The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n <li>Preface to the Yahya Sepehri\'s Book: <em>A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage</em>, 2017</li>\n <li>Preface to the Safa Mahmoudian\'s Book: <em>the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan</em>, 2017</li>\n <li>Essay: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\n <li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\n <li>Interview: Philosophy of Architecture, 2015</li>\n <li>Preface to Mehdi Arefi’s Book: <em>Khargird and Madrasa</em>, 2015</li>\n <li>Preface to the Mitra Hashemi\'s Book: <em>An Introduction to the Oral History of Iranian Architecture</em>, 2014</li>\n <li>Interview: Psychotic City and Islamic Architecture, 2014</li>\n <li>Essay: Architecture as Cultural Manifestation, 2014</li>\n <li>Preface to Mehdi Tamizi’s Book: <i>In the Shade of Cypress: The Picture of Cypress Tombstones in Isfahan, </i>2013</li>\n <li>Interview: Commentators of the Western Architecture, 2011</li>\n <li>Preface to the Book: <em>Paintings on the Wooden Ceilings of Azarbaijan Vernacular Mosques</em>, 2010</li>\n <li>Essay: Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13, 2008</li>\n <li>Essay: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\n <li>Essay: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\n <li>Essay: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\n <li>Essay: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\n <li>Essay: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\n <li>Essay: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\n</ul>\n<strong>4. Books </strong>\n<ul>\n <li>Art in Islamic Civilization: Architecture 2, 2019</li>\n <li>Art in Islamic Civilization: Architecture 1, 2018</li>\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\n <li>Ten Stories on Architecture, 2015</li>\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\n</ul>\n<strong>5. Books (Translation)</strong>\n<ul>\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\n</ul>\n<strong>Teaching Experience</strong>\n<ul>\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\n</ul>\n<strong>Dissertations & Theses: 1. Supervised</strong>\n<ul>\n <li><span class=\"gmail_default\"></span>Relation between architecture and science in Islamic periods; by emphasis on practical science, by Rouhollah Mojtahedzadeh, PhD in Islamic Architecture, Art University of Isfahan, 2017</li>\n <li>Reading architecture in Haft peikar of Nezami with mythology approach, by Sepideh Ahmadkhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2018</li>\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\n</ul>\n<strong>Dissertations: 2. Consulted</strong>\n<ul>\n <li>Harun- i Vilayat Shrine: Its Quiddity and Religious Ties, by Samaneh Pouremadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2019</li>\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\n <li>Characteristics of Mosques in Persian Timurid Miniatures in Comparison with Their Contemporary Mosques, by Halimeh Kamour Bandari, MA in Islamic Art, Tehran, Soore University, 2014</li>\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\n</ul>\n<strong>Personal Information</strong>\n<ul>\n <li>Born: Tehran, 1960</li>\n</ul>\n<strong>Languages</strong>\n<ul>\n <li>Reading and Translation Competence in English and Arabic</li>\n <li>Native in Persian</li>\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2019-09-30 07:02:14','2019-09-30 07:02:14','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(400,1,'2020-01-26 11:57:36','2020-01-26 11:57:36','','A Conceptual History of Muhandis','','inherit','open','closed','','a-conceptual-history-of-muhandis','','','2020-01-26 11:57:36','2020-01-26 11:57:36','',0,'https://qayyoomi.com/wp-content/uploads/2020/01/A-Conceptual-History-of-Muhandis.pdf',0,'attachment','application/pdf',0),(402,1,'2020-01-26 11:57:38','2020-01-26 11:57:38','','The Concept of Architectural Criticism Its History and Types','','inherit','open','closed','','the-concept-of-architectural-criticism-its-history-and-types','','','2020-01-26 11:57:38','2020-01-26 11:57:38','',0,'https://qayyoomi.com/wp-content/uploads/2020/01/The-Concept-of-Architectural-Criticism-Its-History-and-Types.pdf',0,'attachment','application/pdf',0),(403,1,'2020-01-26 12:00:01','2020-01-26 12:00:01','','The Idea of Non-Historical Essence of Islamic Architecture of Iran','','inherit','open','closed','','the-idea-of-non-historical-essence-of-islamic-architecture-of-iran','','','2020-01-26 12:00:01','2020-01-26 12:00:01','',0,'https://qayyoomi.com/wp-content/uploads/2020/01/The-Idea-of-Non-Historical-Essence-of-Islamic-Architecture-of-Iran.pdf',0,'attachment','application/pdf',0),(404,1,'2020-01-26 12:01:26','2020-01-26 12:01:26','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان هنر</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">:وبگاهها</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a>،<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a>، <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\n\n\n<hr dir=\"rtl\" />\n\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul dir=\"rtl\">\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا ۱۳۹۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مرکز مستندنگاری و مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Concept-of-Architectural-Criticism-Its-History-and-Types.pdf\"><span style=\"font-size: 14pt;\">تاریخ مفهومیِ مهندس در نیمۀ نخست دورۀ قاجاریان، (به اتفاق زهرا گلشن)، در صفه، زمستان ۱۳۹۸</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Idea-of-Non-Historical-Essence-of-Islamic-Architecture-of-Iran.pdf\"><span style=\"font-size: 14pt;\">اندیشۀ ذاتِ ناتاریخیِ معماری اسلامی ایران: نقد دو دیدگاه، حالِ وحدت و خشت و خیال، (به اتفاق شبنم حاجیجعفری)، در گلستان هنر، پاییز ۱۳۹۸</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Concept-of-Architectural-Criticism-Its-History-and-Types.pdf\"><span style=\"font-size: 14pt;\">مفهوم نقد معماری: سیر تاریخی و گونهها، (به اتفاق مطهره داناییفر)، در پژوهشنامۀ فرهنگستان هنر، تابستان ۱۳۹۸</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\"><span style=\"font-size: 14pt;\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، (به اتفاق محدثه نظیفکار)، در اثر، ۱۳۹۷</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/09/Ilm-al-Uqud.pdf\"><span style=\"font-size: 14pt;\">علم عقود ابنیه: کلیدی برای فهم نسبت علم و معماری در جهان اسلام، (به اتفاق روحاله مجتهدزاده)، در تاریخ علم، ۱۳۹۶</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</span></a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\n</ul>\n<ul dir=\"rtl\">\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\n <li><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</a></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span>\n<ul>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\n</ul>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر، </em>زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em style=\"text-align: left;\">Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em><span style=\"text-align: left;\">2005</span></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) جستار و مصاحبه و سخنرانی</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><a style=\"font-size: 14pt;\" href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></li>\n <li>\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\n</li>\n <li dir=\"ltr\" style=\"text-align: left;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">جستار: تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-size: 14pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><em>هنر در تمدن اسلامی: معماری ۲</em>،</span> انتشارات سمت، ۱۳۹۸</span></li>\n <li><span style=\"font-size: 14pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><em>هنر در تمدن اسلامی: معماری ۱</em></span>، انتشارات سمت، ۱۳۹۷</span></li>\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه و رساله</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">روحاله مجتهدزاده، نسبت معماری و علوم در ایران دوران اسلامی؛ با تأکید بر علوم عملی. دکتری معماری اسلامی، دانشگاه هنر اصفهان، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطورهشناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2020-01-26 12:01:26','2020-01-26 12:01:26','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(406,1,'2020-01-26 12:04:40','2020-01-26 12:04:40','<a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/A-Conceptual-History-of-Muhandis.pdf\">تاریخ مفهومیِ مهندس در نیمۀ نخست دورۀ قاجاریان/ A Conceptual History of Muhandis in the First Half of the Qajar Period</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Idea-of-Non-Historical-Essence-of-Islamic-Architecture-of-Iran.pdf\">اندیشۀ ذاتِ ناتاریخیِ معماری اسلامی ایران: نقد دو دیدگاه، حالِ وحدت و خشت و خیال/ The Idea of Non-Historical Essence of Islamic Architecture of Iran: a Critique on Two Viewpoints (the Sense of Unity and Khisht-u Khiyāl)</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Concept-of-Architectural-Criticism-Its-History-and-Types.pdf\">مفهوم نقد معماری: سیر تاریخی و گونهها/ The Concept of Architectural Criticism: Its History and Types</a>\n\n<a href=\"http://علم عقود ابنیه: کلیدی برای فهم نسبت علم و معماری در جهان اسلام/ \'Ilm al-\'Uqud: A Key to Understanding the Relations between the Sciences and Architecture in the Islamic World\" data-wplink-url-error=\"true\">علم عقود ابنیه: کلیدی برای فهم نسبت علم و معماری در جهان اسلام/ \'Ilm al-\'Uqud: A Key to Understanding the Relations between the Sciences and Architecture in the Islamic World</a>\n\n<span style=\"font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\">دو سند دربارۀ معماری حمامهای روستایی استرآباد/ Two Documents Related to the Architecture of Estarabad Village Baths</a></span>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان/ The Architecture of Dār al-Funūn School and Its Changes in Qajar Period</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی/ The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\">تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی (دانشگاه ملی ایران): مرحلۀ تکوین/ History of Architectural Design Education in Shahid Beheshti University: the Formation Phase</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\">The Norm of Mādī: Managing <span style=\"font-family: Arial, Helvetica, sans-serif;\">Water</span> in Safavid Isfahan</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران/ The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین /Art History on the Basis of Artists</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages.</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Architecture, Land, and Man: Rereading, Reviewing and Criticism of Pirnia’s Suggested Principles for Iranian Architecture</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">معماریِ گمشده: خانقاه در خراسان سدۀ پنجم/ A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkhār-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi’s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia’s-Achievements-for-Architectural-Education-in-Iran.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia’s-Principles-for-Iranian-Architecture.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">باغهای خراسان در تاریخ بیهقی/ Gardens of Khurasan in Beyhaqi\'s History</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">آثار و افکار الگ گرابار</a>\n<h3>Translation</h3>\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/معماری-و-جامعه-در-دورۀ-ایلخانان،-گلستان-هنر،-ش-۱۳.pdf\">معماری و جامعه در دورۀ ایلخانان</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/چهار-منبع-دربارۀ-ساختههای-شاه-عباس-در-اصفهان،-گلستان-هنر،-ش-۶.pdf\">چهار منبع دربارۀ ساختههای شاه عباس در اصفهان</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/تحقیق-تفسیری-تاریخی-در-معماری،-صفه-۳۹.pdf\">تحقیق تفسیری - تاریخی در معماری</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/%D8%B1%D9%85%D8%B2-%D9%88-%D8%A8%D9%86%D8%A7-%D8%A2%DB%8C%DB%8C%D9%86.pdf\">رمز و بنا و آیین</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نظامهای-پژوهش-و-معیارهای-کیفیت-تحقیق،-صفۀ-۳۷.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقشه-و-طومار-معماری-در-جهان-اسلام،-رواق-۱.pdf\">نقشه و طومار معماری در جهان اسلام</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/احداث-اصفهان-عباسی-در-متون-صفوی،-رواق-ش-۱-.pdf\">احداث اصفهان عباسی در متون صفوی</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">رمز پردازی</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی</a>\n<h3>Interviews</h3>\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">گفتگو: فلسفه معماری- اطلاعات حکمت و معرفت، مرداد ۱۳۹۴</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شهر روانپریش و معماری اسلامی- شفقنا، بهمن ۱۳۹۳</a>\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">شارحان پریشانی: گفتگو با مجلۀ سورۀ اندیشه، تیر و مرداد ۱۳۹۰</a>\n<h3 class=\"hr-heading\"><span class=\"hr-heading-text text-uppercase text-bold\">Notes & Prefaces</span></h3>\n<div class=\"media-heading text-serif\">\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a>\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران/ Note on the People\'s History of Iranian</a>\nArchitecture\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/%D8%AE%D8%B1%DA%AF%D8%B1%D8%AF.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a>\n\n</div>\n<div class=\"media-heading text-serif\">\n\n<a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران<em>، </em>۱۳۹۳</a>\n\n</div>\n<div class=\"media-heading text-serif\"><a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">یادداشت: معماری چون مظهر فرهنگ</a></div>\n<div class=\"media-heading text-serif\"></div>\n<div class=\"media-heading text-serif\">\n\n<a class=\"text-gray-darker\" href=\"https://qayyoomi.com/wp-content/uploads/2016/03/31663754.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">سرمقالههای فصلنامه گلستان هنر ۱۳۸۴- ۱۳۸۸</a>\n\n</div>\n<div class=\"media-heading text-serif\"></div>','Articles','','inherit','closed','closed','','11-revision-v1','','','2020-01-26 12:04:40','2020-01-26 12:04:40','',11,'https://qayyoomi.com/11-revision-v1/',0,'revision','',0),(407,1,'2020-01-26 12:18:54','2020-01-26 12:18:54','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\nAssociate Professor, Shahid Beheshti University\nInvited Member, The Iranian Academy of Art\nInvited Member, The Iranian Academy of Science\nHead of Iranshahrpedia (Encyclopedia of Iranian Architectural History)\n\nEmails:\nm-qayyoomi@sbu.ac.ir\nqayyoomi@gmail.com\n\nWebs:\n<a href=\"https://qayyoomi.com/\">Personal Web page</a>\n<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\">Academia</a>\n\n<strong>Education</strong>\n<ul>\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\n</ul>\n<strong>Honors and Awards</strong>\n<ul>\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\n <li>Research Fellowship, Farabi International Award 2010</li>\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\n</ul>\n<strong>Memberships</strong>\n<ul>\n <li>Associate Member, the Iranian Academy of Science, 2003-2007</li>\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\n <li>Invited Member, the Iranian Academy of Persian Language and Literature 2012-2017</li>\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 2000</li>\n</ul>\n<strong>Positions</strong>\n<ul>\n <li>Faculty Member, Center for Iranian Architectural Studies and Documentation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\n <li>Head of Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2015</li>\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\n <li>Faculty Member, the Iranian Academy of Art, 2004-2007</li>\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\n</ul>\n<strong> Research and Teaching Interests</strong>\n<ul>\n <li>History of Iranian and Persianate Architecture and Art</li>\n <li>Islamic Architecture and Art</li>\n <li>Theory and Methodology of Architectural History</li>\n <li>Theory of Architecture and Art</li>\n</ul>\n<strong> Publications:</strong>\n\n<strong> 1. Articles</strong>\n<ul>\n <li> A Conceptual History of Muhandis in the First Half of the Qajar Period, (with Zahra Golshan), in <em>Sofeh, </em>no. 87, 2020</li>\n <li>The Idea of Non-Historical Essence of Islamic Architecture of Iran: a Critique on Two Viewpoints (the Sense of Unity and Khisht-u Khiyāl), (with Shabnam Haji-Jafari), in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 17, 2019</li>\n <li>The Concept of Architectural Criticism: Its History and Types, (with M. Danayifar), in<em> Pažuheš Nāma-yi Farhangestān-i Hunar</em>, no. 2, 2019</li>\n <li>Two Documents Related to the Architecture of Estarabad Village Baths, (with Mohadesseh Nazifkar), in <em>Athar</em>, no. 80, 2018</li>\n <li>The Architecture of Dār al-Funūn School and Its Changes in Qajar Period, (with Boshra Moossavi), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 20, 2018</li>\n <li>The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work, (with R. Mojtahedzadeh), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 13, 2018</li>\n <li>\'Ilm al-\'Uqud: A Key to Understanding the Relations between the Sciences and Architecture in the Islamic World, (with R. Mojtahedzadeh), in T<em>ārīx-e</em> \'EIlm, vol. 15, no. 2, 2018</li>\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Sofeh</em>, 2017</li>\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 10, 2017</li>\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar, 2015</li>\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in Mutāli’āt-i Me’mārī-yi Īrān, no. 6, 2015</li>\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development</em>, no. 7, 2012</li>\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\n <li>On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\n <li>Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\n <li>Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\n</ul>\n<strong>2. Articles (Translation)</strong>\n<ul>\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\n</ul>\n<strong>3. Prefaces, Essays, Presentation & Interviews</strong>\n<ul>\n <li>Presentation: The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n <li>Preface to the Yahya Sepehri\'s Book: <em>A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage</em>, 2017</li>\n <li>Preface to the Safa Mahmoudian\'s Book: <em>the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan</em>, 2017</li>\n <li>Essay: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\n <li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\n <li>Interview: Philosophy of Architecture, 2015</li>\n <li>Preface to Mehdi Arefi’s Book: <em>Khargird and Madrasa</em>, 2015</li>\n <li>Preface to the Mitra Hashemi\'s Book: <em>An Introduction to the Oral History of Iranian Architecture</em>, 2014</li>\n <li>Interview: Psychotic City and Islamic Architecture, 2014</li>\n <li>Essay: Architecture as Cultural Manifestation, 2014</li>\n <li>Preface to Mehdi Tamizi’s Book: <i>In the Shade of Cypress: The Picture of Cypress Tombstones in Isfahan, </i>2013</li>\n <li>Interview: Commentators of the Western Architecture, 2011</li>\n <li>Preface to the Book: <em>Paintings on the Wooden Ceilings of Azarbaijan Vernacular Mosques</em>, 2010</li>\n <li>Essay: Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13, 2008</li>\n <li>Essay: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\n <li>Essay: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\n <li>Essay: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\n <li>Essay: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\n <li>Essay: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\n <li>Essay: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\n</ul>\n<strong>4. Books </strong>\n<ul>\n <li>Art in Islamic Civilization: Architecture 2, 2019</li>\n <li>Art in Islamic Civilization: Architecture 1, 2018</li>\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\n <li>Ten Stories on Architecture, 2015</li>\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\n</ul>\n<strong>5. Books (Translation)</strong>\n<ul>\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\n</ul>\n<strong>Teaching Experience</strong>\n<ul>\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\n</ul>\n<strong>Dissertations & Theses: 1. Supervised</strong>\n<ul>\n <li><span class=\"gmail_default\"></span>Relation between architecture and science in Islamic periods; by emphasis on practical science, by Rouhollah Mojtahedzadeh, PhD in Islamic Architecture, Art University of Isfahan, 2017</li>\n <li>Reading architecture in Haft peikar of Nezami with mythology approach, by Sepideh Ahmadkhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2018</li>\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\n</ul>\n<strong>Dissertations: 2. Consulted</strong>\n<ul>\n <li>Harun- i Vilayat Shrine: Its Quiddity and Religious Ties, by Samaneh Pouremadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2019</li>\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\n <li>Characteristics of Mosques in Persian Timurid Miniatures in Comparison with Their Contemporary Mosques, by Halimeh Kamour Bandari, MA in Islamic Art, Tehran, Soore University, 2014</li>\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\n</ul>\n<strong>Personal Information</strong>\n<ul>\n <li>Born: Tehran, 1960</li>\n</ul>\n<strong>Languages</strong>\n<ul>\n <li>Reading and Translation Competence in English and Arabic</li>\n <li>Native in Persian</li>\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2020-01-26 12:18:54','2020-01-26 12:18:54','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(408,1,'2020-01-26 12:21:15','2020-01-26 12:21:15','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان هنر</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">:وبگاهها</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a>،<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a>، <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\n\n\n<hr dir=\"rtl\" />\n\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul dir=\"rtl\">\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا ۱۳۹۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مرکز مستندنگاری و مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/A-Conceptual-History-of-Muhandis.pdf\"><span style=\"font-size: 14pt;\">تاریخ مفهومیِ مهندس در نیمۀ نخست دورۀ قاجاریان، (به اتفاق زهرا گلشن)، در صفه، زمستان ۱۳۹۸</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Idea-of-Non-Historical-Essence-of-Islamic-Architecture-of-Iran.pdf\"><span style=\"font-size: 14pt;\">اندیشۀ ذاتِ ناتاریخیِ معماری اسلامی ایران: نقد دو دیدگاه، حالِ وحدت و خشت و خیال، (به اتفاق شبنم حاجیجعفری)، در گلستان هنر، پاییز ۱۳۹۸</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Concept-of-Architectural-Criticism-Its-History-and-Types.pdf\"><span style=\"font-size: 14pt;\">مفهوم نقد معماری: سیر تاریخی و گونهها، (به اتفاق مطهره داناییفر)، در پژوهشنامۀ فرهنگستان هنر، تابستان ۱۳۹۸</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\"><span style=\"font-size: 14pt;\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، (به اتفاق محدثه نظیفکار)، در اثر، ۱۳۹۷</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/09/Ilm-al-Uqud.pdf\"><span style=\"font-size: 14pt;\">علم عقود ابنیه: کلیدی برای فهم نسبت علم و معماری در جهان اسلام، (به اتفاق روحاله مجتهدزاده)، در تاریخ علم، ۱۳۹۶</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</span></a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\n</ul>\n<ul dir=\"rtl\">\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\n <li><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</a></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span>\n<ul>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\n</ul>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر، </em>زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em style=\"text-align: left;\">Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em><span style=\"text-align: left;\">2005</span></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) جستار و مصاحبه و سخنرانی</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><a style=\"font-size: 14pt;\" href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></li>\n <li>\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\n</li>\n <li dir=\"ltr\" style=\"text-align: left;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">جستار: تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-size: 14pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><em>هنر در تمدن اسلامی: معماری ۲</em>،</span> انتشارات سمت، ۱۳۹۸</span></li>\n <li><span style=\"font-size: 14pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><em>هنر در تمدن اسلامی: معماری ۱</em></span>، انتشارات سمت، ۱۳۹۷</span></li>\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه و رساله</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">روحاله مجتهدزاده، نسبت معماری و علوم در ایران دوران اسلامی؛ با تأکید بر علوم عملی. دکتری معماری اسلامی، دانشگاه هنر اصفهان، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطورهشناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2020-01-26 12:21:15','2020-01-26 12:21:15','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(410,1,'2020-01-26 12:38:09','2020-01-26 12:38:09','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان هنر</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">:وبگاهها</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a>،<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a>، <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\n\n\n<hr dir=\"rtl\" />\n\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul dir=\"rtl\">\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا ۱۳۹۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مرکز مستندنگاری و مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/A-Conceptual-History-of-Muhandis.pdf\"><span style=\"font-size: 14pt;\">تاریخ مفهومیِ مهندس در نیمۀ نخست دورۀ قاجاریان، (به اتفاق زهرا گلشن)، در صفه، زمستان ۱۳۹۸</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Idea-of-Non-Historical-Essence-of-Islamic-Architecture-of-Iran.pdf\"><span style=\"font-size: 14pt;\">اندیشۀ ذاتِ ناتاریخیِ معماری اسلامی ایران: نقد دو دیدگاه، حالِ وحدت و خشت و خیال، (به اتفاق شبنم حاجیجعفری)، در گلستان هنر، پاییز ۱۳۹۸</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Concept-of-Architectural-Criticism-Its-History-and-Types.pdf\"><span style=\"font-size: 14pt;\">مفهوم نقد معماری: سیر تاریخی و گونهها، (به اتفاق مطهره داناییفر)، در پژوهشنامۀ فرهنگستان هنر، تابستان ۱۳۹۸</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\"><span style=\"font-size: 14pt;\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، (به اتفاق محدثه نظیفکار)، در اثر، ۱۳۹۷</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/09/Ilm-al-Uqud.pdf\"><span style=\"font-size: 14pt;\">علم عقود ابنیه: کلیدی برای فهم نسبت علم و معماری در جهان اسلام، (به اتفاق روحاله مجتهدزاده)، در تاریخ علم، ۱۳۹۶</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</span></a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\n</ul>\n<ul dir=\"rtl\">\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\n <li><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</a></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span>\n<ul>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\n</ul>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر، </em>زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em style=\"text-align: left;\">Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em><span style=\"text-align: left;\">2005</span></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) جستار و مصاحبه و سخنرانی</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><a style=\"font-size: 14pt;\" href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></li>\n <li>\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\n</li>\n <li dir=\"ltr\" style=\"text-align: left;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">جستار: تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-size: 14pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><em>هنر در تمدن اسلامی: معماری ۲</em>،</span> انتشارات سمت، ۱۳۹۸</span></li>\n <li><span style=\"font-size: 14pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><em>هنر در تمدن اسلامی: معماری ۱</em></span>، انتشارات سمت، ۱۳۹۷</span></li>\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه و رساله</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">ریحانه حیدری، فایدۀ تاریخ معماری: بررسی آراء دانشوران معاصر آلمانیزبان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">روحاله مجتهدزاده، نسبت معماری و علوم در ایران دوران اسلامی؛ با تأکید بر علوم عملی، دکتری معماری اسلامی، دانشگاه هنر اصفهان، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطورهشناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">یاسمن بخیت، مسجد امام خمینی (شاه) تهران: شناخت تغییراتِ کیفیتِ فضایی از زمان ساخت بنا تا پایان سلطنت مظفرالدینشاه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2020-01-26 12:38:09','2020-01-26 12:38:09','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(411,1,'2020-01-26 12:44:26','2020-01-26 12:44:26','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\nAssociate Professor, Shahid Beheshti University\nInvited Member, The Iranian Academy of Art\nInvited Member, The Iranian Academy of Science\nHead of Iranshahrpedia (Encyclopedia of Iranian Architectural History)\n\nEmails:\nm-qayyoomi@sbu.ac.ir\nqayyoomi@gmail.com\n\nWebs:\n<a href=\"https://qayyoomi.com/\">Personal Web page</a>\n<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\">Academia</a>\n\n<strong>Education</strong>\n<ul>\n <li>PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2007</li>\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\n <li>BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 1987</li>\n</ul>\n<strong>Honors and Awards</strong>\n<ul>\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\n <li>Research Fellowship, Farabi International Award 2010</li>\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\n</ul>\n<strong>Memberships</strong>\n<ul>\n <li>Associate Member, the Iranian Academy of Science, 2003-2007</li>\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\n <li>Invited Member, the Iranian Academy of Persian Language and Literature 2012-2017</li>\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\n <li>Member of the Committee of Architecture and Urban Development, Iranian Academy of Art Since 2000</li>\n</ul>\n<strong>Positions</strong>\n<ul>\n <li>Faculty Member, Center for Iranian Architectural Studies and Documentation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2002</li>\n <li>Head of Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2015</li>\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008-2011</li>\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\n <li>Faculty Member, the Iranian Academy of Art, 2004-2007</li>\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\n</ul>\n<strong> Research and Teaching Interests</strong>\n<ul>\n <li>History of Iranian and Persianate Architecture and Art</li>\n <li>Islamic Architecture and Art</li>\n <li>Theory and Methodology of Architectural History</li>\n <li>Theory of Architecture and Art</li>\n</ul>\n<strong> Publications:</strong>\n\n<strong> 1. Articles</strong>\n<ul>\n <li> A Conceptual History of Muhandis in the First Half of the Qajar Period, (with Zahra Golshan), in <em>Sofeh, </em>no. 87, 2020</li>\n <li>The Idea of Non-Historical Essence of Islamic Architecture of Iran: a Critique on Two Viewpoints (the Sense of Unity and Khisht-u Khiyāl), (with Shabnam Haji-Jafari), in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 17, 2019</li>\n <li>The Concept of Architectural Criticism: Its History and Types, (with M. Danayifar), in<em> Pažuheš Nāma-yi Farhangestān-i Hunar</em>, no. 2, 2019</li>\n <li>Two Documents Related to the Architecture of Estarabad Village Baths, (with Mohadesseh Nazifkar), in <em>Athar</em>, no. 80, 2018</li>\n <li>The Architecture of Dār al-Funūn School and Its Changes in Qajar Period, (with Boshra Moossavi), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 20, 2018</li>\n <li>The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work, (with R. Mojtahedzadeh), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 13, 2018</li>\n <li>\'Ilm al-\'Uqud: A Key to Understanding the Relations between the Sciences and Architecture in the Islamic World, (with R. Mojtahedzadeh), in T<em>ārīx-e</em> \'EIlm, vol. 15, no. 2, 2018</li>\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Sofeh</em>, 2017</li>\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 10, 2017</li>\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar, 2015</li>\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in Mutāli’āt-i Me’mārī-yi Īrān, no. 6, 2015</li>\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development</em>, no. 7, 2012</li>\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\n <li>On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\n <li>Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\n <li>Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\n</ul>\n<strong>2. Articles (Translation)</strong>\n<ul>\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\n</ul>\n<strong>3. Prefaces, Essays, Presentation & Interviews</strong>\n<ul>\n <li>Presentation: The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n <li>Preface to the Yahya Sepehri\'s Book: <em>A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage</em>, 2017</li>\n <li>Preface to the Safa Mahmoudian\'s Book: <em>the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan</em>, 2017</li>\n <li>Essay: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\n <li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\n <li>Interview: Philosophy of Architecture, 2015</li>\n <li>Preface to Mehdi Arefi’s Book: <em>Khargird and Madrasa</em>, 2015</li>\n <li>Preface to the Mitra Hashemi\'s Book: <em>An Introduction to the Oral History of Iranian Architecture</em>, 2014</li>\n <li>Interview: Psychotic City and Islamic Architecture, 2014</li>\n <li>Essay: Architecture as Cultural Manifestation, 2014</li>\n <li>Preface to Mehdi Tamizi’s Book: <i>In the Shade of Cypress: The Picture of Cypress Tombstones in Isfahan, </i>2013</li>\n <li>Interview: Commentators of the Western Architecture, 2011</li>\n <li>Preface to the Book: <em>Paintings on the Wooden Ceilings of Azarbaijan Vernacular Mosques</em>, 2010</li>\n <li>Essay: Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13, 2008</li>\n <li>Essay: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\n <li>Essay: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\n <li>Essay: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\n <li>Essay: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\n <li>Essay: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\n <li>Essay: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\n</ul>\n<strong>4. Books </strong>\n<ul>\n <li>Art in Islamic Civilization: Architecture 2, 2019</li>\n <li>Art in Islamic Civilization: Architecture 1, 2018</li>\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\n <li>Ten Stories on Architecture, 2015</li>\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\n</ul>\n<strong>5. Books (Translation)</strong>\n<ul>\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\n</ul>\n<strong>Teaching Experience</strong>\n<ul>\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2009</li>\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran Since 2011</li>\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2011-2012</li>\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2008</li>\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2002-2007</li>\n</ul>\n<strong>Dissertations & Theses: 1. Supervised</strong>\n<ul>\n <li><span class=\"gmail_default\">The Advantage of Architectural History: A Survey of German Contemporary Scholarly Thoughts, by Reyhaneh Heydari, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2019</span></li>\n <li>Relation between architecture and science in Islamic periods; by emphasis on practical science, by Rouhollah Mojtahedzadeh, PhD in Islamic Architecture, Art University of Isfahan, 2017</li>\n <li>Reading architecture in Haft peikar of Nezami with mythology approach, by Sepideh Ahmadkhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2018</li>\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2016</li>\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2015</li>\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2014</li>\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\n</ul>\n<strong>Dissertations: 2. Consulted</strong>\n<ul>\n <li>The Imam Khomeyni (Shah) Mosque: Studying Spatial Quality Changes from Built Time to the End of Mozafar’aldin Shah, by Yasaman Bakhit, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2019</li>\n <li>Harun- i Vilayat Shrine: Its Quiddity and Religious Ties, by Samaneh Pouremadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2019</li>\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Development, Shahid Beheshti University, Tehran 2017</li>\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\n <li>Characteristics of Mosques in Persian Timurid Miniatures in Comparison with Their Contemporary Mosques, by Halimeh Kamour Bandari, MA in Islamic Art, Tehran, Soore University, 2014</li>\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\n</ul>\n<strong>Personal Information</strong>\n<ul>\n <li>Born: Tehran, 1960</li>\n</ul>\n<strong>Languages</strong>\n<ul>\n <li>Reading and Translation Competence in English and Arabic</li>\n <li>Native in Persian</li>\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2020-01-26 12:44:26','2020-01-26 12:44:26','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(413,1,'2020-03-07 08:35:26','2020-03-07 08:35:26','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\nAssociate Professor\nShahid Beheshti University\nAssociate Member\nThe Iranian Academy of Art\nInvited Member\nThe Iranian Academy of Science\nInvited Member\nThe Iranian Academy of Persian Language and Literature\nHead of Iranshahrpedia\n(Encyclopedia of Iranian Architectural History)\n\nEmails:\nm-qayyoomi@sbu.ac.ir\nqayyoomi@gmail.com\n\nWebs:\n<a href=\"https://qayyoomi.com/\">Personal Web page</a>\n<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\">Academia</a>\n\n<strong>Education</strong>\n<ul>\n <li>PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2007</li>\n <li>MS in Art Studies, University of Art, Tehran 2002</li>\n <li>BA in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 1987</li>\n</ul>\n<strong>Honors and Awards</strong>\n<ul>\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\n <li>Research Fellowship, Farabi International Award 2010</li>\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\n</ul>\n<strong>Memberships</strong>\n<ul>\n <li>Associate Member, the Iranian Academy of Science, 2003-2007</li>\n <li>Invited Member, the Iranian Academy of Science Since 2012</li>\n <li>Invited Member, the Iranian Academy of Persian Language and Literature 2012-2017</li>\n <li>Member of Editorial Board, Athar Quarterly Since 2013</li>\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\n <li>Member of the Committee of Architecture and Urban Planning, Iranian Academy of Art Since 2000</li>\n</ul>\n<strong>Positions</strong>\n<ul>\n <li>Faculty Member, Center for Iranian Architectural Studies and Documentation, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2002</li>\n <li>Head of Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2015</li>\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2008-2011</li>\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\n <li>Faculty Member, the Iranian Academy of Art, 2004-2007</li>\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\n</ul>\n<strong> Research and Teaching Interests</strong>\n<ul>\n <li>History of Iranian and Persianate Architecture and Art</li>\n <li>Islamic Architecture and Art</li>\n <li>Theory and Methodology of Architectural History</li>\n <li>Theory of Architecture and Art</li>\n</ul>\n<strong> Publications:</strong>\n\n<strong> 1. Articles</strong>\n<ul>\n <li> A Conceptual History of Muhandis in the First Half of the Qajar Period, (with Zahra Golshan), in <em>Soffeh, </em>no. 87, 2020</li>\n <li>The Idea of Non-Historical Essence of Islamic Architecture of Iran: a Critique on Two Viewpoints (the Sense of Unity and Khisht-u Khiyāl), (with Shabnam Haji-Jafari), in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 17, 2019</li>\n <li>The Concept of Architectural Criticism: Its History and Types, (with M. Danayifar), in<em> Pažuheš Nāma-yi Farhangestān-i Hunar</em>, no. 2, 2019</li>\n <li>Two Documents Related to the Architecture of Estarabad Village Baths, (with Mohadesseh Nazifkar), in <em>Athar</em>, no. 80, 2018</li>\n <li>The Architecture of Dār al-Funūn School and Its Changes in Qajar Period, (with Boshra Moossavi), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 20, 2018</li>\n <li>The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work, (with R. Mojtahedzadeh), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 13, 2018</li>\n <li>\'Ilm al-\'Uqud: A Key to Understanding the Relations between the Sciences and Architecture in the Islamic World, (with R. Mojtahedzadeh), in T<em>ārīx-e</em> \'EIlm, vol. 15, no. 2, 2018</li>\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Soffeh</em>, 2017</li>\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 10, 2017</li>\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar, 2015</li>\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in Mutāli’āt-i Me’mārī-yi Īrān, no. 6, 2015</li>\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Planning</em>, no. 7, 2012</li>\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\n <li>On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\n <li>Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\n <li>Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\n</ul>\n<strong>2. Articles (Translation)</strong>\n<ul>\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\n</ul>\n<strong>3. Prefaces, Essays, Presentation & Interviews</strong>\n<ul>\n <li>Presentation: The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n <li>Preface to the Yahya Sepehri\'s Book: <em>A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage</em>, 2017</li>\n <li>Preface to the Safa Mahmoudian\'s Book: <em>the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan</em>, 2017</li>\n <li>Essay: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\n <li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\n <li>Interview: Philosophy of Architecture, 2015</li>\n <li>Preface to Mehdi Arefi’s Book: <em>Khargird and Madrasa</em>, 2015</li>\n <li>Preface to the Mitra Hashemi\'s Book: <em>An Introduction to the Oral History of Iranian Architecture</em>, 2014</li>\n <li>Interview: Psychotic City and Islamic Architecture, 2014</li>\n <li>Essay: Architecture as Cultural Manifestation, 2014</li>\n <li>Preface to Mehdi Tamizi’s Book: <i>In the Shade of Cypress: The Picture of Cypress Tombstones in Isfahan, </i>2013</li>\n <li>Interview: Commentators of the Western Architecture, 2011</li>\n <li>Preface to the Book: <em>Paintings on the Wooden Ceilings of Azarbaijan Vernacular Mosques</em>, 2010</li>\n <li>Essay: Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13, 2008</li>\n <li>Essay: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\n <li>Essay: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\n <li>Essay: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\n <li>Essay: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\n <li>Essay: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\n <li>Essay: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\n</ul>\n<strong>4. Books </strong>\n<ul>\n <li>Art in Islamic Civilization: Architecture 2, 2019</li>\n <li>Art in Islamic Civilization: Architecture 1, 2018</li>\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\n <li>Ten Stories on Architecture, 2015</li>\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\n</ul>\n<strong>5. Books (Translation)</strong>\n<ul>\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\n</ul>\n<strong>Teaching Experience</strong>\n<ul>\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2009</li>\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\n <li>Writing about Architecture, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Primary Sources of Iranian Architectural History, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Introduction to Architectural History, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2011</li>\n <li>Workshop on Dissertation Preparation, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2011-2012</li>\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2008</li>\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2002-2007</li>\n</ul>\n<strong>Dissertations & Theses: 1. Supervised</strong>\n<ul>\n <li><span class=\"gmail_default\">The Advantage of Architectural History: A Survey of German Contemporary Scholarly Thoughts, by Reyhaneh Heydari, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2019</span></li>\n <li>Relation between architecture and science in Islamic periods; by emphasis on practical science, by Rouhollah Mojtahedzadeh, PhD in Islamic Architecture, Art University of Isfahan, 2017</li>\n <li>Reading architecture in Haft peikar of Nezami with mythology approach, by Sepideh Ahmadkhani, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2018</li>\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2016</li>\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2016</li>\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2015</li>\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2015</li>\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2014</li>\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MS in Iranian Architectural Studies 2014</li>\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MS in Iranian Architectural Studies 2014</li>\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MS in Iranian Architectural Studies 2013</li>\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MS in Iranian Architectural Studies 2013</li>\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MS in Iranian Architectural Studies 2013</li>\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MS in Iranian Architectural Studies 2013</li>\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MS in Iranian Architectural Studies 2012</li>\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MS in Iranian Architectural Studies 2012</li>\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MS in Iranian Architectural Studies 2012</li>\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MS in Iranian Architectural Studies 2012</li>\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MS in Iranian Architectural Studies 2011</li>\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MS in Iranian Architectural Studies 2011</li>\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MS in Iranian Architectural Studies 2011</li>\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MS in Iranian Architectural Studies 2011</li>\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MS in Architecture, Shahid Beheshti University, Tehran 2011</li>\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MS in Art Studies, Kashan University 2011</li>\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MS in Iranian Architectural Studies 2011</li>\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MS in Iranian Architectural Studies 2011</li>\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MS in Iranian Architectural Studies 2011</li>\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MS in Architecture, Shahid Beheshti University, Tehran 2010</li>\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MS in Iranian Architectural Studies 2010</li>\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MS in Iranian Architectural Studies 2010</li>\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MS in Iranian Architectural Studies 2010</li>\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MS in Iranian Architectural Studies 2010</li>\n <li>Sassanid Chahaar-taaq: Space and Meaning, MS in Iranian Architectural Studies 2010</li>\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MS in Iranian Architectural Studies 2009</li>\n</ul>\n<strong>Dissertations: 2. Consulted</strong>\n<ul>\n <li>The Imam Khomeyni (Shah) Mosque: Studying Spatial Quality Changes from Built Time to the End of Mozafar’aldin Shah, by Yasaman Bakhit, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2019</li>\n <li>Harun- i Vilayat Shrine: Its Quiddity and Religious Ties, by Samaneh Pouremadi, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2019</li>\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MS in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\n <li>Characteristics of Mosques in Persian Timurid Miniatures in Comparison with Their Contemporary Mosques, by Halimeh Kamour Bandari, MA in Islamic Art, Tehran, Soore University, 2014</li>\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MS in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MS in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MS in Architecture, Yazd University 2011</li>\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MS in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MS in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MS in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MS in Architecture, Islamic Art University, Tabriz 200</li>\n</ul>\n<strong>Personal Information</strong>\n<ul>\n <li>Born: Tehran, 1960</li>\n</ul>\n<strong>Languages</strong>\n<ul>\n <li>Reading and Translation Competence in English and Arabic</li>\n <li>Native in Persian</li>\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2020-03-07 08:35:26','2020-03-07 08:35:26','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(414,1,'2020-03-09 18:41:23','2020-03-09 18:41:23','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان زبان و ادب فارسی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">مدیر دانشنامۀ ایرانشهر</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">:وبگاهها</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a>،<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a>، <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\n\n\n<hr dir=\"rtl\" />\n\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul dir=\"rtl\">\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا ۱۳۹۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مرکز مستندنگاری و مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/A-Conceptual-History-of-Muhandis.pdf\"><span style=\"font-size: 14pt;\">تاریخ مفهومیِ مهندس در نیمۀ نخست دورۀ قاجاریان، (به اتفاق زهرا گلشن)، در صفه، زمستان ۱۳۹۸</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Idea-of-Non-Historical-Essence-of-Islamic-Architecture-of-Iran.pdf\"><span style=\"font-size: 14pt;\">اندیشۀ ذاتِ ناتاریخیِ معماری اسلامی ایران: نقد دو دیدگاه، حالِ وحدت و خشت و خیال، (به اتفاق شبنم حاجیجعفری)، در گلستان هنر، پاییز ۱۳۹۸</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Concept-of-Architectural-Criticism-Its-History-and-Types.pdf\"><span style=\"font-size: 14pt;\">مفهوم نقد معماری: سیر تاریخی و گونهها، (به اتفاق مطهره داناییفر)، در پژوهشنامۀ فرهنگستان هنر، تابستان ۱۳۹۸</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\"><span style=\"font-size: 14pt;\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، (به اتفاق محدثه نظیفکار)، در اثر، ۱۳۹۷</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/09/Ilm-al-Uqud.pdf\"><span style=\"font-size: 14pt;\">علم عقود ابنیه: کلیدی برای فهم نسبت علم و معماری در جهان اسلام، (به اتفاق روحاله مجتهدزاده)، در تاریخ علم، ۱۳۹۶</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</span></a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\n</ul>\n<ul dir=\"rtl\">\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\n <li><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</a></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span>\n<ul>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\n</ul>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر، </em>زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em style=\"text-align: left;\">Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em><span style=\"text-align: left;\">2005</span></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) جستار و مصاحبه و سخنرانی</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><a style=\"font-size: 14pt;\" href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></li>\n <li>\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\n</li>\n <li dir=\"ltr\" style=\"text-align: left;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">جستار: تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-size: 14pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><em>هنر در تمدن اسلامی: معماری ۲</em>،</span> انتشارات سمت، ۱۳۹۸</span></li>\n <li><span style=\"font-size: 14pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><em>هنر در تمدن اسلامی: معماری ۱</em></span>، انتشارات سمت، ۱۳۹۷</span></li>\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه و رساله</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">ریحانه حیدری، فایدۀ تاریخ معماری: بررسی آراء دانشوران معاصر آلمانیزبان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">روحاله مجتهدزاده، نسبت معماری و علوم در ایران دوران اسلامی؛ با تأکید بر علوم عملی، دکتری معماری اسلامی، دانشگاه هنر اصفهان، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطورهشناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">یاسمن بخیت، مسجد امام خمینی (شاه) تهران: شناخت تغییراتِ کیفیتِ فضایی از زمان ساخت بنا تا پایان سلطنت مظفرالدینشاه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2020-03-09 18:41:23','2020-03-09 18:41:23','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(415,1,'2020-03-12 15:05:49','2020-03-12 15:05:49','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان زبان و ادب فارسی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">مدیر دانشنامۀ ایرانشهر</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">:وبگاهها</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a>،<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a>، <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\n\n\n<hr dir=\"rtl\" />\n\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul dir=\"rtl\">\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مرکز مستندنگاری و مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/A-Conceptual-History-of-Muhandis.pdf\"><span style=\"font-size: 14pt;\">تاریخ مفهومیِ مهندس در نیمۀ نخست دورۀ قاجاریان، (به اتفاق زهرا گلشن)، در صفه، زمستان ۱۳۹۸</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Idea-of-Non-Historical-Essence-of-Islamic-Architecture-of-Iran.pdf\"><span style=\"font-size: 14pt;\">اندیشۀ ذاتِ ناتاریخیِ معماری اسلامی ایران: نقد دو دیدگاه، حالِ وحدت و خشت و خیال، (به اتفاق شبنم حاجیجعفری)، در گلستان هنر، پاییز ۱۳۹۸</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Concept-of-Architectural-Criticism-Its-History-and-Types.pdf\"><span style=\"font-size: 14pt;\">مفهوم نقد معماری: سیر تاریخی و گونهها، (به اتفاق مطهره داناییفر)، در پژوهشنامۀ فرهنگستان هنر، تابستان ۱۳۹۸</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\"><span style=\"font-size: 14pt;\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، (به اتفاق محدثه نظیفکار)، در اثر، ۱۳۹۷</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/09/Ilm-al-Uqud.pdf\"><span style=\"font-size: 14pt;\">علم عقود ابنیه: کلیدی برای فهم نسبت علم و معماری در جهان اسلام، (به اتفاق روحاله مجتهدزاده)، در تاریخ علم، ۱۳۹۶</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</span></a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\n</ul>\n<ul dir=\"rtl\">\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\n <li><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</a></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span>\n<ul>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\n</ul>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر، </em>زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em style=\"text-align: left;\">Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em><span style=\"text-align: left;\">2005</span></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) جستار و مصاحبه و سخنرانی</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><a style=\"font-size: 14pt;\" href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></li>\n <li>\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\n</li>\n <li dir=\"ltr\" style=\"text-align: left;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">جستار: تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-size: 14pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><em>هنر در تمدن اسلامی: معماری ۲</em>،</span> انتشارات سمت، ۱۳۹۸</span></li>\n <li><span style=\"font-size: 14pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><em>هنر در تمدن اسلامی: معماری ۱</em></span>، انتشارات سمت، ۱۳۹۷</span></li>\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه و رساله</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">ریحانه حیدری، فایدۀ تاریخ معماری: بررسی آراء دانشوران معاصر آلمانیزبان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">روحاله مجتهدزاده، نسبت معماری و علوم در ایران دوران اسلامی؛ با تأکید بر علوم عملی، دکتری معماری اسلامی، دانشگاه هنر اصفهان، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطورهشناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">یاسمن بخیت، مسجد امام خمینی (شاه) تهران: شناخت تغییراتِ کیفیتِ فضایی از زمان ساخت بنا تا پایان سلطنت مظفرالدینشاه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2020-03-12 15:05:49','2020-03-12 15:05:49','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(416,1,'2020-03-12 16:32:18','2020-03-12 16:32:18','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان زبان و ادب فارسی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">مدیر دانشنامۀ ایرانشهر</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">:وبگاهها</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a>،<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a>، <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\n\n\n<hr dir=\"rtl\" />\n\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul dir=\"rtl\">\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مرکز مستندنگاری و مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/A-Conceptual-History-of-Muhandis.pdf\"><span style=\"font-size: 14pt;\">تاریخ مفهومیِ مهندس در نیمۀ نخست دورۀ قاجاریان، (به اتفاق زهرا گلشن)، در صفه، زمستان ۱۳۹۸</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Idea-of-Non-Historical-Essence-of-Islamic-Architecture-of-Iran.pdf\"><span style=\"font-size: 14pt;\">اندیشۀ ذاتِ ناتاریخیِ معماری اسلامی ایران: نقد دو دیدگاه، حالِ وحدت و خشت و خیال، (به اتفاق شبنم حاجیجعفری)، در گلستان هنر، پاییز ۱۳۹۸</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Concept-of-Architectural-Criticism-Its-History-and-Types.pdf\"><span style=\"font-size: 14pt;\">مفهوم نقد معماری: سیر تاریخی و گونهها، (به اتفاق مطهره داناییفر)، در پژوهشنامۀ فرهنگستان هنر، تابستان ۱۳۹۸</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\"><span style=\"font-size: 14pt;\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، (به اتفاق محدثه نظیفکار)، در اثر، ۱۳۹۷</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/09/Ilm-al-Uqud.pdf\"><span style=\"font-size: 14pt;\">علم عقود ابنیه: کلیدی برای فهم نسبت علم و معماری در جهان اسلام، (به اتفاق روحاله مجتهدزاده)، در تاریخ علم، ۱۳۹۶</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</span></a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\n</ul>\n<ul dir=\"rtl\">\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\n <li><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</a></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span>\n<ul>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\n</ul>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر، </em>زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em style=\"text-align: left;\">Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em><span style=\"text-align: left;\">2005</span></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) جستار و مصاحبه و سخنرانی</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><a style=\"font-size: 14pt;\" href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></li>\n <li>\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\n</li>\n <li dir=\"ltr\" style=\"text-align: left;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">جستار: تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-size: 14pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><em>هنر در تمدن اسلامی: معماری ۲</em>،</span> انتشارات سمت، ۱۳۹۸</span></li>\n <li><span style=\"font-size: 14pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><em>هنر در تمدن اسلامی: معماری ۱</em></span>، انتشارات سمت، ۱۳۹۷</span></li>\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه و رساله</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">ریحانه حیدری، فایدۀ تاریخ معماری: بررسی آراء دانشوران معاصر آلمانیزبان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">روحاله مجتهدزاده، نسبت معماری و علوم در ایران دوران اسلامی؛ با تأکید بر علوم عملی، دکتری معماری اسلامی، دانشگاه هنر اصفهان، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطورهشناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">یاسمن بخیت، مسجد امام خمینی (شاه) تهران: شناخت تغییراتِ کیفیتِ فضایی از زمان ساخت بنا تا پایان سلطنت مظفرالدینشاه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2020-03-12 16:32:18','2020-03-12 16:32:18','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(418,1,'2020-04-13 03:15:42','2020-04-13 03:15:42','','DSC_0016 (ed4)','','inherit','open','closed','','dsc_0016-ed4','','','2020-04-13 03:15:42','2020-04-13 03:15:42','',0,'https://qayyoomi.com/wp-content/uploads/2020/04/DSC_0016-ed4.jpg',0,'attachment','image/jpeg',0),(420,1,'2020-04-13 03:18:48','2020-04-13 03:18:48','','DSC_0016 (ed4)','','inherit','open','closed','','dsc_0016-ed4-2','','','2020-04-13 03:18:48','2020-04-13 03:18:48','',0,'https://qayyoomi.com/wp-content/uploads/2020/04/DSC_0016-ed4-1.jpg',0,'attachment','image/jpeg',0),(422,1,'2020-04-13 03:21:22','2020-04-13 03:21:22','','DSC_0016 (ed4)','','inherit','open','closed','','dsc_0016-ed4-3','','','2020-04-13 03:21:22','2020-04-13 03:21:22','',0,'https://qayyoomi.com/wp-content/uploads/2020/04/DSC_0016-ed4-2.jpg',0,'attachment','image/jpeg',0),(424,1,'2021-04-02 06:29:44','2021-04-02 06:29:44','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی </span>\n<span style=\"font-size: 10pt;\"> دانشگاه شهید بهشتی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان زبان و ادب فارسی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">مدیر دانشنامۀ ایرانشهر</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">:وبگاهها</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a>،<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a>، <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. تلفن: ۲۲۴۳۱۷۰۳، دورنگار: ۲۲۴۳۱۶۳۲</span></p>\n\n\n<hr dir=\"rtl\" />\n\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul dir=\"rtl\">\n <li style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ <em>رسالۀ معماریه، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>معنا در معماری غرب، </em>۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب <em>هندسه و تزیین در معماری اسلامی، </em>۱۳۸۱</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا ۱۳۹۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ معماری ایرانزمین</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ هنر ایرانزمین</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مباحث نظری معماری و هنر</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 18pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۹ تا کنون</span></li>\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>گلستان هنر</em> (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر <em>خیال</em> (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عضو هیئت تحریریه مجلۀ <em>موزهها</em> (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-size: 18pt;\">۶. نوشتههای منتشرشده</span></h3>\n<p dir=\"rtl\"><span style=\"font-size: 14pt;\">الف) مقاله <span style=\"font-size: 10pt;\">(تألیف)</span></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/A-Conceptual-History-of-Muhandis.pdf\"><span style=\"font-size: 14pt;\">تاریخ مفهومیِ مهندس در نیمۀ نخست دورۀ قاجاریان، (به اتفاق زهرا گلشن)، در صفه، زمستان ۱۳۹۸</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Idea-of-Non-Historical-Essence-of-Islamic-Architecture-of-Iran.pdf\"><span style=\"font-size: 14pt;\">اندیشۀ ذاتِ ناتاریخیِ معماری اسلامی ایران: نقد دو دیدگاه، حالِ وحدت و خشت و خیال، (به اتفاق شبنم حاجیجعفری)، در گلستان هنر، پاییز ۱۳۹۸</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Concept-of-Architectural-Criticism-Its-History-and-Types.pdf\"><span style=\"font-size: 14pt;\">مفهوم نقد معماری: سیر تاریخی و گونهها، (به اتفاق مطهره داناییفر)، در پژوهشنامۀ فرهنگستان هنر، تابستان ۱۳۹۸</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\"><span style=\"font-size: 14pt;\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، (به اتفاق محدثه نظیفکار)، در اثر، ۱۳۹۷</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/09/Ilm-al-Uqud.pdf\"><span style=\"font-size: 14pt;\">علم عقود ابنیه: کلیدی برای فهم نسبت علم و معماری در جهان اسلام، (به اتفاق روحاله مجتهدزاده)، در تاریخ علم، ۱۳۹۶</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\"><span style=\"font-size: 14pt;\">تاريخ آموزش طراحى معمارى در</span><span style=\"font-size: 14pt;\">دانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</span></a></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <i>Beiträge zur Islamischen Kunst und Archaäologie</i>, 2017</span></a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in <em>Islamic Studies, </em>2015.</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در <em>مطالعات معماری ایران</em><em>، </em>۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>کیمیای هنر</em>، ۱۳۹۳</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در <em>مطالعات تاریخ فرهنگی، </em>۱۳۹۲</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در <em>نامۀ معماری و شهرسازی، </em>۱۳۹۲</span></a></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مطالعات معماری ایران،</em> ۱۳۹۲</span></a></li>\n</ul>\n<ul dir=\"rtl\">\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Development, 2013</em></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در <em>فصلنامۀ آموزش مهندسی ایران، </em>۱۳۹۱</span></a></li>\n <li><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در <em>مطالعات معماری ایران، </em>۱۳۹۱</a></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in <em>Al-shajarah</em> (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در <em>مولاناپژوهی</em><em>، </em>۱۳۸۹</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در <em>تاریخ و تمدن اسلامی، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در <em>پژوهشنامۀ فرهنگستان هنر، </em>۱۳۸۸</span>\n<ul>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\n</ul>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در <em>گلستان هنر</em>، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در <em>گلستان هنر، </em>زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در <em>گلستان هنر</em>، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-size: 14pt;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ساختار نظریه و الفبای نظریهپردازی، در <em>صفه</em>، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در <em>خیال</em>، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">افکار و آثار الگ گرابار، در <em>دانشنامه</em> (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in <em style=\"text-align: left;\">Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, </em><span style=\"text-align: left;\">2005</span></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمام گنجعلیخان، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مدرسۀ غیاثیۀ خرگرد، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">عمارت هشتبهشت، در <em>رواق</em>، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در <em>مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده</em>، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در <em>مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم</em>، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در <em>گلستان هنر، </em>ش۱۳، پاییز ۱۳۸۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در <em>گلستان هنر</em>، ش ۶، زمستان ۱۳۸۵</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در <em>صفه</em>، ش ۳۹، بهار ۱۳۸۴</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در <em>صفه</em>، ش ۳۷، زمستان ۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نمادپردازی، وایتال پری، در <em>جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، </em>۱۳۸۲</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفیالدین ارموی، اکهارت نویباوئر، در <em>خیال</em>، ش ۱۱، پاییز ۱۳۸۳</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در <em>رواق</em>، ش ۱، پاییز ۱۳۷۷</span></a></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ج) جستار و مصاحبه و سخنرانی</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><a style=\"font-size: 14pt;\" href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></li>\n <li>\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 14pt;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\n</li>\n <li dir=\"ltr\" style=\"text-align: left;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">جستار: تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در<em> مردمنامه،</em> ۱۳۹۵</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: فلسفۀ معماری، در <em>اطلاعات حکمت و معرفت، </em>۱۳۹۴</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>حکایت خرگرد و مدرسه</em>، ۱۳۹۴</span></a></span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</span></a></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: معماری چون مظهر فرهنگ، در <em>فصلنامۀ معماری و فرهنگ، </em>۱۳۹۳</span></a></li>\n <li><span style=\"font-size: 14pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\"><span style=\"font-family: arial, helvetica, sans-serif;\">تقریظ بر کتاب <em>مقدمهای بر تاریخ شفاهی معماری ایران، </em>۱۳۹۳</span></a></span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، </em>۱۳۹۲</span></li>\n <li><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">گفتگو: شارحان پریشانی، مجلۀ <em>سورۀ اندیشه، </em>۱۳۹۰</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پیشگفتار کتاب <em>نگارههای چوبی مساجد آذربایجان، </em>۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: لایههای باغ ایرانی، در <em>گلستان هنر</em>، ش ۱۲، تابستان ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در <em>گلستان هنر</em>، شمارۀ ویژه، ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در <em>گلستان هنر</em>، ش ۸، تابستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در <em>گلستان هنر</em>، ش ۵، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: چو غلام آفتابم ...، در <em>رواق</em>، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جستار: نامۀ گنج، در <em>رواق</em>، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-size: 14pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><em>هنر در تمدن اسلامی: معماری ۲</em>،</span> انتشارات سمت، ۱۳۹۸</span></li>\n <li><span style=\"font-size: 14pt;\"><span style=\"font-family: Arial, Helvetica, sans-serif;\"><em>هنر در تمدن اسلامی: معماری ۱</em></span>، انتشارات سمت، ۱۳۹۷</span></li>\n <li><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>کتابنگاشت توضیحی نظریههای معماری و هنر، </em>انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</span></a></li>\n <li><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پژوهشهای معماری و هنر (تاریخ و نظر)، </em>انتشارات روزنه، ۱۳۹۴</span></a></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>ده حکایت معماری (المختار من نوادر اخبار العمار)، </em>انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گفتارهایی در مبانی و تاریخ معماری و هنر</em>، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست</em>، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>فرهنگنامۀ معماری ایران در مراجع فارسی</em>، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>واژهنامۀ سهزبانۀ معماری اسلامی</em> (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>گنجنامه: فرهنگ آثار معماری اسلامی ایران</em> (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>رسالۀ معماریه</em>، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری اختیار یا سرنوشت، </em>انتشارات روزنه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معنا در معماری غرب</em>، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>پویهشناسی صور معماری</em>، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>معماری و راز جاودانگی (راه بیزمان ساختن)</em>، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هندسه و تزیین در معماری اسلامی (طومار توپقاپی)</em>، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><em>هنر خط و تذهیب قرآنی</em>، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۷. تدریس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> دروس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">درس ویژه دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\n <li><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه و رساله</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> الف. راهنمایی</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">ریحانه حیدری، فایدۀ تاریخ معماری: بررسی آراء دانشوران معاصر آلمانیزبان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">روحاله مجتهدزاده، نسبت معماری و علوم در ایران دوران اسلامی؛ با تأکید بر علوم عملی، دکتری معماری اسلامی، دانشگاه هنر اصفهان، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطورهشناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی محمدی، واژگان معماری مطلعالشمس گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان </span><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Arial, Helvetica, sans-serif; font-size: 14pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در <em>مثنوی معنوی</em>: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>۸. پایاننامه</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> ب. مشاوره</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">یاسمن بخیت، مسجد امام خمینی (شاه) تهران: شناخت تغییراتِ کیفیتِ فضایی از زمان ساخت بنا تا پایان سلطنت مظفرالدینشاه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt; font-family: Arial, Helvetica, sans-serif;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong>اطلاعات شخصی</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">تولد: ۱۳۳۸، تهران</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان مادری: فارسی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان دوم: انگلیسی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">زبان سوم: عربی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2021-04-02 06:29:44','2021-04-02 06:29:44','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0);
INSERT INTO `ql_posts` VALUES (425,1,'2021-04-02 06:33:30','2021-04-02 06:33:30','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\nAssociate Professor\nShahid Beheshti University\nAssociate Member\nThe Iranian Academy of Art\nInvited Member\nThe Iranian Academy of Science\nInvited Member\nThe Iranian Academy of Persian Language and Literature\nHead of Iranshahrpedia\n(Encyclopedia of Iranian Architectural History)\n\nEmails:\nm-qayyoomi@sbu.ac.ir\nqayyoomi@gmail.com\n\nWebs:\n<a href=\"https://qayyoomi.com/\">Personal Web page</a>\n<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\">Academia</a>\n\n<strong>Education</strong>\n<ul>\n <li>PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2007</li>\n <li>MS in Art Studies, University of Art, Tehran 2002</li>\n <li>BA in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 1987</li>\n</ul>\n<strong>Honors and Awards</strong>\n<ul>\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\n <li>Research Fellowship, Farabi International Award 2010</li>\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\n</ul>\n<strong>Memberships</strong>\n<ul>\n <li>Associate Member, the Iranian Academy of Art, since 2003</li>\n <li>Invited Member, the Iranian Academy of Science, Since 2012</li>\n <li>Invited Member, the Iranian Academy of Persian Language and Literature, since 2012</li>\n <li>Member of Editorial Board, Athar Quarterly, 2013-2020</li>\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\n <li>Member of the Committee of Architecture and Urban Planning, Iranian Academy of Art Since 2000</li>\n</ul>\n<strong>Positions</strong>\n<ul>\n <li>Faculty Member, Center for Iranian Architectural Studies and Documentation, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2002</li>\n <li>Head of Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2015</li>\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2008-2011</li>\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\n <li>Faculty Member, the Iranian Academy of Art, 2004-2007</li>\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\n</ul>\n<strong> Research and Teaching Interests</strong>\n<ul>\n <li>History of Iranian and Persianate Architecture and Art</li>\n <li>Islamic Architecture and Art</li>\n <li>Theory and Methodology of Architectural History</li>\n <li>Theory of Architecture and Art</li>\n</ul>\n<strong> Publications:</strong>\n\n<strong> 1. Articles</strong>\n<ul>\n <li> A Conceptual History of Muhandis in the First Half of the Qajar Period, (with Zahra Golshan), in <em>Soffeh, </em>no. 87, 2020</li>\n <li>The Idea of Non-Historical Essence of Islamic Architecture of Iran: a Critique on Two Viewpoints (the Sense of Unity and Khisht-u Khiyāl), (with Shabnam Haji-Jafari), in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 17, 2019</li>\n <li>The Concept of Architectural Criticism: Its History and Types, (with M. Danayifar), in<em> Pažuheš Nāma-yi Farhangestān-i Hunar</em>, no. 2, 2019</li>\n <li>Two Documents Related to the Architecture of Estarabad Village Baths, (with Mohadesseh Nazifkar), in <em>Athar</em>, no. 80, 2018</li>\n <li>The Architecture of Dār al-Funūn School and Its Changes in Qajar Period, (with Boshra Moossavi), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 20, 2018</li>\n <li>The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work, (with R. Mojtahedzadeh), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 13, 2018</li>\n <li>\'Ilm al-\'Uqud: A Key to Understanding the Relations between the Sciences and Architecture in the Islamic World, (with R. Mojtahedzadeh), in T<em>ārīx-e</em> \'EIlm, vol. 15, no. 2, 2018</li>\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Soffeh</em>, 2017</li>\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 10, 2017</li>\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar, 2015</li>\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in Mutāli’āt-i Me’mārī-yi Īrān, no. 6, 2015</li>\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Planning</em>, no. 7, 2012</li>\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\n <li>On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\n <li>Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\n <li>Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\n</ul>\n<strong>2. Articles (Translation)</strong>\n<ul>\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\n</ul>\n<strong>3. Prefaces, Essays, Presentation & Interviews</strong>\n<ul>\n <li>Presentation: The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n <li>Preface to the Yahya Sepehri\'s Book: <em>A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage</em>, 2017</li>\n <li>Preface to the Safa Mahmoudian\'s Book: <em>the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan</em>, 2017</li>\n <li>Essay: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\n <li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\n <li>Interview: Philosophy of Architecture, 2015</li>\n <li>Preface to Mehdi Arefi’s Book: <em>Khargird and Madrasa</em>, 2015</li>\n <li>Preface to the Mitra Hashemi\'s Book: <em>An Introduction to the Oral History of Iranian Architecture</em>, 2014</li>\n <li>Interview: Psychotic City and Islamic Architecture, 2014</li>\n <li>Essay: Architecture as Cultural Manifestation, 2014</li>\n <li>Preface to Mehdi Tamizi’s Book: <i>In the Shade of Cypress: The Picture of Cypress Tombstones in Isfahan, </i>2013</li>\n <li>Interview: Commentators of the Western Architecture, 2011</li>\n <li>Preface to the Book: <em>Paintings on the Wooden Ceilings of Azarbaijan Vernacular Mosques</em>, 2010</li>\n <li>Essay: Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13, 2008</li>\n <li>Essay: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\n <li>Essay: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\n <li>Essay: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\n <li>Essay: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\n <li>Essay: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\n <li>Essay: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\n</ul>\n<strong>4. Books </strong>\n<ul>\n <li>Art in Islamic Civilization: Architecture 2, 2019</li>\n <li>Art in Islamic Civilization: Architecture 1, 2018</li>\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\n <li>Ten Stories on Architecture, 2015</li>\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\n</ul>\n<strong>5. Books (Translation)</strong>\n<ul>\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\n</ul>\n<strong>Teaching Experience</strong>\n<ul>\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2009</li>\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\n <li>Writing about Architecture, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Primary Sources of Iranian Architectural History, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Introduction to Architectural History, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2011</li>\n <li>Workshop on Dissertation Preparation, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2011-2012</li>\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2008</li>\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2002-2007</li>\n</ul>\n<strong>Dissertations & Theses: 1. Supervised</strong>\n<ul>\n <li><span class=\"gmail_default\">The Advantage of Architectural History: A Survey of German Contemporary Scholarly Thoughts, by Reyhaneh Heydari, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2019</span></li>\n <li>Relation between architecture and science in Islamic periods; by emphasis on practical science, by Rouhollah Mojtahedzadeh, PhD in Islamic Architecture, Art University of Isfahan, 2017</li>\n <li>Reading architecture in Haft peikar of Nezami with mythology approach, by Sepideh Ahmadkhani, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2018</li>\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2016</li>\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2016</li>\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2015</li>\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2015</li>\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2014</li>\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MS in Iranian Architectural Studies 2014</li>\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MS in Iranian Architectural Studies 2014</li>\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MS in Iranian Architectural Studies 2013</li>\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MS in Iranian Architectural Studies 2013</li>\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MS in Iranian Architectural Studies 2013</li>\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MS in Iranian Architectural Studies 2013</li>\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MS in Iranian Architectural Studies 2012</li>\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MS in Iranian Architectural Studies 2012</li>\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MS in Iranian Architectural Studies 2012</li>\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MS in Iranian Architectural Studies 2012</li>\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MS in Iranian Architectural Studies 2011</li>\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MS in Iranian Architectural Studies 2011</li>\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MS in Iranian Architectural Studies 2011</li>\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MS in Iranian Architectural Studies 2011</li>\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MS in Architecture, Shahid Beheshti University, Tehran 2011</li>\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MS in Art Studies, Kashan University 2011</li>\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MS in Iranian Architectural Studies 2011</li>\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MS in Iranian Architectural Studies 2011</li>\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MS in Iranian Architectural Studies 2011</li>\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MS in Architecture, Shahid Beheshti University, Tehran 2010</li>\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MS in Iranian Architectural Studies 2010</li>\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MS in Iranian Architectural Studies 2010</li>\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MS in Iranian Architectural Studies 2010</li>\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MS in Iranian Architectural Studies 2010</li>\n <li>Sassanid Chahaar-taaq: Space and Meaning, MS in Iranian Architectural Studies 2010</li>\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MS in Iranian Architectural Studies 2009</li>\n</ul>\n<strong>Dissertations: 2. Consulted</strong>\n<ul>\n <li>The Imam Khomeyni (Shah) Mosque: Studying Spatial Quality Changes from Built Time to the End of Mozafar’aldin Shah, by Yasaman Bakhit, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2019</li>\n <li>Harun- i Vilayat Shrine: Its Quiddity and Religious Ties, by Samaneh Pouremadi, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2019</li>\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MS in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MS in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\n <li>Characteristics of Mosques in Persian Timurid Miniatures in Comparison with Their Contemporary Mosques, by Halimeh Kamour Bandari, MA in Islamic Art, Tehran, Soore University, 2014</li>\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MS in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MS in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MS in Architecture, Yazd University 2011</li>\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MS in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MS in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MS in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MS in Architecture, Islamic Art University, Tabriz 200</li>\n</ul>\n<strong>Personal Information</strong>\n<ul>\n <li>Born: Tehran, 1960</li>\n</ul>\n<strong>Languages</strong>\n<ul>\n <li>Reading and Translation Competence in English and Arabic</li>\n <li>Native in Persian</li>\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2021-04-02 06:33:30','2021-04-02 06:33:30','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(427,1,'2021-05-06 04:19:16','2021-05-06 04:19:16','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 14pt;\">به نام خدا</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی، </span><span style=\"font-size: 10pt;\">دانشگاه شهید بهشتی\n</span><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان زبان و ادب فارسی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">ایمیل:\n</span><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir\n</span><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">:وبگاهها\n</span><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a> |<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a> | <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:\n</span><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. </span></p>\n\n\n<hr dir=\"rtl\" />\n\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul dir=\"rtl\">\n <li style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ رسالۀ معماریه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب معنا در معماری غرب، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب هندسه و تزیین در معماری اسلامی، ۱۳۸۱</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا ۱۳۹۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ معماری ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ هنر ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری معماری و هنر</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۹ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر گلستان هنر (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه مجلۀ موزهها (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">۶. نوشتههای منتشرشده</span></h3>\n<p dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">الف) مقاله (تألیف)</span></p>\n\n<ul>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Paradises of the Pen: A Survey of Persian Gardens in the Eleventh Century Persian Literature, in Fardanesh and Arefian (eds.), Persian Paradises at Peril. The Urban Book Series. Springer, Cham. https://doi.org/10.1007/978-3-030-62550-4_2, 2021.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">معرفت ضمنی و گونههای آن در معماری بر اساس اندیشۀ هری کالینز (به اتفاق امید شمس)، در مطالعات معماری ایران، پاییز و زمستان ۱۳۹۹.</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/A-Conceptual-History-of-Muhandis.pdf\">تاریخ مفهومیِ مهندس در نیمۀ نخست دورۀ قاجاریان، (به اتفاق زهرا گلشن)، در صفه، زمستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Idea-of-Non-Historical-Essence-of-Islamic-Architecture-of-Iran.pdf\">اندیشۀ ذاتِ ناتاریخیِ معماری اسلامی ایران: نقد دو دیدگاه، حالِ وحدت و خشت و خیال، (به اتفاق شبنم حاجیجعفری)، در گلستان هنر، پاییز ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Concept-of-Architectural-Criticism-Its-History-and-Types.pdf\">مفهوم نقد معماری: سیر تاریخی و گونهها، (به اتفاق مطهره داناییفر)، در پژوهشنامۀ فرهنگستان هنر، تابستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، (به اتفاق محدثه نظیفکار)، در اثر، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/09/Ilm-al-Uqud.pdf\">علم عقود ابنیه: کلیدی برای فهم نسبت علم و معماری در جهان اسلام، (به اتفاق روحاله مجتهدزاده)، در تاریخ علم، ۱۳۹۶</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\">تاريخ آموزش طراحى معمارى دردانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-size: 10pt;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in Beiträge zur Islamischen Kunst und Archaäologie, 2017</span></a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in Islamic Studies, 2015.</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in Kimiya-ye-Honar, 2015</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در مطالعات معماری ایران، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در نامۀ معماری و شهرسازی، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در کیمیای هنر، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در مطالعات تاریخ فرهنگی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در نامۀ معماری و شهرسازی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مطالعات معماری ایران، ۱۳۹۲</a></span></li>\n</ul>\n<ul dir=\"rtl\">\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, 2013</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در فصلنامۀ آموزش مهندسی ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in Al-shajarah (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مولاناپژوهی، ۱۳۸۹</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در تاریخ و تمدن اسلامی، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در پژوهشنامۀ فرهنگستان هنر، ۱۳۸۸</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در گلستان هنر، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در گلستان هنر، زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در گلستان هنر، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ساختار نظریه و الفبای نظریهپردازی، در صفه، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در خیال، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">افکار و آثار الگ گرابار، در دانشنامه (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, <span style=\"text-align: left;\">2005</span></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمام گنجعلیخان، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرسۀ غیاثیۀ خرگرد، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عمارت هشتبهشت، در رواق، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در گلستان هنر، ش۱۳، پاییز ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در گلستان هنر، ش ۶، زمستان ۱۳۸۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در صفه، ش ۳۹، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در صفه، ش ۳۷، زمستان ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">نمادپردازی، وایتال پری، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی، اکهارت نویباوئر، در خیال، ش ۱۱، پاییز ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ج) جستار و مصاحبه و سخنرانی</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></span></li>\n <li>\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\n</li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">جستار: تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در مردمنامه، ۱۳۹۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\">گفتگو: فلسفۀ معماری، در اطلاعات حکمت و معرفت، ۱۳۹۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\">جستار: معماری چون مظهر فرهنگ، در فصلنامۀ معماری و فرهنگ، ۱۳۹۳</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\">گفتگو: شارحان پریشانی، مجلۀ سورۀ اندیشه، ۱۳۹۰</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب نگارههای چوبی مساجد آذربایجان، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در گلستان هنر، ش ۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: لایههای باغ ایرانی، در گلستان هنر، ش ۱۲، تابستان ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در گلستان هنر، شمارۀ ویژه، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در گلستان هنر، ش ۸، تابستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در گلستان هنر، ش ۵، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چو غلام آفتابم ...، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: نامۀ گنج، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۲، انتشارات سمت، ۱۳۹۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۱، انتشارات سمت، ۱۳۹۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\">کتابنگاشت توضیحی نظریههای معماری و هنر، انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\">پژوهشهای معماری و هنر (تاریخ و نظر)، انتشارات روزنه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ده حکایت معماری (المختار من نوادر اخبار العمار)، انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گفتارهایی در مبانی و تاریخ معماری و هنر، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">واژهنامۀ سهزبانۀ معماری اسلامی (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گنجنامه: فرهنگ آثار معماری اسلامی ایران (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری اختیار یا سرنوشت، انتشارات روزنه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معنا در معماری غرب، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پویهشناسی صور معماری، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰ و ۱۳۹۴.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هندسه و تزیین در معماری اسلامی (طومار توپقاپی)، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹ و ۱۳۹۸.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هنر خط و تذهیب قرآنی، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۷. تدریس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> دروس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>منابع تاریخ معماری ایران، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>نقد آثار تاریخ معماری، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹- ۱۴۰۰.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه دورۀ دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۸. پایاننامه و رساله</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> الف. راهنمایی</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\">مطهره داناییفر، بسط اندیشۀ نقد تاریخی معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مهنام نجفی، بازیابی و فهم معنای «میدان»، در ایران دورۀ قاجاریه، دکتری معماری، دانشکدۀ معماری و هنر، دانشگاه یزد، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم عمارلو، مناسبات حضور زنان و معماری بازار تهران: از عهد ناصری تا انتهای دورۀ قاجاریه، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">محبوبه جوادیکیا، خوانش کتاب عکس علیخان والی به منزلۀ آینۀ نگاه او به معماری، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم ابراهیمی، بازخوانی گورستان ابنبابویه به منزلۀ مکان حافظه: از مشروطه تا انقلاب اسلامی، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">پرستو مقدمی، طرح تحقیقی برای تاریخ فرهنگی معماری ایران در دورۀ ناصری: معماری ساحت مرگ در تهران، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مونا بلوری بزاز، فرمالیسم روسی، از ادبیات تا معماری: تبیین مدلی برای خوانش معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه هنر، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">یاسمن بخیت، مسجد امام خمینی (شاه) تهران: شناخت تغییراتِ کیفیتِ فضایی از زمان ساخت بنا تا پایان سلطنت مظفرالدینشاه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">ریحانه حیدری، فایدۀ تاریخ معماری: بررسی آراء دانشوران معاصر آلمانیزبان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">روحاله مجتهدزاده، نسبت معماری و علوم در ایران دوران اسلامی؛ با تأکید بر علوم عملی، دکتری معماری اسلامی، دانشگاه هنر اصفهان، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">ذاتالله نیکزاد، حفاظت معماری و تحقیق تاریخ معماری: تمهید مبنایی نظری برای حفاظت به منزلۀ حوزهای میانرشتهای در پیشبرد تحقیق تاریخ معماری ایران، دکتری مرمت ابنیه، دانشکدۀ مرمت، دانشگاه هنر اصفهان، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطورهشناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی محمدی، واژگان معماری مطلعالشمس: گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶ </span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">آزاده رسولی یزدی، تفکر دربارۀ معماری منظر از طریق پیوند واژهها، کارشناسی ارشد معماری منظر، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در مثنوی معنوی: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۸. پایاننامه</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> ب. مشاوره</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>اطلاعات شخصی</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تولد: ۱۳۳۸، تهران\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان مادری: فارسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان دوم: انگلیسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان سوم: عربی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2021-05-06 04:19:16','2021-05-06 04:19:16','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(428,1,'2021-05-06 05:04:19','2021-05-06 05:04:19','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\nAssociate Professor, Shahid Beheshti University\nAssociate Member, The Iranian Academy of Art\nInvited Member, The Iranian Academy of Science\nInvited Member, The Iranian Academy of Persian Language and Literature\nEmails:\nm-qayyoomi@sbu.ac.ir; qayyoomi@gmail.com\nWebs:\n<a href=\"https://qayyoomi.com/\">Personal Web page; </a>\n<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\">Academia</a>\n\n<strong>Education</strong>\n<ul>\n <li>PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2007</li>\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\n <li>BA in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 1987</li>\n</ul>\n<strong>Honors and Awards</strong>\n<ul>\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\n <li>Research Fellowship, Farabi International Award 2010</li>\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\n</ul>\n<strong>Memberships</strong>\n<ul>\n <li>Associate Member, the Iranian Academy of Art, since 2003</li>\n <li>Invited Member, the Iranian Academy of Science, Since 2012</li>\n <li>Invited Member, the Iranian Academy of Persian Language and Literature, since 2012</li>\n <li>Member of Editorial Board, Athar Quarterly, 2013-2020</li>\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\n <li>Member of the Committee of Architecture and Urban Planning, Iranian Academy of Art Since 2000</li>\n</ul>\n<strong>Positions</strong>\n<ul>\n <li>Faculty Member, Center for Iranian Architectural Studies and Documentation, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2002</li>\n <li>Head of Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2015</li>\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2008-2011</li>\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\n <li>Faculty Member, the Iranian Academy of Art, 2004-2007</li>\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\n</ul>\n<strong> Research and Teaching Interests</strong>\n<ul>\n <li>History of Iranian and Persianate Architecture and Art</li>\n <li>Islamic Architecture and Art</li>\n <li>Theory and Methodology of Architectural History</li>\n <li>Theory of Architecture and Art</li>\n</ul>\n<strong> Publications:</strong>\n\n<strong> 1. Articles</strong>\n<ul>\n <li>Tacit Knowledge and Its Varieties in Architecture, Based on H. Collins’ Model (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, 2021</li>\n <li>Paradises of the Pen: A Survey of Persian Gardens in the Eleventh Century Persian Literature, in Fardanesh F., Arefian F.F. (eds.), <em>Persian Paradises at Peril</em>. The Urban Book Series. Springer, Cham. https://doi.org/10.1007/978-3-030-62550-4_2, 2021</li>\n <li>The Concept of Architectural Criticism: Its History and Types, (with Motahhareh Danaeifar), in <em>Pažuheš Nāma-yi Farhangestān-i Hunar</em>, 2019</li>\n <li> A Conceptual History of Muhandis in the First Half of the Qajar Period, (with Zahra Golshan), in <em>Soffeh, </em>no. 87, 2020</li>\n <li>The Idea of Non-Historical Essence of Islamic Architecture of Iran: a Critique on Two Viewpoints (the Sense of Unity and Khisht-u Khiyāl), (with Shabnam Haji-Jafari), in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 17, 2019</li>\n <li>The Concept of Architectural Criticism: Its History and Types, (with M. Danayifar), in<em> Pažuheš Nāma-yi Farhangestān-i Hunar</em>, no. 2, 2019</li>\n <li>Two Documents Related to the Architecture of Estarabad Village Baths, (with Mohadesseh Nazifkar), in <em>Athar</em>, no. 80, 2018</li>\n <li>The Architecture of Dār al-Funūn School and Its Changes in Qajar Period, (with Boshra Moossavi), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 20, 2018</li>\n <li>The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work, (with R. Mojtahedzadeh), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 13, 2018</li>\n <li>\'Ilm al-\'Uqud: A Key to Understanding the Relations between the Sciences and Architecture in the Islamic World, (with R. Mojtahedzadeh), in T<em>ārīx-e</em> \'EIlm, vol. 15, no. 2, 2018</li>\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Soffeh</em>, 2017</li>\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 10, 2017</li>\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar, 2015</li>\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in Mutāli’āt-i Me’mārī-yi Īrān, no. 6, 2015</li>\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Planning</em>, no. 7, 2012</li>\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\n <li>On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\n <li>Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\n <li>Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\n</ul>\n<strong>2. Articles (Translation)</strong>\n<ul>\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\n</ul>\n<strong>3. Prefaces, Essays, Presentation & Interviews</strong>\n<ul>\n <li>Presentation: The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n <li>Preface to the Yahya Sepehri\'s Book: <em>A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage</em>, 2017</li>\n <li>Preface to the Safa Mahmoudian\'s Book: <em>the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan</em>, 2017</li>\n <li>Essay: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\n <li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\n <li>Interview: Philosophy of Architecture, 2015</li>\n <li>Preface to Mehdi Arefi’s Book: <em>Khargird and Madrasa</em>, 2015</li>\n <li>Preface to the Mitra Hashemi\'s Book: <em>An Introduction to the Oral History of Iranian Architecture</em>, 2014</li>\n <li>Interview: Psychotic City and Islamic Architecture, 2014</li>\n <li>Essay: Architecture as Cultural Manifestation, 2014</li>\n <li>Preface to Mehdi Tamizi’s Book: <i>In the Shade of Cypress: The Picture of Cypress Tombstones in Isfahan, </i>2013</li>\n <li>Interview: Commentators of the Western Architecture, 2011</li>\n <li>Preface to the Book: <em>Paintings on the Wooden Ceilings of Azarbaijan Vernacular Mosques</em>, 2010</li>\n <li>Essay: Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13, 2008</li>\n <li>Essay: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\n <li>Essay: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\n <li>Essay: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\n <li>Essay: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\n <li>Essay: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\n <li>Essay: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\n</ul>\n<strong>4. Books </strong>\n<ul>\n <li>Art in Islamic Civilization: Architecture 2, 2019</li>\n <li>Art in Islamic Civilization: Architecture 1, 2018</li>\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\n <li>Ten Stories on Architecture, 2015</li>\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\n</ul>\n<strong>5. Books (Translation)</strong>\n<ul>\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\n</ul>\n<strong>Teaching Experience</strong>\n<ul>\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2009</li>\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2011</li>\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2011-2012</li>\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2008</li>\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2002-2007</li>\n</ul>\n<strong>Dissertations & Theses: 1. Supervised</strong>\n<ul>\n <li>Developing the Idea of Architecture’s Historical Criticism, by Motahhareh Danaeifar, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Studing the Relationship between Gender and Architecture; Women\'s Presence in Tehran\'s Bazaar, by Maryam Ammarloo, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Reading Ali-khan Vali\'s Album as a Mirror of His Viewpoint to Architecture, by Mahboobeh Javadikia, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>“Maidan”: Understanding Its Meaning in Qajar Iran, by Mahnam Najafi, PhD in Architecture, Yazd University, 2020</li>\n <li>Ibn Babawayh cemetery as a place of memory, by Maryam Ebrahimi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2020</li>\n <li>A Proposal for a Cultural History of Iranian Architecture in Qajar Period, by Parastoo Moqaddami, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2020</li>\n <li>Russian Formalism, From Literature to Architecture: A Model for Reading Architecture, by Mona Bolouri Bazzaz, PhD in Architecture, Art University, Tehran, 2019.</li>\n <li>Architrctural Conservation and Architrctural Historiography: A Theoretical basis for conservation, as an interdisciplinary field in the pursuit of the historiography of Iranian architecture, by Zatollah Nikzad, PhD in Architectural Conservation, Art University of Isfahan, 2020</li>\n <li><span class=\"gmail_default\">The Advantage of Architectural History: A Survey of German Contemporary Scholarly Thoughts, by Reyhaneh Heydari, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2019</span></li>\n <li>Relation between architecture and science in Islamic periods; by emphasis on practical science, by Rouhollah Mojtahedzadeh, PhD in Islamic Architecture, Art University of Isfahan, 2017</li>\n <li>Reading architecture in Haft peikar of Nezami with mythology approach, by Sepideh Ahmadkhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2018</li>\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2016</li>\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2016</li>\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2015</li>\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2015</li>\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2014</li>\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\n <li>Thinking about the Landscape Architecture through the links between Its Terms, by Azadeh Rasouli Yazdi, MA in Lanscape Architecture, 2014</li>\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\n</ul>\n<strong>Dissertations: 2. Consulted</strong>\n<ul>\n <li>The Imam Khomeyni (Shah) Mosque: Studying Spatial Quality Changes from Built Time to the End of Mozafar’aldin Shah, by Yasaman Bakhit, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2019</li>\n <li>Harun- i Vilayat Shrine: Its Quiddity and Religious Ties, by Samaneh Pouremadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2019</li>\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\n <li>Characteristics of Mosques in Persian Timurid Miniatures in Comparison with Their Contemporary Mosques, by Halimeh Kamour Bandari, MA in Islamic Art, Tehran, Soore University, 2014</li>\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\n</ul>\n<strong>Personal Information</strong>\n<ul>\n <li>Born: Tehran, 1960</li>\n</ul>\n<strong>Languages</strong>\n<ul>\n <li>Reading and Translation Competence in English and Arabic</li>\n <li>Native in Persian</li>\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2021-05-06 05:04:19','2021-05-06 05:04:19','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(429,1,'2021-05-06 14:26:59','2021-05-06 14:26:59','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif;\"><span style=\"font-size: 18.6667px;\"> </span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی، </span><span style=\"font-size: 10pt;\">دانشگاه شهید بهشتی\n</span><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان زبان و ادب فارسی</span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">ایمیل:\n</span><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir\n</span><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10pt;\">:وبگاهها\n</span><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a> |<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a> | <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt;\">نشانی:\n</span><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. </span></p>\n\n\n<hr dir=\"rtl\" />\n\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul dir=\"rtl\">\n <li style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ رسالۀ معماریه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب معنا در معماری غرب، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب هندسه و تزیین در معماری اسلامی، ۱۳۸۱</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا ۱۳۹۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ معماری ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ هنر ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری معماری و هنر</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۹ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر گلستان هنر (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه مجلۀ موزهها (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">۶. نوشتههای منتشرشده</span></h3>\n<p dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">الف) مقاله (تألیف)</span></p>\n\n<ul>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Paradises of the Pen: A Survey of Persian Gardens in the Eleventh Century Persian Literature, in Fardanesh and Arefian (eds.), Persian Paradises at Peril. The Urban Book Series. Springer, Cham. https://doi.org/10.1007/978-3-030-62550-4_2, 2021.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">معرفت ضمنی و گونههای آن در معماری بر اساس اندیشۀ هری کالینز (به اتفاق امید شمس)، در مطالعات معماری ایران، پاییز و زمستان ۱۳۹۹.</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/A-Conceptual-History-of-Muhandis.pdf\">تاریخ مفهومیِ مهندس در نیمۀ نخست دورۀ قاجاریان، (به اتفاق زهرا گلشن)، در صفه، زمستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Idea-of-Non-Historical-Essence-of-Islamic-Architecture-of-Iran.pdf\">اندیشۀ ذاتِ ناتاریخیِ معماری اسلامی ایران: نقد دو دیدگاه، حالِ وحدت و خشت و خیال، (به اتفاق شبنم حاجیجعفری)، در گلستان هنر، پاییز ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Concept-of-Architectural-Criticism-Its-History-and-Types.pdf\">مفهوم نقد معماری: سیر تاریخی و گونهها، (به اتفاق مطهره داناییفر)، در پژوهشنامۀ فرهنگستان هنر، تابستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، (به اتفاق محدثه نظیفکار)، در اثر، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/09/Ilm-al-Uqud.pdf\">علم عقود ابنیه: کلیدی برای فهم نسبت علم و معماری در جهان اسلام، (به اتفاق روحاله مجتهدزاده)، در تاریخ علم، ۱۳۹۶</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\">تاريخ آموزش طراحى معمارى دردانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-size: 10pt;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in Beiträge zur Islamischen Kunst und Archaäologie, 2017</span></a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in Islamic Studies, 2015.</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in Kimiya-ye-Honar, 2015</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در مطالعات معماری ایران، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در نامۀ معماری و شهرسازی، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در کیمیای هنر، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در مطالعات تاریخ فرهنگی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در نامۀ معماری و شهرسازی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مطالعات معماری ایران، ۱۳۹۲</a></span></li>\n</ul>\n<ul dir=\"rtl\">\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, 2013</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در فصلنامۀ آموزش مهندسی ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in Al-shajarah (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مولاناپژوهی، ۱۳۸۹</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در تاریخ و تمدن اسلامی، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در پژوهشنامۀ فرهنگستان هنر، ۱۳۸۸</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در گلستان هنر، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در گلستان هنر، زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در گلستان هنر، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ساختار نظریه و الفبای نظریهپردازی، در صفه، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در خیال، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">افکار و آثار الگ گرابار، در دانشنامه (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, <span style=\"text-align: left;\">2005</span></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمام گنجعلیخان، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرسۀ غیاثیۀ خرگرد، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عمارت هشتبهشت، در رواق، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در گلستان هنر، ش۱۳، پاییز ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در گلستان هنر، ش ۶، زمستان ۱۳۸۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در صفه، ش ۳۹، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در صفه، ش ۳۷، زمستان ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">نمادپردازی، وایتال پری، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی، اکهارت نویباوئر، در خیال، ش ۱۱، پاییز ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ج) جستار و مصاحبه و سخنرانی</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></span></li>\n <li>\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\n</li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">جستار: تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در مردمنامه، ۱۳۹۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\">گفتگو: فلسفۀ معماری، در اطلاعات حکمت و معرفت، ۱۳۹۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\">جستار: معماری چون مظهر فرهنگ، در فصلنامۀ معماری و فرهنگ، ۱۳۹۳</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\">گفتگو: شارحان پریشانی، مجلۀ سورۀ اندیشه، ۱۳۹۰</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب نگارههای چوبی مساجد آذربایجان، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در گلستان هنر، ش ۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: لایههای باغ ایرانی، در گلستان هنر، ش ۱۲، تابستان ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در گلستان هنر، شمارۀ ویژه، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در گلستان هنر، ش ۸، تابستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در گلستان هنر، ش ۵، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چو غلام آفتابم ...، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: نامۀ گنج، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۲، انتشارات سمت، ۱۳۹۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۱، انتشارات سمت، ۱۳۹۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\">کتابنگاشت توضیحی نظریههای معماری و هنر، انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\">پژوهشهای معماری و هنر (تاریخ و نظر)، انتشارات روزنه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ده حکایت معماری (المختار من نوادر اخبار العمار)، انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گفتارهایی در مبانی و تاریخ معماری و هنر، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">واژهنامۀ سهزبانۀ معماری اسلامی (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گنجنامه: فرهنگ آثار معماری اسلامی ایران (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری اختیار یا سرنوشت، انتشارات روزنه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معنا در معماری غرب، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پویهشناسی صور معماری، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰ و ۱۳۹۴.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هندسه و تزیین در معماری اسلامی (طومار توپقاپی)، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹ و ۱۳۹۸.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هنر خط و تذهیب قرآنی، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۷. تدریس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> دروس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>منابع تاریخ معماری ایران، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>نقد آثار تاریخ معماری، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹- ۱۴۰۰.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه دورۀ دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۸. پایاننامه و رساله</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> الف. راهنمایی</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\">مطهره داناییفر، بسط اندیشۀ نقد تاریخی معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مهنام نجفی، بازیابی و فهم معنای «میدان»، در ایران دورۀ قاجاریه، دکتری معماری، دانشکدۀ معماری و هنر، دانشگاه یزد، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم عمارلو، مناسبات حضور زنان و معماری بازار تهران: از عهد ناصری تا انتهای دورۀ قاجاریه، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">محبوبه جوادیکیا، خوانش کتاب عکس علیخان والی به منزلۀ آینۀ نگاه او به معماری، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم ابراهیمی، بازخوانی گورستان ابنبابویه به منزلۀ مکان حافظه: از مشروطه تا انقلاب اسلامی، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">پرستو مقدمی، طرح تحقیقی برای تاریخ فرهنگی معماری ایران در دورۀ ناصری: معماری ساحت مرگ در تهران، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مونا بلوری بزاز، فرمالیسم روسی، از ادبیات تا معماری: تبیین مدلی برای خوانش معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه هنر، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">یاسمن بخیت، مسجد امام خمینی (شاه) تهران: شناخت تغییراتِ کیفیتِ فضایی از زمان ساخت بنا تا پایان سلطنت مظفرالدینشاه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">ریحانه حیدری، فایدۀ تاریخ معماری: بررسی آراء دانشوران معاصر آلمانیزبان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">روحاله مجتهدزاده، نسبت معماری و علوم در ایران دوران اسلامی؛ با تأکید بر علوم عملی، دکتری معماری اسلامی، دانشگاه هنر اصفهان، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">ذاتالله نیکزاد، حفاظت معماری و تحقیق تاریخ معماری: تمهید مبنایی نظری برای حفاظت به منزلۀ حوزهای میانرشتهای در پیشبرد تحقیق تاریخ معماری ایران، دکتری مرمت ابنیه، دانشکدۀ مرمت، دانشگاه هنر اصفهان، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطورهشناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی محمدی، واژگان معماری مطلعالشمس: گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶ </span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">آزاده رسولی یزدی، تفکر دربارۀ معماری منظر از طریق پیوند واژهها، کارشناسی ارشد معماری منظر، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در مثنوی معنوی: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۸. پایاننامه</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> ب. مشاوره</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>اطلاعات شخصی</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تولد: ۱۳۳۸، تهران\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان مادری: فارسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان دوم: انگلیسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان سوم: عربی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2021-05-06 14:26:59','2021-05-06 14:26:59','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(431,1,'2021-05-06 14:27:57','2021-05-06 14:27:57','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif;\"><span style=\"font-size: 18.6667px;\"> </span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی، </span><span style=\"font-size: 10pt;\">دانشگاه شهید بهشتی\n</span><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان زبان و ادب فارسی</span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">ایمیل:\n</span><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir\n</span><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\n<p style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">:وبگاهها\n</span><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a> |<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a> | <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">نشانی:\n</span><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. </span></span></p>\n\n\n<hr dir=\"rtl\" />\n\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul dir=\"rtl\">\n <li style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ رسالۀ معماریه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب معنا در معماری غرب، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب هندسه و تزیین در معماری اسلامی، ۱۳۸۱</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا ۱۳۹۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ معماری ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ هنر ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری معماری و هنر</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۹ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر گلستان هنر (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه مجلۀ موزهها (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">۶. نوشتههای منتشرشده</span></h3>\n<p dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">الف) مقاله (تألیف)</span></p>\n\n<ul>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Paradises of the Pen: A Survey of Persian Gardens in the Eleventh Century Persian Literature, in Fardanesh and Arefian (eds.), Persian Paradises at Peril. The Urban Book Series. Springer, Cham. https://doi.org/10.1007/978-3-030-62550-4_2, 2021.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">معرفت ضمنی و گونههای آن در معماری بر اساس اندیشۀ هری کالینز (به اتفاق امید شمس)، در مطالعات معماری ایران، پاییز و زمستان ۱۳۹۹.</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/A-Conceptual-History-of-Muhandis.pdf\">تاریخ مفهومیِ مهندس در نیمۀ نخست دورۀ قاجاریان، (به اتفاق زهرا گلشن)، در صفه، زمستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Idea-of-Non-Historical-Essence-of-Islamic-Architecture-of-Iran.pdf\">اندیشۀ ذاتِ ناتاریخیِ معماری اسلامی ایران: نقد دو دیدگاه، حالِ وحدت و خشت و خیال، (به اتفاق شبنم حاجیجعفری)، در گلستان هنر، پاییز ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Concept-of-Architectural-Criticism-Its-History-and-Types.pdf\">مفهوم نقد معماری: سیر تاریخی و گونهها، (به اتفاق مطهره داناییفر)، در پژوهشنامۀ فرهنگستان هنر، تابستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، (به اتفاق محدثه نظیفکار)، در اثر، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/09/Ilm-al-Uqud.pdf\">علم عقود ابنیه: کلیدی برای فهم نسبت علم و معماری در جهان اسلام، (به اتفاق روحاله مجتهدزاده)، در تاریخ علم، ۱۳۹۶</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\">تاريخ آموزش طراحى معمارى دردانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-size: 10pt;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in Beiträge zur Islamischen Kunst und Archaäologie, 2017</span></a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in Islamic Studies, 2015.</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in Kimiya-ye-Honar, 2015</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در مطالعات معماری ایران، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در نامۀ معماری و شهرسازی، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در کیمیای هنر، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در مطالعات تاریخ فرهنگی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در نامۀ معماری و شهرسازی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مطالعات معماری ایران، ۱۳۹۲</a></span></li>\n</ul>\n<ul dir=\"rtl\">\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, 2013</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در فصلنامۀ آموزش مهندسی ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in Al-shajarah (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مولاناپژوهی، ۱۳۸۹</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در تاریخ و تمدن اسلامی، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در پژوهشنامۀ فرهنگستان هنر، ۱۳۸۸</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در گلستان هنر، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در گلستان هنر، زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در گلستان هنر، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ساختار نظریه و الفبای نظریهپردازی، در صفه، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در خیال، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">افکار و آثار الگ گرابار، در دانشنامه (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, <span style=\"text-align: left;\">2005</span></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمام گنجعلیخان، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرسۀ غیاثیۀ خرگرد، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عمارت هشتبهشت، در رواق، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در گلستان هنر، ش۱۳، پاییز ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در گلستان هنر، ش ۶، زمستان ۱۳۸۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در صفه، ش ۳۹، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در صفه، ش ۳۷، زمستان ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">نمادپردازی، وایتال پری، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی، اکهارت نویباوئر، در خیال، ش ۱۱، پاییز ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ج) جستار و مصاحبه و سخنرانی</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></span></li>\n <li>\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\n</li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">جستار: تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در مردمنامه، ۱۳۹۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\">گفتگو: فلسفۀ معماری، در اطلاعات حکمت و معرفت، ۱۳۹۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\">جستار: معماری چون مظهر فرهنگ، در فصلنامۀ معماری و فرهنگ، ۱۳۹۳</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\">گفتگو: شارحان پریشانی، مجلۀ سورۀ اندیشه، ۱۳۹۰</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب نگارههای چوبی مساجد آذربایجان، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در گلستان هنر، ش ۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: لایههای باغ ایرانی، در گلستان هنر، ش ۱۲، تابستان ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در گلستان هنر، شمارۀ ویژه، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در گلستان هنر، ش ۸، تابستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در گلستان هنر، ش ۵، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چو غلام آفتابم ...، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: نامۀ گنج، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۲، انتشارات سمت، ۱۳۹۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۱، انتشارات سمت، ۱۳۹۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\">کتابنگاشت توضیحی نظریههای معماری و هنر، انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\">پژوهشهای معماری و هنر (تاریخ و نظر)، انتشارات روزنه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ده حکایت معماری (المختار من نوادر اخبار العمار)، انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گفتارهایی در مبانی و تاریخ معماری و هنر، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">واژهنامۀ سهزبانۀ معماری اسلامی (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گنجنامه: فرهنگ آثار معماری اسلامی ایران (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری اختیار یا سرنوشت، انتشارات روزنه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معنا در معماری غرب، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پویهشناسی صور معماری، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰ و ۱۳۹۴.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هندسه و تزیین در معماری اسلامی (طومار توپقاپی)، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹ و ۱۳۹۸.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هنر خط و تذهیب قرآنی، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۷. تدریس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> دروس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>منابع تاریخ معماری ایران، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>نقد آثار تاریخ معماری، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹- ۱۴۰۰.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه دورۀ دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۸. پایاننامه و رساله</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> الف. راهنمایی</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\">مطهره داناییفر، بسط اندیشۀ نقد تاریخی معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مهنام نجفی، بازیابی و فهم معنای «میدان»، در ایران دورۀ قاجاریه، دکتری معماری، دانشکدۀ معماری و هنر، دانشگاه یزد، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم عمارلو، مناسبات حضور زنان و معماری بازار تهران: از عهد ناصری تا انتهای دورۀ قاجاریه، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">محبوبه جوادیکیا، خوانش کتاب عکس علیخان والی به منزلۀ آینۀ نگاه او به معماری، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم ابراهیمی، بازخوانی گورستان ابنبابویه به منزلۀ مکان حافظه: از مشروطه تا انقلاب اسلامی، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">پرستو مقدمی، طرح تحقیقی برای تاریخ فرهنگی معماری ایران در دورۀ ناصری: معماری ساحت مرگ در تهران، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مونا بلوری بزاز، فرمالیسم روسی، از ادبیات تا معماری: تبیین مدلی برای خوانش معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه هنر، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">یاسمن بخیت، مسجد امام خمینی (شاه) تهران: شناخت تغییراتِ کیفیتِ فضایی از زمان ساخت بنا تا پایان سلطنت مظفرالدینشاه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">ریحانه حیدری، فایدۀ تاریخ معماری: بررسی آراء دانشوران معاصر آلمانیزبان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">روحاله مجتهدزاده، نسبت معماری و علوم در ایران دوران اسلامی؛ با تأکید بر علوم عملی، دکتری معماری اسلامی، دانشگاه هنر اصفهان، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">ذاتالله نیکزاد، حفاظت معماری و تحقیق تاریخ معماری: تمهید مبنایی نظری برای حفاظت به منزلۀ حوزهای میانرشتهای در پیشبرد تحقیق تاریخ معماری ایران، دکتری مرمت ابنیه، دانشکدۀ مرمت، دانشگاه هنر اصفهان، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطورهشناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی محمدی، واژگان معماری مطلعالشمس: گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶ </span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">آزاده رسولی یزدی، تفکر دربارۀ معماری منظر از طریق پیوند واژهها، کارشناسی ارشد معماری منظر، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در مثنوی معنوی: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۸. پایاننامه</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> ب. مشاوره</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>اطلاعات شخصی</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تولد: ۱۳۳۸، تهران\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان مادری: فارسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان دوم: انگلیسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان سوم: عربی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2021-05-06 14:27:57','2021-05-06 14:27:57','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(432,1,'2021-10-11 04:18:47','2021-10-11 04:18:47','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif;\"><span style=\"font-size: 18.6667px;\"> </span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی، </span><span style=\"font-size: 10pt;\">دانشگاه شهید بهشتی\n</span><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان زبان و ادب فارسی</span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">ایمیل:\n</span><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir\n</span><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\n<p style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">:وبگاهها\n</span><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a> |<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a> | <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">نشانی:\n</span><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. </span></span></p>\n\n\n<hr dir=\"rtl\" />\n\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul dir=\"rtl\">\n <li style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ رسالۀ معماریه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب معنا در معماری غرب، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب هندسه و تزیین در معماری اسلامی، ۱۳۸۱</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا ۱۳۹۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ معماری ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ هنر ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری معماری و هنر</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۹ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر گلستان هنر (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه مجلۀ موزهها (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">۶. نوشتههای منتشرشده</span></h3>\n<p dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">الف) مقاله (تألیف)</span></p>\n\n<ul>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Paradises of the Pen: A Survey of Persian Gardens in the Eleventh Century Persian Literature, in Fardanesh and Arefian (eds.), Persian Paradises at Peril. The Urban Book Series. Springer, Cham. https://doi.org/10.1007/978-3-030-62550-4_2, 2021.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">معرفت ضمنی و گونههای آن در معماری بر اساس اندیشۀ هری کالینز (به اتفاق امید شمس)، در مطالعات معماری ایران، پاییز و زمستان ۱۳۹۹.</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/A-Conceptual-History-of-Muhandis.pdf\">تاریخ مفهومیِ مهندس در نیمۀ نخست دورۀ قاجاریان، (به اتفاق زهرا گلشن)، در صفه، زمستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Idea-of-Non-Historical-Essence-of-Islamic-Architecture-of-Iran.pdf\">اندیشۀ ذاتِ ناتاریخیِ معماری اسلامی ایران: نقد دو دیدگاه، حالِ وحدت و خشت و خیال، (به اتفاق شبنم حاجیجعفری)، در گلستان هنر، پاییز ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Concept-of-Architectural-Criticism-Its-History-and-Types.pdf\">مفهوم نقد معماری: سیر تاریخی و گونهها، (به اتفاق مطهره داناییفر)، در پژوهشنامۀ فرهنگستان هنر، تابستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، (به اتفاق محدثه نظیفکار)، در اثر، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/09/Ilm-al-Uqud.pdf\">علم عقود ابنیه: کلیدی برای فهم نسبت علم و معماری در جهان اسلام، (به اتفاق روحاله مجتهدزاده)، در تاریخ علم، ۱۳۹۶</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\">تاريخ آموزش طراحى معمارى دردانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-size: 10pt;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in Beiträge zur Islamischen Kunst und Archaäologie, 2017</span></a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in Islamic Studies, 2015.</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in Kimiya-ye-Honar, 2015</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در مطالعات معماری ایران، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در نامۀ معماری و شهرسازی، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در کیمیای هنر، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در مطالعات تاریخ فرهنگی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در نامۀ معماری و شهرسازی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مطالعات معماری ایران، ۱۳۹۲</a></span></li>\n</ul>\n<ul dir=\"rtl\">\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, 2013</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در فصلنامۀ آموزش مهندسی ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in Al-shajarah (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مولاناپژوهی، ۱۳۸۹</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در تاریخ و تمدن اسلامی، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در پژوهشنامۀ فرهنگستان هنر، ۱۳۸۸</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در گلستان هنر، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در گلستان هنر، زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در گلستان هنر، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ساختار نظریه و الفبای نظریهپردازی، در صفه، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در خیال، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">افکار و آثار الگ گرابار، در دانشنامه (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, <span style=\"text-align: left;\">2005</span></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمام گنجعلیخان، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرسۀ غیاثیۀ خرگرد، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عمارت هشتبهشت، در رواق، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در گلستان هنر، ش۱۳، پاییز ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در گلستان هنر، ش ۶، زمستان ۱۳۸۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در صفه، ش ۳۹، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در صفه، ش ۳۷، زمستان ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">نمادپردازی، وایتال پری، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی، اکهارت نویباوئر، در خیال، ش ۱۱، پاییز ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ج) جستار و مصاحبه و سخنرانی</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></span></li>\n <li>\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\n</li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">جستار: تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در مردمنامه، ۱۳۹۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\">گفتگو: فلسفۀ معماری، در اطلاعات حکمت و معرفت، ۱۳۹۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\">جستار: معماری چون مظهر فرهنگ، در فصلنامۀ معماری و فرهنگ، ۱۳۹۳</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\">گفتگو: شارحان پریشانی، مجلۀ سورۀ اندیشه، ۱۳۹۰</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب نگارههای چوبی مساجد آذربایجان، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در گلستان هنر، ش ۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: لایههای باغ ایرانی، در گلستان هنر، ش ۱۲، تابستان ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در گلستان هنر، شمارۀ ویژه، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در گلستان هنر، ش ۸، تابستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در گلستان هنر، ش ۵، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چو غلام آفتابم ...، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: نامۀ گنج، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۲، انتشارات سمت، ۱۳۹۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۱، انتشارات سمت، ۱۳۹۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\">کتابنگاشت توضیحی نظریههای معماری و هنر، انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\">پژوهشهای معماری و هنر (تاریخ و نظر)، انتشارات روزنه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ده حکایت معماری (المختار من نوادر اخبار العمار)، انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گفتارهایی در مبانی و تاریخ معماری و هنر، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">واژهنامۀ سهزبانۀ معماری اسلامی (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گنجنامه: فرهنگ آثار معماری اسلامی ایران (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری اختیار یا سرنوشت، انتشارات روزنه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معنا در معماری غرب، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پویهشناسی صور معماری، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰ و ۱۳۹۴.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هندسه و تزیین در معماری اسلامی (طومار توپقاپی)، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹ و ۱۳۹۸.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هنر خط و تذهیب قرآنی، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۷. تدریس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> دروس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>منابع تاریخ معماری ایران، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>نقد آثار تاریخ معماری، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹- ۱۴۰۰.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه دورۀ دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۸. پایاننامه و رساله</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> الف. راهنمایی</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\">امید شمس، شبکۀ باور مورخ معماری: نسبت میان تاریخنگاشت معماری با معرفت ضمنی معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">حمیدرضا پیشوایی، کاخ گلستان در دورۀ ناصری: به مثابۀ آیینۀ تحول ذوق معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مهدی حسینی، تاریخ اجتماعی معماری خانه از منظر ژیروئار: با تکیه بر کتاب زندگی در خانۀ حومۀ شهری انگلیسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم شائیان، دگرگونی عینی و ذهنی معماری خانگی در روزنامۀ خاطرات عینالسلطنه: ارزیابی منابع، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">فاطمهزهرا زال، نقد کتاب زندگی خانگی و فرهنگ مصرف در ایران: با تکیه بر تبلیغات مطبوعاتی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مطهره داناییفر، بسط اندیشۀ نقد تاریخی معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مهنام نجفی، بازیابی و فهم معنای «میدان»، در ایران دورۀ قاجاریه، دکتری معماری، دانشکدۀ معماری و هنر، دانشگاه یزد، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم عمارلو، مناسبات حضور زنان و معماری بازار تهران: از عهد ناصری تا انتهای دورۀ قاجاریه، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">محبوبه جوادیکیا، خوانش کتاب عکس علیخان والی به منزلۀ آینۀ نگاه او به معماری، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم ابراهیمی، بازخوانی گورستان ابنبابویه به منزلۀ مکان حافظه: از مشروطه تا انقلاب اسلامی، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">پرستو مقدمی، طرح تحقیقی برای تاریخ فرهنگی معماری ایران در دورۀ ناصری: معماری ساحت مرگ در تهران، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مونا بلوری بزاز، فرمالیسم روسی، از ادبیات تا معماری: تبیین مدلی برای خوانش معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه هنر، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">یاسمن بخیت، مسجد امام خمینی (شاه) تهران: شناخت تغییراتِ کیفیتِ فضایی از زمان ساخت بنا تا پایان سلطنت مظفرالدینشاه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">ریحانه حیدری، فایدۀ تاریخ معماری: بررسی آراء دانشوران معاصر آلمانیزبان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">روحاله مجتهدزاده، نسبت معماری و علوم در ایران دوران اسلامی؛ با تأکید بر علوم عملی، دکتری معماری اسلامی، دانشگاه هنر اصفهان، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">ذاتالله نیکزاد، حفاظت معماری و تحقیق تاریخ معماری: تمهید مبنایی نظری برای حفاظت به منزلۀ حوزهای میانرشتهای در پیشبرد تحقیق تاریخ معماری ایران، دکتری مرمت ابنیه، دانشکدۀ مرمت، دانشگاه هنر اصفهان، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطورهشناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی محمدی، واژگان معماری مطلعالشمس: گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶ </span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">آزاده رسولی یزدی، تفکر دربارۀ معماری منظر از طریق پیوند واژهها، کارشناسی ارشد معماری منظر، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در مثنوی معنوی: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۸. پایاننامه</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> ب. مشاوره</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>اطلاعات شخصی</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تولد: ۱۳۳۸، تهران\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان مادری: فارسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان دوم: انگلیسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان سوم: عربی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2021-10-11 04:18:47','2021-10-11 04:18:47','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(433,1,'2021-10-11 04:29:14','2021-10-11 04:29:14','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\nAssociate Professor, Shahid Beheshti University\nAssociate Member, The Iranian Academy of Art\nInvited Member, The Iranian Academy of Science\nInvited Member, The Iranian Academy of Persian Language and Literature\nEmails:\nm-qayyoomi@sbu.ac.ir; qayyoomi@gmail.com\nWebs:\n<a href=\"https://qayyoomi.com/\">Personal Web page; </a>\n<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\">Academia</a>\n\n<strong>Education</strong>\n<ul>\n <li>PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2007</li>\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\n <li>BA in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 1987</li>\n</ul>\n<strong>Honors and Awards</strong>\n<ul>\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\n <li>Research Fellowship, Farabi International Award 2010</li>\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\n</ul>\n<strong>Memberships</strong>\n<ul>\n <li>Associate Member, the Iranian Academy of Art, since 2003</li>\n <li>Invited Member, the Iranian Academy of Science, Since 2012</li>\n <li>Invited Member, the Iranian Academy of Persian Language and Literature, since 2012</li>\n <li>Member of Editorial Board, Athar Quarterly, 2013-2020</li>\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\n <li>Member of the Committee of Architecture and Urban Planning, Iranian Academy of Art Since 2000</li>\n</ul>\n<strong>Positions</strong>\n<ul>\n <li>Faculty Member, Center for Iranian Architectural Studies and Documentation, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2002</li>\n <li>Head of Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2015</li>\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2008-2011</li>\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\n <li>Faculty Member, the Iranian Academy of Art, 2004-2007</li>\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\n</ul>\n<strong> Research and Teaching Interests</strong>\n<ul>\n <li>History of Iranian and Persianate Architecture and Art</li>\n <li>Islamic Architecture and Art</li>\n <li>Theory and Methodology of Architectural History</li>\n <li>Theory of Architecture and Art</li>\n</ul>\n<strong> Publications:</strong>\n\n<strong> 1. Articles</strong>\n<ul>\n <li>Tacit Knowledge and Its Varieties in Architecture, Based on H. Collins’ Model (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, 2021</li>\n <li>Paradises of the Pen: A Survey of Persian Gardens in the Eleventh Century Persian Literature, in Fardanesh F., Arefian F.F. (eds.), <em>Persian Paradises at Peril</em>. The Urban Book Series. Springer, Cham. https://doi.org/10.1007/978-3-030-62550-4_2, 2021</li>\n <li>The Concept of Architectural Criticism: Its History and Types, (with Motahhareh Danaeifar), in <em>Pažuheš Nāma-yi Farhangestān-i Hunar</em>, 2019</li>\n <li> A Conceptual History of Muhandis in the First Half of the Qajar Period, (with Zahra Golshan), in <em>Soffeh, </em>no. 87, 2020</li>\n <li>The Idea of Non-Historical Essence of Islamic Architecture of Iran: a Critique on Two Viewpoints (the Sense of Unity and Khisht-u Khiyāl), (with Shabnam Haji-Jafari), in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 17, 2019</li>\n <li>The Concept of Architectural Criticism: Its History and Types, (with M. Danayifar), in<em> Pažuheš Nāma-yi Farhangestān-i Hunar</em>, no. 2, 2019</li>\n <li>Two Documents Related to the Architecture of Estarabad Village Baths, (with Mohadesseh Nazifkar), in <em>Athar</em>, no. 80, 2018</li>\n <li>The Architecture of Dār al-Funūn School and Its Changes in Qajar Period, (with Boshra Moossavi), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 20, 2018</li>\n <li>The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work, (with R. Mojtahedzadeh), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 13, 2018</li>\n <li>\'Ilm al-\'Uqud: A Key to Understanding the Relations between the Sciences and Architecture in the Islamic World, (with R. Mojtahedzadeh), in T<em>ārīx-e</em> \'EIlm, vol. 15, no. 2, 2018</li>\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Soffeh</em>, 2017</li>\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 10, 2017</li>\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar, 2015</li>\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in Mutāli’āt-i Me’mārī-yi Īrān, no. 6, 2015</li>\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Planning</em>, no. 7, 2012</li>\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\n <li>On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\n <li>Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\n <li>Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\n</ul>\n<strong>2. Articles (Translation)</strong>\n<ul>\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\n</ul>\n<strong>3. Prefaces, Essays, Presentation & Interviews</strong>\n<ul>\n <li>Presentation: The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n <li>Preface to the Yahya Sepehri\'s Book: <em>A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage</em>, 2017</li>\n <li>Preface to the Safa Mahmoudian\'s Book: <em>the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan</em>, 2017</li>\n <li>Essay: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\n <li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\n <li>Interview: Philosophy of Architecture, 2015</li>\n <li>Preface to Mehdi Arefi’s Book: <em>Khargird and Madrasa</em>, 2015</li>\n <li>Preface to the Mitra Hashemi\'s Book: <em>An Introduction to the Oral History of Iranian Architecture</em>, 2014</li>\n <li>Interview: Psychotic City and Islamic Architecture, 2014</li>\n <li>Essay: Architecture as Cultural Manifestation, 2014</li>\n <li>Preface to Mehdi Tamizi’s Book: <i>In the Shade of Cypress: The Picture of Cypress Tombstones in Isfahan, </i>2013</li>\n <li>Interview: Commentators of the Western Architecture, 2011</li>\n <li>Preface to the Book: <em>Paintings on the Wooden Ceilings of Azarbaijan Vernacular Mosques</em>, 2010</li>\n <li>Essay: Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13, 2008</li>\n <li>Essay: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\n <li>Essay: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\n <li>Essay: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\n <li>Essay: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\n <li>Essay: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\n <li>Essay: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\n</ul>\n<strong>4. Books </strong>\n<ul>\n <li>Art in Islamic Civilization: Architecture 2, 2019</li>\n <li>Art in Islamic Civilization: Architecture 1, 2018</li>\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\n <li>Ten Stories on Architecture, 2015</li>\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\n</ul>\n<strong>5. Books (Translation)</strong>\n<ul>\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\n</ul>\n<strong>Teaching Experience</strong>\n<ul>\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2009</li>\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2011</li>\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2011-2012</li>\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2008</li>\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2002-2007</li>\n</ul>\n<strong>Dissertations & Theses: 1. Supervised</strong>\n<ul>\n <li>Omid Shams, The Web of Belief of the Architectural Historian : The Relationship between Architectural Historiography and Architectural Tacit Knowledge, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Hamidreza Pishvaei, Architecture of Gulistan Palace in the Nasirid Period as a Mirror of a Changing Taste, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Mahdi Hosseini, The Social History of the House Architecture in Girouard\'s Perspective: As Revealed in His Life in the English Country HouseMA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Maryam Shaeyan, Objective and Subjective Changes of Domestic Architecture Mentioned in ʿAyn al-Salṭana’s Diary: An Evaluation of Sources, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Fateme Zahra Zal, Domesticity And Consumer Culture in Iran: A Review with an Emphasis on the Press Advertisement, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Developing the Idea of Architecture’s Historical Criticism, by Motahhareh Danaeifar, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Studing the Relationship between Gender and Architecture; Women\'s Presence in Tehran\'s Bazaar, by Maryam Ammarloo, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Reading Ali-khan Vali\'s Album as a Mirror of His Viewpoint to Architecture, by Mahboobeh Javadikia, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>“Maidan”: Understanding Its Meaning in Qajar Iran, by Mahnam Najafi, PhD in Architecture, Yazd University, 2020</li>\n <li>Ibn Babawayh cemetery as a place of memory, by Maryam Ebrahimi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2020</li>\n <li>A Proposal for a Cultural History of Iranian Architecture in Qajar Period, by Parastoo Moqaddami, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2020</li>\n <li>Russian Formalism, From Literature to Architecture: A Model for Reading Architecture, by Mona Bolouri Bazzaz, PhD in Architecture, Art University, Tehran, 2019.</li>\n <li>Architrctural Conservation and Architrctural Historiography: A Theoretical basis for conservation, as an interdisciplinary field in the pursuit of the historiography of Iranian architecture, by Zatollah Nikzad, PhD in Architectural Conservation, Art University of Isfahan, 2020</li>\n <li><span class=\"gmail_default\">The Advantage of Architectural History: A Survey of German Contemporary Scholarly Thoughts, by Reyhaneh Heydari, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2019</span></li>\n <li>Relation between architecture and science in Islamic periods; by emphasis on practical science, by Rouhollah Mojtahedzadeh, PhD in Islamic Architecture, Art University of Isfahan, 2017</li>\n <li>Reading architecture in Haft peikar of Nezami with mythology approach, by Sepideh Ahmadkhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2018</li>\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2016</li>\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2016</li>\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2015</li>\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2015</li>\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2014</li>\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\n <li>Thinking about the Landscape Architecture through the links between Its Terms, by Azadeh Rasouli Yazdi, MA in Lanscape Architecture, 2014</li>\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\n</ul>\n<strong>Dissertations: 2. Consulted</strong>\n<ul>\n <li>The Imam Khomeyni (Shah) Mosque: Studying Spatial Quality Changes from Built Time to the End of Mozafar’aldin Shah, by Yasaman Bakhit, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2019</li>\n <li>Harun- i Vilayat Shrine: Its Quiddity and Religious Ties, by Samaneh Pouremadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2019</li>\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\n <li>Characteristics of Mosques in Persian Timurid Miniatures in Comparison with Their Contemporary Mosques, by Halimeh Kamour Bandari, MA in Islamic Art, Tehran, Soore University, 2014</li>\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\n</ul>\n<strong>Personal Information</strong>\n<ul>\n <li>Born: Tehran, 1960</li>\n</ul>\n<strong>Languages</strong>\n<ul>\n <li>Reading and Translation Competence in English and Arabic</li>\n <li>Native in Persian</li>\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2021-10-11 04:29:14','2021-10-11 04:29:14','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(434,1,'2021-10-12 14:07:54','2021-10-12 14:07:54','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif;\"><span style=\"font-size: 18.6667px;\"> </span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی، </span><span style=\"font-size: 10pt;\">دانشگاه شهید بهشتی\n</span><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان زبان و ادب فارسی</span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">ایمیل:\n</span><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir\n</span><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\n<p style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">:وبگاهها\n</span><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a> |<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a> | <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">نشانی:\n</span><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. </span></span></p>\n\n\n<hr dir=\"rtl\" />\n\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul dir=\"rtl\">\n <li style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul dir=\"rtl\">\n <li>برندۀ جایزۀ کتاب سال سازمان مطالعه و تدوین کتب دانشگاهی (سمت) بابت کتاب هنر در تمدن اسلامی: معماری، ۱۳۹۸</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ رسالۀ معماریه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب معنا در معماری غرب، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب هندسه و تزیین در معماری اسلامی، ۱۳۸۱</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا ۱۳۹۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ معماری ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ هنر ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری معماری و هنر</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۹ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر گلستان هنر (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه مجلۀ موزهها (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">۶. نوشتههای منتشرشده</span></h3>\n<p dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">الف) مقاله (تألیف)</span></p>\n\n<ul>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Paradises of the Pen: A Survey of Persian Gardens in the Eleventh Century Persian Literature, in Fardanesh and Arefian (eds.), Persian Paradises at Peril. The Urban Book Series. Springer, Cham. https://doi.org/10.1007/978-3-030-62550-4_2, 2021.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">معرفت ضمنی و گونههای آن در معماری بر اساس اندیشۀ هری کالینز (به اتفاق امید شمس)، در مطالعات معماری ایران، پاییز و زمستان ۱۳۹۹.</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/A-Conceptual-History-of-Muhandis.pdf\">تاریخ مفهومیِ مهندس در نیمۀ نخست دورۀ قاجاریان، (به اتفاق زهرا گلشن)، در صفه، زمستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Idea-of-Non-Historical-Essence-of-Islamic-Architecture-of-Iran.pdf\">اندیشۀ ذاتِ ناتاریخیِ معماری اسلامی ایران: نقد دو دیدگاه، حالِ وحدت و خشت و خیال، (به اتفاق شبنم حاجیجعفری)، در گلستان هنر، پاییز ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Concept-of-Architectural-Criticism-Its-History-and-Types.pdf\">مفهوم نقد معماری: سیر تاریخی و گونهها، (به اتفاق مطهره داناییفر)، در پژوهشنامۀ فرهنگستان هنر، تابستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، (به اتفاق محدثه نظیفکار)، در اثر، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/09/Ilm-al-Uqud.pdf\">علم عقود ابنیه: کلیدی برای فهم نسبت علم و معماری در جهان اسلام، (به اتفاق روحاله مجتهدزاده)، در تاریخ علم، ۱۳۹۶</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\">تاريخ آموزش طراحى معمارى دردانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-size: 10pt;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in Beiträge zur Islamischen Kunst und Archaäologie, 2017</span></a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in Islamic Studies, 2015.</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in Kimiya-ye-Honar, 2015</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در مطالعات معماری ایران، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در نامۀ معماری و شهرسازی، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در کیمیای هنر، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در مطالعات تاریخ فرهنگی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در نامۀ معماری و شهرسازی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مطالعات معماری ایران، ۱۳۹۲</a></span></li>\n</ul>\n<ul dir=\"rtl\">\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, 2013</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در فصلنامۀ آموزش مهندسی ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in Al-shajarah (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مولاناپژوهی، ۱۳۸۹</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در تاریخ و تمدن اسلامی، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در پژوهشنامۀ فرهنگستان هنر، ۱۳۸۸</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در گلستان هنر، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در گلستان هنر، زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در گلستان هنر، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ساختار نظریه و الفبای نظریهپردازی، در صفه، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در خیال، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">افکار و آثار الگ گرابار، در دانشنامه (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, <span style=\"text-align: left;\">2005</span></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمام گنجعلیخان، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرسۀ غیاثیۀ خرگرد، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عمارت هشتبهشت، در رواق، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در گلستان هنر، ش۱۳، پاییز ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در گلستان هنر، ش ۶، زمستان ۱۳۸۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در صفه، ش ۳۹، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در صفه، ش ۳۷، زمستان ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">نمادپردازی، وایتال پری، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی، اکهارت نویباوئر، در خیال، ش ۱۱، پاییز ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ج) جستار و مصاحبه و سخنرانی</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></span></li>\n <li>\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\n</li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">جستار: تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در مردمنامه، ۱۳۹۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\">گفتگو: فلسفۀ معماری، در اطلاعات حکمت و معرفت، ۱۳۹۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\">جستار: معماری چون مظهر فرهنگ، در فصلنامۀ معماری و فرهنگ، ۱۳۹۳</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\">گفتگو: شارحان پریشانی، مجلۀ سورۀ اندیشه، ۱۳۹۰</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب نگارههای چوبی مساجد آذربایجان، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در گلستان هنر، ش ۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: لایههای باغ ایرانی، در گلستان هنر، ش ۱۲، تابستان ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در گلستان هنر، شمارۀ ویژه، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در گلستان هنر، ش ۸، تابستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در گلستان هنر، ش ۵، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چو غلام آفتابم ...، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: نامۀ گنج، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۲، انتشارات سمت، ۱۳۹۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۱، انتشارات سمت، ۱۳۹۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\">کتابنگاشت توضیحی نظریههای معماری و هنر، انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\">پژوهشهای معماری و هنر (تاریخ و نظر)، انتشارات روزنه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ده حکایت معماری (المختار من نوادر اخبار العمار)، انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گفتارهایی در مبانی و تاریخ معماری و هنر، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">واژهنامۀ سهزبانۀ معماری اسلامی (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گنجنامه: فرهنگ آثار معماری اسلامی ایران (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری اختیار یا سرنوشت، انتشارات روزنه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معنا در معماری غرب، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پویهشناسی صور معماری، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰ و ۱۳۹۴.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هندسه و تزیین در معماری اسلامی (طومار توپقاپی)، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹ و ۱۳۹۸.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هنر خط و تذهیب قرآنی، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۷. تدریس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> دروس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>منابع تاریخ معماری ایران، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>نقد آثار تاریخ معماری، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹- ۱۴۰۰.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه دورۀ دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۸. پایاننامه و رساله</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> الف. راهنمایی</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\">امید شمس، شبکۀ باور مورخ معماری: نسبت میان تاریخنگاشت معماری با معرفت ضمنی معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">حمیدرضا پیشوایی، کاخ گلستان در دورۀ ناصری: به مثابۀ آیینۀ تحول ذوق معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مهدی حسینی، تاریخ اجتماعی معماری خانه از منظر ژیروئار: با تکیه بر کتاب زندگی در خانۀ حومۀ شهری انگلیسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم شائیان، دگرگونی عینی و ذهنی معماری خانگی در روزنامۀ خاطرات عینالسلطنه: ارزیابی منابع، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">فاطمهزهرا زال، نقد کتاب زندگی خانگی و فرهنگ مصرف در ایران: با تکیه بر تبلیغات مطبوعاتی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مطهره داناییفر، بسط اندیشۀ نقد تاریخی معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مهنام نجفی، بازیابی و فهم معنای «میدان»، در ایران دورۀ قاجاریه، دکتری معماری، دانشکدۀ معماری و هنر، دانشگاه یزد، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم عمارلو، مناسبات حضور زنان و معماری بازار تهران: از عهد ناصری تا انتهای دورۀ قاجاریه، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">محبوبه جوادیکیا، خوانش کتاب عکس علیخان والی به منزلۀ آینۀ نگاه او به معماری، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم ابراهیمی، بازخوانی گورستان ابنبابویه به منزلۀ مکان حافظه: از مشروطه تا انقلاب اسلامی، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">پرستو مقدمی، طرح تحقیقی برای تاریخ فرهنگی معماری ایران در دورۀ ناصری: معماری ساحت مرگ در تهران، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مونا بلوری بزاز، فرمالیسم روسی، از ادبیات تا معماری: تبیین مدلی برای خوانش معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه هنر، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">یاسمن بخیت، مسجد امام خمینی (شاه) تهران: شناخت تغییراتِ کیفیتِ فضایی از زمان ساخت بنا تا پایان سلطنت مظفرالدینشاه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">ریحانه حیدری، فایدۀ تاریخ معماری: بررسی آراء دانشوران معاصر آلمانیزبان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">روحاله مجتهدزاده، نسبت معماری و علوم در ایران دوران اسلامی؛ با تأکید بر علوم عملی، دکتری معماری اسلامی، دانشگاه هنر اصفهان، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">ذاتالله نیکزاد، حفاظت معماری و تحقیق تاریخ معماری: تمهید مبنایی نظری برای حفاظت به منزلۀ حوزهای میانرشتهای در پیشبرد تحقیق تاریخ معماری ایران، دکتری مرمت ابنیه، دانشکدۀ مرمت، دانشگاه هنر اصفهان، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطورهشناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی محمدی، واژگان معماری مطلعالشمس: گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶ </span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">آزاده رسولی یزدی، تفکر دربارۀ معماری منظر از طریق پیوند واژهها، کارشناسی ارشد معماری منظر، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در مثنوی معنوی: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۸. پایاننامه</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> ب. مشاوره</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>اطلاعات شخصی</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تولد: ۱۳۳۸، تهران\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان مادری: فارسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان دوم: انگلیسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان سوم: عربی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2021-10-12 14:07:54','2021-10-12 14:07:54','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(437,1,'2021-10-31 11:40:02','2021-10-31 11:40:02','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\nAssociate Professor, Shahid Beheshti University\nAssociate Member, The Iranian Academy of Art\nInvited Member, The Iranian Academy of Science\nInvited Member, The Iranian Academy of Persian Language and Literature\nEmails:\nm-qayyoomi@sbu.ac.ir; qayyoomi@gmail.com\nWebs:\n<a href=\"https://qayyoomi.com/\">Personal Web page; </a>\n<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\">Academia</a>\n\n<strong>Education</strong>\n<ul>\n <li>PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2007</li>\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\n <li>BA in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 1987</li>\n</ul>\n<strong>Honors and Awards</strong>\n<ul>\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\n <li>Research Fellowship, Farabi International Award 2010</li>\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\n</ul>\n<strong>Memberships</strong>\n<ul>\n <li>Associate Member, the Iranian Academy of Art, since 2003</li>\n <li>Invited Member, the Iranian Academy of Science, Since 2012</li>\n <li>Invited Member, the Iranian Academy of Persian Language and Literature, since 2012</li>\n <li>Member of Editorial Board, Athar Quarterly, 2013-2020</li>\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\n <li>Member of the Committee of Architecture and Urban Planning, Iranian Academy of Art Since 2000</li>\n</ul>\n<strong>Positions</strong>\n<ul>\n <li>Faculty Member, Center for Iranian Architectural Studies and Documentation, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2002</li>\n <li>Head of Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2015</li>\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2008-2011</li>\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\n <li>Faculty Member, the Iranian Academy of Art, 2004-2007</li>\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\n</ul>\n<strong> Research and Teaching Interests</strong>\n<ul>\n <li>History of Iranian and Persianate Architecture and Art</li>\n <li>Islamic Architecture and Art</li>\n <li>Theory and Methodology of Architectural History</li>\n <li>Theory of Architecture and Art</li>\n</ul>\n<strong> Publications:</strong>\n\n<strong> 1. Articles</strong>\n<ul>\n <li>Probing Through Iranian Architectural History Within the Framework of an Ontology Development Process (with Dena Shamsizadeh and Niloofar Razavi), in <em>Digital Humanities Quarterly</em>, vol. 15. no. 3, Oct. 2021.</li>\n <li>The Place of Architecture in Knowledge. Classifications of the\nFirst Islamic Centuries (with Rouhollah Mojtahedzadeh), in Wiener zeitschrift für die kunde des morgenlandes, no. 111, 2021</li>\n <li>Tacit Knowledge and Its Varieties in Architecture, Based on H. Collins’ Model (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, 2021</li>\n <li>Paradises of the Pen: A Survey of Persian Gardens in the Eleventh Century Persian Literature, in Fardanesh F., Arefian F.F. (eds.), <em>Persian Paradises at Peril</em>. The Urban Book Series. Springer, Cham. https://doi.org/10.1007/978-3-030-62550-4_2, 2021</li>\n <li>The Concept of Architectural Criticism: Its History and Types, (with Motahhareh Danaeifar), in <em>Pažuheš Nāma-yi Farhangestān-i Hunar</em>, 2019</li>\n <li> A Conceptual History of Muhandis in the First Half of the Qajar Period, (with Zahra Golshan), in <em>Soffeh, </em>no. 87, 2020</li>\n <li>The Idea of Non-Historical Essence of Islamic Architecture of Iran: a Critique on Two Viewpoints (the Sense of Unity and Khisht-u Khiyāl), (with Shabnam Haji-Jafari), in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 17, 2019</li>\n <li>The Concept of Architectural Criticism: Its History and Types, (with M. Danayifar), in<em> Pažuheš Nāma-yi Farhangestān-i Hunar</em>, no. 2, 2019</li>\n <li>Two Documents Related to the Architecture of Estarabad Village Baths, (with Mohadesseh Nazifkar), in <em>Athar</em>, no. 80, 2018</li>\n <li>The Architecture of Dār al-Funūn School and Its Changes in Qajar Period, (with Boshra Moossavi), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 20, 2018</li>\n <li>The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work, (with R. Mojtahedzadeh), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 13, 2018</li>\n <li>\'Ilm al-\'Uqud: A Key to Understanding the Relations between the Sciences and Architecture in the Islamic World, (with R. Mojtahedzadeh), in T<em>ārīx-e</em> \'EIlm, vol. 15, no. 2, 2018</li>\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Soffeh</em>, 2017</li>\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 10, 2017</li>\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar, 2015</li>\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in Mutāli’āt-i Me’mārī-yi Īrān, no. 6, 2015</li>\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Planning</em>, no. 7, 2012</li>\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\n <li>On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\n <li>Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\n <li>Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\n</ul>\n<strong>2. Articles (Translation)</strong>\n<ul>\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\n</ul>\n<strong>3. Prefaces, Essays, Presentation & Interviews</strong>\n<ul>\n <li>Presentation: The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n <li>Preface to the Yahya Sepehri\'s Book: <em>A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage</em>, 2017</li>\n <li>Preface to the Safa Mahmoudian\'s Book: <em>the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan</em>, 2017</li>\n <li>Essay: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\n <li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\n <li>Interview: Philosophy of Architecture, 2015</li>\n <li>Preface to Mehdi Arefi’s Book: <em>Khargird and Madrasa</em>, 2015</li>\n <li>Preface to the Mitra Hashemi\'s Book: <em>An Introduction to the Oral History of Iranian Architecture</em>, 2014</li>\n <li>Interview: Psychotic City and Islamic Architecture, 2014</li>\n <li>Essay: Architecture as Cultural Manifestation, 2014</li>\n <li>Preface to Mehdi Tamizi’s Book: <i>In the Shade of Cypress: The Picture of Cypress Tombstones in Isfahan, </i>2013</li>\n <li>Interview: Commentators of the Western Architecture, 2011</li>\n <li>Preface to the Book: <em>Paintings on the Wooden Ceilings of Azarbaijan Vernacular Mosques</em>, 2010</li>\n <li>Essay: Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13, 2008</li>\n <li>Essay: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\n <li>Essay: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\n <li>Essay: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\n <li>Essay: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\n <li>Essay: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\n <li>Essay: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\n</ul>\n<strong>4. Books </strong>\n<ul>\n <li>Art in Islamic Civilization: Architecture 2, 2019</li>\n <li>Art in Islamic Civilization: Architecture 1, 2018</li>\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\n <li>Ten Stories on Architecture, 2015</li>\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\n</ul>\n<strong>5. Books (Translation)</strong>\n<ul>\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\n</ul>\n<strong>Teaching Experience</strong>\n<ul>\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2009</li>\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2011</li>\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2011-2012</li>\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2008</li>\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2002-2007</li>\n</ul>\n<strong>Dissertations & Theses: 1. Supervised</strong>\n<ul>\n <li>Omid Shams, The Web of Belief of the Architectural Historian : The Relationship between Architectural Historiography and Architectural Tacit Knowledge, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Hamidreza Pishvaei, Architecture of Gulistan Palace in the Nasirid Period as a Mirror of a Changing Taste, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Mahdi Hosseini, The Social History of the House Architecture in Girouard\'s Perspective: As Revealed in His Life in the English Country HouseMA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Maryam Shaeyan, Objective and Subjective Changes of Domestic Architecture Mentioned in ʿAyn al-Salṭana’s Diary: An Evaluation of Sources, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Fateme Zahra Zal, Domesticity And Consumer Culture in Iran: A Review with an Emphasis on the Press Advertisement, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Developing the Idea of Architecture’s Historical Criticism, by Motahhareh Danaeifar, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Studing the Relationship between Gender and Architecture; Women\'s Presence in Tehran\'s Bazaar, by Maryam Ammarloo, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Reading Ali-khan Vali\'s Album as a Mirror of His Viewpoint to Architecture, by Mahboobeh Javadikia, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>“Maidan”: Understanding Its Meaning in Qajar Iran, by Mahnam Najafi, PhD in Architecture, Yazd University, 2020</li>\n <li>Ibn Babawayh cemetery as a place of memory, by Maryam Ebrahimi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2020</li>\n <li>A Proposal for a Cultural History of Iranian Architecture in Qajar Period, by Parastoo Moqaddami, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2020</li>\n <li>Russian Formalism, From Literature to Architecture: A Model for Reading Architecture, by Mona Bolouri Bazzaz, PhD in Architecture, Art University, Tehran, 2019.</li>\n <li>Architrctural Conservation and Architrctural Historiography: A Theoretical basis for conservation, as an interdisciplinary field in the pursuit of the historiography of Iranian architecture, by Zatollah Nikzad, PhD in Architectural Conservation, Art University of Isfahan, 2020</li>\n <li><span class=\"gmail_default\">The Advantage of Architectural History: A Survey of German Contemporary Scholarly Thoughts, by Reyhaneh Heydari, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2019</span></li>\n <li>Relation between architecture and science in Islamic periods; by emphasis on practical science, by Rouhollah Mojtahedzadeh, PhD in Islamic Architecture, Art University of Isfahan, 2017</li>\n <li>Reading architecture in Haft peikar of Nezami with mythology approach, by Sepideh Ahmadkhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2018</li>\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2016</li>\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2016</li>\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2015</li>\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2015</li>\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2014</li>\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\n <li>Thinking about the Landscape Architecture through the links between Its Terms, by Azadeh Rasouli Yazdi, MA in Lanscape Architecture, 2014</li>\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\n</ul>\n<strong>Dissertations: 2. Consulted</strong>\n<ul>\n <li>The Imam Khomeyni (Shah) Mosque: Studying Spatial Quality Changes from Built Time to the End of Mozafar’aldin Shah, by Yasaman Bakhit, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2019</li>\n <li>Harun- i Vilayat Shrine: Its Quiddity and Religious Ties, by Samaneh Pouremadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2019</li>\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\n <li>Characteristics of Mosques in Persian Timurid Miniatures in Comparison with Their Contemporary Mosques, by Halimeh Kamour Bandari, MA in Islamic Art, Tehran, Soore University, 2014</li>\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\n</ul>\n<strong>Personal Information</strong>\n<ul>\n <li>Born: Tehran, 1960</li>\n</ul>\n<strong>Languages</strong>\n<ul>\n <li>Reading and Translation Competence in English and Arabic</li>\n <li>Native in Persian</li>\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2021-10-31 11:40:02','2021-10-31 11:40:02','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(438,1,'2021-10-31 11:57:01','2021-10-31 11:57:01','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\nAssociate Professor, Shahid Beheshti University\nAssociate Member, The Iranian Academy of Art\nInvited Member, The Iranian Academy of Science\nInvited Member, The Iranian Academy of Persian Language and Literature\nEmails:\nm-qayyoomi@sbu.ac.ir; qayyoomi@gmail.com\nWebs:\n<a href=\"https://qayyoomi.com/\">Personal Web page; </a>\n<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\">Academia</a>\n\n<strong>Education</strong>\n<ul>\n <li>PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2007</li>\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\n <li>BA in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 1987</li>\n</ul>\n<strong>Honors and Awards</strong>\n<ul>\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\n <li>Research Fellowship, Farabi International Award 2010</li>\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\n</ul>\n<strong>Memberships</strong>\n<ul>\n <li>Associate Member, the Iranian Academy of Art, since 2003</li>\n <li>Invited Member, the Iranian Academy of Science, Since 2012</li>\n <li>Invited Member, the Iranian Academy of Persian Language and Literature, since 2012</li>\n <li>Member of Editorial Board, Athar Quarterly, 2013-2020</li>\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\n <li>Member of the Committee of Architecture and Urban Planning, Iranian Academy of Art Since 2000</li>\n</ul>\n<strong>Positions</strong>\n<ul>\n <li>Faculty Member, Center for Iranian Architectural Studies and Documentation, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2002</li>\n <li>Head of Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2015</li>\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2008-2011</li>\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\n <li>Faculty Member, the Iranian Academy of Art, 2004-2007</li>\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\n</ul>\n<strong> Research and Teaching Interests</strong>\n<ul>\n <li>History of Iranian and Persianate Architecture and Art</li>\n <li>Islamic Architecture and Art</li>\n <li>Theory and Methodology of Architectural History</li>\n <li>Theory of Architecture and Art</li>\n</ul>\n<strong> Publications:</strong>\n\n<strong> 1. Articles</strong>\n<ul>\n <li>Probing Through Iranian Architectural History Within the Framework of an Ontology Development Process (with Dena Shamsizadeh and Niloofar Razavi), in <em>Digital Humanities Quarterly</em>, vol. 15. no. 3, Oct. 2021</li>\n <li>The Place of Architecture in Knowledge. Classifications of the\nFirst Islamic Centuries (with Rouhollah Mojtahedzadeh), in <em>Wiener zeitschrift für die kunde des morgenlandes</em>, no. 111, 2021</li>\n <li>Tacit Knowledge and Its Varieties in Architecture, Based on H. Collins’ Model (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, 2021</li>\n <li>Paradises of the Pen: A Survey of Persian Gardens in the Eleventh Century Persian Literature, in Fardanesh F., Arefian F.F. (eds.), <em>Persian Paradises at Peril</em>. The Urban Book Series. Springer, Cham. https://doi.org/10.1007/978-3-030-62550-4_2, 2021</li>\n <li>The Concept of Architectural Criticism: Its History and Types, (with Motahhareh Danaeifar), in <em>Pažuheš Nāma-yi Farhangestān-i Hunar</em>, 2019</li>\n <li> A Conceptual History of Muhandis in the First Half of the Qajar Period, (with Zahra Golshan), in <em>Soffeh, </em>no. 87, 2020</li>\n <li>The Idea of Non-Historical Essence of Islamic Architecture of Iran: a Critique on Two Viewpoints (the Sense of Unity and Khisht-u Khiyāl), (with Shabnam Haji-Jafari), in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 17, 2019</li>\n <li>The Concept of Architectural Criticism: Its History and Types, (with M. Danayifar), in<em> Pažuheš Nāma-yi Farhangestān-i Hunar</em>, no. 2, 2019</li>\n <li>Two Documents Related to the Architecture of Estarabad Village Baths, (with Mohadesseh Nazifkar), in <em>Athar</em>, no. 80, 2018</li>\n <li>The Architecture of Dār al-Funūn School and Its Changes in Qajar Period, (with Boshra Moossavi), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 20, 2018</li>\n <li>The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work, (with R. Mojtahedzadeh), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 13, 2018</li>\n <li>\'Ilm al-\'Uqud: A Key to Understanding the Relations between the Sciences and Architecture in the Islamic World, (with R. Mojtahedzadeh), in T<em>ārīx-e</em> \'EIlm, vol. 15, no. 2, 2018</li>\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Soffeh</em>, 2017</li>\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 10, 2017</li>\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar, 2015</li>\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in Mutāli’āt-i Me’mārī-yi Īrān, no. 6, 2015</li>\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Planning</em>, no. 7, 2012</li>\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\n <li>On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\n <li>Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\n <li>Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\n</ul>\n<strong>2. Articles (Translation)</strong>\n<ul>\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\n</ul>\n<strong>3. Prefaces, Essays, Presentation & Interviews</strong>\n<ul>\n <li>Presentation: The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n <li>Preface to the Yahya Sepehri\'s Book: <em>A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage</em>, 2017</li>\n <li>Preface to the Safa Mahmoudian\'s Book: <em>the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan</em>, 2017</li>\n <li>Essay: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\n <li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\n <li>Interview: Philosophy of Architecture, 2015</li>\n <li>Preface to Mehdi Arefi’s Book: <em>Khargird and Madrasa</em>, 2015</li>\n <li>Preface to the Mitra Hashemi\'s Book: <em>An Introduction to the Oral History of Iranian Architecture</em>, 2014</li>\n <li>Interview: Psychotic City and Islamic Architecture, 2014</li>\n <li>Essay: Architecture as Cultural Manifestation, 2014</li>\n <li>Preface to Mehdi Tamizi’s Book: <i>In the Shade of Cypress: The Picture of Cypress Tombstones in Isfahan, </i>2013</li>\n <li>Interview: Commentators of the Western Architecture, 2011</li>\n <li>Preface to the Book: <em>Paintings on the Wooden Ceilings of Azarbaijan Vernacular Mosques</em>, 2010</li>\n <li>Essay: Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13, 2008</li>\n <li>Essay: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\n <li>Essay: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\n <li>Essay: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\n <li>Essay: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\n <li>Essay: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\n <li>Essay: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\n</ul>\n<strong>4. Books </strong>\n<ul>\n <li>Art in Islamic Civilization: Architecture 2, 2019</li>\n <li>Art in Islamic Civilization: Architecture 1, 2018</li>\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\n <li>Ten Stories on Architecture, 2015</li>\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\n</ul>\n<strong>5. Books (Translation)</strong>\n<ul>\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\n</ul>\n<strong>Teaching Experience</strong>\n<ul>\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2009</li>\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2011</li>\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2011-2012</li>\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2008</li>\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2002-2007</li>\n</ul>\n<strong>Dissertations & Theses: 1. Supervised</strong>\n<ul>\n <li>Omid Shams, The Web of Belief of the Architectural Historian : The Relationship between Architectural Historiography and Architectural Tacit Knowledge, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Hamidreza Pishvaei, Architecture of Gulistan Palace in the Nasirid Period as a Mirror of a Changing Taste, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Mahdi Hosseini, The Social History of the House Architecture in Girouard\'s Perspective: As Revealed in His Life in the English Country HouseMA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Maryam Shaeyan, Objective and Subjective Changes of Domestic Architecture Mentioned in ʿAyn al-Salṭana’s Diary: An Evaluation of Sources, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Fateme Zahra Zal, Domesticity And Consumer Culture in Iran: A Review with an Emphasis on the Press Advertisement, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Developing the Idea of Architecture’s Historical Criticism, by Motahhareh Danaeifar, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Studing the Relationship between Gender and Architecture; Women\'s Presence in Tehran\'s Bazaar, by Maryam Ammarloo, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Reading Ali-khan Vali\'s Album as a Mirror of His Viewpoint to Architecture, by Mahboobeh Javadikia, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>“Maidan”: Understanding Its Meaning in Qajar Iran, by Mahnam Najafi, PhD in Architecture, Yazd University, 2020</li>\n <li>Ibn Babawayh cemetery as a place of memory, by Maryam Ebrahimi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2020</li>\n <li>A Proposal for a Cultural History of Iranian Architecture in Qajar Period, by Parastoo Moqaddami, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2020</li>\n <li>Russian Formalism, From Literature to Architecture: A Model for Reading Architecture, by Mona Bolouri Bazzaz, PhD in Architecture, Art University, Tehran, 2019.</li>\n <li>Architrctural Conservation and Architrctural Historiography: A Theoretical basis for conservation, as an interdisciplinary field in the pursuit of the historiography of Iranian architecture, by Zatollah Nikzad, PhD in Architectural Conservation, Art University of Isfahan, 2020</li>\n <li><span class=\"gmail_default\">The Advantage of Architectural History: A Survey of German Contemporary Scholarly Thoughts, by Reyhaneh Heydari, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2019</span></li>\n <li>Relation between architecture and science in Islamic periods; by emphasis on practical science, by Rouhollah Mojtahedzadeh, PhD in Islamic Architecture, Art University of Isfahan, 2017</li>\n <li>Reading architecture in Haft peikar of Nezami with mythology approach, by Sepideh Ahmadkhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2018</li>\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2016</li>\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2016</li>\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2015</li>\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2015</li>\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2014</li>\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\n <li>Thinking about the Landscape Architecture through the links between Its Terms, by Azadeh Rasouli Yazdi, MA in Lanscape Architecture, 2014</li>\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\n</ul>\n<strong>Dissertations: 2. Consulted</strong>\n<ul>\n <li>The Imam Khomeyni (Shah) Mosque: Studying Spatial Quality Changes from Built Time to the End of Mozafar’aldin Shah, by Yasaman Bakhit, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2019</li>\n <li>Harun- i Vilayat Shrine: Its Quiddity and Religious Ties, by Samaneh Pouremadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2019</li>\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\n <li>Characteristics of Mosques in Persian Timurid Miniatures in Comparison with Their Contemporary Mosques, by Halimeh Kamour Bandari, MA in Islamic Art, Tehran, Soore University, 2014</li>\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\n</ul>\n<strong>Personal Information</strong>\n<ul>\n <li>Born: Tehran, 1960</li>\n</ul>\n<strong>Languages</strong>\n<ul>\n <li>Reading and Translation Competence in English and Arabic</li>\n <li>Native in Persian</li>\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2021-10-31 11:57:01','2021-10-31 11:57:01','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(439,1,'2021-10-31 11:59:55','2021-10-31 11:59:55','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif;\"><span style=\"font-size: 18.6667px;\"> </span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی، </span><span style=\"font-size: 10pt;\">دانشگاه شهید بهشتی\n</span><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان زبان و ادب فارسی</span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">ایمیل:\n</span><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir\n</span><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\n<p style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">:وبگاهها\n</span><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a> |<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a> | <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">نشانی:\n</span><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. </span></span></p>\n\n\n<hr dir=\"rtl\" />\n\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul dir=\"rtl\">\n <li style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul dir=\"rtl\">\n <li>برندۀ جایزۀ کتاب سال سازمان مطالعه و تدوین کتب دانشگاهی (سمت) بابت کتاب هنر در تمدن اسلامی: معماری، ۱۳۹۸</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ رسالۀ معماریه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب معنا در معماری غرب، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب هندسه و تزیین در معماری اسلامی، ۱۳۸۱</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا ۱۳۹۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ معماری ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ هنر ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری معماری و هنر</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۹ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر گلستان هنر (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه مجلۀ موزهها (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">۶. نوشتههای منتشرشده</span></h3>\n<p dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">الف) مقاله (تألیف)</span></p>\n\n<ul>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">Probing Through Iranian Architectural History Within the Framework of an Ontology Development Process (with Dena Shamsizadeh and Niloofar Razavi), in <em>Digital Humanities Quarterly</em>, vol. 15. no. 3, Oct. 2021</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Place of Architecture in Knowledge. Classifications of the</span>\n<span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">First Islamic Centuries (with Rouhollah Mojtahedzadeh), in <em>Wiener zeitschrift für die kunde des morgenlandes</em>, no. 111, 2021</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Paradises of the Pen: A Survey of Persian Gardens in the Eleventh Century Persian Literature, in Fardanesh and Arefian (eds.), <em>Persian Paradises at Peril. The Urban Book Series</em>, Springer, Cham. https://doi.org/10.1007/978-3-030-62550-4_2, 2021.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">معرفت ضمنی و گونههای آن در معماری بر اساس اندیشۀ هری کالینز (به اتفاق امید شمس)، در مطالعات معماری ایران، پاییز و زمستان ۱۳۹۹.</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/A-Conceptual-History-of-Muhandis.pdf\">تاریخ مفهومیِ مهندس در نیمۀ نخست دورۀ قاجاریان، (به اتفاق زهرا گلشن)، در صفه، زمستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Idea-of-Non-Historical-Essence-of-Islamic-Architecture-of-Iran.pdf\">اندیشۀ ذاتِ ناتاریخیِ معماری اسلامی ایران: نقد دو دیدگاه، حالِ وحدت و خشت و خیال، (به اتفاق شبنم حاجیجعفری)، در گلستان هنر، پاییز ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Concept-of-Architectural-Criticism-Its-History-and-Types.pdf\">مفهوم نقد معماری: سیر تاریخی و گونهها، (به اتفاق مطهره داناییفر)، در پژوهشنامۀ فرهنگستان هنر، تابستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، (به اتفاق محدثه نظیفکار)، در اثر، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/09/Ilm-al-Uqud.pdf\">علم عقود ابنیه: کلیدی برای فهم نسبت علم و معماری در جهان اسلام، (به اتفاق روحاله مجتهدزاده)، در تاریخ علم، ۱۳۹۶</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\">تاريخ آموزش طراحى معمارى دردانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-size: 10pt;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in Beiträge zur Islamischen Kunst und Archaäologie, 2017</span></a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in Islamic Studies, 2015.</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in Kimiya-ye-Honar, 2015</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در مطالعات معماری ایران، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در نامۀ معماری و شهرسازی، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در کیمیای هنر، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در مطالعات تاریخ فرهنگی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در نامۀ معماری و شهرسازی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مطالعات معماری ایران، ۱۳۹۲</a></span></li>\n</ul>\n<ul dir=\"rtl\">\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, 2013</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در فصلنامۀ آموزش مهندسی ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in Al-shajarah (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مولاناپژوهی، ۱۳۸۹</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در تاریخ و تمدن اسلامی، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در پژوهشنامۀ فرهنگستان هنر، ۱۳۸۸</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در گلستان هنر، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در گلستان هنر، زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در گلستان هنر، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ساختار نظریه و الفبای نظریهپردازی، در صفه، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در خیال، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">افکار و آثار الگ گرابار، در دانشنامه (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, <span style=\"text-align: left;\">2005</span></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمام گنجعلیخان، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرسۀ غیاثیۀ خرگرد، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عمارت هشتبهشت، در رواق، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در گلستان هنر، ش۱۳، پاییز ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در گلستان هنر، ش ۶، زمستان ۱۳۸۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در صفه، ش ۳۹، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در صفه، ش ۳۷، زمستان ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">نمادپردازی، وایتال پری، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی، اکهارت نویباوئر، در خیال، ش ۱۱، پاییز ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ج) جستار و مصاحبه و سخنرانی</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></span></li>\n <li>\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\n</li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">جستار: تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در مردمنامه، ۱۳۹۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\">گفتگو: فلسفۀ معماری، در اطلاعات حکمت و معرفت، ۱۳۹۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\">جستار: معماری چون مظهر فرهنگ، در فصلنامۀ معماری و فرهنگ، ۱۳۹۳</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\">گفتگو: شارحان پریشانی، مجلۀ سورۀ اندیشه، ۱۳۹۰</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب نگارههای چوبی مساجد آذربایجان، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در گلستان هنر، ش ۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: لایههای باغ ایرانی، در گلستان هنر، ش ۱۲، تابستان ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در گلستان هنر، شمارۀ ویژه، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در گلستان هنر، ش ۸، تابستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در گلستان هنر، ش ۵، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چو غلام آفتابم ...، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: نامۀ گنج، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۲، انتشارات سمت، ۱۳۹۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۱، انتشارات سمت، ۱۳۹۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\">کتابنگاشت توضیحی نظریههای معماری و هنر، انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\">پژوهشهای معماری و هنر (تاریخ و نظر)، انتشارات روزنه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ده حکایت معماری (المختار من نوادر اخبار العمار)، انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گفتارهایی در مبانی و تاریخ معماری و هنر، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">واژهنامۀ سهزبانۀ معماری اسلامی (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گنجنامه: فرهنگ آثار معماری اسلامی ایران (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری اختیار یا سرنوشت، انتشارات روزنه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معنا در معماری غرب، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پویهشناسی صور معماری، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰ و ۱۳۹۴.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هندسه و تزیین در معماری اسلامی (طومار توپقاپی)، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹ و ۱۳۹۸.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هنر خط و تذهیب قرآنی، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۷. تدریس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> دروس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>منابع تاریخ معماری ایران، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>نقد آثار تاریخ معماری، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹- ۱۴۰۰.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه دورۀ دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۸. پایاننامه و رساله</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> الف. راهنمایی</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\">امید شمس، شبکۀ باور مورخ معماری: نسبت میان تاریخنگاشت معماری با معرفت ضمنی معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">حمیدرضا پیشوایی، کاخ گلستان در دورۀ ناصری: به مثابۀ آیینۀ تحول ذوق معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مهدی حسینی، تاریخ اجتماعی معماری خانه از منظر ژیروئار: با تکیه بر کتاب زندگی در خانۀ حومۀ شهری انگلیسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم شائیان، دگرگونی عینی و ذهنی معماری خانگی در روزنامۀ خاطرات عینالسلطنه: ارزیابی منابع، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">فاطمهزهرا زال، نقد کتاب زندگی خانگی و فرهنگ مصرف در ایران: با تکیه بر تبلیغات مطبوعاتی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مطهره داناییفر، بسط اندیشۀ نقد تاریخی معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مهنام نجفی، بازیابی و فهم معنای «میدان»، در ایران دورۀ قاجاریه، دکتری معماری، دانشکدۀ معماری و هنر، دانشگاه یزد، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم عمارلو، مناسبات حضور زنان و معماری بازار تهران: از عهد ناصری تا انتهای دورۀ قاجاریه، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">محبوبه جوادیکیا، خوانش کتاب عکس علیخان والی به منزلۀ آینۀ نگاه او به معماری، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم ابراهیمی، بازخوانی گورستان ابنبابویه به منزلۀ مکان حافظه: از مشروطه تا انقلاب اسلامی، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">پرستو مقدمی، طرح تحقیقی برای تاریخ فرهنگی معماری ایران در دورۀ ناصری: معماری ساحت مرگ در تهران، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مونا بلوری بزاز، فرمالیسم روسی، از ادبیات تا معماری: تبیین مدلی برای خوانش معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه هنر، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">یاسمن بخیت، مسجد امام خمینی (شاه) تهران: شناخت تغییراتِ کیفیتِ فضایی از زمان ساخت بنا تا پایان سلطنت مظفرالدینشاه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">ریحانه حیدری، فایدۀ تاریخ معماری: بررسی آراء دانشوران معاصر آلمانیزبان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">روحاله مجتهدزاده، نسبت معماری و علوم در ایران دوران اسلامی؛ با تأکید بر علوم عملی، دکتری معماری اسلامی، دانشگاه هنر اصفهان، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">ذاتالله نیکزاد، حفاظت معماری و تحقیق تاریخ معماری: تمهید مبنایی نظری برای حفاظت به منزلۀ حوزهای میانرشتهای در پیشبرد تحقیق تاریخ معماری ایران، دکتری مرمت ابنیه، دانشکدۀ مرمت، دانشگاه هنر اصفهان، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطورهشناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی محمدی، واژگان معماری مطلعالشمس: گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶ </span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">آزاده رسولی یزدی، تفکر دربارۀ معماری منظر از طریق پیوند واژهها، کارشناسی ارشد معماری منظر، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در مثنوی معنوی: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۸. پایاننامه</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> ب. مشاوره</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>اطلاعات شخصی</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تولد: ۱۳۳۸، تهران\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان مادری: فارسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان دوم: انگلیسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان سوم: عربی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2021-10-31 11:59:55','2021-10-31 11:59:55','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(440,1,'2021-10-31 12:00:37','2021-10-31 12:00:37','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif;\"><span style=\"font-size: 18.6667px;\"> </span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی، </span><span style=\"font-size: 10pt;\">دانشگاه شهید بهشتی\n</span><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان زبان و ادب فارسی</span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">ایمیل:\n</span><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir\n</span><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\n<p style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">:وبگاهها\n</span><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a> |<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a> | <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">نشانی:\n</span><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. </span></span></p>\n\n\n<hr dir=\"rtl\" />\n\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul dir=\"rtl\">\n <li style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul dir=\"rtl\">\n <li>برندۀ جایزۀ کتاب سال سازمان مطالعه و تدوین کتب دانشگاهی (سمت) بابت کتاب هنر در تمدن اسلامی: معماری، ۱۳۹۸</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ رسالۀ معماریه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب معنا در معماری غرب، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب هندسه و تزیین در معماری اسلامی، ۱۳۸۱</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا ۱۳۹۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ معماری ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ هنر ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری معماری و هنر</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۹ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر گلستان هنر (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه مجلۀ موزهها (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">۶. نوشتههای منتشرشده</span></h3>\n<p dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">الف) مقاله (تألیف)</span></p>\n\n<ul>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">Probing Through Iranian Architectural History Within the Framework of an Ontology Development Process (with Dena Shamsizadeh and Niloofar Razavi), in <em>Digital Humanities Quarterly</em>, vol. 15. no. 3, Oct. 2021</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Place of Architecture in Knowledge. Classifications of the</span>\n<span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">First Islamic Centuries (with Rouhollah Mojtahedzadeh), in <em>Wiener zeitschrift für die kunde des morgenlandes</em>, no. 111, 2021</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Paradises of the Pen: A Survey of Persian Gardens in the Eleventh Century Persian Literature, in Fardanesh and Arefian (eds.), <em>Persian Paradises at Peril. The Urban Book Series</em>, Springer, Cham. https://doi.org/10.1007/978-3-030-62550-4_2, 2021.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">معرفت ضمنی و گونههای آن در معماری بر اساس اندیشۀ هری کالینز (به اتفاق امید شمس)، در مطالعات معماری ایران، پاییز و زمستان ۱۳۹۹.</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/A-Conceptual-History-of-Muhandis.pdf\">تاریخ مفهومیِ مهندس در نیمۀ نخست دورۀ قاجاریان، (به اتفاق زهرا گلشن)، در صفه، زمستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Idea-of-Non-Historical-Essence-of-Islamic-Architecture-of-Iran.pdf\">اندیشۀ ذاتِ ناتاریخیِ معماری اسلامی ایران: نقد دو دیدگاه، حالِ وحدت و خشت و خیال، (به اتفاق شبنم حاجیجعفری)، در <span style=\"font-size: 10pt;\"><em>گلستان هنر</em></span>، پاییز ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Concept-of-Architectural-Criticism-Its-History-and-Types.pdf\">مفهوم نقد معماری: سیر تاریخی و گونهها، (به اتفاق مطهره داناییفر)، در پژوهشنامۀ فرهنگستان هنر، تابستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، (به اتفاق محدثه نظیفکار)، در اثر، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/09/Ilm-al-Uqud.pdf\">علم عقود ابنیه: کلیدی برای فهم نسبت علم و معماری در جهان اسلام، (به اتفاق روحاله مجتهدزاده)، در تاریخ علم، ۱۳۹۶</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\">تاريخ آموزش طراحى معمارى دردانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-size: 10pt;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in Beiträge zur Islamischen Kunst und Archaäologie, 2017</span></a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in Islamic Studies, 2015.</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in Kimiya-ye-Honar, 2015</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در مطالعات معماری ایران، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در نامۀ معماری و شهرسازی، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در کیمیای هنر، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در مطالعات تاریخ فرهنگی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در نامۀ معماری و شهرسازی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مطالعات معماری ایران، ۱۳۹۲</a></span></li>\n</ul>\n<ul dir=\"rtl\">\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, 2013</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در فصلنامۀ آموزش مهندسی ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in Al-shajarah (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مولاناپژوهی، ۱۳۸۹</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در تاریخ و تمدن اسلامی، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در پژوهشنامۀ فرهنگستان هنر، ۱۳۸۸</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در گلستان هنر، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در گلستان هنر، زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در گلستان هنر، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ساختار نظریه و الفبای نظریهپردازی، در صفه، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در خیال، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">افکار و آثار الگ گرابار، در دانشنامه (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, <span style=\"text-align: left;\">2005</span></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمام گنجعلیخان، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرسۀ غیاثیۀ خرگرد، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عمارت هشتبهشت، در رواق، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در گلستان هنر، ش۱۳، پاییز ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در گلستان هنر، ش ۶، زمستان ۱۳۸۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در صفه، ش ۳۹، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در صفه، ش ۳۷، زمستان ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">نمادپردازی، وایتال پری، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی، اکهارت نویباوئر، در خیال، ش ۱۱، پاییز ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ج) جستار و مصاحبه و سخنرانی</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></span></li>\n <li>\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\n</li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">جستار: تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در مردمنامه، ۱۳۹۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\">گفتگو: فلسفۀ معماری، در اطلاعات حکمت و معرفت، ۱۳۹۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\">جستار: معماری چون مظهر فرهنگ، در فصلنامۀ معماری و فرهنگ، ۱۳۹۳</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\">گفتگو: شارحان پریشانی، مجلۀ سورۀ اندیشه، ۱۳۹۰</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب نگارههای چوبی مساجد آذربایجان، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در گلستان هنر، ش ۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: لایههای باغ ایرانی، در گلستان هنر، ش ۱۲، تابستان ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در گلستان هنر، شمارۀ ویژه، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در گلستان هنر، ش ۸، تابستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در گلستان هنر، ش ۵، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چو غلام آفتابم ...، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: نامۀ گنج، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۲، انتشارات سمت، ۱۳۹۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۱، انتشارات سمت، ۱۳۹۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\">کتابنگاشت توضیحی نظریههای معماری و هنر، انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\">پژوهشهای معماری و هنر (تاریخ و نظر)، انتشارات روزنه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ده حکایت معماری (المختار من نوادر اخبار العمار)، انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گفتارهایی در مبانی و تاریخ معماری و هنر، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">واژهنامۀ سهزبانۀ معماری اسلامی (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گنجنامه: فرهنگ آثار معماری اسلامی ایران (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری اختیار یا سرنوشت، انتشارات روزنه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معنا در معماری غرب، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پویهشناسی صور معماری، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰ و ۱۳۹۴.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هندسه و تزیین در معماری اسلامی (طومار توپقاپی)، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹ و ۱۳۹۸.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هنر خط و تذهیب قرآنی، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۷. تدریس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> دروس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>منابع تاریخ معماری ایران، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>نقد آثار تاریخ معماری، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹- ۱۴۰۰.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه دورۀ دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۸. پایاننامه و رساله</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> الف. راهنمایی</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\">امید شمس، شبکۀ باور مورخ معماری: نسبت میان تاریخنگاشت معماری با معرفت ضمنی معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">حمیدرضا پیشوایی، کاخ گلستان در دورۀ ناصری: به مثابۀ آیینۀ تحول ذوق معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مهدی حسینی، تاریخ اجتماعی معماری خانه از منظر ژیروئار: با تکیه بر کتاب زندگی در خانۀ حومۀ شهری انگلیسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم شائیان، دگرگونی عینی و ذهنی معماری خانگی در روزنامۀ خاطرات عینالسلطنه: ارزیابی منابع، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">فاطمهزهرا زال، نقد کتاب زندگی خانگی و فرهنگ مصرف در ایران: با تکیه بر تبلیغات مطبوعاتی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مطهره داناییفر، بسط اندیشۀ نقد تاریخی معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مهنام نجفی، بازیابی و فهم معنای «میدان»، در ایران دورۀ قاجاریه، دکتری معماری، دانشکدۀ معماری و هنر، دانشگاه یزد، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم عمارلو، مناسبات حضور زنان و معماری بازار تهران: از عهد ناصری تا انتهای دورۀ قاجاریه، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">محبوبه جوادیکیا، خوانش کتاب عکس علیخان والی به منزلۀ آینۀ نگاه او به معماری، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم ابراهیمی، بازخوانی گورستان ابنبابویه به منزلۀ مکان حافظه: از مشروطه تا انقلاب اسلامی، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">پرستو مقدمی، طرح تحقیقی برای تاریخ فرهنگی معماری ایران در دورۀ ناصری: معماری ساحت مرگ در تهران، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مونا بلوری بزاز، فرمالیسم روسی، از ادبیات تا معماری: تبیین مدلی برای خوانش معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه هنر، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">یاسمن بخیت، مسجد امام خمینی (شاه) تهران: شناخت تغییراتِ کیفیتِ فضایی از زمان ساخت بنا تا پایان سلطنت مظفرالدینشاه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">ریحانه حیدری، فایدۀ تاریخ معماری: بررسی آراء دانشوران معاصر آلمانیزبان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">روحاله مجتهدزاده، نسبت معماری و علوم در ایران دوران اسلامی؛ با تأکید بر علوم عملی، دکتری معماری اسلامی، دانشگاه هنر اصفهان، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">ذاتالله نیکزاد، حفاظت معماری و تحقیق تاریخ معماری: تمهید مبنایی نظری برای حفاظت به منزلۀ حوزهای میانرشتهای در پیشبرد تحقیق تاریخ معماری ایران، دکتری مرمت ابنیه، دانشکدۀ مرمت، دانشگاه هنر اصفهان، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطورهشناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی محمدی، واژگان معماری مطلعالشمس: گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶ </span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">آزاده رسولی یزدی، تفکر دربارۀ معماری منظر از طریق پیوند واژهها، کارشناسی ارشد معماری منظر، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در مثنوی معنوی: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۸. پایاننامه</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> ب. مشاوره</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>اطلاعات شخصی</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تولد: ۱۳۳۸، تهران\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان مادری: فارسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان دوم: انگلیسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان سوم: عربی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2021-10-31 12:00:37','2021-10-31 12:00:37','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(442,1,'2021-10-31 12:10:16','2021-10-31 12:10:16','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif;\"><span style=\"font-size: 18.6667px;\"> </span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی، </span><span style=\"font-size: 10pt;\">دانشگاه شهید بهشتی\n</span><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان زبان و ادب فارسی</span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">ایمیل:\n</span><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir\n</span><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\n<p style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">:وبگاهها\n</span><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a> |<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a> | <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">نشانی:\n</span><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. </span></span></p>\n\n\n<hr dir=\"rtl\" />\n\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul dir=\"rtl\">\n <li style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul dir=\"rtl\">\n <li>برندۀ جایزۀ کتاب سال سازمان مطالعه و تدوین کتب دانشگاهی (سمت) بابت کتاب هنر در تمدن اسلامی: معماری، ۱۳۹۸</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ رسالۀ معماریه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب معنا در معماری غرب، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب هندسه و تزیین در معماری اسلامی، ۱۳۸۱</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا ۱۳۹۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ معماری ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ هنر ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری معماری و هنر</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۹ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر گلستان هنر (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه مجلۀ موزهها (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">۶. نوشتههای منتشرشده</span></h3>\n<p dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">الف) مقاله (تألیف)</span></p>\n\n<ul>\n <li><a href=\"http://digitalhumanities.org/dhq/vol/15/3/000559/000559.html#\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">Probing Through Iranian Architectural History Within the Framework of an Ontology Development Process (with Dena Shamsizadeh and Niloofar Razavi), in <em>Digital Humanities Quarterly</em>, vol. 15. no. 3, Oct. 2021</span></a></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Place of Architecture in Knowledge. Classifications of the</span>\n<span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">First Islamic Centuries (with Rouhollah Mojtahedzadeh), in <em>Wiener zeitschrift für die kunde des morgenlandes</em>, no. 111, 2021</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Paradises of the Pen: A Survey of Persian Gardens in the Eleventh Century Persian Literature, in Fardanesh and Arefian (eds.), <em>Persian Paradises at Peril. The Urban Book Series</em>, Springer, Cham. https://doi.org/10.1007/978-3-030-62550-4_2, 2021.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">معرفت ضمنی و گونههای آن در معماری بر اساس اندیشۀ هری کالینز (به اتفاق امید شمس)، در مطالعات معماری ایران، پاییز و زمستان ۱۳۹۹.</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/A-Conceptual-History-of-Muhandis.pdf\">تاریخ مفهومیِ مهندس در نیمۀ نخست دورۀ قاجاریان، (به اتفاق زهرا گلشن)، در صفه، زمستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Idea-of-Non-Historical-Essence-of-Islamic-Architecture-of-Iran.pdf\">اندیشۀ ذاتِ ناتاریخیِ معماری اسلامی ایران: نقد دو دیدگاه، حالِ وحدت و خشت و خیال، (به اتفاق شبنم حاجیجعفری)، در <span style=\"font-size: 10pt;\"><em>گلستان هنر</em></span>، پاییز ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Concept-of-Architectural-Criticism-Its-History-and-Types.pdf\">مفهوم نقد معماری: سیر تاریخی و گونهها، (به اتفاق مطهره داناییفر)، در پژوهشنامۀ فرهنگستان هنر، تابستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، (به اتفاق محدثه نظیفکار)، در اثر، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/09/Ilm-al-Uqud.pdf\">علم عقود ابنیه: کلیدی برای فهم نسبت علم و معماری در جهان اسلام، (به اتفاق روحاله مجتهدزاده)، در تاریخ علم، ۱۳۹۶</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\">تاريخ آموزش طراحى معمارى دردانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-size: 10pt;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in Beiträge zur Islamischen Kunst und Archaäologie, 2017</span></a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in Islamic Studies, 2015.</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in Kimiya-ye-Honar, 2015</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در مطالعات معماری ایران، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در نامۀ معماری و شهرسازی، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در کیمیای هنر، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در مطالعات تاریخ فرهنگی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در نامۀ معماری و شهرسازی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مطالعات معماری ایران، ۱۳۹۲</a></span></li>\n</ul>\n<ul dir=\"rtl\">\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, 2013</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در فصلنامۀ آموزش مهندسی ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in Al-shajarah (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مولاناپژوهی، ۱۳۸۹</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در تاریخ و تمدن اسلامی، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در پژوهشنامۀ فرهنگستان هنر، ۱۳۸۸</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در گلستان هنر، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در گلستان هنر، زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در گلستان هنر، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ساختار نظریه و الفبای نظریهپردازی، در صفه، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در خیال، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">افکار و آثار الگ گرابار، در دانشنامه (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, <span style=\"text-align: left;\">2005</span></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمام گنجعلیخان، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرسۀ غیاثیۀ خرگرد، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عمارت هشتبهشت، در رواق، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در گلستان هنر، ش۱۳، پاییز ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در گلستان هنر، ش ۶، زمستان ۱۳۸۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در صفه، ش ۳۹، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در صفه، ش ۳۷، زمستان ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">نمادپردازی، وایتال پری، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی، اکهارت نویباوئر، در خیال، ش ۱۱، پاییز ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ج) جستار و مصاحبه و سخنرانی</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></span></li>\n <li>\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\n</li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">جستار: تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در مردمنامه، ۱۳۹۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\">گفتگو: فلسفۀ معماری، در اطلاعات حکمت و معرفت، ۱۳۹۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\">جستار: معماری چون مظهر فرهنگ، در فصلنامۀ معماری و فرهنگ، ۱۳۹۳</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\">گفتگو: شارحان پریشانی، مجلۀ سورۀ اندیشه، ۱۳۹۰</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب نگارههای چوبی مساجد آذربایجان، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در گلستان هنر، ش ۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: لایههای باغ ایرانی، در گلستان هنر، ش ۱۲، تابستان ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در گلستان هنر، شمارۀ ویژه، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در گلستان هنر، ش ۸، تابستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در گلستان هنر، ش ۵، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چو غلام آفتابم ...، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: نامۀ گنج، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۲، انتشارات سمت، ۱۳۹۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۱، انتشارات سمت، ۱۳۹۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\">کتابنگاشت توضیحی نظریههای معماری و هنر، انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\">پژوهشهای معماری و هنر (تاریخ و نظر)، انتشارات روزنه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ده حکایت معماری (المختار من نوادر اخبار العمار)، انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گفتارهایی در مبانی و تاریخ معماری و هنر، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">واژهنامۀ سهزبانۀ معماری اسلامی (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گنجنامه: فرهنگ آثار معماری اسلامی ایران (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری اختیار یا سرنوشت، انتشارات روزنه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معنا در معماری غرب، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پویهشناسی صور معماری، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰ و ۱۳۹۴.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هندسه و تزیین در معماری اسلامی (طومار توپقاپی)، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹ و ۱۳۹۸.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هنر خط و تذهیب قرآنی، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۷. تدریس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> دروس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>منابع تاریخ معماری ایران، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>نقد آثار تاریخ معماری، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹- ۱۴۰۰.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه دورۀ دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۸. پایاننامه و رساله</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> الف. راهنمایی</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\">امید شمس، شبکۀ باور مورخ معماری: نسبت میان تاریخنگاشت معماری با معرفت ضمنی معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">حمیدرضا پیشوایی، کاخ گلستان در دورۀ ناصری: به مثابۀ آیینۀ تحول ذوق معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مهدی حسینی، تاریخ اجتماعی معماری خانه از منظر ژیروئار: با تکیه بر کتاب زندگی در خانۀ حومۀ شهری انگلیسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم شائیان، دگرگونی عینی و ذهنی معماری خانگی در روزنامۀ خاطرات عینالسلطنه: ارزیابی منابع، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">فاطمهزهرا زال، نقد کتاب زندگی خانگی و فرهنگ مصرف در ایران: با تکیه بر تبلیغات مطبوعاتی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مطهره داناییفر، بسط اندیشۀ نقد تاریخی معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مهنام نجفی، بازیابی و فهم معنای «میدان»، در ایران دورۀ قاجاریه، دکتری معماری، دانشکدۀ معماری و هنر، دانشگاه یزد، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم عمارلو، مناسبات حضور زنان و معماری بازار تهران: از عهد ناصری تا انتهای دورۀ قاجاریه، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">محبوبه جوادیکیا، خوانش کتاب عکس علیخان والی به منزلۀ آینۀ نگاه او به معماری، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم ابراهیمی، بازخوانی گورستان ابنبابویه به منزلۀ مکان حافظه: از مشروطه تا انقلاب اسلامی، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">پرستو مقدمی، طرح تحقیقی برای تاریخ فرهنگی معماری ایران در دورۀ ناصری: معماری ساحت مرگ در تهران، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مونا بلوری بزاز، فرمالیسم روسی، از ادبیات تا معماری: تبیین مدلی برای خوانش معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه هنر، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">یاسمن بخیت، مسجد امام خمینی (شاه) تهران: شناخت تغییراتِ کیفیتِ فضایی از زمان ساخت بنا تا پایان سلطنت مظفرالدینشاه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">ریحانه حیدری، فایدۀ تاریخ معماری: بررسی آراء دانشوران معاصر آلمانیزبان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">روحاله مجتهدزاده، نسبت معماری و علوم در ایران دوران اسلامی؛ با تأکید بر علوم عملی، دکتری معماری اسلامی، دانشگاه هنر اصفهان، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">ذاتالله نیکزاد، حفاظت معماری و تحقیق تاریخ معماری: تمهید مبنایی نظری برای حفاظت به منزلۀ حوزهای میانرشتهای در پیشبرد تحقیق تاریخ معماری ایران، دکتری مرمت ابنیه، دانشکدۀ مرمت، دانشگاه هنر اصفهان، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطورهشناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی محمدی، واژگان معماری مطلعالشمس: گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶ </span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">آزاده رسولی یزدی، تفکر دربارۀ معماری منظر از طریق پیوند واژهها، کارشناسی ارشد معماری منظر، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در مثنوی معنوی: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۸. پایاننامه</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> ب. مشاوره</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>اطلاعات شخصی</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تولد: ۱۳۳۸، تهران\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان مادری: فارسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان دوم: انگلیسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان سوم: عربی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2021-10-31 12:10:16','2021-10-31 12:10:16','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(443,1,'2022-03-02 08:47:45','2022-03-02 08:47:45','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\nAssociate Professor, Shahid Beheshti University\nAssociate Member, The Iranian Academy of Art\nInvited Member, The Iranian Academy of Science\nInvited Member, The Iranian Academy of Persian Language and Literature\nEmails:\nm-qayyoomi@sbu.ac.ir; qayyoomi@gmail.com\nWebs:\n<a href=\"https://qayyoomi.com/\">Personal Web page; </a>\n<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\">Academia</a>\n\n<strong>Education</strong>\n<ul>\n <li>PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2007</li>\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\n <li>BA in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 1987</li>\n</ul>\n<strong>Honors and Awards</strong>\n<ul>\n <li>The Award for Morality and Spirituality in Art and Research 2013</li>\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\n <li>Research Fellowship, Farabi International Award 2010</li>\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\n <li>Annual Book Award of Islamic Republic of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\n</ul>\n<strong>Memberships</strong>\n<ul>\n <li>Associate Member, the Iranian Academy of Art, since 2003</li>\n <li>Invited Member, the Iranian Academy of Science, Since 2012</li>\n <li>Invited Member, the Iranian Academy of Persian Language and Literature, since 2012</li>\n <li>Member of Editorial Board, Athar Quarterly, 2013-2020</li>\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\n <li>Member of the Committee of Architecture and Urban Planning, Iranian Academy of Art Since 2000</li>\n</ul>\n<strong>Positions</strong>\n<ul>\n <li>Faculty Member, Center for Iranian Architectural Studies and Documentation, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2002</li>\n <li>Head of Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2015</li>\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2008-2011</li>\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\n <li>Faculty Member, the Iranian Academy of Art, 2004-2007</li>\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\n</ul>\n<strong> Research and Teaching Interests</strong>\n<ul>\n <li>History of Iranian and Persianate Architecture and Art</li>\n <li>Islamic Architecture and Art</li>\n <li>Theory and Methodology of Architectural History</li>\n <li>Theory of Architecture and Art</li>\n</ul>\n<strong> Publications:</strong>\n\n<strong> 1. Articles</strong>\n<ul>\n <li>The Concept of Maidan in Qajar Iran: Transformation to an\nEmbodiment of the Public Sphere (with Mahnam Najafi), in <em>International Journal of Environmental Studies</em>, vol. 78, no. 6, Dec. 2021</li>\n <li>Probing Through Iranian Architectural History Within the Framework of an Ontology Development Process (with Dena Shamsizadeh and Niloofar Razavi), in <em>Digital Humanities Quarterly</em>, vol. 15. no. 3, Oct. 2021</li>\n <li>The Place of Architecture in Knowledge. Classifications of the\nFirst Islamic Centuries (with Rouhollah Mojtahedzadeh), in <em>Wiener zeitschrift für die kunde des morgenlandes</em>, no. 111, 2021</li>\n <li>Tacit Knowledge and Its Varieties in Architecture, Based on H. Collins’ Model (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, 2021</li>\n <li>Paradises of the Pen: A Survey of Persian Gardens in the Eleventh Century Persian Literature, in Fardanesh F., Arefian F.F. (eds.), <em>Persian Paradises at Peril</em>. The Urban Book Series. Springer, Cham. https://doi.org/10.1007/978-3-030-62550-4_2, 2021</li>\n <li>The Concept of Architectural Criticism: Its History and Types, (with Motahhareh Danaeifar), in <em>Pažuheš Nāma-yi Farhangestān-i Hunar</em>, 2019</li>\n <li> A Conceptual History of Muhandis in the First Half of the Qajar Period, (with Zahra Golshan), in <em>Soffeh, </em>no. 87, 2020</li>\n <li>The Idea of Non-Historical Essence of Islamic Architecture of Iran: a Critique on Two Viewpoints (the Sense of Unity and Khisht-u Khiyāl), (with Shabnam Haji-Jafari), in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 17, 2019</li>\n <li>The Concept of Architectural Criticism: Its History and Types, (with M. Danayifar), in<em> Pažuheš Nāma-yi Farhangestān-i Hunar</em>, no. 2, 2019</li>\n <li>Two Documents Related to the Architecture of Estarabad Village Baths, (with Mohadesseh Nazifkar), in <em>Athar</em>, no. 80, 2018</li>\n <li>The Architecture of Dār al-Funūn School and Its Changes in Qajar Period, (with Boshra Moossavi), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 20, 2018</li>\n <li>The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work, (with R. Mojtahedzadeh), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 13, 2018</li>\n <li>\'Ilm al-\'Uqud: A Key to Understanding the Relations between the Sciences and Architecture in the Islamic World, (with R. Mojtahedzadeh), in T<em>ārīx-e</em> \'EIlm, vol. 15, no. 2, 2018</li>\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Soffeh</em>, 2017</li>\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 10, 2017</li>\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar, 2015</li>\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-ye-Honar</em>, 2015</li>\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in Mutāli’āt-i Me’mārī-yi Īrān, no. 6, 2015</li>\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Planning</em>, no. 7, 2012</li>\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\n <li>On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\n <li>Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\n <li>Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\n</ul>\n<strong>2. Articles (Translation)</strong>\n<ul>\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\n</ul>\n<strong>3. Prefaces, Essays, Presentation & Interviews</strong>\n<ul>\n <li>Presentation: The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n <li>Preface to the Yahya Sepehri\'s Book: <em>A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage</em>, 2017</li>\n <li>Preface to the Safa Mahmoudian\'s Book: <em>the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan</em>, 2017</li>\n <li>Essay: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\n <li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\n <li>Interview: Philosophy of Architecture, 2015</li>\n <li>Preface to Mehdi Arefi’s Book: <em>Khargird and Madrasa</em>, 2015</li>\n <li>Preface to the Mitra Hashemi\'s Book: <em>An Introduction to the Oral History of Iranian Architecture</em>, 2014</li>\n <li>Interview: Psychotic City and Islamic Architecture, 2014</li>\n <li>Essay: Architecture as Cultural Manifestation, 2014</li>\n <li>Preface to Mehdi Tamizi’s Book: <i>In the Shade of Cypress: The Picture of Cypress Tombstones in Isfahan, </i>2013</li>\n <li>Interview: Commentators of the Western Architecture, 2011</li>\n <li>Preface to the Book: <em>Paintings on the Wooden Ceilings of Azarbaijan Vernacular Mosques</em>, 2010</li>\n <li>Essay: Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13, 2008</li>\n <li>Essay: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\n <li>Essay: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\n <li>Essay: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\n <li>Essay: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\n <li>Essay: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\n <li>Essay: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\n</ul>\n<strong>4. Books </strong>\n<ul>\n <li>Art in Islamic Civilization: Architecture 2, 2019</li>\n <li>Art in Islamic Civilization: Architecture 1, 2018</li>\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\n <li>Ten Stories on Architecture, 2015</li>\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\n</ul>\n<strong>5. Books (Translation)</strong>\n<ul>\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\n</ul>\n<strong>Teaching Experience</strong>\n<ul>\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2009</li>\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2011</li>\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2011-2012</li>\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2008</li>\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2002-2007</li>\n</ul>\n<strong>Dissertations & Theses: 1. Supervised</strong>\n<ul>\n <li>Omid Shams, The Web of Belief of the Architectural Historian : The Relationship between Architectural Historiography and Architectural Tacit Knowledge, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Hamidreza Pishvaei, Architecture of Gulistan Palace in the Nasirid Period as a Mirror of a Changing Taste, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Mahdi Hosseini, The Social History of the House Architecture in Girouard\'s Perspective: As Revealed in His Life in the English Country HouseMA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Maryam Shaeyan, Objective and Subjective Changes of Domestic Architecture Mentioned in ʿAyn al-Salṭana’s Diary: An Evaluation of Sources, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Fateme Zahra Zal, Domesticity And Consumer Culture in Iran: A Review with an Emphasis on the Press Advertisement, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Developing the Idea of Architecture’s Historical Criticism, by Motahhareh Danaeifar, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Studing the Relationship between Gender and Architecture; Women\'s Presence in Tehran\'s Bazaar, by Maryam Ammarloo, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Reading Ali-khan Vali\'s Album as a Mirror of His Viewpoint to Architecture, by Mahboobeh Javadikia, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>“Maidan”: Understanding Its Meaning in Qajar Iran, by Mahnam Najafi, PhD in Architecture, Yazd University, 2020</li>\n <li>Ibn Babawayh cemetery as a place of memory, by Maryam Ebrahimi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2020</li>\n <li>A Proposal for a Cultural History of Iranian Architecture in Qajar Period, by Parastoo Moqaddami, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2020</li>\n <li>Russian Formalism, From Literature to Architecture: A Model for Reading Architecture, by Mona Bolouri Bazzaz, PhD in Architecture, Art University, Tehran, 2019.</li>\n <li>Architrctural Conservation and Architrctural Historiography: A Theoretical basis for conservation, as an interdisciplinary field in the pursuit of the historiography of Iranian architecture, by Zatollah Nikzad, PhD in Architectural Conservation, Art University of Isfahan, 2020</li>\n <li><span class=\"gmail_default\">The Advantage of Architectural History: A Survey of German Contemporary Scholarly Thoughts, by Reyhaneh Heydari, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2019</span></li>\n <li>Relation between architecture and science in Islamic periods; by emphasis on practical science, by Rouhollah Mojtahedzadeh, PhD in Islamic Architecture, Art University of Isfahan, 2017</li>\n <li>Reading architecture in Haft peikar of Nezami with mythology approach, by Sepideh Ahmadkhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2018</li>\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2016</li>\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2016</li>\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2015</li>\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2015</li>\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2014</li>\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\n <li>Thinking about the Landscape Architecture through the links between Its Terms, by Azadeh Rasouli Yazdi, MA in Lanscape Architecture, 2014</li>\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\n</ul>\n<strong>Dissertations: 2. Consulted</strong>\n<ul>\n <li>The Imam Khomeyni (Shah) Mosque: Studying Spatial Quality Changes from Built Time to the End of Mozafar’aldin Shah, by Yasaman Bakhit, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2019</li>\n <li>Harun- i Vilayat Shrine: Its Quiddity and Religious Ties, by Samaneh Pouremadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2019</li>\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\n <li>Characteristics of Mosques in Persian Timurid Miniatures in Comparison with Their Contemporary Mosques, by Halimeh Kamour Bandari, MA in Islamic Art, Tehran, Soore University, 2014</li>\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\n</ul>\n<strong>Personal Information</strong>\n<ul>\n <li>Born: Tehran, 1960</li>\n</ul>\n<strong>Languages</strong>\n<ul>\n <li>Reading and Translation Competence in English and Arabic</li>\n <li>Native in Persian</li>\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2022-03-02 08:47:45','2022-03-02 08:47:45','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(444,1,'2022-03-02 08:49:08','2022-03-02 08:49:08','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif;\"><span style=\"font-size: 18.6667px;\"> </span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی، </span><span style=\"font-size: 10pt;\">دانشگاه شهید بهشتی\n</span><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان زبان و ادب فارسی</span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">ایمیل:\n</span><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir\n</span><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\n<p style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">:وبگاهها\n</span><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a> |<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a> | <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">نشانی:\n</span><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. </span></span></p>\n\n\n<hr dir=\"rtl\" />\n\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul dir=\"rtl\">\n <li style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul dir=\"rtl\">\n <li>برندۀ جایزۀ کتاب سال سازمان مطالعه و تدوین کتب دانشگاهی (سمت) بابت کتاب هنر در تمدن اسلامی: معماری، ۱۳۹۸</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ اخلاق و نیایش در هنر و پژوهش، برای سی سال فعالیت پژوهشی و آموزشی در زمینۀ هنر و معماری اسلامی، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ رسالۀ معماریه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب معنا در معماری غرب، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب هندسه و تزیین در معماری اسلامی، ۱۳۸۱</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا ۱۳۹۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ معماری ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ هنر ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری معماری و هنر</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۹ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر گلستان هنر (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه مجلۀ موزهها (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">۶. نوشتههای منتشرشده</span></h3>\n<p dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">الف) مقاله (تألیف)</span></p>\n\n<ul>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Concept of Maidan in Qajar Iran: Transformation to an Embodiment of the Public Sphere (with Mahnam Najafi), in <em>International Journal of Environmental Studies</em>, vol. 78, no. 6, Dec. 2021</span></li>\n <li><a href=\"http://digitalhumanities.org/dhq/vol/15/3/000559/000559.html#\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">Probing Through Iranian Architectural History Within the Framework of an Ontology Development Process (with Dena Shamsizadeh and Niloofar Razavi), in <em>Digital Humanities Quarterly</em>, vol. 15. no. 3, Oct. 2021</span></a></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Place of Architecture in Knowledge. Classifications of the</span>\n<span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">First Islamic Centuries (with Rouhollah Mojtahedzadeh), in <em>Wiener zeitschrift für die kunde des morgenlandes</em>, no. 111, 2021</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Paradises of the Pen: A Survey of Persian Gardens in the Eleventh Century Persian Literature, in Fardanesh and Arefian (eds.), <em>Persian Paradises at Peril. The Urban Book Series</em>, Springer, Cham. https://doi.org/10.1007/978-3-030-62550-4_2, 2021.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">معرفت ضمنی و گونههای آن در معماری بر اساس اندیشۀ هری کالینز (به اتفاق امید شمس)، در مطالعات معماری ایران، پاییز و زمستان ۱۳۹۹.</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/A-Conceptual-History-of-Muhandis.pdf\">تاریخ مفهومیِ مهندس در نیمۀ نخست دورۀ قاجاریان، (به اتفاق زهرا گلشن)، در صفه، زمستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Idea-of-Non-Historical-Essence-of-Islamic-Architecture-of-Iran.pdf\">اندیشۀ ذاتِ ناتاریخیِ معماری اسلامی ایران: نقد دو دیدگاه، حالِ وحدت و خشت و خیال، (به اتفاق شبنم حاجیجعفری)، در <span style=\"font-size: 10pt;\"><em>گلستان هنر</em></span>، پاییز ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Concept-of-Architectural-Criticism-Its-History-and-Types.pdf\">مفهوم نقد معماری: سیر تاریخی و گونهها، (به اتفاق مطهره داناییفر)، در پژوهشنامۀ فرهنگستان هنر، تابستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، (به اتفاق محدثه نظیفکار)، در اثر، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/09/Ilm-al-Uqud.pdf\">علم عقود ابنیه: کلیدی برای فهم نسبت علم و معماری در جهان اسلام، (به اتفاق روحاله مجتهدزاده)، در تاریخ علم، ۱۳۹۶</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\">تاريخ آموزش طراحى معمارى دردانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-size: 10pt;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in Beiträge zur Islamischen Kunst und Archaäologie, 2017</span></a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in Islamic Studies, 2015.</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in Kimiya-ye-Honar, 2015</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در مطالعات معماری ایران، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در نامۀ معماری و شهرسازی، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در کیمیای هنر، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در مطالعات تاریخ فرهنگی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در نامۀ معماری و شهرسازی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مطالعات معماری ایران، ۱۳۹۲</a></span></li>\n</ul>\n<ul dir=\"rtl\">\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, 2013</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در فصلنامۀ آموزش مهندسی ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in Al-shajarah (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مولاناپژوهی، ۱۳۸۹</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در تاریخ و تمدن اسلامی، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در پژوهشنامۀ فرهنگستان هنر، ۱۳۸۸</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در گلستان هنر، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در گلستان هنر، زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در گلستان هنر، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ساختار نظریه و الفبای نظریهپردازی، در صفه، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در خیال، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">افکار و آثار الگ گرابار، در دانشنامه (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, <span style=\"text-align: left;\">2005</span></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمام گنجعلیخان، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرسۀ غیاثیۀ خرگرد، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عمارت هشتبهشت، در رواق، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در گلستان هنر، ش۱۳، پاییز ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در گلستان هنر، ش ۶، زمستان ۱۳۸۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در صفه، ش ۳۹، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در صفه، ش ۳۷، زمستان ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">نمادپردازی، وایتال پری، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی، اکهارت نویباوئر، در خیال، ش ۱۱، پاییز ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ج) جستار و مصاحبه و سخنرانی</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></span></li>\n <li>\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\n</li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">جستار: تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در مردمنامه، ۱۳۹۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\">گفتگو: فلسفۀ معماری، در اطلاعات حکمت و معرفت، ۱۳۹۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\">جستار: معماری چون مظهر فرهنگ، در فصلنامۀ معماری و فرهنگ، ۱۳۹۳</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\">گفتگو: شارحان پریشانی، مجلۀ سورۀ اندیشه، ۱۳۹۰</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب نگارههای چوبی مساجد آذربایجان، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در گلستان هنر، ش ۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: لایههای باغ ایرانی، در گلستان هنر، ش ۱۲، تابستان ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در گلستان هنر، شمارۀ ویژه، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در گلستان هنر، ش ۸، تابستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در گلستان هنر، ش ۵، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چو غلام آفتابم ...، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: نامۀ گنج، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۲، انتشارات سمت، ۱۳۹۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۱، انتشارات سمت، ۱۳۹۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\">کتابنگاشت توضیحی نظریههای معماری و هنر، انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\">پژوهشهای معماری و هنر (تاریخ و نظر)، انتشارات روزنه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ده حکایت معماری (المختار من نوادر اخبار العمار)، انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گفتارهایی در مبانی و تاریخ معماری و هنر، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">واژهنامۀ سهزبانۀ معماری اسلامی (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گنجنامه: فرهنگ آثار معماری اسلامی ایران (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری اختیار یا سرنوشت، انتشارات روزنه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معنا در معماری غرب، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پویهشناسی صور معماری، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰ و ۱۳۹۴.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هندسه و تزیین در معماری اسلامی (طومار توپقاپی)، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹ و ۱۳۹۸.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هنر خط و تذهیب قرآنی، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۷. تدریس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> دروس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>منابع تاریخ معماری ایران، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>نقد آثار تاریخ معماری، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹- ۱۴۰۰.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه دورۀ دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۸. پایاننامه و رساله</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> الف. راهنمایی</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\">امید شمس، شبکۀ باور مورخ معماری: نسبت میان تاریخنگاشت معماری با معرفت ضمنی معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">حمیدرضا پیشوایی، کاخ گلستان در دورۀ ناصری: به مثابۀ آیینۀ تحول ذوق معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مهدی حسینی، تاریخ اجتماعی معماری خانه از منظر ژیروئار: با تکیه بر کتاب زندگی در خانۀ حومۀ شهری انگلیسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم شائیان، دگرگونی عینی و ذهنی معماری خانگی در روزنامۀ خاطرات عینالسلطنه: ارزیابی منابع، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">فاطمهزهرا زال، نقد کتاب زندگی خانگی و فرهنگ مصرف در ایران: با تکیه بر تبلیغات مطبوعاتی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مطهره داناییفر، بسط اندیشۀ نقد تاریخی معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مهنام نجفی، بازیابی و فهم معنای «میدان»، در ایران دورۀ قاجاریه، دکتری معماری، دانشکدۀ معماری و هنر، دانشگاه یزد، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم عمارلو، مناسبات حضور زنان و معماری بازار تهران: از عهد ناصری تا انتهای دورۀ قاجاریه، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">محبوبه جوادیکیا، خوانش کتاب عکس علیخان والی به منزلۀ آینۀ نگاه او به معماری، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم ابراهیمی، بازخوانی گورستان ابنبابویه به منزلۀ مکان حافظه: از مشروطه تا انقلاب اسلامی، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">پرستو مقدمی، طرح تحقیقی برای تاریخ فرهنگی معماری ایران در دورۀ ناصری: معماری ساحت مرگ در تهران، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مونا بلوری بزاز، فرمالیسم روسی، از ادبیات تا معماری: تبیین مدلی برای خوانش معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه هنر، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">یاسمن بخیت، مسجد امام خمینی (شاه) تهران: شناخت تغییراتِ کیفیتِ فضایی از زمان ساخت بنا تا پایان سلطنت مظفرالدینشاه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">ریحانه حیدری، فایدۀ تاریخ معماری: بررسی آراء دانشوران معاصر آلمانیزبان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">روحاله مجتهدزاده، نسبت معماری و علوم در ایران دوران اسلامی؛ با تأکید بر علوم عملی، دکتری معماری اسلامی، دانشگاه هنر اصفهان، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">ذاتالله نیکزاد، حفاظت معماری و تحقیق تاریخ معماری: تمهید مبنایی نظری برای حفاظت به منزلۀ حوزهای میانرشتهای در پیشبرد تحقیق تاریخ معماری ایران، دکتری مرمت ابنیه، دانشکدۀ مرمت، دانشگاه هنر اصفهان، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطورهشناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی محمدی، واژگان معماری مطلعالشمس: گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶ </span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">آزاده رسولی یزدی، تفکر دربارۀ معماری منظر از طریق پیوند واژهها، کارشناسی ارشد معماری منظر، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در مثنوی معنوی: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۸. پایاننامه</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> ب. مشاوره</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>اطلاعات شخصی</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تولد: ۱۳۳۸، تهران\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان مادری: فارسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان دوم: انگلیسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان سوم: عربی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2022-03-02 08:49:08','2022-03-02 08:49:08','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0);
INSERT INTO `ql_posts` VALUES (445,1,'2022-04-20 07:35:23','2022-04-20 07:35:23','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif;\"><span style=\"font-size: 18.6667px;\"> </span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی، </span><span style=\"font-size: 10pt;\">دانشگاه شهید بهشتی\n</span><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان زبان و ادب فارسی</span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">ایمیل:\n</span><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir\n</span><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\n<p style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">:وبگاهها\n</span><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a> |<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a> | <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">نشانی:\n</span><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. </span></span></p>\n\n\n<hr dir=\"rtl\" />\n\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul dir=\"rtl\">\n <li style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva;\">برندۀ جایزۀ کتاب سال سازمان مطالعه و تدوین کتب دانشگاهی (سمت) بابت کتاب هنر در تمدن اسلامی: معماری، ۱۳۹۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ رسالۀ معماریه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب معنا در معماری غرب، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب هندسه و تزیین در معماری اسلامی، ۱۳۸۱</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا ۱۳۹۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ معماری ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ هنر ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری معماری و هنر</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۹ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر گلستان هنر (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه مجلۀ موزهها (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">۶. نوشتههای منتشرشده</span></h3>\n<p dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">الف) مقاله (تألیف)</span></p>\n\n<ul>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Concept of Maidan in Qajar Iran: Transformation to an Embodiment of the Public Sphere (with Mahnam Najafi), in <em>International Journal of Environmental Studies</em>, vol. 78, no. 6, Dec. 2021</span></li>\n <li><a href=\"http://digitalhumanities.org/dhq/vol/15/3/000559/000559.html#\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">Probing Through Iranian Architectural History Within the Framework of an Ontology Development Process (with Dena Shamsizadeh and Niloofar Razavi), in <em>Digital Humanities Quarterly</em>, vol. 15. no. 3, Oct. 2021</span></a></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Place of Architecture in Knowledge. Classifications of the</span>\n<span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">First Islamic Centuries (with Rouhollah Mojtahedzadeh), in <em>Wiener zeitschrift für die kunde des morgenlandes</em>, no. 111, 2021</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Paradises of the Pen: A Survey of Persian Gardens in the Eleventh Century Persian Literature, in Fardanesh and Arefian (eds.), <em>Persian Paradises at Peril. The Urban Book Series</em>, Springer, Cham. https://doi.org/10.1007/978-3-030-62550-4_2, 2021.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">معماری هنر و معماری جادویی در شاهنامه (به اتفاق مونا بلوری بزاز)، در مرمت و معماری ایران، پاییز ۱۴۰۰.</li>\n <li dir=\"rtl\" style=\"text-align: right;\">معرفت ضمنی و گونههای آن در معماری بر اساس اندیشۀ هری کالینز (به اتفاق امید شمس)، در مطالعات معماری ایران، پاییز و زمستان ۱۳۹۹.</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/A-Conceptual-History-of-Muhandis.pdf\">تاریخ مفهومیِ مهندس در نیمۀ نخست دورۀ قاجاریان، (به اتفاق زهرا گلشن)، در صفه، زمستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Idea-of-Non-Historical-Essence-of-Islamic-Architecture-of-Iran.pdf\">اندیشۀ ذاتِ ناتاریخیِ معماری اسلامی ایران: نقد دو دیدگاه، حالِ وحدت و خشت و خیال، (به اتفاق شبنم حاجیجعفری)، در <span style=\"font-size: 10pt;\"><em>گلستان هنر</em></span>، پاییز ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Concept-of-Architectural-Criticism-Its-History-and-Types.pdf\">مفهوم نقد معماری: سیر تاریخی و گونهها، (به اتفاق مطهره داناییفر)، در پژوهشنامۀ فرهنگستان هنر، تابستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، (به اتفاق محدثه نظیفکار)، در اثر، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/09/Ilm-al-Uqud.pdf\">علم عقود ابنیه: کلیدی برای فهم نسبت علم و معماری در جهان اسلام، (به اتفاق روحاله مجتهدزاده)، در تاریخ علم، ۱۳۹۶</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\">تاريخ آموزش طراحى معمارى دردانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-size: 10pt;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in Beiträge zur Islamischen Kunst und Archaäologie, 2017</span></a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in Islamic Studies, 2015.</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in Kimiya-ye-Honar, 2015</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در مطالعات معماری ایران، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در نامۀ معماری و شهرسازی، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در کیمیای هنر، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در مطالعات تاریخ فرهنگی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در نامۀ معماری و شهرسازی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مطالعات معماری ایران، ۱۳۹۲</a></span></li>\n</ul>\n<ul dir=\"rtl\">\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, 2013</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در فصلنامۀ آموزش مهندسی ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in Al-shajarah (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مولاناپژوهی، ۱۳۸۹</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در تاریخ و تمدن اسلامی، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در پژوهشنامۀ فرهنگستان هنر، ۱۳۸۸</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در گلستان هنر، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در گلستان هنر، زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در گلستان هنر، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ساختار نظریه و الفبای نظریهپردازی، در صفه، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در خیال، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">افکار و آثار الگ گرابار، در دانشنامه (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, <span style=\"text-align: left;\">2005</span></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمام گنجعلیخان، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرسۀ غیاثیۀ خرگرد، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عمارت هشتبهشت، در رواق، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در گلستان هنر، ش۱۳، پاییز ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در گلستان هنر، ش ۶، زمستان ۱۳۸۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در صفه، ش ۳۹، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در صفه، ش ۳۷، زمستان ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">نمادپردازی، وایتال پری، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی، اکهارت نویباوئر، در خیال، ش ۱۱، پاییز ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ج) جستار و مصاحبه و سخنرانی</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></span></li>\n <li>\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\n</li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">جستار: تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در مردمنامه، ۱۳۹۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\">گفتگو: فلسفۀ معماری، در اطلاعات حکمت و معرفت، ۱۳۹۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\">جستار: معماری چون مظهر فرهنگ، در فصلنامۀ معماری و فرهنگ، ۱۳۹۳</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\">گفتگو: شارحان پریشانی، مجلۀ سورۀ اندیشه، ۱۳۹۰</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب نگارههای چوبی مساجد آذربایجان، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در گلستان هنر، ش ۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: لایههای باغ ایرانی، در گلستان هنر، ش ۱۲، تابستان ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در گلستان هنر، شمارۀ ویژه، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در گلستان هنر، ش ۸، تابستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در گلستان هنر، ش ۵، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چو غلام آفتابم ...، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: نامۀ گنج، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۲، انتشارات سمت، ۱۳۹۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۱، انتشارات سمت، ۱۳۹۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\">کتابنگاشت توضیحی نظریههای معماری و هنر، انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\">پژوهشهای معماری و هنر (تاریخ و نظر)، انتشارات روزنه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ده حکایت معماری (المختار من نوادر اخبار العمار)، انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گفتارهایی در مبانی و تاریخ معماری و هنر، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">واژهنامۀ سهزبانۀ معماری اسلامی (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گنجنامه: فرهنگ آثار معماری اسلامی ایران (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری اختیار یا سرنوشت، انتشارات روزنه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معنا در معماری غرب، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پویهشناسی صور معماری، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰ و ۱۳۹۴.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هندسه و تزیین در معماری اسلامی (طومار توپقاپی)، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹ و ۱۳۹۸.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هنر خط و تذهیب قرآنی، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۷. تدریس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> دروس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>منابع تاریخ معماری ایران، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>نقد آثار تاریخ معماری، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹- ۱۴۰۰.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه دورۀ دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۸. پایاننامه و رساله</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> الف. راهنمایی</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\">امید شمس، شبکۀ باور مورخ معماری: نسبت میان تاریخنگاشت معماری با معرفت ضمنی معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">حمیدرضا پیشوایی، کاخ گلستان در دورۀ ناصری: به مثابۀ آیینۀ تحول ذوق معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مهدی حسینی، تاریخ اجتماعی معماری خانه از منظر ژیروئار: با تکیه بر کتاب زندگی در خانۀ حومۀ شهری انگلیسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم شائیان، دگرگونی عینی و ذهنی معماری خانگی در روزنامۀ خاطرات عینالسلطنه: ارزیابی منابع، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">فاطمهزهرا زال، نقد کتاب زندگی خانگی و فرهنگ مصرف در ایران: با تکیه بر تبلیغات مطبوعاتی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مطهره داناییفر، بسط اندیشۀ نقد تاریخی معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مهنام نجفی، بازیابی و فهم معنای «میدان»، در ایران دورۀ قاجاریه، دکتری معماری، دانشکدۀ معماری و هنر، دانشگاه یزد، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم عمارلو، مناسبات حضور زنان و معماری بازار تهران: از عهد ناصری تا انتهای دورۀ قاجاریه، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">محبوبه جوادیکیا، خوانش کتاب عکس علیخان والی به منزلۀ آینۀ نگاه او به معماری، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم ابراهیمی، بازخوانی گورستان ابنبابویه به منزلۀ مکان حافظه: از مشروطه تا انقلاب اسلامی، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">پرستو مقدمی، طرح تحقیقی برای تاریخ فرهنگی معماری ایران در دورۀ ناصری: معماری ساحت مرگ در تهران، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مونا بلوری بزاز، فرمالیسم روسی، از ادبیات تا معماری: تبیین مدلی برای خوانش معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه هنر، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">یاسمن بخیت، مسجد امام خمینی (شاه) تهران: شناخت تغییراتِ کیفیتِ فضایی از زمان ساخت بنا تا پایان سلطنت مظفرالدینشاه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">ریحانه حیدری، فایدۀ تاریخ معماری: بررسی آراء دانشوران معاصر آلمانیزبان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">روحاله مجتهدزاده، نسبت معماری و علوم در ایران دوران اسلامی؛ با تأکید بر علوم عملی، دکتری معماری اسلامی، دانشگاه هنر اصفهان، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">ذاتالله نیکزاد، حفاظت معماری و تحقیق تاریخ معماری: تمهید مبنایی نظری برای حفاظت به منزلۀ حوزهای میانرشتهای در پیشبرد تحقیق تاریخ معماری ایران، دکتری مرمت ابنیه، دانشکدۀ مرمت، دانشگاه هنر اصفهان، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطورهشناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی محمدی، واژگان معماری مطلعالشمس: گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶ </span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">آزاده رسولی یزدی، تفکر دربارۀ معماری منظر از طریق پیوند واژهها، کارشناسی ارشد معماری منظر، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در مثنوی معنوی: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۸. پایاننامه</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> ب. مشاوره</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>اطلاعات شخصی</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تولد: ۱۳۳۸، تهران\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان مادری: فارسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان دوم: انگلیسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان سوم: عربی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2022-04-20 07:35:23','2022-04-20 07:35:23','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(446,1,'2022-04-20 07:45:21','2022-04-20 07:45:21','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\nAssociate Professor, Shahid Beheshti University\nAssociate Member, The Iranian Academy of Art\nInvited Member, The Iranian Academy of Science\nInvited Member, The Iranian Academy of Persian Language and Literature\nEmails:\nm-qayyoomi@sbu.ac.ir; qayyoomi@gmail.com\nWebs:\n<a href=\"https://qayyoomi.com/\">Personal Web page; </a>\n<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\">Academia</a>\n\n<strong>Education</strong>\n<ul>\n <li>PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2007</li>\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\n <li>BA in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 1987</li>\n</ul>\n<strong>Honors and Awards</strong>\n<ul>\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\n <li>Research Fellowship, Farabi International Award 2010</li>\n <li>Annual Book Award of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\n <li>Annual Book Award of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\n</ul>\n<strong>Memberships</strong>\n<ul>\n <li>Associate Member, the Iranian Academy of Art, since 2003</li>\n <li>Invited Member, the Iranian Academy of Science, Since 2012</li>\n <li>Invited Member, the Iranian Academy of Persian Language and Literature, since 2012</li>\n <li>Member of Editorial Board, Athar Quarterly, 2013-2020</li>\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\n <li>Member of the Committee of Architecture and Urban Planning, Iranian Academy of Art Since 2000</li>\n</ul>\n<strong>Positions</strong>\n<ul>\n <li>Faculty Member, Center for Iranian Architectural Studies and Documentation, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2002</li>\n <li>Head of Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2015</li>\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2008-2011</li>\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\n <li>Faculty Member, the Iranian Academy of Art, 2004-2007</li>\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\n</ul>\n<strong> Research and Teaching Interests</strong>\n<ul>\n <li>History of Iranian and Persianate Architecture and Art</li>\n <li>Islamic Architecture and Art</li>\n <li>Theory and Methodology of Architectural History</li>\n <li>Theory of Architecture and Art</li>\n</ul>\n<strong> Publications:</strong>\n\n<strong> 1. Articles</strong>\n<ul>\n <li>Architecture of Art and Magical Architecture in <em>Shahnama</em> (with Mona Bolouri Bazzaz), in <em>Maremmat va Memari</em>, Fall 2021.</li>\n <li>The Concept of Maidan in Qajar Iran: Transformation to an\nEmbodiment of the Public Sphere (with Mahnam Najafi), in <em>International Journal of Environmental Studies</em>, vol. 78, no. 6, Dec. 2021</li>\n <li>Probing Through Iranian Architectural History Within the Framework of an Ontology Development Process (with Dena Shamsizadeh and Niloofar Razavi), in <em>Digital Humanities Quarterly</em>, vol. 15. no. 3, Oct. 2021</li>\n <li>The Place of Architecture in Knowledge Classifications of the\nFirst Islamic Centuries (with Rouhollah Mojtahedzadeh), in <em>Wiener zeitschrift für die kunde des morgenlandes</em>, no. 111, 2021</li>\n <li>Tacit Knowledge and Its Varieties in Architecture, Based on H. Collins’ Model (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, 2021</li>\n <li>Paradises of the Pen: A Survey of Persian Gardens in the Eleventh Century Persian Literature, in Fardanesh F., Arefian F.F. (eds.), <em>Persian Paradises at Peril</em>. The Urban Book Series. Springer, Cham. https://doi.org/10.1007/978-3-030-62550-4_2, 2021</li>\n <li>The Concept of Architectural Criticism: Its History and Types, (with Motahhareh Danaeifar), in <em>Pažuheš Nāma-i Farhangestān-i Hunar</em>, 2019</li>\n <li> A Conceptual History of Muhandis in the First Half of the Qajar Period, (with Zahra Golshan), in <em>Soffeh, </em>no. 87, 2020</li>\n <li>The Idea of Non-Historical Essence of Islamic Architecture of Iran: a Critique on Two Viewpoints (the Sense of Unity and Khisht-u Khiyāl), (with Shabnam Haji-Jafari), in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 17, 2019</li>\n <li>The Concept of Architectural Criticism: Its History and Types, (with M. Danayifar), in<em> Pažuheš Nāma-i Farhangestān-i Hunar</em>, no. 2, 2019</li>\n <li>Two Documents Related to the Architecture of Estarabad Village Baths, (with Mohadesseh Nazifkar), in <em>Athar</em>, no. 80, 2018</li>\n <li>The Architecture of Dār al-Funūn School and Its Changes in Qajar Period, (with Boshra Moossavi), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 20, 2018</li>\n <li>The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work, (with R. Mojtahedzadeh), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 13, 2018</li>\n <li>\'Ilm al-\'Uqud: A Key to Understanding the Relations between the Sciences and Architecture in the Islamic World, (with R. Mojtahedzadeh), in T<em>ārīx-i</em> \'Ilm, vol. 15, no. 2, 2018</li>\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Soffeh</em>, 2017</li>\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-i Īrān</em>, no. 10, 2017</li>\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar, 2015</li>\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-i Honar</em>, 2015</li>\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in <em>Mutāli’āt-i Me’mārī-i Īrān</em>, no. 6, 2015</li>\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Planning</em>, no. 7, 2012</li>\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\n <li>On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\n <li>Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\n <li>Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\n</ul>\n<strong>2. Articles (Translation)</strong>\n<ul>\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\n</ul>\n<strong>3. Prefaces, Essays, Presentation & Interviews</strong>\n<ul>\n <li>Presentation: The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n <li>Preface to the Yahya Sepehri\'s Book: <em>A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage</em>, 2017</li>\n <li>Preface to the Safa Mahmoudian\'s Book: <em>the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan</em>, 2017</li>\n <li>Essay: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\n <li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\n <li>Interview: Philosophy of Architecture, 2015</li>\n <li>Preface to Mehdi Arefi’s Book: <em>Khargird and Madrasa</em>, 2015</li>\n <li>Preface to the Mitra Hashemi\'s Book: <em>An Introduction to the Oral History of Iranian Architecture</em>, 2014</li>\n <li>Interview: Psychotic City and Islamic Architecture, 2014</li>\n <li>Essay: Architecture as Cultural Manifestation, 2014</li>\n <li>Preface to Mehdi Tamizi’s Book: <i>In the Shade of Cypress: The Picture of Cypress Tombstones in Isfahan, </i>2013</li>\n <li>Interview: Commentators of the Western Architecture, 2011</li>\n <li>Preface to the Book: <em>Paintings on the Wooden Ceilings of Azarbaijan Vernacular Mosques</em>, 2010</li>\n <li>Essay: Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13, 2008</li>\n <li>Essay: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\n <li>Essay: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\n <li>Essay: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\n <li>Essay: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\n <li>Essay: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\n <li>Essay: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\n</ul>\n<strong>4. Books </strong>\n<ul>\n <li>Art in Islamic Civilization: Architecture 2, 2019</li>\n <li>Art in Islamic Civilization: Architecture 1, 2018</li>\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\n <li>Ten Stories on Architecture, 2015</li>\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\n</ul>\n<strong>5. Books (Translation)</strong>\n<ul>\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\n</ul>\n<strong>Teaching Experience</strong>\n<ul>\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2009</li>\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2011</li>\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2011-2012</li>\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2008</li>\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2002-2007</li>\n</ul>\n<strong>Dissertations & Theses: 1. Supervised</strong>\n<ul>\n <li>Omid Shams, The Web of Belief of the Architectural Historian : The Relationship between Architectural Historiography and Architectural Tacit Knowledge, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Hamidreza Pishvaei, Architecture of Gulistan Palace in the Nasirid Period as a Mirror of a Changing Taste, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Mahdi Hosseini, The Social History of the House Architecture in Girouard\'s Perspective: As Revealed in His Life in the English Country HouseMA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Maryam Shaeyan, Objective and Subjective Changes of Domestic Architecture Mentioned in ʿAyn al-Salṭana’s Diary: An Evaluation of Sources, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Fateme Zahra Zal, Domesticity And Consumer Culture in Iran: A Review with an Emphasis on the Press Advertisement, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Developing the Idea of Architecture’s Historical Criticism, by Motahhareh Danaeifar, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Studing the Relationship between Gender and Architecture; Women\'s Presence in Tehran\'s Bazaar, by Maryam Ammarloo, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Reading Ali-khan Vali\'s Album as a Mirror of His Viewpoint to Architecture, by Mahboobeh Javadikia, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>“Maidan”: Understanding Its Meaning in Qajar Iran, by Mahnam Najafi, PhD in Architecture, Yazd University, 2020</li>\n <li>Ibn Babawayh cemetery as a place of memory, by Maryam Ebrahimi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2020</li>\n <li>A Proposal for a Cultural History of Iranian Architecture in Qajar Period, by Parastoo Moqaddami, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2020</li>\n <li>Russian Formalism, From Literature to Architecture: A Model for Reading Architecture, by Mona Bolouri Bazzaz, PhD in Architecture, Art University, Tehran, 2019.</li>\n <li>Architrctural Conservation and Architrctural Historiography: A Theoretical basis for conservation, as an interdisciplinary field in the pursuit of the historiography of Iranian architecture, by Zatollah Nikzad, PhD in Architectural Conservation, Art University of Isfahan, 2020</li>\n <li><span class=\"gmail_default\">The Advantage of Architectural History: A Survey of German Contemporary Scholarly Thoughts, by Reyhaneh Heydari, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2019</span></li>\n <li>Relation between architecture and science in Islamic periods; by emphasis on practical science, by Rouhollah Mojtahedzadeh, PhD in Islamic Architecture, Art University of Isfahan, 2017</li>\n <li>Reading architecture in Haft peikar of Nezami with mythology approach, by Sepideh Ahmadkhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2018</li>\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2016</li>\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2016</li>\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2015</li>\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2015</li>\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2014</li>\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\n <li>Thinking about the Landscape Architecture through the links between Its Terms, by Azadeh Rasouli Yazdi, MA in Lanscape Architecture, 2014</li>\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\n</ul>\n<strong>Dissertations: 2. Consulted</strong>\n<ul>\n <li>The Imam Khomeyni (Shah) Mosque: Studying Spatial Quality Changes from Built Time to the End of Mozafar’aldin Shah, by Yasaman Bakhit, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2019</li>\n <li>Harun- i Vilayat Shrine: Its Quiddity and Religious Ties, by Samaneh Pouremadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2019</li>\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\n <li>Characteristics of Mosques in Persian Timurid Miniatures in Comparison with Their Contemporary Mosques, by Halimeh Kamour Bandari, MA in Islamic Art, Tehran, Soore University, 2014</li>\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\n</ul>\n<strong>Personal Information</strong>\n<ul>\n <li>Born: Tehran, 1960</li>\n</ul>\n<strong>Languages</strong>\n<ul>\n <li>Reading and Translation Competence in English and Arabic</li>\n <li>Native in Persian</li>\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2022-04-20 07:45:21','2022-04-20 07:45:21','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(447,1,'2022-04-20 07:48:48','2022-04-20 07:48:48','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif;\"><span style=\"font-size: 18.6667px;\"> </span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی، </span><span style=\"font-size: 10pt;\">دانشگاه شهید بهشتی\n</span><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان زبان و ادب فارسی</span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">ایمیل:\n</span><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir\n</span><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\n<p style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">:وبگاهها\n</span><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a> |<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a> | <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">نشانی:\n</span><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. </span></span></p>\n\n\n<hr dir=\"rtl\" />\n\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul dir=\"rtl\">\n <li style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال سازمان مطالعه و تدوین کتب دانشگاهی (سمت) بابت کتاب هنر در تمدن اسلامی: معماری، ۱۳۹۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ رسالۀ معماریه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب معنا در معماری غرب، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب هندسه و تزیین در معماری اسلامی، ۱۳۸۱</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا ۱۳۹۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ معماری ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ هنر ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری معماری و هنر</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۹ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر گلستان هنر (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه مجلۀ موزهها (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">۶. نوشتههای منتشرشده</span></h3>\n<p dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">الف) مقاله (تألیف)</span></p>\n\n<ul>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Concept of Maidan in Qajar Iran: Transformation to an Embodiment of the Public Sphere (with Mahnam Najafi), in <em>International Journal of Environmental Studies</em>, vol. 78, no. 6, Dec. 2021</span></li>\n <li><a href=\"http://digitalhumanities.org/dhq/vol/15/3/000559/000559.html#\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">Probing Through Iranian Architectural History Within the Framework of an Ontology Development Process (with Dena Shamsizadeh and Niloofar Razavi), in <em>Digital Humanities Quarterly</em>, vol. 15. no. 3, Oct. 2021</span></a></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Place of Architecture in Knowledge. Classifications of the</span>\n<span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">First Islamic Centuries (with Rouhollah Mojtahedzadeh), in <em>Wiener zeitschrift für die kunde des morgenlandes</em>, no. 111, 2021</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Paradises of the Pen: A Survey of Persian Gardens in the Eleventh Century Persian Literature, in Fardanesh and Arefian (eds.), <em>Persian Paradises at Peril. The Urban Book Series</em>, Springer, Cham. https://doi.org/10.1007/978-3-030-62550-4_2, 2021.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">معماری هنر و معماری جادویی در شاهنامه (به اتفاق مونا بلوری بزاز)، در مرمت و معماری ایران، پاییز ۱۴۰۰.</li>\n <li dir=\"rtl\" style=\"text-align: right;\">معرفت ضمنی و گونههای آن در معماری بر اساس اندیشۀ هری کالینز (به اتفاق امید شمس)، در مطالعات معماری ایران، پاییز و زمستان ۱۳۹۹.</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/A-Conceptual-History-of-Muhandis.pdf\">تاریخ مفهومیِ مهندس در نیمۀ نخست دورۀ قاجاریان، (به اتفاق زهرا گلشن)، در صفه، زمستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Idea-of-Non-Historical-Essence-of-Islamic-Architecture-of-Iran.pdf\">اندیشۀ ذاتِ ناتاریخیِ معماری اسلامی ایران: نقد دو دیدگاه، حالِ وحدت و خشت و خیال، (به اتفاق شبنم حاجیجعفری)، در <span style=\"font-size: 10pt;\"><em>گلستان هنر</em></span>، پاییز ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Concept-of-Architectural-Criticism-Its-History-and-Types.pdf\">مفهوم نقد معماری: سیر تاریخی و گونهها، (به اتفاق مطهره داناییفر)، در پژوهشنامۀ فرهنگستان هنر، تابستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، (به اتفاق محدثه نظیفکار)، در اثر، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/09/Ilm-al-Uqud.pdf\">علم عقود ابنیه: کلیدی برای فهم نسبت علم و معماری در جهان اسلام، (به اتفاق روحاله مجتهدزاده)، در تاریخ علم، ۱۳۹۶</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\">تاريخ آموزش طراحى معمارى دردانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-size: 10pt;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in Beiträge zur Islamischen Kunst und Archaäologie, 2017</span></a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in Islamic Studies, 2015.</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in Kimiya-ye-Honar, 2015</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در مطالعات معماری ایران، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در نامۀ معماری و شهرسازی، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در کیمیای هنر، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در مطالعات تاریخ فرهنگی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در نامۀ معماری و شهرسازی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مطالعات معماری ایران، ۱۳۹۲</a></span></li>\n</ul>\n<ul dir=\"rtl\">\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, 2013</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در فصلنامۀ آموزش مهندسی ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in Al-shajarah (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مولاناپژوهی، ۱۳۸۹</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در تاریخ و تمدن اسلامی، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در پژوهشنامۀ فرهنگستان هنر، ۱۳۸۸</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در گلستان هنر، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در گلستان هنر، زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در گلستان هنر، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ساختار نظریه و الفبای نظریهپردازی، در صفه، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در خیال، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">افکار و آثار الگ گرابار، در دانشنامه (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, <span style=\"text-align: left;\">2005</span></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمام گنجعلیخان، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرسۀ غیاثیۀ خرگرد، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عمارت هشتبهشت، در رواق، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در گلستان هنر، ش۱۳، پاییز ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در گلستان هنر، ش ۶، زمستان ۱۳۸۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در صفه، ش ۳۹، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در صفه، ش ۳۷، زمستان ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">نمادپردازی، وایتال پری، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی، اکهارت نویباوئر، در خیال، ش ۱۱، پاییز ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ج) جستار و مصاحبه و سخنرانی</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></span></li>\n <li>\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\n</li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">جستار: تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در مردمنامه، ۱۳۹۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\">گفتگو: فلسفۀ معماری، در اطلاعات حکمت و معرفت، ۱۳۹۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\">جستار: معماری چون مظهر فرهنگ، در فصلنامۀ معماری و فرهنگ، ۱۳۹۳</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\">گفتگو: شارحان پریشانی، مجلۀ سورۀ اندیشه، ۱۳۹۰</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب نگارههای چوبی مساجد آذربایجان، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در گلستان هنر، ش ۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: لایههای باغ ایرانی، در گلستان هنر، ش ۱۲، تابستان ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در گلستان هنر، شمارۀ ویژه، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در گلستان هنر، ش ۸، تابستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در گلستان هنر، ش ۵، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چو غلام آفتابم ...، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: نامۀ گنج، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۲، انتشارات سمت، ۱۳۹۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۱، انتشارات سمت، ۱۳۹۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\">کتابنگاشت توضیحی نظریههای معماری و هنر، انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\">پژوهشهای معماری و هنر (تاریخ و نظر)، انتشارات روزنه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ده حکایت معماری (المختار من نوادر اخبار العمار)، انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گفتارهایی در مبانی و تاریخ معماری و هنر، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">واژهنامۀ سهزبانۀ معماری اسلامی (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گنجنامه: فرهنگ آثار معماری اسلامی ایران (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری اختیار یا سرنوشت، انتشارات روزنه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معنا در معماری غرب، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پویهشناسی صور معماری، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰ و ۱۳۹۴.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هندسه و تزیین در معماری اسلامی (طومار توپقاپی)، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹ و ۱۳۹۸.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هنر خط و تذهیب قرآنی، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۷. تدریس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> دروس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>منابع تاریخ معماری ایران، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>نقد آثار تاریخ معماری، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹- ۱۴۰۰.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه دورۀ دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۸. پایاننامه و رساله</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> الف. راهنمایی</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\">امید شمس، شبکۀ باور مورخ معماری: نسبت میان تاریخنگاشت معماری با معرفت ضمنی معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">حمیدرضا پیشوایی، کاخ گلستان در دورۀ ناصری: به مثابۀ آیینۀ تحول ذوق معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مهدی حسینی، تاریخ اجتماعی معماری خانه از منظر ژیروئار: با تکیه بر کتاب زندگی در خانۀ حومۀ شهری انگلیسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم شائیان، دگرگونی عینی و ذهنی معماری خانگی در روزنامۀ خاطرات عینالسلطنه: ارزیابی منابع، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">فاطمهزهرا زال، نقد کتاب زندگی خانگی و فرهنگ مصرف در ایران: با تکیه بر تبلیغات مطبوعاتی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مطهره داناییفر، بسط اندیشۀ نقد تاریخی معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مهنام نجفی، بازیابی و فهم معنای «میدان»، در ایران دورۀ قاجاریه، دکتری معماری، دانشکدۀ معماری و هنر، دانشگاه یزد، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم عمارلو، مناسبات حضور زنان و معماری بازار تهران: از عهد ناصری تا انتهای دورۀ قاجاریه، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">محبوبه جوادیکیا، خوانش کتاب عکس علیخان والی به منزلۀ آینۀ نگاه او به معماری، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم ابراهیمی، بازخوانی گورستان ابنبابویه به منزلۀ مکان حافظه: از مشروطه تا انقلاب اسلامی، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">پرستو مقدمی، طرح تحقیقی برای تاریخ فرهنگی معماری ایران در دورۀ ناصری: معماری ساحت مرگ در تهران، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مونا بلوری بزاز، فرمالیسم روسی، از ادبیات تا معماری: تبیین مدلی برای خوانش معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه هنر، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">یاسمن بخیت، مسجد امام خمینی (شاه) تهران: شناخت تغییراتِ کیفیتِ فضایی از زمان ساخت بنا تا پایان سلطنت مظفرالدینشاه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">ریحانه حیدری، فایدۀ تاریخ معماری: بررسی آراء دانشوران معاصر آلمانیزبان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">روحاله مجتهدزاده، نسبت معماری و علوم در ایران دوران اسلامی؛ با تأکید بر علوم عملی، دکتری معماری اسلامی، دانشگاه هنر اصفهان، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">ذاتالله نیکزاد، حفاظت معماری و تحقیق تاریخ معماری: تمهید مبنایی نظری برای حفاظت به منزلۀ حوزهای میانرشتهای در پیشبرد تحقیق تاریخ معماری ایران، دکتری مرمت ابنیه، دانشکدۀ مرمت، دانشگاه هنر اصفهان، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطورهشناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی محمدی، واژگان معماری مطلعالشمس: گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶ </span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">آزاده رسولی یزدی، تفکر دربارۀ معماری منظر از طریق پیوند واژهها، کارشناسی ارشد معماری منظر، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در مثنوی معنوی: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۸. پایاننامه</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> ب. مشاوره</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>اطلاعات شخصی</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تولد: ۱۳۳۸، تهران\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان مادری: فارسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان دوم: انگلیسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان سوم: عربی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2022-04-20 07:48:48','2022-04-20 07:48:48','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(448,1,'2022-04-20 07:50:57','2022-04-20 07:50:57','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif;\"><span style=\"font-size: 18.6667px;\"> </span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی، </span><span style=\"font-size: 10pt;\">دانشگاه شهید بهشتی\n</span><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان زبان و ادب فارسی</span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">ایمیل:\n</span><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir\n</span><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\n<p style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">:وبگاهها\n</span><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a> |<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a> | <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">نشانی:\n</span><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. </span></span></p>\n\n\n<hr dir=\"rtl\" />\n\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul dir=\"rtl\">\n <li style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال سازمان مطالعه و تدوین کتب دانشگاهی (سمت) بابت کتاب هنر در تمدن اسلامی: معماری، ۱۳۹۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ رسالۀ معماریه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب معنا در معماری غرب، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب هندسه و تزیین در معماری اسلامی، ۱۳۸۱</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا ۱۳۹۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ معماری ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ هنر ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری معماری و هنر</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۹ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر گلستان هنر (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه مجلۀ موزهها (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">۶. نوشتههای منتشرشده</span></h3>\n<p dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">الف) مقاله (تألیف)</span></p>\n\n<ul>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Concept of Maidan in Qajar Iran: Transformation to an Embodiment of the Public Sphere (with Mahnam Najafi), in <em>International Journal of Environmental Studies</em>, vol. 78, no. 6, Dec. 2021</span></li>\n <li><a href=\"http://digitalhumanities.org/dhq/vol/15/3/000559/000559.html#\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">Probing Through Iranian Architectural History Within the Framework of an Ontology Development Process (with Dena Shamsizadeh and Niloofar Razavi), in <em>Digital Humanities Quarterly</em>, vol. 15. no. 3, Oct. 2021</span></a></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Place of Architecture in Knowledge. Classifications of the</span>\n<span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">First Islamic Centuries (with Rouhollah Mojtahedzadeh), in <em>Wiener zeitschrift für die kunde des morgenlandes</em>, no. 111, 2021</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Paradises of the Pen: A Survey of Persian Gardens in the Eleventh Century Persian Literature, in Fardanesh and Arefian (eds.), <em>Persian Paradises at Peril. The Urban Book Series</em>, Springer, Cham. https://doi.org/10.1007/978-3-030-62550-4_2, 2021.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری هنر و معماری جادویی در شاهنامه (به اتفاق مونا بلوری بزاز)، در <span style=\"font-size: 10pt;\"><em>مرمت و معماری ایران</em></span>، پاییز ۱۴۰۰.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معرفت ضمنی و گونههای آن در معماری بر اساس اندیشۀ هری کالینز (به اتفاق امید شمس)، در <span style=\"font-size: 10pt;\"><em>مطالعات معماری ایران</em></span>، پاییز و زمستان ۱۳۹۹.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/A-Conceptual-History-of-Muhandis.pdf\">تاریخ مفهومیِ مهندس در نیمۀ نخست دورۀ قاجاریان، (به اتفاق زهرا گلشن)، در صفه، زمستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Idea-of-Non-Historical-Essence-of-Islamic-Architecture-of-Iran.pdf\">اندیشۀ ذاتِ ناتاریخیِ معماری اسلامی ایران: نقد دو دیدگاه، حالِ وحدت و خشت و خیال، (به اتفاق شبنم حاجیجعفری)، در <span style=\"font-size: 10pt;\"><em>گلستان هنر</em></span>، پاییز ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Concept-of-Architectural-Criticism-Its-History-and-Types.pdf\">مفهوم نقد معماری: سیر تاریخی و گونهها، (به اتفاق مطهره داناییفر)، در پژوهشنامۀ فرهنگستان هنر، تابستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، (به اتفاق محدثه نظیفکار)، در اثر، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/09/Ilm-al-Uqud.pdf\">علم عقود ابنیه: کلیدی برای فهم نسبت علم و معماری در جهان اسلام، (به اتفاق روحاله مجتهدزاده)، در تاریخ علم، ۱۳۹۶</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\">تاريخ آموزش طراحى معمارى دردانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-size: 10pt;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in Beiträge zur Islamischen Kunst und Archaäologie, 2017</span></a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in Islamic Studies, 2015.</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in Kimiya-ye-Honar, 2015</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در مطالعات معماری ایران، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در نامۀ معماری و شهرسازی، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در کیمیای هنر، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در مطالعات تاریخ فرهنگی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در نامۀ معماری و شهرسازی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مطالعات معماری ایران، ۱۳۹۲</a></span></li>\n</ul>\n<ul dir=\"rtl\">\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, 2013</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در فصلنامۀ آموزش مهندسی ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in Al-shajarah (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مولاناپژوهی، ۱۳۸۹</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در تاریخ و تمدن اسلامی، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در پژوهشنامۀ فرهنگستان هنر، ۱۳۸۸</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در گلستان هنر، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در گلستان هنر، زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در گلستان هنر، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ساختار نظریه و الفبای نظریهپردازی، در صفه، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در خیال، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">افکار و آثار الگ گرابار، در دانشنامه (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, <span style=\"text-align: left;\">2005</span></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمام گنجعلیخان، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرسۀ غیاثیۀ خرگرد، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عمارت هشتبهشت، در رواق، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در گلستان هنر، ش۱۳، پاییز ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در گلستان هنر، ش ۶، زمستان ۱۳۸۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در صفه، ش ۳۹، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در صفه، ش ۳۷، زمستان ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">نمادپردازی، وایتال پری، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی، اکهارت نویباوئر، در خیال، ش ۱۱، پاییز ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ج) جستار و مصاحبه و سخنرانی</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></span></li>\n <li>\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\n</li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">جستار: تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در مردمنامه، ۱۳۹۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\">گفتگو: فلسفۀ معماری، در اطلاعات حکمت و معرفت، ۱۳۹۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\">جستار: معماری چون مظهر فرهنگ، در فصلنامۀ معماری و فرهنگ، ۱۳۹۳</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\">گفتگو: شارحان پریشانی، مجلۀ سورۀ اندیشه، ۱۳۹۰</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب نگارههای چوبی مساجد آذربایجان، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در گلستان هنر، ش ۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: لایههای باغ ایرانی، در گلستان هنر، ش ۱۲، تابستان ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در گلستان هنر، شمارۀ ویژه، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در گلستان هنر، ش ۸، تابستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در گلستان هنر، ش ۵، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چو غلام آفتابم ...، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: نامۀ گنج، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۲، انتشارات سمت، ۱۳۹۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۱، انتشارات سمت، ۱۳۹۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\">کتابنگاشت توضیحی نظریههای معماری و هنر، انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\">پژوهشهای معماری و هنر (تاریخ و نظر)، انتشارات روزنه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ده حکایت معماری (المختار من نوادر اخبار العمار)، انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گفتارهایی در مبانی و تاریخ معماری و هنر، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">واژهنامۀ سهزبانۀ معماری اسلامی (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گنجنامه: فرهنگ آثار معماری اسلامی ایران (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری اختیار یا سرنوشت، انتشارات روزنه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معنا در معماری غرب، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پویهشناسی صور معماری، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰ و ۱۳۹۴.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هندسه و تزیین در معماری اسلامی (طومار توپقاپی)، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹ و ۱۳۹۸.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هنر خط و تذهیب قرآنی، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۷. تدریس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> دروس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>منابع تاریخ معماری ایران، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>نقد آثار تاریخ معماری، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹- ۱۴۰۰.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه دورۀ دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۸. پایاننامه و رساله</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> الف. راهنمایی</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\">امید شمس، شبکۀ باور مورخ معماری: نسبت میان تاریخنگاشت معماری با معرفت ضمنی معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">حمیدرضا پیشوایی، کاخ گلستان در دورۀ ناصری: به مثابۀ آیینۀ تحول ذوق معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مهدی حسینی، تاریخ اجتماعی معماری خانه از منظر ژیروئار: با تکیه بر کتاب زندگی در خانۀ حومۀ شهری انگلیسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم شائیان، دگرگونی عینی و ذهنی معماری خانگی در روزنامۀ خاطرات عینالسلطنه: ارزیابی منابع، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">فاطمهزهرا زال، نقد کتاب زندگی خانگی و فرهنگ مصرف در ایران: با تکیه بر تبلیغات مطبوعاتی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مطهره داناییفر، بسط اندیشۀ نقد تاریخی معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مهنام نجفی، بازیابی و فهم معنای «میدان»، در ایران دورۀ قاجاریه، دکتری معماری، دانشکدۀ معماری و هنر، دانشگاه یزد، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم عمارلو، مناسبات حضور زنان و معماری بازار تهران: از عهد ناصری تا انتهای دورۀ قاجاریه، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">محبوبه جوادیکیا، خوانش کتاب عکس علیخان والی به منزلۀ آینۀ نگاه او به معماری، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم ابراهیمی، بازخوانی گورستان ابنبابویه به منزلۀ مکان حافظه: از مشروطه تا انقلاب اسلامی، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">پرستو مقدمی، طرح تحقیقی برای تاریخ فرهنگی معماری ایران در دورۀ ناصری: معماری ساحت مرگ در تهران، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مونا بلوری بزاز، فرمالیسم روسی، از ادبیات تا معماری: تبیین مدلی برای خوانش معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه هنر، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">یاسمن بخیت، مسجد امام خمینی (شاه) تهران: شناخت تغییراتِ کیفیتِ فضایی از زمان ساخت بنا تا پایان سلطنت مظفرالدینشاه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">ریحانه حیدری، فایدۀ تاریخ معماری: بررسی آراء دانشوران معاصر آلمانیزبان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">روحاله مجتهدزاده، نسبت معماری و علوم در ایران دوران اسلامی؛ با تأکید بر علوم عملی، دکتری معماری اسلامی، دانشگاه هنر اصفهان، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">ذاتالله نیکزاد، حفاظت معماری و تحقیق تاریخ معماری: تمهید مبنایی نظری برای حفاظت به منزلۀ حوزهای میانرشتهای در پیشبرد تحقیق تاریخ معماری ایران، دکتری مرمت ابنیه، دانشکدۀ مرمت، دانشگاه هنر اصفهان، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطورهشناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی محمدی، واژگان معماری مطلعالشمس: گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶ </span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">آزاده رسولی یزدی، تفکر دربارۀ معماری منظر از طریق پیوند واژهها، کارشناسی ارشد معماری منظر، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در مثنوی معنوی: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۸. پایاننامه</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> ب. مشاوره</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>اطلاعات شخصی</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تولد: ۱۳۳۸، تهران\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان مادری: فارسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان دوم: انگلیسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان سوم: عربی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2022-04-20 07:50:57','2022-04-20 07:50:57','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(449,1,'2022-06-13 12:01:27','2022-06-13 12:01:27','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif;\"><span style=\"font-size: 18.6667px;\"> </span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی، </span><span style=\"font-size: 10pt;\">دانشگاه شهید بهشتی\n</span><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان زبان و ادب فارسی</span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">ایمیل:\n</span><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir\n</span><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\n<p style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">:وبگاهها\n</span><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a> |<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a> | <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">نشانی:\n</span><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. </span></span></p>\n\n\n<hr dir=\"rtl\">\n\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul dir=\"rtl\">\n <li style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال سازمان مطالعه و تدوین کتب دانشگاهی (سمت) بابت کتاب هنر در تمدن اسلامی: معماری، ۱۳۹۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ رسالۀ معماریه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب معنا در معماری غرب، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب هندسه و تزیین در معماری اسلامی، ۱۳۸۱</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا ۱۳۹۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانزمین، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ معماری ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ هنر ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری معماری و هنر</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۹ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر گلستان هنر (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه مجلۀ موزهها (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">۶. نوشتههای منتشرشده</span></h3>\n<p dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">الف) مقاله (تألیف)</span></p>\n\n<ul>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Concept of Maidan in Qajar Iran: Transformation to an Embodiment of the Public Sphere (with Mahnam Najafi), in <em>International Journal of Environmental Studies</em>, vol. 78, no. 6, Dec. 2021</span></li>\n <li><a href=\"http://digitalhumanities.org/dhq/vol/15/3/000559/000559.html#\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">Probing Through Iranian Architectural History Within the Framework of an Ontology Development Process (with Dena Shamsizadeh and Niloofar Razavi), in <em>Digital Humanities Quarterly</em>, vol. 15. no. 3, Oct. 2021</span></a></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Place of Architecture in Knowledge. Classifications of the</span>\n<span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">First Islamic Centuries (with Rouhollah Mojtahedzadeh), in <em>Wiener zeitschrift für die kunde des morgenlandes</em>, no. 111, 2021</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Paradises of the Pen: A Survey of Persian Gardens in the Eleventh Century Persian Literature, in Fardanesh and Arefian (eds.), <em>Persian Paradises at Peril. The Urban Book Series</em>, Springer, Cham. https://doi.org/10.1007/978-3-030-62550-4_2, 2021.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری هنر و معماری جادویی در شاهنامه (به اتفاق مونا بلوری بزاز)، در <span style=\"font-size: 10pt;\"><em>مرمت و معماری ایران</em></span>، پاییز ۱۴۰۰.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معرفت ضمنی و گونههای آن در معماری بر اساس اندیشۀ هری کالینز (به اتفاق امید شمس)، در <span style=\"font-size: 10pt;\"><em>مطالعات معماری ایران</em></span>، پاییز و زمستان ۱۳۹۹.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/A-Conceptual-History-of-Muhandis.pdf\">تاریخ مفهومیِ مهندس در نیمۀ نخست دورۀ قاجاریان، (به اتفاق زهرا گلشن)، در صفه، زمستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Idea-of-Non-Historical-Essence-of-Islamic-Architecture-of-Iran.pdf\">اندیشۀ ذاتِ ناتاریخیِ معماری اسلامی ایران: نقد دو دیدگاه، حالِ وحدت و خشت و خیال، (به اتفاق شبنم حاجیجعفری)، در <span style=\"font-size: 10pt;\"><em>گلستان هنر</em></span>، پاییز ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Concept-of-Architectural-Criticism-Its-History-and-Types.pdf\">مفهوم نقد معماری: سیر تاریخی و گونهها، (به اتفاق مطهره داناییفر)، در پژوهشنامۀ فرهنگستان هنر، تابستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، (به اتفاق محدثه نظیفکار)، در اثر، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/09/Ilm-al-Uqud.pdf\">علم عقود ابنیه: کلیدی برای فهم نسبت علم و معماری در جهان اسلام، (به اتفاق روحاله مجتهدزاده)، در تاریخ علم، ۱۳۹۶</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\">تاريخ آموزش طراحى معمارى دردانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-size: 10pt;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in Beiträge zur Islamischen Kunst und Archaäologie, 2017</span></a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in Islamic Studies, 2015.</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in Kimiya-ye-Honar, 2015</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در مطالعات معماری ایران، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در نامۀ معماری و شهرسازی، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در کیمیای هنر، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در مطالعات تاریخ فرهنگی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در نامۀ معماری و شهرسازی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مطالعات معماری ایران، ۱۳۹۲</a></span></li>\n</ul>\n<ul dir=\"rtl\">\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, 2013</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در فصلنامۀ آموزش مهندسی ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in Al-shajarah (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مولاناپژوهی، ۱۳۸۹</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در تاریخ و تمدن اسلامی، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در پژوهشنامۀ فرهنگستان هنر، ۱۳۸۸</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در گلستان هنر، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در گلستان هنر، زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در گلستان هنر، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ساختار نظریه و الفبای نظریهپردازی، در صفه، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در خیال، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">افکار و آثار الگ گرابار، در دانشنامه (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, <span style=\"text-align: left;\">2005</span></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Anaklysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمام گنجعلیخان، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرسۀ غیاثیۀ خرگرد، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عمارت هشتبهشت، در رواق، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در گلستان هنر، ش۱۳، پاییز ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در گلستان هنر، ش ۶، زمستان ۱۳۸۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در صفه، ش ۳۹، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در صفه، ش ۳۷، زمستان ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">نمادپردازی، وایتال پری، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی، اکهارت نویباوئر، در خیال، ش ۱۱، پاییز ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ج) جستار و مصاحبه و سخنرانی</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></span></li>\n <li>\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\n</li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">جستار: تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در مردمنامه، ۱۳۹۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\">گفتگو: فلسفۀ معماری، در اطلاعات حکمت و معرفت، ۱۳۹۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\">جستار: معماری چون مظهر فرهنگ، در فصلنامۀ معماری و فرهنگ، ۱۳۹۳</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\">گفتگو: شارحان پریشانی، مجلۀ سورۀ اندیشه، ۱۳۹۰</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب نگارههای چوبی مساجد آذربایجان، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در گلستان هنر، ش ۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: لایههای باغ ایرانی، در گلستان هنر، ش ۱۲، تابستان ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در گلستان هنر، شمارۀ ویژه، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در گلستان هنر، ش ۸، تابستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در گلستان هنر، ش ۵، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چو غلام آفتابم ...، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: نامۀ گنج، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۲، انتشارات سمت، ۱۳۹۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۱، انتشارات سمت، ۱۳۹۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گنجنامه: فرهنگ آثار معماری اسلامی ایران (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۱۵ و ۱۶ (خانهها)، دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\">کتابنگاشت توضیحی نظریههای معماری و هنر، انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\">پژوهشهای معماری و هنر (تاریخ و نظر)، انتشارات روزنه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ده حکایت معماری (المختار من نوادر اخبار العمار)، انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گفتارهایی در مبانی و تاریخ معماری و هنر، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">واژهنامۀ سهزبانۀ معماری اسلامی (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گنجنامه: فرهنگ آثار معماری اسلامی ایران (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری اختیار یا سرنوشت، انتشارات روزنه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معنا در معماری غرب، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پویهشناسی صور معماری، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰ و ۱۳۹۴.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هندسه و تزیین در معماری اسلامی (طومار توپقاپی)، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹ و ۱۳۹۸.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هنر خط و تذهیب قرآنی، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۷. تدریس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> دروس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>منابع تاریخ معماری ایران، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>نقد آثار تاریخ معماری، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹- ۱۴۰۰.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه دورۀ دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۸. پایاننامه و رساله</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> الف. راهنمایی</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\">امید شمس، شبکۀ باور مورخ معماری: نسبت میان تاریخنگاشت معماری با معرفت ضمنی معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">حمیدرضا پیشوایی، کاخ گلستان در دورۀ ناصری: به مثابۀ آیینۀ تحول ذوق معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مهدی حسینی، تاریخ اجتماعی معماری خانه از منظر ژیروئار: با تکیه بر کتاب زندگی در خانۀ حومۀ شهری انگلیسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم شائیان، دگرگونی عینی و ذهنی معماری خانگی در روزنامۀ خاطرات عینالسلطنه: ارزیابی منابع، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">فاطمهزهرا زال، نقد کتاب زندگی خانگی و فرهنگ مصرف در ایران: با تکیه بر تبلیغات مطبوعاتی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مطهره داناییفر، بسط اندیشۀ نقد تاریخی معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مهنام نجفی، بازیابی و فهم معنای «میدان»، در ایران دورۀ قاجاریه، دکتری معماری، دانشکدۀ معماری و هنر، دانشگاه یزد، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم عمارلو، مناسبات حضور زنان و معماری بازار تهران: از عهد ناصری تا انتهای دورۀ قاجاریه، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">محبوبه جوادیکیا، خوانش کتاب عکس علیخان والی به منزلۀ آینۀ نگاه او به معماری، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم ابراهیمی، بازخوانی گورستان ابنبابویه به منزلۀ مکان حافظه: از مشروطه تا انقلاب اسلامی، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">پرستو مقدمی، طرح تحقیقی برای تاریخ فرهنگی معماری ایران در دورۀ ناصری: معماری ساحت مرگ در تهران، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مونا بلوری بزاز، فرمالیسم روسی، از ادبیات تا معماری: تبیین مدلی برای خوانش معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه هنر، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">یاسمن بخیت، مسجد امام خمینی (شاه) تهران: شناخت تغییراتِ کیفیتِ فضایی از زمان ساخت بنا تا پایان سلطنت مظفرالدینشاه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">ریحانه حیدری، فایدۀ تاریخ معماری: بررسی آراء دانشوران معاصر آلمانیزبان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">روحاله مجتهدزاده، نسبت معماری و علوم در ایران دوران اسلامی؛ با تأکید بر علوم عملی، دکتری معماری اسلامی، دانشگاه هنر اصفهان، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">ذاتالله نیکزاد، حفاظت معماری و تحقیق تاریخ معماری: تمهید مبنایی نظری برای حفاظت به منزلۀ حوزهای میانرشتهای در پیشبرد تحقیق تاریخ معماری ایران، دکتری مرمت ابنیه، دانشکدۀ مرمت، دانشگاه هنر اصفهان، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطورهشناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی محمدی، واژگان معماری مطلعالشمس: گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶ </span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">آزاده رسولی یزدی، تفکر دربارۀ معماری منظر از طریق پیوند واژهها، کارشناسی ارشد معماری منظر، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در مثنوی معنوی: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۸. پایاننامه</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> ب. مشاوره</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>اطلاعات شخصی</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تولد: ۱۳۳۸، تهران\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان مادری: فارسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان دوم: انگلیسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان سوم: عربی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2022-06-13 12:01:27','2022-06-13 12:01:27','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(450,1,'2022-06-13 12:03:44','2022-06-13 12:03:44','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\nAssociate Professor, Shahid Beheshti University\nAssociate Member, The Iranian Academy of Art\nInvited Member, The Iranian Academy of Science\nInvited Member, The Iranian Academy of Persian Language and Literature\nEmails:\nm-qayyoomi@sbu.ac.ir; qayyoomi@gmail.com\nWebs:\n<a href=\"https://qayyoomi.com/\">Personal Web page; </a>\n<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\">Academia</a>\n\n<strong>Education</strong>\n<ul>\n <li>PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2007</li>\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\n <li>BA in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 1987</li>\n</ul>\n<strong>Honors and Awards</strong>\n<ul>\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\n <li>Research Fellowship, Farabi International Award 2010</li>\n <li>Annual Book Award of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\n <li>Annual Book Award of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\n</ul>\n<strong>Memberships</strong>\n<ul>\n <li>Associate Member, the Iranian Academy of Art, since 2003</li>\n <li>Invited Member, the Iranian Academy of Science, Since 2012</li>\n <li>Invited Member, the Iranian Academy of Persian Language and Literature, since 2012</li>\n <li>Member of Editorial Board, Athar Quarterly, 2013-2020</li>\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\n <li>Member of the Committee of Architecture and Urban Planning, Iranian Academy of Art Since 2000</li>\n</ul>\n<strong>Positions</strong>\n<ul>\n <li>Faculty Member, Center for Iranian Architectural Studies and Documentation, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2002</li>\n <li>Head of Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2015</li>\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2008-2011</li>\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\n <li>Faculty Member, the Iranian Academy of Art, 2004-2007</li>\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\n</ul>\n<strong> Research and Teaching Interests</strong>\n<ul>\n <li>History of Iranian and Persianate Architecture and Art</li>\n <li>Islamic Architecture and Art</li>\n <li>Theory and Methodology of Architectural History</li>\n <li>Theory of Architecture and Art</li>\n</ul>\n<strong> Publications:</strong>\n\n<strong> 1. Articles</strong>\n<ul>\n <li>Architecture of Art and Magical Architecture in <em>Shahnama</em> (with Mona Bolouri Bazzaz), in <em>Maremmat va Memari</em>, Fall 2021.</li>\n <li>The Concept of Maidan in Qajar Iran: Transformation to an\nEmbodiment of the Public Sphere (with Mahnam Najafi), in <em>International Journal of Environmental Studies</em>, vol. 78, no. 6, Dec. 2021</li>\n <li>Probing Through Iranian Architectural History Within the Framework of an Ontology Development Process (with Dena Shamsizadeh and Niloofar Razavi), in <em>Digital Humanities Quarterly</em>, vol. 15. no. 3, Oct. 2021</li>\n <li>The Place of Architecture in Knowledge Classifications of the\nFirst Islamic Centuries (with Rouhollah Mojtahedzadeh), in <em>Wiener zeitschrift für die kunde des morgenlandes</em>, no. 111, 2021</li>\n <li>Tacit Knowledge and Its Varieties in Architecture, Based on H. Collins’ Model (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, 2021</li>\n <li>Paradises of the Pen: A Survey of Persian Gardens in the Eleventh Century Persian Literature, in Fardanesh F., Arefian F.F. (eds.), <em>Persian Paradises at Peril</em>. The Urban Book Series. Springer, Cham. https://doi.org/10.1007/978-3-030-62550-4_2, 2021</li>\n <li>The Concept of Architectural Criticism: Its History and Types, (with Motahhareh Danaeifar), in <em>Pažuheš Nāma-i Farhangestān-i Hunar</em>, 2019</li>\n <li> A Conceptual History of Muhandis in the First Half of the Qajar Period, (with Zahra Golshan), in <em>Soffeh, </em>no. 87, 2020</li>\n <li>The Idea of Non-Historical Essence of Islamic Architecture of Iran: a Critique on Two Viewpoints (the Sense of Unity and Khisht-u Khiyāl), (with Shabnam Haji-Jafari), in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 17, 2019</li>\n <li>The Concept of Architectural Criticism: Its History and Types, (with M. Danayifar), in<em> Pažuheš Nāma-i Farhangestān-i Hunar</em>, no. 2, 2019</li>\n <li>Two Documents Related to the Architecture of Estarabad Village Baths, (with Mohadesseh Nazifkar), in <em>Athar</em>, no. 80, 2018</li>\n <li>The Architecture of Dār al-Funūn School and Its Changes in Qajar Period, (with Boshra Moossavi), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 20, 2018</li>\n <li>The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work, (with R. Mojtahedzadeh), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 13, 2018</li>\n <li>\'Ilm al-\'Uqud: A Key to Understanding the Relations between the Sciences and Architecture in the Islamic World, (with R. Mojtahedzadeh), in T<em>ārīx-i</em> \'Ilm, vol. 15, no. 2, 2018</li>\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Soffeh</em>, 2017</li>\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-i Īrān</em>, no. 10, 2017</li>\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar, 2015</li>\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-i Honar</em>, 2015</li>\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in <em>Mutāli’āt-i Me’mārī-i Īrān</em>, no. 6, 2015</li>\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Planning</em>, no. 7, 2012</li>\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\n <li>On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\n <li>Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\n <li>Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\n</ul>\n<strong>2. Articles (Translation)</strong>\n<ul>\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\n</ul>\n<strong>3. Prefaces, Essays, Presentation & Interviews</strong>\n<ul>\n <li>Presentation: The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n <li>Preface to the Yahya Sepehri\'s Book: <em>A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage</em>, 2017</li>\n <li>Preface to the Safa Mahmoudian\'s Book: <em>the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan</em>, 2017</li>\n <li>Essay: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\n <li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\n <li>Interview: Philosophy of Architecture, 2015</li>\n <li>Preface to Mehdi Arefi’s Book: <em>Khargird and Madrasa</em>, 2015</li>\n <li>Preface to the Mitra Hashemi\'s Book: <em>An Introduction to the Oral History of Iranian Architecture</em>, 2014</li>\n <li>Interview: Psychotic City and Islamic Architecture, 2014</li>\n <li>Essay: Architecture as Cultural Manifestation, 2014</li>\n <li>Preface to Mehdi Tamizi’s Book: <i>In the Shade of Cypress: The Picture of Cypress Tombstones in Isfahan, </i>2013</li>\n <li>Interview: Commentators of the Western Architecture, 2011</li>\n <li>Preface to the Book: <em>Paintings on the Wooden Ceilings of Azarbaijan Vernacular Mosques</em>, 2010</li>\n <li>Essay: Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13, 2008</li>\n <li>Essay: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\n <li>Essay: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\n <li>Essay: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\n <li>Essay: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\n <li>Essay: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\n <li>Essay: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\n</ul>\n<strong>4. Books </strong>\n<ul>\n <li>Art in Islamic Civilization: Architecture 2, 2019</li>\n <li>Art in Islamic Civilization: Architecture 1, 2018</li>\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 15 and 16: Mansions (supervised by Kambiz Haji-Qassemi), 2018</li>\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\n <li>Ten Stories on Architecture, 2015</li>\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\n</ul>\n<strong>5. Books (Translation)</strong>\n<ul>\n <li>Persian translation of Risāla-yi Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\n</ul>\n<strong>Teaching Experience</strong>\n<ul>\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2009</li>\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2011</li>\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2011-2012</li>\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2008</li>\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2002-2007</li>\n</ul>\n<strong>Dissertations & Theses: 1. Supervised</strong>\n<ul>\n <li>Omid Shams, The Web of Belief of the Architectural Historian : The Relationship between Architectural Historiography and Architectural Tacit Knowledge, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Hamidreza Pishvaei, Architecture of Gulistan Palace in the Nasirid Period as a Mirror of a Changing Taste, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Mahdi Hosseini, The Social History of the House Architecture in Girouard\'s Perspective: As Revealed in His Life in the English Country HouseMA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Maryam Shaeyan, Objective and Subjective Changes of Domestic Architecture Mentioned in ʿAyn al-Salṭana’s Diary: An Evaluation of Sources, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Fateme Zahra Zal, Domesticity And Consumer Culture in Iran: A Review with an Emphasis on the Press Advertisement, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Developing the Idea of Architecture’s Historical Criticism, by Motahhareh Danaeifar, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Studing the Relationship between Gender and Architecture; Women\'s Presence in Tehran\'s Bazaar, by Maryam Ammarloo, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Reading Ali-khan Vali\'s Album as a Mirror of His Viewpoint to Architecture, by Mahboobeh Javadikia, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>“Maidan”: Understanding Its Meaning in Qajar Iran, by Mahnam Najafi, PhD in Architecture, Yazd University, 2020</li>\n <li>Ibn Babawayh cemetery as a place of memory, by Maryam Ebrahimi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2020</li>\n <li>A Proposal for a Cultural History of Iranian Architecture in Qajar Period, by Parastoo Moqaddami, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2020</li>\n <li>Russian Formalism, From Literature to Architecture: A Model for Reading Architecture, by Mona Bolouri Bazzaz, PhD in Architecture, Art University, Tehran, 2019.</li>\n <li>Architrctural Conservation and Architrctural Historiography: A Theoretical basis for conservation, as an interdisciplinary field in the pursuit of the historiography of Iranian architecture, by Zatollah Nikzad, PhD in Architectural Conservation, Art University of Isfahan, 2020</li>\n <li><span class=\"gmail_default\">The Advantage of Architectural History: A Survey of German Contemporary Scholarly Thoughts, by Reyhaneh Heydari, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2019</span></li>\n <li>Relation between architecture and science in Islamic periods; by emphasis on practical science, by Rouhollah Mojtahedzadeh, PhD in Islamic Architecture, Art University of Isfahan, 2017</li>\n <li>Reading architecture in Haft peikar of Nezami with mythology approach, by Sepideh Ahmadkhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2018</li>\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2016</li>\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2016</li>\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2015</li>\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2015</li>\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2014</li>\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\n <li>Thinking about the Landscape Architecture through the links between Its Terms, by Azadeh Rasouli Yazdi, MA in Lanscape Architecture, 2014</li>\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\n</ul>\n<strong>Dissertations: 2. Consulted</strong>\n<ul>\n <li>The Imam Khomeyni (Shah) Mosque: Studying Spatial Quality Changes from Built Time to the End of Mozafar’aldin Shah, by Yasaman Bakhit, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2019</li>\n <li>Harun- i Vilayat Shrine: Its Quiddity and Religious Ties, by Samaneh Pouremadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2019</li>\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\n <li>Characteristics of Mosques in Persian Timurid Miniatures in Comparison with Their Contemporary Mosques, by Halimeh Kamour Bandari, MA in Islamic Art, Tehran, Soore University, 2014</li>\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\n</ul>\n<strong>Personal Information</strong>\n<ul>\n <li>Born: Tehran, 1960</li>\n</ul>\n<strong>Languages</strong>\n<ul>\n <li>Reading and Translation Competence in English and Arabic</li>\n <li>Native in Persian</li>\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2022-06-13 12:03:44','2022-06-13 12:03:44','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(451,1,'2022-06-13 12:04:47','2022-06-13 12:04:47','<h3><strong>Mehrdad Qayyoomi Bidhendi</strong></h3>\nAssociate Professor, Shahid Beheshti University\nAssociate Member, The Iranian Academy of Art\nInvited Member, The Iranian Academy of Science\nInvited Member, The Iranian Academy of Persian Language and Literature\nEmails:\nm-qayyoomi@sbu.ac.ir; qayyoomi@gmail.com\nWebs:\n<a href=\"https://qayyoomi.com/\">Personal Web page; </a>\n<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\">Academia</a>\n\n<strong>Education</strong>\n<ul>\n <li>PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2007</li>\n <li>MA in Art Studies, University of Art, Tehran 2002</li>\n <li>BA in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 1987</li>\n</ul>\n<strong>Honors and Awards</strong>\n<ul>\n <li>Distinguished Researcher of Shahid Beheshti University 2012</li>\n <li>Seasonal Book Award of Islamic Republic of Iran, for Persian translation of Risāla-yi Mi’mārīyya 2011</li>\n <li>First and Special Award, Farabi International Award, for “Principles of Researching Iranian Architecture in Persian Primary Sources” 2010</li>\n <li>Research Fellowship, Farabi International Award 2010</li>\n <li>Annual Book Award of Iran, for Persian translation of Meaning in Western Architecture 2009</li>\n <li>Annual Book Award of Iran, for Persian translation of The Topkapi Scroll: Geometry and Ornament in Islamic Architecture 2003</li>\n</ul>\n<strong>Memberships</strong>\n<ul>\n <li>Associate Member, the Iranian Academy of Art, since 2003</li>\n <li>Invited Member, the Iranian Academy of Science, Since 2012</li>\n <li>Invited Member, the Iranian Academy of Persian Language and Literature, since 2012</li>\n <li>Member of Editorial Board, Athar Quarterly, 2013-2020</li>\n <li>Affiliated Member, Iran ICOMOS Since 2008</li>\n <li>Member of the Board of Trustees, Art Studies Center, the Iranian Academy of Art Since 2006</li>\n <li>Faculty Member, Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2006</li>\n <li>Member of the Committee of Architecture and Urban Planning, Iranian Academy of Art Since 2000</li>\n</ul>\n<strong>Positions</strong>\n<ul>\n <li>Faculty Member, Center for Iranian Architectural Studies and Documentation, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2002</li>\n <li>Head of Iranshahrpedia (Encyclopedia of Iranian Architectural History) Since 2015</li>\n <li>Head of the Department of Architectural History and Conservation, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2008-2011</li>\n <li>Editor-in-Chief and Founder Editor, Golestān-e Honar (Gulistān-i Hunar: Quarterly of the Iranian Academy of Art, on the History of Iranian Art and Architecture) 2005-2011</li>\n <li>Member of Editorial Board, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2011</li>\n <li>Head and Founder of the Committee of Art History, the Iranian Academy of Art 2006-2007</li>\n <li>Faculty Member, the Iranian Academy of Art, 2004-2007</li>\n <li>Editor-in-Chief and Founder Editor, Khiyāl (Quarterly of the Iranian Academy of Art, on the Philosophy and Theory of Art) 2002-2005</li>\n <li>Chief’s Consultant, Iranian Cultural Heritage Organization 2002-2003</li>\n <li>Member of Jury, the First Congress on “Bath in Iranian Culture”, Kerman 2003</li>\n <li>Member of the Board of Directors and Jury, the Third and Fourth Congress on the History of Iranian Architecture and Urbanism, Bam 2003-2007</li>\n <li>Dean of the Office, Head Office of Museums in Iran 2002</li>\n <li>Member of Editorial Board, Moozé-hā (Quarterly journal on museum affairs) 2002</li>\n <li>Secretary of the Architecture and Urbanism Committee, the Iranian Academy of Art 2001</li>\n <li>Deputy of General Director, Iranian Cultural Heritage Organization –Isfahan Province 2000</li>\n <li>Editor-in-Chief and Founder Editor, Ravāq (Quarterly on architecture & art studies) 1998-2000</li>\n</ul>\n<strong> Research and Teaching Interests</strong>\n<ul>\n <li>History of Iranian and Persianate Architecture and Art</li>\n <li>Islamic Architecture and Art</li>\n <li>Theory and Methodology of Architectural History</li>\n <li>Theory of Architecture and Art</li>\n</ul>\n<strong> Publications:</strong>\n\n<strong> 1. Articles</strong>\n<ul>\n <li>Architecture of Art and Magical Architecture in <em>Shahnama</em> (with Mona Bolouri Bazzaz), in <em>Maremmat va Memari</em>, Fall 2021.</li>\n <li>The Concept of Maidan in Qajar Iran: Transformation to an\nEmbodiment of the Public Sphere (with Mahnam Najafi), in <em>International Journal of Environmental Studies</em>, vol. 78, no. 6, Dec. 2021</li>\n <li>Probing Through Iranian Architectural History Within the Framework of an Ontology Development Process (with Dena Shamsizadeh and Niloofar Razavi), in <em>Digital Humanities Quarterly</em>, vol. 15. no. 3, Oct. 2021</li>\n <li>The Place of Architecture in Knowledge Classifications of the\nFirst Islamic Centuries (with Rouhollah Mojtahedzadeh), in <em>Wiener zeitschrift für die kunde des morgenlandes</em>, no. 111, 2021</li>\n <li>Tacit Knowledge and Its Varieties in Architecture, Based on H. Collins’ Model (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, 2021</li>\n <li>Paradises of the Pen: A Survey of Persian Gardens in the Eleventh Century Persian Literature, in Fardanesh F., Arefian F.F. (eds.), <em>Persian Paradises at Peril</em>. The Urban Book Series. Springer, Cham. https://doi.org/10.1007/978-3-030-62550-4_2, 2021</li>\n <li>The Concept of Architectural Criticism: Its History and Types, (with Motahhareh Danaeifar), in <em>Pažuheš Nāma-i Farhangestān-i Hunar</em>, 2019</li>\n <li> A Conceptual History of Muhandis in the First Half of the Qajar Period, (with Zahra Golshan), in <em>Soffeh, </em>no. 87, 2020</li>\n <li>The Idea of Non-Historical Essence of Islamic Architecture of Iran: a Critique on Two Viewpoints (the Sense of Unity and Khisht-u Khiyāl), (with Shabnam Haji-Jafari), in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 17, 2019</li>\n <li>The Concept of Architectural Criticism: Its History and Types, (with M. Danayifar), in<em> Pažuheš Nāma-i Farhangestān-i Hunar</em>, no. 2, 2019</li>\n <li>Two Documents Related to the Architecture of Estarabad Village Baths, (with Mohadesseh Nazifkar), in <em>Athar</em>, no. 80, 2018</li>\n <li>The Architecture of Dār al-Funūn School and Its Changes in Qajar Period, (with Boshra Moossavi), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 20, 2018</li>\n <li>The Status of the Concept of “Architecture” in Muslims’ Science Classifications in the First Islamic Centuries, with an Emphasis on Fārābi’s Work, (with R. Mojtahedzadeh), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 13, 2018</li>\n <li>\'Ilm al-\'Uqud: A Key to Understanding the Relations between the Sciences and Architecture in the Islamic World, (with R. Mojtahedzadeh), in T<em>ārīx-i</em> \'Ilm, vol. 15, no. 2, 2018</li>\n <li>History of Architectural Design Education in Shahid Beheshti University: the Formation Phase, (with Yahya Sepehri), in<em> Soffeh</em>, 2017</li>\n <li>The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in <em>Beiträge zur Islamischen Kunst und Archaäologie,</em> 2017</li>\n <li>The Concept of Architecture in the Transitional Era from the Late Sassanids to the Early Islamic Period: An Introduction to the Conceptual History of Iranian Architecture, (with M. Danayifar), in <em>Mutāli’āt-i Me’mārī-i Īrān</em>, no. 10, 2017</li>\n <li>Art History on the Basis of Artists, (with Fatemeh Goldar), in Mutāli’āt-I Tatbīqī-yi Honar, 2015</li>\n <li>Where is the path of mosque and pub? A discussion on quiddity of the remained building from the fifth century in the province of Zaveh, (with Sina Soltani), in the Proceedings of the Congress on Abolgāsem Gorgāni, 2015</li>\n <li>Book Review: Saeid Khaghani. <em>Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques</em>. London and New York: I. B. Tauris, 2012. in <em>Islamic Studies</em>, 2015</li>\n <li>Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in <em>Kimiya-i Honar</em>, 2015</li>\n <li>A Lost Architecture: Khaniqah in Fifth/Eleventh Century Khurasan, (with Sina Soltani), in <em>Mutāli’āt-i Me’mārī-i Īrān</em>, no. 6, 2015</li>\n <li>Roshtkhār Monument: Mosque or Khaneqah? (with Sina Soltani), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 13, 2014</li>\n <li>Pattern and Beyond: an Introduction to Aesthetics of Naghsh and Painting in Rumi\'s Mathnawi, (with Hamidreza Pishvaie), in <em>Kimiya-ye-Honar,</em> 2014</li>\n <li>Cultural History in Iranian Architectural History: Its Feasibility and Uses (with Nazanin Shahidi), in <em>Mutāli’āt-i Tārikh-i Farhangī</em>, no. 17, 2013</li>\n <li>Hanjār-i Mādī: Water Management System in Safavid Isfahan (with Safa Mahmoudian), in <em>Nāma-yi Me’mārī-u Shahrsāsī</em>, no. 10, 2013</li>\n <li>Khāk-u Khirad: Reflections on the Status of Architecture in Rumi’s Mathnawi (with Hamidreza Pishvaie), in<em> Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 3, 2013</li>\n <li>History of Mentalities in Iranian Architecture: an Introduction (with Omid Shams), in <em>Mutāli’āt-i Me’mārī-yi Īrān</em>, no. 2, 2013</li>\n <li>A Flowers Harvest for the Friends of Architectural School: Reflections on Pirnia’s Achievements for Architectural Education in Iran (with M. Abdollahzadeh), in <em>Fasl-nāma-yi Āmūzish-i Muhandidī-yi Īrān</em>, no. 56, 2013</li>\n <li>The Theory of Living Time in Periodization of Iranian Architectural History, in <em>International Journal of Architecture and Urban Planning</em>, no. 7, 2012</li>\n <li>Bām-u būm-u mardum: Rereading Pirnia’s Principles for Iranian Architecture (with M. Abdollahzadeh), in<em> Mutāli’āt-i Me’mārī-yi Īrān,</em> no. 1, 2012</li>\n <li>An Introduction to Relation of Man and Space as Seen in Rumi\'s Mathnawi (with Hamidreza Pishvaie), in <em>Mawlānā- Pazhūhī</em>, no. 4, 2011</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation between Islamic Art and Sufism, in 2nd International Symposium on Mystical Aspects of Islamic Art and Literature, Kuala Lampur 2010</li>\n <li>The Islamic Artist and Zikr: Rethinking the Relation the Islamic Art and Mysticism, in <em>al-Shajarah</em>, Special issue. 2010</li>\n <li>Rethinking the Relation between Islamic Art and Mysticism on the Basis of Historical Evidences, in<em> Tārīkh-u Tamaddon-i Islāmī</em>, no. 12, 2010</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in <em>Suffa (Soffeh)</em>, no. 48, 2010</li>\n <li>In Search of an Iranian Philosophy of Architectural History: the Theory of Living Time, in the International Congress on the Day of Philosophy 2010</li>\n <li>Reflections on Some Terms on Old of Calligraphy (with Mehdi Sahragard), in <em>Pazhūhesh-nāma-yi Farhangistān-i Hunar</em>, no. 15, 2010</li>\n <li>From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones 2009</li>\n <li>Az Sirishk Tā Pārgīn: Water and City in the Persian Prose of the First Islamic Centuries, in International Congress of the Islamic Philosophy and the Challenges of the Modern World 2009</li>\n <li>On the Sources of the History of Iranian Architecture and Its Research Principles, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 15, 2009</li>\n <li>Gardens of Khurāsān in Beyhaqī’s History, in <em>Suffa (Soffeh)</em>, no. 46, 2008</li>\n <li>Craft Ethics: Adab Treatises as Resources of Iranian Art History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 10, 2008</li>\n <li>Temperament of Time: the Theory of Living Time in the Periodization of Iranian Architectural History, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 7, 2007</li>\n <li>Gardens of Khurasan in Beyhaqi\'s History, in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam 2006</li>\n <li>Tārīkh-i Zākirāna: Seeking a Theoretical Basis for History and History of Art in Iranian Culture on the Basis of Beyhaqi\'s History, Conference on Art, Tradition, and Traditionalists, Tehran 2006</li>\n <li>Theory Construction and the alphabet of Theory Creating, in <em>Suffa (Soffeh)</em>, no. 40, 2006</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in <em>Suffa (Soffeh)</em>, no. 42, 2006</li>\n <li>Four Histories of Iranian Architecture: a Critical Analysis, in<em> Khiyāl</em>, no. 15, 2005</li>\n <li>Three Monuments of the Ne’matollahi Sufi Order in Iran, in the Proceedings of the Second International Symposium on Seyyed Shah Nematollah, Leiden Univesity, Leiden, 2005</li>\n <li>Oleg Grabar, His Thoughts and Work, in <em>Dānishnāma</em>, no. 2, 2004</li>\n <li>Titus Burkhardt on Art, in the First Conference on Art, Tradition, and Traditionalists, Tehran 2004</li>\n <li>Architectural Training in Pre-Modern Era on the Basis of Risāla-yi Mi\'māriyya, in the First Conference on Spirituality and Art Education, Tehran 2004</li>\n <li>The Architect and Zikr, in the Proceedings of the Conference on the Traditionalist Criticism of Modernity 2003</li>\n <li>The Architect and Zikr, in <em>Irfān-i Īrān</em>, no. 12, 2002</li>\n <li>The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, in the Proceedings of the First International Symposium on Seyyed Shah Nematollah, San Joze Univ., California, 2002</li>\n <li>Ganj-Ali Khān Public Bath, in<em> Ravāq</em>, no. 4, 2000</li>\n <li>Hasht-Behesht Pavilion, in <em>Ravāq</em>, no. 3, 1999</li>\n <li>Ghiyāssiyya Madrasa in Khargird, in <em>Ravāq</em>, no. 2, 1999</li>\n <li>Risāla-yi Me’mārīyya and the Architect of Ahmadīyya Mosque, in the Proceedings of the First Congress on Architecture of Mosque −Past, Present and Future, Isfahan, 1998</li>\n <li>Light and Sight in the Architecture of Kāshān’s Bazar (with Mahmoud Arzhmand), in the Proceedings of the First Congress on the History of Iranian Architecture and Urbanism – Kerman, Bam, 1996</li>\n</ul>\n<strong>2. Articles (Translation)</strong>\n<ul>\n <li>Persian translation of “Ilkhanid Architecture and Society: An Analysis of Endowment Deed of the Rab-‘e Rashīdī” by Sheila S. Blair, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 13, 2008</li>\n <li>Persian translation of “Four Sources on Shah Abbas Building of Isfahan”, by R.D. Mc Chesney, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 6, 2007</li>\n <li>Persian translation of “Symbols, Structure and Rituals”, by Thomas Barrie, in <em>Khiyāl</em>, no. 13, 2005</li>\n <li>Persian translation of “Interpretational- Historical Research” by David Wang, in <em>Suffa (Soffeh)</em>, no. 39, 2005</li>\n <li>Persian translation of “Safi al-Din Urmawi”, by Eckhardt Neubauer, in <em>Khiyāl</em>, no. 11, 2004</li>\n <li>Persian translation of “Inquiry Systems and Research Quality Criteria” by Linda Groat, in <em>Suffa (Soffeh)</em>, no. 37, 2004</li>\n <li>Persian translation of “Pattern and Cosmology” by Keith Critchlow, in <em>Jām-i naw va may-i kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of \"Symbolism\" by Vital Perry, in <em>Jām-i Naw Va May-i Kuhan (Collected Essays by the Prominent Thinkers of Sophia Perennia)</em> 2004</li>\n <li>Persian translation of “Notes on the Philosophy of Persian Art”, by Ananda K. Coomaraswami, in <em>Ravāq</em>, no. 1, 1998</li>\n</ul>\n<strong>3. Prefaces, Essays, Presentation & Interviews</strong>\n<ul>\n <li>Presentation: The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</li>\n <li>Preface to the Yahya Sepehri\'s Book: <em>A History of the Faculty of Architecture in Shahid Beheshti University Architectural Design Education in the Formation Stage</em>, 2017</li>\n <li>Preface to the Safa Mahmoudian\'s Book: <em>the Story of Fadan: Architecture, Urban Space, and Life along a Water Canal in Safavid Isfahan</em>, 2017</li>\n <li>Essay: The Exceedance of Architectural Metaphors , in <em>Shīveh, </em>2017</li>\n <li>Note on the People\'s History of Iranian Architecture, in <em>Mardomnāmeh</em>, 2016</li>\n <li>Interview: Philosophy of Architecture, 2015</li>\n <li>Preface to Mehdi Arefi’s Book: <em>Khargird and Madrasa</em>, 2015</li>\n <li>Preface to the Mitra Hashemi\'s Book: <em>An Introduction to the Oral History of Iranian Architecture</em>, 2014</li>\n <li>Interview: Psychotic City and Islamic Architecture, 2014</li>\n <li>Essay: Architecture as Cultural Manifestation, 2014</li>\n <li>Preface to Mehdi Tamizi’s Book: <i>In the Shade of Cypress: The Picture of Cypress Tombstones in Isfahan, </i>2013</li>\n <li>Interview: Commentators of the Western Architecture, 2011</li>\n <li>Preface to the Book: <em>Paintings on the Wooden Ceilings of Azarbaijan Vernacular Mosques</em>, 2010</li>\n <li>Essay: Patronage and the Hidden Aspects of the History of Iranian Art, in <em>Gulistān-i Hunar</em> (<em>Golestān-e Honar</em>), no. 13, 2008</li>\n <li>Essay: The Layers of Persian Garden, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 12, 2008</li>\n <li>Essay: Restoration of Heart and Restoration of Clay: B. Shirazi among the Chain of Conservators, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, Special Issue 2008</li>\n <li>Essay: Difficulties in the Study of Iranian Architectural History, and the Phenomenon of B. Shirazi, in <em>Gulistān-i Hunar (Golestān-e Honar)</em>, no. 8, 2007</li>\n <li>Essay: Safavid Isfahan and the Problem of Classification in the History of Iranian Art, in <em>Gulistān-i Hunar (Golestān-e Honar),</em> no. 5, 2007</li>\n <li>Essay: A Plan for the Oral History of Iranian Architecture, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: Cultural Heritage, Matter of Nostalgia, Confusion, or Life?, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: After Forty Years Pain and Grief …: a Review on Ganjnameh, in the Website of Iranian Cultural Heritage News Agency (www.chn.ir) 2003</li>\n <li>Essay: For I’m the Sun-slave…, in <em>Ravāq</em>, no. 4, 2000</li>\n <li>Essay: A Letter of Treasure: a Review on Ganjnameh, in <em>Ravāq</em>, no. 2, 1999</li>\n</ul>\n<strong>4. Books </strong>\n<ul>\n <li>Art in Islamic Civilization: Architecture 2, 2019</li>\n <li>Art in Islamic Civilization: Architecture 1, 2018</li>\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 15 and 16: Mansions (supervised by Kambiz Haji-Qassemi), 2018</li>\n <li>Theories of Architectural and Art History; An Annotated Babliography, 2015</li>\n <li>Researches on Art and Architecture; History and Theory, 2015</li>\n <li>Ten Stories on Architecture, 2015</li>\n <li>Essays on the Theory and History of Architecture and Art, 2012</li>\n <li>Persian Literature as Source of Architectural History: a Bibliographical Introduction, volume 1: Persian Prose of the First Islamic Centuries, 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 2: Proper Names (with S. Mohammad Beheshti), 2012</li>\n <li>Dictionary of Iranian Architecture in Persian Reference Books, volume 1: Terms and Concepts (with S. Mohammad Beheshti), 2010</li>\n <li>Trilingual Dictionary of Islamic Architecture (with S. Ali Emadi Estarabadi), 2009</li>\n <li>Ganjnameh: Cyclopedia of Iranian Islamic Architecture, Vols. 9 and 10: Bazaars (supervised by Kambiz Haji-Qassemi), 2005</li>\n</ul>\n<strong>5. Books (Translation)</strong>\n<ul>\n <li>Persian translation of Risāla-i Mi’mārīyya, by Ja’far Efendi and Howard Crane, 2011</li>\n <li>Persian translation of Architecture: Choice or Fate, by Leon Krier, 2010</li>\n <li>Persian translation of Meaning in Western Architecture, by Christian Norberg-Schulz, 2007</li>\n <li>Persian translation of the Dynamics of Architectural Form, by Rudolf Arnheim, 2003</li>\n <li>Persian translation of the Timeless Way of Building by Christopher Alexander, 2002</li>\n <li>Persian translation of Topkapi Scroll: The Geometry and Ornament in Islamic Architecture, by Gülru Necipoglu, 2001</li>\n <li>Persian translation of Quranic Art and Calligraphy, by Martin Lings, 1998</li>\n</ul>\n<strong>Teaching Experience</strong>\n<ul>\n <li>Pre-Dissertation Course, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2009</li>\n <li>Pre-Dissertation Course, PhD in Conservation, Isfahan Art University 2013</li>\n <li>Pre-Dissertation Course, PhD in Art Studies, Isfahan Art University 2012</li>\n <li>Writing about Architecture, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Primary Sources of Iranian Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2007</li>\n <li>Introduction to Architectural History, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran Since 2011</li>\n <li>Workshop on Dissertation Preparation, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2011-2012</li>\n <li>Architectural Design (Studio 4), BA in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2008</li>\n <li>Introduction to Islamic Architecture, BA in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2002-2007</li>\n</ul>\n<strong>Dissertations & Theses: 1. Supervised</strong>\n<ul>\n <li>Omid Shams, The Web of Belief of the Architectural Historian : The Relationship between Architectural Historiography and Architectural Tacit Knowledge, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Hamidreza Pishvaei, Architecture of Gulistan Palace in the Nasirid Period as a Mirror of a Changing Taste, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Mahdi Hosseini, The Social History of the House Architecture in Girouard\'s Perspective: As Revealed in His Life in the English Country HouseMA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Maryam Shaeyan, Objective and Subjective Changes of Domestic Architecture Mentioned in ʿAyn al-Salṭana’s Diary: An Evaluation of Sources, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Fateme Zahra Zal, Domesticity And Consumer Culture in Iran: A Review with an Emphasis on the Press Advertisement, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Developing the Idea of Architecture’s Historical Criticism, by Motahhareh Danaeifar, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Studing the Relationship between Gender and Architecture; Women\'s Presence in Tehran\'s Bazaar, by Maryam Ammarloo, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>Reading Ali-khan Vali\'s Album as a Mirror of His Viewpoint to Architecture, by Mahboobeh Javadikia, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2021</li>\n <li>“Maidan”: Understanding Its Meaning in Qajar Iran, by Mahnam Najafi, PhD in Architecture, Yazd University, 2020</li>\n <li>Ibn Babawayh cemetery as a place of memory, by Maryam Ebrahimi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2020</li>\n <li>A Proposal for a Cultural History of Iranian Architecture in Qajar Period, by Parastoo Moqaddami, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran, 2020</li>\n <li>Russian Formalism, From Literature to Architecture: A Model for Reading Architecture, by Mona Bolouri Bazzaz, PhD in Architecture, Art University, Tehran, 2019.</li>\n <li>Architrctural Conservation and Architrctural Historiography: A Theoretical basis for conservation, as an interdisciplinary field in the pursuit of the historiography of Iranian architecture, by Zatollah Nikzad, PhD in Architectural Conservation, Art University of Isfahan, 2020</li>\n <li><span class=\"gmail_default\">The Advantage of Architectural History: A Survey of German Contemporary Scholarly Thoughts, by Reyhaneh Heydari, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2019</span></li>\n <li>Relation between architecture and science in Islamic periods; by emphasis on practical science, by Rouhollah Mojtahedzadeh, PhD in Islamic Architecture, Art University of Isfahan, 2017</li>\n <li>Reading architecture in Haft peikar of Nezami with mythology approach, by Sepideh Ahmadkhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2018</li>\n <li>The ornaments of Ilkhanid stucco Mihrabs of Iran Stylistic Characteristics on tha basis of Composition and Motifs, by Bahareh Taqavineghad, PhD in Art Studies, Art University of Isfahan, 2017</li>\n <li>Architectural Glossary of Maṭlaʿ al-šams: Towards developing The Architectural Dictionary of Qajar Period, by Mehdi Mohamadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Dar al-Funun School Reconstruction based on Imagery Documents, by S. Boshra Moossavi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>A Story for Building a Mansion in Qajar Isfahan: Inspecting Fiction-writing As a Research Method in Iranian Architectural History, by Samaneh Mohseni Hosseinabadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Mirza Akbar scrolls: Diplomatics research, by Arezou Ahmadlou, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>The City idea in the thirteenth century literature, by Zahra Moshfeghian, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>The oral history of Emam Khomeini (Pahlavi) street in Gorgan Since its construction to the white revolution, by Faezeh KavianTelori, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>A History of the Faculty of Architecture in Shahid Beheshti University: Architectural Design Education in the Formation Stage, by Yahya Sepehri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Temperamental Architecture: Developing an Approach on the Relation of Human and Built Environment, Based on Ibn Sinā’s Physics, by Mohammad Mahdi Abdollahzadeh, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2016</li>\n <li>The main questions of architectural history in view of experts, by Mohammad Nakhaie, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2016</li>\n <li>Building and construction; reconsideration of the concept of culture and its relation to architecture, by Elnaz Najjar Najafi, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2015</li>\n <li>Explain the theoretical bases for periodization of the history of Iranian architecture, by Fatemeh Goldar, PhD in Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2015</li>\n <li>Principles of Persian Architecture: Three Contemporary Viewpoints, by Shabnam Haji-Jafari Bidgoli, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2014</li>\n <li>Nayin Friday Mosque: Rereading Its Physical Configuration and Dating, by Marzieh Niknahad, MA in Iranian Architectural Studies 2014</li>\n <li>Thinking about the Landscape Architecture through the links between Its Terms, by Azadeh Rasouli Yazdi, MA in Lanscape Architecture, 2014</li>\n <li>Some Basic Concepts of Architecture in Iran in the Transition Period from the Late Sassanid to the First Islamic Era: With an Emphasis on Ābādānī, by Motahareh Danaeifar, MA in Iranian Architectural Studies 2014</li>\n <li>A Search for the Principles (ādāb) of Iranian Architecture according to the adab treatises, by Maryam Heydarkhani, MA in Iranian Architectural Studies 2013</li>\n <li>Reflections on the Guilds and Roles of Qajar Architects, by Zahra Baradaran Khalkhali, MA in Iranian Architectural Studies 2013</li>\n <li>Formal Structure of Tehran Bazaar in Qajar Era, by S. Ahmad Najibi, MA in Iranian Architectural Studies 2013</li>\n <li>A Search for Khaniqah’s Architecture in Iran (Fifth/ Thirteen Century Khorasan), by Sina Soltani, MA in Iranian Architectural Studies 2013</li>\n <li>The City of Visitation: Rereading Kashan City through the Window of Shiite Pilgrimage, by Zahra Chitsazian, MA in Iranian Architectural Studies 2012</li>\n <li>An Introduction to Cultural History of Iranian Architecture, by Nazanin Shahidi Marnani, MA in Iranian Architectural Studies 2012</li>\n <li>The Heavens and the Vaults: Levels of Architecture in Relation to Being and Human in Rumi’s Mathnawi, by Hamidreza Pishvaie, MA in Iranian Architectural Studies 2012</li>\n <li>From Heavenly to Earthy Architecture: Architecture and Its Alternations in Ferdawsi’s Shahnameh, by Mona Bolouri Bazaz, MA in Iranian Architectural Studies 2012</li>\n <li>Oral History in Iranian Architectural History: An Introduction to the Theoretical and Practical Issues, by S. Mitra Hashemi, MA in Iranian Architectural Studies 2011</li>\n <li>Qibla in Iranian Architecture: Its Nature, Extent and Aspects, by Majid Heydari Delgarm, MA in Iranian Architectural Studies 2011</li>\n <li>The Story of Fadan Mādī: Life, Architecture and Urban Spaces along a Canal in Safavid Isfahan, by Safa Mahmoudian, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture between Form and Meaning: the Role and Implications of Context in Architectural History, by Mohammad Gholamali Fallah, MA in Iranian Architectural Studies 2011</li>\n <li>The Evolution of Iranian Architecture in the First Islamic Centuries, by Ali Akbari, MA in Architecture, Shahid Beheshti University, Tehran 2011</li>\n <li>Manifestation of Eternity in the Islamic Sacred Architecture as Viewed by the Traditionalists, by Nazanin Karimi, MA in Art Studies, Kashan University 2011</li>\n <li>Architectural Terms in the Safavid Period: an Introduction, by Bita Qahramani, MA in Iranian Architectural Studies 2011</li>\n <li>Architecture, Life and Beauty in Baburnama: Interpreting some Architectural Issues in Babur’s Autobiography, by Tannaz Latifian Esfahani, MA in Iranian Architectural Studies 2011</li>\n <li>Running away from School: Pirnia’s Life and Work in Iranian Architectural Historiography, by Mohammad Mahdi Abdollahzadeh, MA in Iranian Architectural Studies 2011</li>\n <li>The Role of Architecture History in Architectural Education: a Review of Viewpoints, by Fahimeh Fotouhi, MA in Architecture, Shahid Beheshti University, Tehran 2010</li>\n <li>From Event to Space: on What Sabat and Meydan Mean in Meybod, by Elnaz Najjar Najafi, MA in Iranian Architectural Studies 2010</li>\n <li>Houraman Takht Village: a Physical Analysis in Geographical and Cultural Context, by Nasim Daryaee, MA in Iranian Architectural Studies 2010</li>\n <li>The Role of Viziers in the Patronage of Architecture in the Second Half of Safavid Period, by Mahdi Soltani, MA in Iranian Architectural Studies 2010</li>\n <li>Architectural Information in Qajar Documents of Estarabad: Kabir Family’s Documents, by Mohaddaseh Nazifkar, MA in Iranian Architectural Studies 2010</li>\n <li>Sassanid Chahaar-taaq: Space and Meaning, MA in Iranian Architectural Studies 2010</li>\n <li>Madrasa of Khargird: the Story of a Madrasa in the “City of Sun”, by Mahdi Golchin Arefi, MA in Iranian Architectural Studies 2009</li>\n</ul>\n<strong>Dissertations: 2. Consulted</strong>\n<ul>\n <li>The Imam Khomeyni (Shah) Mosque: Studying Spatial Quality Changes from Built Time to the End of Mozafar’aldin Shah, by Yasaman Bakhit, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2019</li>\n <li>Harun- i Vilayat Shrine: Its Quiddity and Religious Ties, by Samaneh Pouremadi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2019</li>\n <li>Understanding Research Method of <em>Geometry and Ornament in Islamic Architecture</em>, by Narges Zamiri, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Hosseiniyeh Ershad: Between Form and Context, by Saba Madani Ghahfarrokhi, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Defining Architectural Patterns of Islamic Mausoleums of Iran in Gilan, by Minoo Khakpour, PhD in Art Studies, Alzahra University, 2017</li>\n <li>Investigating Al- Ghazali’s view on architecture in Iview ʿūūl al-dīnʾ, by Ehsan Kakhani, MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>Ontology of Iranian Architectural History: based on contemporary scholarly publications, by Dena Shamsizadeh Hayat Davoodi, , MA in Iranian Architectural Studies, Faculty of Architecture and Urban Planning, Shahid Beheshti University, Tehran 2017</li>\n <li>The concept of Past in architecture history books of the West, by Fatemeh Tavanaie Marvi, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2016</li>\n <li>Characteristics of Mosques in Persian Timurid Miniatures in Comparison with Their Contemporary Mosques, by Halimeh Kamour Bandari, MA in Islamic Art, Tehran, Soore University, 2014</li>\n <li>Rereading Urban Historical Landscape of Isfahan, by Zahra Farahani, MA in Landscape Architecture, Shahid Beheshti University, Tehran 2013</li>\n <li>Sacred Meaning of Color in Imam Reza’s Holy Shrine, MA in Architecture, by Qodsiyeh Akbari Basseri, Shahid Beheshti University, Tehran 2012</li>\n <li>A Study on the Concept of Center and Its Role in Architectural Creation, by Zoha Nadimi, MA in Architecture, Yazd University 2011</li>\n <li>Important Evolution in the Structure of Zanjan City in Qajar and Pahlavi Periods, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Relation Between the House Form an the Culture in Qajar Mansions of Tabriz, by Parisa Mohammad-Hosseini Baris, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2011</li>\n <li>The Dual Role of Architecture in the Miniatures of Kamaleddin Bihzad, by Javad Modarresi, MA in Painting, Shahed University, Tehran 2009</li>\n <li>Architectural Glossary of Mirza Mahdi Khan-e Shaqaqian Introduction to Architectural Glossary of Qajar Era, by Mohammadreza Gueravandpour, MA in Iranian Architectural Studies, Shahid Beheshti University, Tehran 2009</li>\n <li>Reconstruction of Rab’-e Rashidi on the Basis of Its Waqfiyyeh, by Azita Balali Oskuyi, MA in Architecture, Islamic Art University, Tabriz 200</li>\n</ul>\n<strong>Personal Information</strong>\n<ul>\n <li>Born: Tehran, 1960</li>\n</ul>\n<strong>Languages</strong>\n<ul>\n <li>Reading and Translation Competence in English and Arabic</li>\n <li>Native in Persian</li>\n</ul>','English CV','','inherit','closed','closed','','31-revision-v1','','','2022-06-13 12:04:47','2022-06-13 12:04:47','',31,'https://qayyoomi.com/31-revision-v1/',0,'revision','',0),(452,1,'2022-06-18 17:54:26','2022-06-18 17:54:26','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif;\"><span style=\"font-size: 18.6667px;\"> </span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی، </span><span style=\"font-size: 10pt;\">دانشگاه شهید بهشتی\n</span><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان زبان و ادب فارسی</span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">ایمیل:\n</span><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir\n</span><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\n<p style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">:وبگاهها\n</span><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a> |<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a> | <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">نشانی:\n</span><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. </span></span></p>\n\n\n<hr dir=\"rtl\" />\n\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul dir=\"rtl\">\n <li style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال سازمان مطالعه و تدوین کتب دانشگاهی (سمت) بابت کتاب هنر در تمدن اسلامی: معماری، ۱۳۹۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ رسالۀ معماریه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب معنا در معماری غرب، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب هندسه و تزیین در معماری اسلامی، ۱۳۸۱</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا ۱۳۹۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ معماری ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ هنر ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری معماری و هنر</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۹ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر گلستان هنر (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه مجلۀ موزهها (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">۶. نوشتههای منتشرشده</span></h3>\n<p dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">الف) مقاله (تألیف)</span></p>\n\n<ul>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Concept of Maidan in Qajar Iran: Transformation to an Embodiment of the Public Sphere (with Mahnam Najafi), in <em>International Journal of Environmental Studies</em>, vol. 78, no. 6, Dec. 2021</span></li>\n <li><a href=\"http://digitalhumanities.org/dhq/vol/15/3/000559/000559.html#\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">Probing Through Iranian Architectural History Within the Framework of an Ontology Development Process (with Dena Shamsizadeh and Niloofar Razavi), in <em>Digital Humanities Quarterly</em>, vol. 15. no. 3, Oct. 2021</span></a></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Place of Architecture in Knowledge. Classifications of the</span>\n<span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">First Islamic Centuries (with Rouhollah Mojtahedzadeh), in <em>Wiener zeitschrift für die kunde des morgenlandes</em>, no. 111, 2021</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Paradises of the Pen: A Survey of Persian Gardens in the Eleventh Century Persian Literature, in Fardanesh and Arefian (eds.), <em>Persian Paradises at Peril. The Urban Book Series</em>, Springer, Cham. https://doi.org/10.1007/978-3-030-62550-4_2, 2021.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری هنر و معماری جادویی در شاهنامه (به اتفاق مونا بلوری بزاز)، در <span style=\"font-size: 10pt;\"><em>مرمت و معماری ایران</em></span>، پاییز ۱۴۰۰.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معرفت ضمنی و گونههای آن در معماری بر اساس اندیشۀ هری کالینز (به اتفاق امید شمس)، در <span style=\"font-size: 10pt;\"><em>مطالعات معماری ایران</em></span>، پاییز و زمستان ۱۳۹۹.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/A-Conceptual-History-of-Muhandis.pdf\">تاریخ مفهومیِ مهندس در نیمۀ نخست دورۀ قاجاریان، (به اتفاق زهرا گلشن)، در صفه، زمستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Idea-of-Non-Historical-Essence-of-Islamic-Architecture-of-Iran.pdf\">اندیشۀ ذاتِ ناتاریخیِ معماری اسلامی ایران: نقد دو دیدگاه، حالِ وحدت و خشت و خیال، (به اتفاق شبنم حاجیجعفری)، در <span style=\"font-size: 10pt;\"><em>گلستان هنر</em></span>، پاییز ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Concept-of-Architectural-Criticism-Its-History-and-Types.pdf\">مفهوم نقد معماری: سیر تاریخی و گونهها، (به اتفاق مطهره داناییفر)، در پژوهشنامۀ فرهنگستان هنر، تابستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، (به اتفاق محدثه نظیفکار)، در اثر، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/09/Ilm-al-Uqud.pdf\">علم عقود ابنیه: کلیدی برای فهم نسبت علم و معماری در جهان اسلام، (به اتفاق روحاله مجتهدزاده)، در تاریخ علم، ۱۳۹۶</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\">تاريخ آموزش طراحى معمارى دردانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-size: 10pt;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in Beiträge zur Islamischen Kunst und Archaäologie, 2017</span></a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in Islamic Studies, 2015.</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in Kimiya-ye-Honar, 2015</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در مطالعات معماری ایران، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در نامۀ معماری و شهرسازی، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در کیمیای هنر، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در مطالعات تاریخ فرهنگی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در نامۀ معماری و شهرسازی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مطالعات معماری ایران، ۱۳۹۲</a></span></li>\n</ul>\n<ul dir=\"rtl\">\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, 2013</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در فصلنامۀ آموزش مهندسی ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in Al-shajarah (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مولاناپژوهی، ۱۳۸۹</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در تاریخ و تمدن اسلامی، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در پژوهشنامۀ فرهنگستان هنر، ۱۳۸۸</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در گلستان هنر، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در گلستان هنر، زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در گلستان هنر، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ساختار نظریه و الفبای نظریهپردازی، در صفه، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در خیال، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">افکار و آثار الگ گرابار، در دانشنامه (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, <span style=\"text-align: left;\">2005</span></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمام گنجعلیخان، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرسۀ غیاثیۀ خرگرد، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عمارت هشتبهشت، در رواق، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در گلستان هنر، ش۱۳، پاییز ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در گلستان هنر، ش ۶، زمستان ۱۳۸۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در صفه، ش ۳۹، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در صفه، ش ۳۷، زمستان ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">نمادپردازی، وایتال پری، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی، اکهارت نویباوئر، در خیال، ش ۱۱، پاییز ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ج) جستار و مصاحبه و سخنرانی</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></span></li>\n <li>\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\n</li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">جستار: تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در مردمنامه، ۱۳۹۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\">گفتگو: فلسفۀ معماری، در اطلاعات حکمت و معرفت، ۱۳۹۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\">جستار: معماری چون مظهر فرهنگ، در فصلنامۀ معماری و فرهنگ، ۱۳۹۳</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\">گفتگو: شارحان پریشانی، مجلۀ سورۀ اندیشه، ۱۳۹۰</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب نگارههای چوبی مساجد آذربایجان، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در گلستان هنر، ش ۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: لایههای باغ ایرانی، در گلستان هنر، ش ۱۲، تابستان ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در گلستان هنر، شمارۀ ویژه، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در گلستان هنر، ش ۸، تابستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در گلستان هنر، ش ۵، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چو غلام آفتابم ...، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: نامۀ گنج، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۲، انتشارات سمت، ۱۳۹۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۱، انتشارات سمت، ۱۳۹۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گنجنامه: فرهنگ آثار معماری اسلامی ایران (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۱۵ و ۱۶ (خانهها)، دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\">کتابنگاشت توضیحی نظریههای معماری و هنر، انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\">پژوهشهای معماری و هنر (تاریخ و نظر)، انتشارات روزنه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ده حکایت معماری (المختار من نوادر اخبار العمار)، انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گفتارهایی در مبانی و تاریخ معماری و هنر، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">واژهنامۀ سهزبانۀ معماری اسلامی (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گنجنامه: فرهنگ آثار معماری اسلامی ایران (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری اختیار یا سرنوشت، انتشارات روزنه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معنا در معماری غرب، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پویهشناسی صور معماری، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰ و ۱۳۹۴.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هندسه و تزیین در معماری اسلامی (طومار توپقاپی)، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹ و ۱۳۹۸.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هنر خط و تذهیب قرآنی، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۷. تدریس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> دروس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>منابع تاریخ معماری ایران، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>نقد آثار تاریخ معماری، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹- ۱۴۰۰.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه دورۀ دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۸. پایاننامه و رساله</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> الف. راهنمایی</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\">امید شمس، شبکۀ باور مورخ معماری: نسبت میان تاریخنگاشت معماری با معرفت ضمنی معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">حمیدرضا پیشوایی، کاخ گلستان در دورۀ ناصری: به مثابۀ آیینۀ تحول ذوق معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مهدی حسینی، تاریخ اجتماعی معماری خانه از منظر ژیروئار: با تکیه بر کتاب زندگی در خانۀ حومۀ شهری انگلیسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم شائیان، دگرگونی عینی و ذهنی معماری خانگی در روزنامۀ خاطرات عینالسلطنه: ارزیابی منابع، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">فاطمهزهرا زال، نقد کتاب زندگی خانگی و فرهنگ مصرف در ایران: با تکیه بر تبلیغات مطبوعاتی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مطهره داناییفر، بسط اندیشۀ نقد تاریخی معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مهنام نجفی، بازیابی و فهم معنای «میدان»، در ایران دورۀ قاجاریه، دکتری معماری، دانشکدۀ معماری و هنر، دانشگاه یزد، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم عمارلو، مناسبات حضور زنان و معماری بازار تهران: از عهد ناصری تا انتهای دورۀ قاجاریه، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">محبوبه جوادیکیا، خوانش کتاب عکس علیخان والی به منزلۀ آینۀ نگاه او به معماری، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم ابراهیمی، بازخوانی گورستان ابنبابویه به منزلۀ مکان حافظه: از مشروطه تا انقلاب اسلامی، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">پرستو مقدمی، طرح تحقیقی برای تاریخ فرهنگی معماری ایران در دورۀ ناصری: معماری ساحت مرگ در تهران، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مونا بلوری بزاز، فرمالیسم روسی، از ادبیات تا معماری: تبیین مدلی برای خوانش معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه هنر، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">یاسمن بخیت، مسجد امام خمینی (شاه) تهران: شناخت تغییراتِ کیفیتِ فضایی از زمان ساخت بنا تا پایان سلطنت مظفرالدینشاه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">ریحانه حیدری، فایدۀ تاریخ معماری: بررسی آراء دانشوران معاصر آلمانیزبان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">روحاله مجتهدزاده، نسبت معماری و علوم در ایران دوران اسلامی؛ با تأکید بر علوم عملی، دکتری معماری اسلامی، دانشگاه هنر اصفهان، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">ذاتالله نیکزاد، حفاظت معماری و تحقیق تاریخ معماری: تمهید مبنایی نظری برای حفاظت به منزلۀ حوزهای میانرشتهای در پیشبرد تحقیق تاریخ معماری ایران، دکتری مرمت ابنیه، دانشکدۀ مرمت، دانشگاه هنر اصفهان، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطورهشناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی محمدی، واژگان معماری مطلعالشمس: گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶ </span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">آزاده رسولی یزدی، تفکر دربارۀ معماری منظر از طریق پیوند واژهها، کارشناسی ارشد معماری منظر، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در مثنوی معنوی: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۸. پایاننامه</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> ب. مشاوره</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>اطلاعات شخصی</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تولد: ۱۳۳۸، تهران\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان مادری: فارسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان دوم: انگلیسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان سوم: عربی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2022-06-18 17:54:26','2022-06-18 17:54:26','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(453,1,'2022-06-18 17:59:27','2022-06-18 17:59:27','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif;\"><span style=\"font-size: 18.6667px;\"> </span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی، </span><span style=\"font-size: 10pt;\">دانشگاه شهید بهشتی\n</span><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان زبان و ادب فارسی</span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">ایمیل:\n</span><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir\n</span><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\n<p style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">:وبگاهها\n</span><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a> |<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a> | <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">نشانی:\n</span><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. </span></span></p>\n\n\n<hr dir=\"rtl\" />\n\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul dir=\"rtl\">\n <li style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال سازمان مطالعه و تدوین کتب دانشگاهی (سمت) بابت کتاب هنر در تمدن اسلامی: معماری، ۱۳۹۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ رسالۀ معماریه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب معنا در معماری غرب، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب هندسه و تزیین در معماری اسلامی، ۱۳۸۱</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا ۱۳۹۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ معماری ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ هنر ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری معماری و هنر</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۹ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر گلستان هنر (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه مجلۀ موزهها (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">۶. نوشتههای منتشرشده</span></h3>\n<p dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">الف) مقاله (تألیف)</span></p>\n\n<ul>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Concept of Maidan in Qajar Iran: Transformation to an Embodiment of the Public Sphere (with Mahnam Najafi), in <em>International Journal of Environmental Studies</em>, vol. 78, no. 6, Dec. 2021</span></li>\n <li><a href=\"http://digitalhumanities.org/dhq/vol/15/3/000559/000559.html#\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">Probing Through Iranian Architectural History Within the Framework of an Ontology Development Process (with Dena Shamsizadeh and Niloofar Razavi), in <em>Digital Humanities Quarterly</em>, vol. 15. no. 3, Oct. 2021</span></a></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Place of Architecture in Knowledge. Classifications of the</span>\n<span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">First Islamic Centuries (with Rouhollah Mojtahedzadeh), in <em>Wiener zeitschrift für die kunde des morgenlandes</em>, no. 111, 2021</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Paradises of the Pen: A Survey of Persian Gardens in the Eleventh Century Persian Literature, in Fardanesh and Arefian (eds.), <em>Persian Paradises at Peril. The Urban Book Series</em>, Springer, Cham. https://doi.org/10.1007/978-3-030-62550-4_2, 2021.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری هنر و معماری جادویی در شاهنامه (به اتفاق مونا بلوری بزاز)، در <span style=\"font-size: 10pt;\"><em>مرمت و معماری ایران</em></span>، پاییز ۱۴۰۰.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معرفت ضمنی و گونههای آن در معماری بر اساس اندیشۀ هری کالینز (به اتفاق امید شمس)، در <span style=\"font-size: 10pt;\"><em>مطالعات معماری ایران</em></span>، پاییز و زمستان ۱۳۹۹.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/A-Conceptual-History-of-Muhandis.pdf\">تاریخ مفهومیِ مهندس در نیمۀ نخست دورۀ قاجاریان، (به اتفاق زهرا گلشن)، در صفه، زمستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Idea-of-Non-Historical-Essence-of-Islamic-Architecture-of-Iran.pdf\">اندیشۀ ذاتِ ناتاریخیِ معماری اسلامی ایران: نقد دو دیدگاه، حالِ وحدت و خشت و خیال، (به اتفاق شبنم حاجیجعفری)، در <span style=\"font-size: 10pt;\"><em>گلستان هنر</em></span>، پاییز ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Concept-of-Architectural-Criticism-Its-History-and-Types.pdf\">مفهوم نقد معماری: سیر تاریخی و گونهها، (به اتفاق مطهره داناییفر)، در پژوهشنامۀ فرهنگستان هنر، تابستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، (به اتفاق محدثه نظیفکار)، در اثر، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/09/Ilm-al-Uqud.pdf\">علم عقود ابنیه: کلیدی برای فهم نسبت علم و معماری در جهان اسلام، (به اتفاق روحاله مجتهدزاده)، در تاریخ علم، ۱۳۹۶</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\">تاريخ آموزش طراحى معمارى دردانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-size: 10pt;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in Beiträge zur Islamischen Kunst und Archaäologie, 2017</span></a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in Islamic Studies, 2015.</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in Kimiya-ye-Honar, 2015</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در مطالعات معماری ایران، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در نامۀ معماری و شهرسازی، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در کیمیای هنر، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در مطالعات تاریخ فرهنگی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در نامۀ معماری و شهرسازی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مطالعات معماری ایران، ۱۳۹۲</a></span></li>\n</ul>\n<ul dir=\"rtl\">\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, 2013</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در فصلنامۀ آموزش مهندسی ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in Al-shajarah (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مولاناپژوهی، ۱۳۸۹</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در تاریخ و تمدن اسلامی، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در پژوهشنامۀ فرهنگستان هنر، ۱۳۸۸</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در گلستان هنر، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در گلستان هنر، زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در گلستان هنر، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ساختار نظریه و الفبای نظریهپردازی، در صفه، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در خیال، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">افکار و آثار الگ گرابار، در دانشنامه (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, <span style=\"text-align: left;\">2005</span></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمام گنجعلیخان، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرسۀ غیاثیۀ خرگرد، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عمارت هشتبهشت، در رواق، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در گلستان هنر، ش۱۳، پاییز ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در گلستان هنر، ش ۶، زمستان ۱۳۸۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در صفه، ش ۳۹، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در صفه، ش ۳۷، زمستان ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">نمادپردازی، وایتال پری، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی، اکهارت نویباوئر، در خیال، ش ۱۱، پاییز ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ج) جستار و مصاحبه و سخنرانی</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></span></li>\n <li>\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\n</li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">جستار: تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در مردمنامه، ۱۳۹۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\">گفتگو: فلسفۀ معماری، در اطلاعات حکمت و معرفت، ۱۳۹۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\">جستار: معماری چون مظهر فرهنگ، در فصلنامۀ معماری و فرهنگ، ۱۳۹۳</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\">گفتگو: شارحان پریشانی، مجلۀ سورۀ اندیشه، ۱۳۹۰</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب نگارههای چوبی مساجد آذربایجان، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در گلستان هنر، ش ۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: لایههای باغ ایرانی، در گلستان هنر، ش ۱۲، تابستان ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در گلستان هنر، شمارۀ ویژه، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در گلستان هنر، ش ۸، تابستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در گلستان هنر، ش ۵، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چو غلام آفتابم ...، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: نامۀ گنج، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۲، انتشارات سمت، ۱۳۹۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۱، انتشارات سمت، ۱۳۹۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گنجنامه: فرهنگ آثار معماری اسلامی ایران (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۱۵ و ۱۶ (خانهها)، دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\">کتابنگاشت توضیحی نظریههای معماری و هنر، انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\">پژوهشهای معماری و هنر (تاریخ و نظر)، انتشارات روزنه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ده حکایت معماری (المختار من نوادر اخبار العمار)، انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گفتارهایی در مبانی و تاریخ معماری و هنر، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">واژهنامۀ سهزبانۀ معماری اسلامی (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گنجنامه: فرهنگ آثار معماری اسلامی ایران (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری اختیار یا سرنوشت، انتشارات روزنه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معنا در معماری غرب، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پویهشناسی صور معماری، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰ و ۱۳۹۴.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هندسه و تزیین در معماری اسلامی (طومار توپقاپی)، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹ و ۱۳۹۸.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هنر خط و تذهیب قرآنی، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۷. تدریس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> دروس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>منابع تاریخ معماری ایران، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>نقد آثار تاریخ معماری، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹- ۱۴۰۰.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه دورۀ دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۸. پایاننامه و رساله</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> الف. راهنمایی</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\">امید شمس، شبکۀ باور مورخ معماری: نسبت میان تاریخنگاشت معماری با معرفت ضمنی معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">حمیدرضا پیشوایی، کاخ گلستان در دورۀ ناصری: به مثابۀ آیینۀ تحول ذوق معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مهدی حسینی، تاریخ اجتماعی معماری خانه از منظر ژیروئار: با تکیه بر کتاب زندگی در خانۀ حومۀ شهری انگلیسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم شائیان، دگرگونی عینی و ذهنی معماری خانگی در روزنامۀ خاطرات عینالسلطنه: ارزیابی منابع، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">فاطمهزهرا زال، نقد کتاب زندگی خانگی و فرهنگ مصرف در ایران: با تکیه بر تبلیغات مطبوعاتی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مطهره داناییفر، بسط اندیشۀ نقد تاریخی معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مهنام نجفی، بازیابی و فهم معنای «میدان»، در ایران دورۀ قاجاریه، دکتری معماری، دانشکدۀ معماری و هنر، دانشگاه یزد، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم عمارلو، مناسبات حضور زنان و معماری بازار تهران: از عهد ناصری تا انتهای دورۀ قاجاریه، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">محبوبه جوادیکیا، خوانش کتاب عکس علیخان والی به منزلۀ آینۀ نگاه او به معماری، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم ابراهیمی، بازخوانی گورستان ابنبابویه به منزلۀ مکان حافظه: از مشروطه تا انقلاب اسلامی، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">پرستو مقدمی، طرح تحقیقی برای تاریخ فرهنگی معماری ایران در دورۀ ناصری: معماری ساحت مرگ در تهران، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مونا بلوری بزاز، فرمالیسم روسی، از ادبیات تا معماری: تبیین مدلی برای خوانش معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه هنر، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">یاسمن بخیت، مسجد امام خمینی (شاه) تهران: شناخت تغییراتِ کیفیتِ فضایی از زمان ساخت بنا تا پایان سلطنت مظفرالدینشاه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">ریحانه حیدری، فایدۀ تاریخ معماری: بررسی آراء دانشوران معاصر آلمانیزبان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">روحاله مجتهدزاده، نسبت معماری و علوم در ایران دوران اسلامی؛ با تأکید بر علوم عملی، دکتری معماری اسلامی، دانشگاه هنر اصفهان، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">ذاتالله نیکزاد، حفاظت معماری و تحقیق تاریخ معماری: تمهید مبنایی نظری برای حفاظت به منزلۀ حوزهای میانرشتهای در پیشبرد تحقیق تاریخ معماری ایران، دکتری مرمت ابنیه، دانشکدۀ مرمت، دانشگاه هنر اصفهان، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطورهشناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی محمدی، واژگان معماری مطلعالشمس: گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶ </span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">آزاده رسولی یزدی، تفکر دربارۀ معماری منظر از طریق پیوند واژهها، کارشناسی ارشد معماری منظر، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در مثنوی معنوی: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> ب. مشاوره</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>اطلاعات شخصی</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تولد: ۱۳۳۸، تهران\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان مادری: فارسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان دوم: انگلیسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان سوم: عربی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2022-06-18 17:59:27','2022-06-18 17:59:27','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(456,1,'2024-01-11 06:28:15','2024-01-11 06:28:15','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif;\"><span style=\"font-size: 18.6667px;\"> </span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی، </span><span style=\"font-size: 10pt;\">دانشگاه شهید بهشتی\n</span><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان زبان و ادب فارسی</span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">ایمیل:\n</span><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir\n</span><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\n<p style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">:وبگاهها\n</span><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a> |<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a> | <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">نشانی:\n</span><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. </span></span></p>\n\n\n<hr dir=\"rtl\" />\n\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul dir=\"rtl\">\n <li style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال سازمان مطالعه و تدوین کتب دانشگاهی (سمت) بابت کتاب هنر در تمدن اسلامی: معماری، ۱۳۹۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ رسالۀ معماریه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب معنا در معماری غرب، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب هندسه و تزیین در معماری اسلامی، ۱۳۸۱</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا ۱۳۹۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ معماری ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ هنر ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری معماری و هنر</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۹ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر گلستان هنر (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه مجلۀ موزهها (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">۶. نوشتههای منتشرشده</span></h3>\n<p dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">الف) مقاله (تألیف)</span></p>\n\n<ul>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Concept of Maidan in Qajar Iran: Transformation to an Embodiment of the Public Sphere (with Mahnam Najafi), in <em>International Journal of Environmental Studies</em>, vol. 78, no. 6, Dec. 2021</span></li>\n <li><a href=\"http://digitalhumanities.org/dhq/vol/15/3/000559/000559.html#\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">Probing Through Iranian Architectural History Within the Framework of an Ontology Development Process (with Dena Shamsizadeh and Niloofar Razavi), in <em>Digital Humanities Quarterly</em>, vol. 15. no. 3, Oct. 2021</span></a></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Place of Architecture in Knowledge. Classifications of the</span>\n<span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">First Islamic Centuries (with Rouhollah Mojtahedzadeh), in <em>Wiener zeitschrift für die kunde des morgenlandes</em>, no. 111, 2021</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Paradises of the Pen: A Survey of Persian Gardens in the Eleventh Century Persian Literature, in Fardanesh and Arefian (eds.), <em>Persian Paradises at Peril. The Urban Book Series</em>, Springer, Cham. https://doi.org/10.1007/978-3-030-62550-4_2, 2021.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><a class=\"text-primary mi-fulltext\" href=\"https://www.magiran.com/paper/2624448/%d8%a7%d9%86%d8%af%db%8c%d8%b4%d9%87-%d8%b0%d8%a7%d8%aa-%d9%86%d8%a7%d8%aa%d8%a7%d8%b1%db%8c%d8%ae%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d8%a7%d8%b3%d9%84%d8%a7%d9%85%db%8c-%d8%a7%db%8c%d8%b1%d8%a7%d9%86-%d9%86%d9%82%d8%af-%d8%af%d9%88-%d8%af%db%8c%d8%af%da%af%d8%a7%d9%87-%d8%ad%d8%a7%d9%84-%d9%88%d8%ad%d8%af%d8%aa-%d9%88-%d8%ae%d8%b4%d8%aa-%d9%88-%d8%ae%db%8c%d8%a7%d9%84\">اندیشه ذات ناتاریخی معماری اسلامی ایران: نقد دو دیدگاه («حال وحدت» و «خشت و خیال»)</a> (به اتفاق شبنم حاجیجعفری)، در <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Idea-of-Non-Historical-Essence-of-Islamic-Architecture-of-Iran.pdf\"><span style=\"font-size: 10pt;\"><em>گلستان هنر</em></span></a>، تابستان ۱۴۰۱.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری هنر و معماری جادویی در شاهنامه (به اتفاق مونا بلوری بزاز)، در <span style=\"font-size: 10pt;\"><em>مرمت و معماری ایران</em></span>، پاییز ۱۴۰۰.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معرفت ضمنی و گونههای آن در معماری بر اساس اندیشۀ هری کالینز (به اتفاق امید شمس)، در <span style=\"font-size: 10pt;\"><em>مطالعات معماری ایران</em></span>، پاییز و زمستان ۱۳۹۹.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/A-Conceptual-History-of-Muhandis.pdf\">تاریخ مفهومیِ مهندس در نیمۀ نخست دورۀ قاجاریان، (به اتفاق زهرا گلشن)، در صفه، زمستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Idea-of-Non-Historical-Essence-of-Islamic-Architecture-of-Iran.pdf\">اندیشۀ ذاتِ ناتاریخیِ معماری اسلامی ایران: نقد دو دیدگاه، حالِ وحدت و خشت و خیال، (به اتفاق شبنم حاجیجعفری)، در <span style=\"font-size: 10pt;\"><em>گلستان هنر</em></span>، پاییز ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Concept-of-Architectural-Criticism-Its-History-and-Types.pdf\">مفهوم نقد معماری: سیر تاریخی و گونهها، (به اتفاق مطهره داناییفر)، در پژوهشنامۀ فرهنگستان هنر، تابستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، (به اتفاق محدثه نظیفکار)، در اثر، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/09/Ilm-al-Uqud.pdf\">علم عقود ابنیه: کلیدی برای فهم نسبت علم و معماری در جهان اسلام، (به اتفاق روحاله مجتهدزاده)، در تاریخ علم، ۱۳۹۶</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\">تاريخ آموزش طراحى معمارى دردانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-size: 10pt;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in Beiträge zur Islamischen Kunst und Archaäologie, 2017</span></a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in Islamic Studies, 2015.</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in Kimiya-ye-Honar, 2015</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در مطالعات معماری ایران، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در نامۀ معماری و شهرسازی، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در کیمیای هنر، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در مطالعات تاریخ فرهنگی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در نامۀ معماری و شهرسازی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مطالعات معماری ایران، ۱۳۹۲</a></span></li>\n</ul>\n<ul dir=\"rtl\">\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, 2013</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در فصلنامۀ آموزش مهندسی ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in Al-shajarah (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مولاناپژوهی، ۱۳۸۹</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در تاریخ و تمدن اسلامی، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در پژوهشنامۀ فرهنگستان هنر، ۱۳۸۸</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در گلستان هنر، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در گلستان هنر، زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در گلستان هنر، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ساختار نظریه و الفبای نظریهپردازی، در صفه، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در خیال، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">افکار و آثار الگ گرابار، در دانشنامه (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, <span style=\"text-align: left;\">2005</span></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمام گنجعلیخان، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرسۀ غیاثیۀ خرگرد، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عمارت هشتبهشت، در رواق، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در گلستان هنر، ش۱۳، پاییز ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در گلستان هنر، ش ۶، زمستان ۱۳۸۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در صفه، ش ۳۹، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در صفه، ش ۳۷، زمستان ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">نمادپردازی، وایتال پری، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی، اکهارت نویباوئر، در خیال، ش ۱۱، پاییز ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ج) جستار و مصاحبه و سخنرانی</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></span></li>\n <li>\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\n</li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">جستار: تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در مردمنامه، ۱۳۹۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\">گفتگو: فلسفۀ معماری، در اطلاعات حکمت و معرفت، ۱۳۹۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\">جستار: معماری چون مظهر فرهنگ، در فصلنامۀ معماری و فرهنگ، ۱۳۹۳</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\">گفتگو: شارحان پریشانی، مجلۀ سورۀ اندیشه، ۱۳۹۰</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب نگارههای چوبی مساجد آذربایجان، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در گلستان هنر، ش ۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: لایههای باغ ایرانی، در گلستان هنر، ش ۱۲، تابستان ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در گلستان هنر، شمارۀ ویژه، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در گلستان هنر، ش ۸، تابستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در گلستان هنر، ش ۵، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چو غلام آفتابم ...، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: نامۀ گنج، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۲، انتشارات سمت، ۱۳۹۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۱، انتشارات سمت، ۱۳۹۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گنجنامه: فرهنگ آثار معماری اسلامی ایران (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۱۵ و ۱۶ (خانهها)، دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\">کتابنگاشت توضیحی نظریههای معماری و هنر، انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\">پژوهشهای معماری و هنر (تاریخ و نظر)، انتشارات روزنه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ده حکایت معماری (المختار من نوادر اخبار العمار)، انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گفتارهایی در مبانی و تاریخ معماری و هنر، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">واژهنامۀ سهزبانۀ معماری اسلامی (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گنجنامه: فرهنگ آثار معماری اسلامی ایران (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری اختیار یا سرنوشت، انتشارات روزنه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معنا در معماری غرب، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پویهشناسی صور معماری، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰ و ۱۳۹۴.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هندسه و تزیین در معماری اسلامی (طومار توپقاپی)، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹ و ۱۳۹۸.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هنر خط و تذهیب قرآنی، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۷. تدریس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> دروس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>منابع تاریخ معماری ایران، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>نقد آثار تاریخ معماری، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹- ۱۴۰۰.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه دورۀ دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۸. پایاننامه و رساله</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> الف. راهنمایی</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\">امید شمس، شبکۀ باور مورخ معماری: نسبت میان تاریخنگاشت معماری با معرفت ضمنی معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">حمیدرضا پیشوایی، کاخ گلستان در دورۀ ناصری: به مثابۀ آیینۀ تحول ذوق معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مهدی حسینی، تاریخ اجتماعی معماری خانه از منظر ژیروئار: با تکیه بر کتاب زندگی در خانۀ حومۀ شهری انگلیسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم شائیان، دگرگونی عینی و ذهنی معماری خانگی در روزنامۀ خاطرات عینالسلطنه: ارزیابی منابع، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">فاطمهزهرا زال، نقد کتاب زندگی خانگی و فرهنگ مصرف در ایران: با تکیه بر تبلیغات مطبوعاتی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مطهره داناییفر، بسط اندیشۀ نقد تاریخی معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مهنام نجفی، بازیابی و فهم معنای «میدان»، در ایران دورۀ قاجاریه، دکتری معماری، دانشکدۀ معماری و هنر، دانشگاه یزد، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم عمارلو، مناسبات حضور زنان و معماری بازار تهران: از عهد ناصری تا انتهای دورۀ قاجاریه، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">محبوبه جوادیکیا، خوانش کتاب عکس علیخان والی به منزلۀ آینۀ نگاه او به معماری، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم ابراهیمی، بازخوانی گورستان ابنبابویه به منزلۀ مکان حافظه: از مشروطه تا انقلاب اسلامی، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">پرستو مقدمی، طرح تحقیقی برای تاریخ فرهنگی معماری ایران در دورۀ ناصری: معماری ساحت مرگ در تهران، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مونا بلوری بزاز، فرمالیسم روسی، از ادبیات تا معماری: تبیین مدلی برای خوانش معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه هنر، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">یاسمن بخیت، مسجد امام خمینی (شاه) تهران: شناخت تغییراتِ کیفیتِ فضایی از زمان ساخت بنا تا پایان سلطنت مظفرالدینشاه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">ریحانه حیدری، فایدۀ تاریخ معماری: بررسی آراء دانشوران معاصر آلمانیزبان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">روحاله مجتهدزاده، نسبت معماری و علوم در ایران دوران اسلامی؛ با تأکید بر علوم عملی، دکتری معماری اسلامی، دانشگاه هنر اصفهان، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">ذاتالله نیکزاد، حفاظت معماری و تحقیق تاریخ معماری: تمهید مبنایی نظری برای حفاظت به منزلۀ حوزهای میانرشتهای در پیشبرد تحقیق تاریخ معماری ایران، دکتری مرمت ابنیه، دانشکدۀ مرمت، دانشگاه هنر اصفهان، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطورهشناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی محمدی، واژگان معماری مطلعالشمس: گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶ </span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">آزاده رسولی یزدی، تفکر دربارۀ معماری منظر از طریق پیوند واژهها، کارشناسی ارشد معماری منظر، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در مثنوی معنوی: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> ب. مشاوره</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>اطلاعات شخصی</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تولد: ۱۳۳۸، تهران\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان مادری: فارسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان دوم: انگلیسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان سوم: عربی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2024-01-11 06:28:15','2024-01-11 06:28:15','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(458,1,'2024-01-11 06:55:45','2024-01-11 06:55:45','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif;\"><span style=\"font-size: 18.6667px;\"> </span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی، </span><span style=\"font-size: 10pt;\">دانشگاه شهید بهشتی\n</span><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان زبان و ادب فارسی</span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">ایمیل:\n</span><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir\n</span><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\n<p style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">:وبگاهها\n</span><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a> |<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a> | <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">نشانی:\n</span><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. </span></span></p>\n\n\n<hr dir=\"rtl\" />\n\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul dir=\"rtl\">\n <li style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال سازمان مطالعه و تدوین کتب دانشگاهی (سمت) بابت کتاب هنر در تمدن اسلامی: معماری، ۱۳۹۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ رسالۀ معماریه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب معنا در معماری غرب، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب هندسه و تزیین در معماری اسلامی، ۱۳۸۱</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا ۱۳۹۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ معماری ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ هنر ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری معماری و هنر</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۹ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر گلستان هنر (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه مجلۀ موزهها (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">۶. نوشتههای منتشرشده</span></h3>\n<p dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">الف) مقاله (تألیف)</span></p>\n\n<ul>\n <li style=\"text-align: right;\"><a href=\"https://golestanehonar.ir/article-1-332-fa.pdf\"><span style=\"font-family: Verdana, Geneva;\">اندیشه ذات ناتاریخی معماری اسلامی ایران: نقد دو دیدگاه («حال وحدت» و «خشت و خیال») (به اتفاق شبنم حاجیجعفری)،</span> در <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><span style=\"font-size: 10pt;\"><em>گلستان هنر</em></span>، تابستان ۱۴۰۱.</span></a></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Concept of Maidan in Qajar Iran: Transformation to an Embodiment of the Public Sphere (with Mahnam Najafi), in <em>International Journal of Environmental Studies</em>, vol. 78, no. 6, Dec. 2021</span></li>\n <li><a href=\"http://digitalhumanities.org/dhq/vol/15/3/000559/000559.html#\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">Probing Through Iranian Architectural History Within the Framework of an Ontology Development Process (with Dena Shamsizadeh and Niloofar Razavi), in <em>Digital Humanities Quarterly</em>, vol. 15. no. 3, Oct. 2021</span></a></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Place of Architecture in Knowledge. Classifications of the</span>\n<span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">First Islamic Centuries (with Rouhollah Mojtahedzadeh), in <em>Wiener zeitschrift für die kunde des morgenlandes</em>, no. 111, 2021</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Paradises of the Pen: A Survey of Persian Gardens in the Eleventh Century Persian Literature, in Fardanesh and Arefian (eds.), <em>Persian Paradises at Peril. The Urban Book Series</em>, Springer, Cham. https://doi.org/10.1007/978-3-030-62550-4_2, 2021.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری هنر و معماری جادویی در شاهنامه (به اتفاق مونا بلوری بزاز)، در <span style=\"font-size: 10pt;\"><em>مرمت و معماری ایران</em></span>، پاییز ۱۴۰۰.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معرفت ضمنی و گونههای آن در معماری بر اساس اندیشۀ هری کالینز (به اتفاق امید شمس)، در <span style=\"font-size: 10pt;\"><em>مطالعات معماری ایران</em></span>، پاییز و زمستان ۱۳۹۹.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/A-Conceptual-History-of-Muhandis.pdf\">تاریخ مفهومیِ مهندس در نیمۀ نخست دورۀ قاجاریان، (به اتفاق زهرا گلشن)، در صفه، زمستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Idea-of-Non-Historical-Essence-of-Islamic-Architecture-of-Iran.pdf\">اندیشۀ ذاتِ ناتاریخیِ معماری اسلامی ایران: نقد دو دیدگاه، حالِ وحدت و خشت و خیال، (به اتفاق شبنم حاجیجعفری)، در <span style=\"font-size: 10pt;\"><em>گلستان هنر</em></span>، پاییز ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Concept-of-Architectural-Criticism-Its-History-and-Types.pdf\">مفهوم نقد معماری: سیر تاریخی و گونهها، (به اتفاق مطهره داناییفر)، در پژوهشنامۀ فرهنگستان هنر، تابستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، (به اتفاق محدثه نظیفکار)، در اثر، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/09/Ilm-al-Uqud.pdf\">علم عقود ابنیه: کلیدی برای فهم نسبت علم و معماری در جهان اسلام، (به اتفاق روحاله مجتهدزاده)، در تاریخ علم، ۱۳۹۶</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\">تاريخ آموزش طراحى معمارى دردانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-size: 10pt;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in Beiträge zur Islamischen Kunst und Archaäologie, 2017</span></a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in Islamic Studies, 2015.</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in Kimiya-ye-Honar, 2015</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در مطالعات معماری ایران، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در نامۀ معماری و شهرسازی، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در کیمیای هنر، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در مطالعات تاریخ فرهنگی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در نامۀ معماری و شهرسازی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مطالعات معماری ایران، ۱۳۹۲</a></span></li>\n</ul>\n<ul dir=\"rtl\">\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, 2013</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در فصلنامۀ آموزش مهندسی ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in Al-shajarah (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مولاناپژوهی، ۱۳۸۹</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در تاریخ و تمدن اسلامی، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در پژوهشنامۀ فرهنگستان هنر، ۱۳۸۸</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در گلستان هنر، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در گلستان هنر، زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در گلستان هنر، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ساختار نظریه و الفبای نظریهپردازی، در صفه، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در خیال، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">افکار و آثار الگ گرابار، در دانشنامه (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, <span style=\"text-align: left;\">2005</span></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمام گنجعلیخان، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرسۀ غیاثیۀ خرگرد، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عمارت هشتبهشت، در رواق، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نور و چشمانداز در معماری بازار کاشان (به اتفاق محمود ارژمند)، در مجموعه مقالات نخستین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۷۵</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ب) مقاله</strong><strong> (ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D9%88-%D8%AC%D8%A7%D9%85%D8%B9%D9%87-%D8%AF%D8%B1-%D8%AF%D9%88%D8%B1%DB%80-%D8%A7%DB%8C%D9%84%D8%AE%D8%A7%D9%86%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B1%DB%B3.pdf\">معماری و جامعه در دورۀ ایلخانیان: تحلیل وقفنامۀ ربع رشیدی، شیلا بلر، در گلستان هنر، ش۱۳، پاییز ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%DA%86%D9%87%D8%A7%D8%B1-%D9%85%D9%86%D8%A8%D8%B9-%D8%AF%D8%B1%D8%A8%D8%A7%D8%B1%DB%80-%D8%B3%D8%A7%D8%AE%D8%AA%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C-%D8%B4%D8%A7%D9%87-%D8%B9%D8%A8%D8%A7%D8%B3-%D8%AF%D8%B1-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86%D8%8C-%DA%AF%D9%84%D8%B3%D8%AA%D8%A7%D9%86-%D9%87%D9%86%D8%B1%D8%8C-%D8%B4-%DB%B6.pdf\">چهار منبع دربارۀ اصفهان در دورۀ شاه عباس، رابرت مکچسنی، در گلستان هنر، ش ۶، زمستان ۱۳۸۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%AA%D8%AD%D9%82%DB%8C%D9%82-%D8%AA%D9%81%D8%B3%DB%8C%D8%B1%DB%8C-%D8%AA%D8%A7%D8%B1%DB%8C%D8%AE%DB%8C-%D8%AF%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C%D8%8C-%D8%B5%D9%81%D9%87-%DB%B3%DB%B9.pdf\">تحقیق تفسیریـ تاریخی، دیوید ونگ، در صفه، ش ۳۹، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/06/رمز-و-بنا-آیین.pdf\">رمز و بنا و آیین، تامس بری، در: خیال، ش ۱۳، بهار ۱۳۸۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D8%B8%D8%A7%D9%85%E2%80%8C%D9%87%D8%A7%DB%8C-%D9%BE%DA%98%D9%88%D9%87%D8%B4-%D9%88-%D9%85%D8%B9%DB%8C%D8%A7%D8%B1%D9%87%D8%A7%DB%8C-%DA%A9%DB%8C%D9%81%DB%8C%D8%AA-%D8%AA%D8%AD%D9%82%DB%8C%D9%82%D8%8C-%D8%B5%D9%81%DB%80-%DB%B3%DB%B7.pdf\">نظامهای پژوهش و معیارهای کیفیت تحقیق، لیندا گروت، در صفه، ش ۳۷، زمستان ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/نقش-و-جهانشناسی.pdf\">نقش و جهانشناسی، کیت کریچلو، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/رمزپردازی.pdf\">نمادپردازی، وایتال پری، در جام نو و می کهن (مقالاتی از اصحاب حکمت خالده)، ۱۳۸۲</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/صفیالدین-ارموی.pdf\">صفیالدین ارموی، اکهارت نویباوئر، در خیال، ش ۱۱، پاییز ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%B3%D8%AE%D9%86%DB%8C-%D8%AF%D8%B1-%D8%AD%DA%A9%D9%85%D8%AA-%D9%87%D9%86%D8%B1-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">سخنی در حکمت هنر ایرانی، آناندا کوماراسوامی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D8%A7%D8%AD%D8%AF%D8%A7%D8%AB-%D8%A7%D8%B5%D9%81%D9%87%D8%A7%D9%86-%D8%B9%D8%A8%D8%A7%D8%B3%DB%8C-%D8%AF%D8%B1-%D9%85%D8%AA%D9%88%D9%86-%D8%B5%D9%81%D9%88%DB%8C%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%D8%B4-%DB%B1-.pdf\">احداث اصفهان عباسی در متون دورۀ صفوی، رابرت مکچسنی، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/05/%D9%86%D9%82%D8%B4%D9%87-%D9%88-%D8%B7%D9%88%D9%85%D8%A7%D8%B1-%D9%85%D8%B9%D9%85%D8%A7%D8%B1%DB%8C-%D8%AF%D8%B1-%D8%AC%D9%87%D8%A7%D9%86-%D8%A7%D8%B3%D9%84%D8%A7%D9%85%D8%8C-%D8%B1%D9%88%D8%A7%D9%82-%DB%B1.pdf\">نقشه و طومار معماری در جهان اسلام، گلرو نجیباوغلو، در رواق، ش ۱، پاییز ۱۳۷۷</a></span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ج) جستار و مصاحبه و سخنرانی</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"http://www.bookcity.org/detail/12711/root/meetings\"><span lang=\"FA\">سخنرانی «در ستایش کودکی»، در مجلس رونمایی کتاب من بهشت را دیدهام: گفتگوی زهرا زواریان با امیرحسین ذکرگو، تهران: مرکز فرهنگی شهر کتاب، ۱ خرداد ۱۳۹۷</span></a></span></li>\n <li>\n<p class=\"m_5831253201364739235a\" dir=\"RTL\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"http://www.irip.ir/Home/Single/66240\">سخنرانی «هنرهای مصحف شریف در نزد مارتین لینگز»، در همایش بزرگداشت مارتین لینگز، تهران: مؤسسۀ پژوهشی حکمت و فلسفۀ ایران و انجمن حکمت و فلسفۀ ایران، ۲۲ اردیبهشت ۱۳۹۷</a></span></p>\n</li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Origins of Modern Directions of Governmental Architecture in the Early Qājār Period- Reassessing Nineteenth-Century Art in Islamic Countries, Ernst Herzfeld Society Thirteenth Colloquium, July 6–9, 2017, Department of Art History, University of Vienna, Austria</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55600464.pdf\">تقریظ بر کتاب تاریخ آموزش طراحی معماری در دانشگاه شهید بهشتی، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/55599404.pdf\">تقریظ بر کتاب داستان مادی فدن، ۱۳۹۶</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/The-Exceedence-of-Architectural-Metaphors-prntd.pdf\">جستار: تعدّیِ استعارههای معماری، در شیوه، ۱۳۹۶</a> </span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/52284479.pdf\">یادداشتی دربارۀ «تاریخ مردم» در معماری ایران، در مردمنامه، ۱۳۹۵</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38512716.pdf\">گفتگو: فلسفۀ معماری، در اطلاعات حکمت و معرفت، ۱۳۹۴</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/خرگرد.pdf\">تقریظ بر کتاب حکایت خرگرد و مدرسه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38009203.pdf\">گفتگو: شهر روانپریش و معماری اسلامی، در شفقنا، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38246038.pdf\">جستار: معماری چون مظهر فرهنگ، در فصلنامۀ معماری و فرهنگ، ۱۳۹۳</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/05/تاریخ-شفاهی.pdf\">تقریظ بر کتاب مقدمهای بر تاریخ شفاهی معماری ایران، ۱۳۹۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب در سایۀ سرو: سرونگارههای سنگ آرامگاههای مردم اصفهان، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/38008915.pdf\">گفتگو: شارحان پریشانی، مجلۀ سورۀ اندیشه، ۱۳۹۰</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پیشگفتار کتاب نگارههای چوبی مساجد آذربایجان، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: حمایت و هنرپروری و زوایای پنهان تاریخ هنر ایران، در گلستان هنر، ش ۱۳، پاییز ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: لایههای باغ ایرانی، در گلستان هنر، ش ۱۲، تابستان ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: مرمت دل و مرمت گل: شیرازی در سلسلۀ مرمتگران، در گلستان هنر، شمارۀ ویژه، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: دشواریهای مطالعات تاریخ هنر ایران و پدیدۀ سیدباقر شیرازی، در گلستان هنر، ش ۸، تابستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: اصفهان صفوی و معضل طبقهبندی در تاریخ هنر ایران، در گلستان هنر، ش ۵، زمستان ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: طرح تاریخ شفاهی معماری ایران، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: میراث فرهنگی برای حسرت، حیرت، یا حیات؟، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چل سال رنج و غصه کشیدیم و عاقبت ...، در وبگاه خبرگزاری میراث فرهنگی، ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: چو غلام آفتابم ...، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستار: نامۀ گنج، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>د) کتاب </strong><strong>(تألیف)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۲، انتشارات سمت، ۱۳۹۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">هنر در تمدن اسلامی: معماری ۱، انتشارات سمت، ۱۳۹۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گنجنامه: فرهنگ آثار معماری اسلامی ایران (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۱۵ و ۱۶ (خانهها)، دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/theories-of-architectural-and-art-history-an-annotated-babliography/\" target=\"_blank\" rel=\"noopener noreferrer\">کتابنگاشت توضیحی نظریههای معماری و هنر، انتشارات دانشگاه شهید بهشتی، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/%d9%be%da%98%d9%88%d9%87%d8%b4%e2%80%8c%d9%87%d8%a7%db%8c-%d9%85%d8%b9%d9%85%d8%a7%d8%b1%db%8c-%d9%88-%d9%87%d9%86%d8%b1-%d8%aa%d8%a7%d8%b1%db%8c%d8%ae-%d9%88-%d9%86%d8%b8%d8%b1/\" target=\"_blank\" rel=\"noopener noreferrer\">پژوهشهای معماری و هنر (تاریخ و نظر)، انتشارات روزنه، ۱۳۹۴</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ده حکایت معماری (المختار من نوادر اخبار العمار)، انتشارات روزنه، ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گفتارهایی در مبانی و تاریخ معماری و هنر، انتشارات علمی و فرهنگی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درآمدی کتابشناختی بر متون فارسی از منظر تاریخ معماری، دفتر اول: متون نثر سدههای نخست، دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۲. اعلام (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فرهنگنامۀ معماری ایران در مراجع فارسی، ج۱. اصطلاحات و مفاهیم (به اتفاق سیدمحمد بهشتی)، فرهنگستان هنر، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">واژهنامۀ سهزبانۀ معماری اسلامی (به اتفاق سیدعلی عمادی استرآبادی)، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">گنجنامه: فرهنگ آثار معماری اسلامی ایران (زیر نظر کامبیز حاجیقاسمی)، جلدهای ۹ و ۱۰ (بناهای بازار)، دانشگاه شهید بهشتی، ۱۳۸۳</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>ه) کتاب </strong><strong>(ترجمه)</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نیروهای ادراک بصری در معماری (پویهشناسی صور معماری)، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه، جعفر افندی، انتشارات فرهنگستان هنر، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری اختیار یا سرنوشت، انتشارات روزنه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معنا در معماری غرب، کریستیان نوربرگـ شولتس، انتشارات فرهنگستان هنر، ۱۳۸۶ و ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پویهشناسی صور معماری، رودلف آرنهایم، انتشارات سمت و فرهنگستان هنر، ۱۳۸۲ و ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات روزنه، ۱۳۹۰ و ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری و راز جاودانگی (راه بیزمان ساختن)، کریستوفر الکساندر، انتشارات دانشگاه شهید بهشتی، ۱۳۸۱ و ۱۳۸۳ و ۱۳۸۶ و ۱۳۹۰ و ۱۳۹۴.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هندسه و تزیین در معماری اسلامی (طومار توپقاپی)، گلرو نجیباوغلو، انتشارات روزنه، ۱۳۷۹ و ۱۳۸۹ و ۱۳۹۸.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">هنر خط و تذهیب قرآنی، مارتین لینگز، انتشارات گرّوس، ۱۳۷۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۷. تدریس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دورۀ کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، از ۱۳۸۱ تا ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> دروس</strong></span></p>\n\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهش در تاریخ معماری ایران (۳): دوران اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>منابع تاریخ معماری ایران، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۴ تا کنون</span></li>\n <li>نقد آثار تاریخ معماری، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹- ۱۴۰۰.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه، دورۀ دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">درس ویژه دورۀ دکتری در رشتههای معماری، مرمت ابنیه، مرمت آثار، پژوهش هنر، دانشگاه هنر اصفهان، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با متون تاریخی و کتیبهها، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارگاه نگارش، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا ۱۳۹۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آشنایی با معماری اسلامی ایران، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طراحی معماری ۴، کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۸. پایاننامه و رساله</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> الف. راهنمایی</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\">امید شمس، شبکۀ باور مورخ معماری: نسبت میان تاریخنگاشت معماری با معرفت ضمنی معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">حمیدرضا پیشوایی، کاخ گلستان در دورۀ ناصری: به مثابۀ آیینۀ تحول ذوق معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مهدی حسینی، تاریخ اجتماعی معماری خانه از منظر ژیروئار: با تکیه بر کتاب زندگی در خانۀ حومۀ شهری انگلیسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم شائیان، دگرگونی عینی و ذهنی معماری خانگی در روزنامۀ خاطرات عینالسلطنه: ارزیابی منابع، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">فاطمهزهرا زال، نقد کتاب زندگی خانگی و فرهنگ مصرف در ایران: با تکیه بر تبلیغات مطبوعاتی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۴۰۰</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مطهره داناییفر، بسط اندیشۀ نقد تاریخی معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مهنام نجفی، بازیابی و فهم معنای «میدان»، در ایران دورۀ قاجاریه، دکتری معماری، دانشکدۀ معماری و هنر، دانشگاه یزد، ۱۳۹۹</li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم عمارلو، مناسبات حضور زنان و معماری بازار تهران: از عهد ناصری تا انتهای دورۀ قاجاریه، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">محبوبه جوادیکیا، خوانش کتاب عکس علیخان والی به منزلۀ آینۀ نگاه او به معماری، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مریم ابراهیمی، بازخوانی گورستان ابنبابویه به منزلۀ مکان حافظه: از مشروطه تا انقلاب اسلامی، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">پرستو مقدمی، طرح تحقیقی برای تاریخ فرهنگی معماری ایران در دورۀ ناصری: معماری ساحت مرگ در تهران، <span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">مونا بلوری بزاز، فرمالیسم روسی، از ادبیات تا معماری: تبیین مدلی برای خوانش معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه هنر، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">یاسمن بخیت، مسجد امام خمینی (شاه) تهران: شناخت تغییراتِ کیفیتِ فضایی از زمان ساخت بنا تا پایان سلطنت مظفرالدینشاه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">ریحانه حیدری، فایدۀ تاریخ معماری: بررسی آراء دانشوران معاصر آلمانیزبان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">روحاله مجتهدزاده، نسبت معماری و علوم در ایران دوران اسلامی؛ با تأکید بر علوم عملی، دکتری معماری اسلامی، دانشگاه هنر اصفهان، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">ذاتالله نیکزاد، حفاظت معماری و تحقیق تاریخ معماری: تمهید مبنایی نظری برای حفاظت به منزلۀ حوزهای میانرشتهای در پیشبرد تحقیق تاریخ معماری ایران، دکتری مرمت ابنیه، دانشکدۀ مرمت، دانشگاه هنر اصفهان، ۱۳۹۸</li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سپیده احمدخانی، خوانش معماری در هفت پیکر نظامی با رویکرد اسطورهشناسی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">بهاره تقوینژاد، تزیینات محراب های گچبری دورۀ ایلخانی در ایران تحلیل سبکشناختی بر مبنای ترکیببندی و نقشمایهها، دکتری پژوهش هنر، دانشگاه هنر اصفهان، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی محمدی، واژگان معماری مطلعالشمس: گامی به سوی تدوین فرهنگنامۀ معماری دورۀ قاجاریان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶ </span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سیدهبشری موسوی، مدرسۀ دارالفنون بازنمایی بر مبنای اسناد تصویری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه محسنی، داستان ساختن خانهای در اصفهان قاجاری بررسی داستاننویسی چون روش تحقیق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">آرزو احمدلو، طومارهای معماری میرزا اکبر بررسی سندشناختی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">زهرا مشفقیان، پرسش از شهر در متون سدۀ هشتم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فائزه کاویان، تاریخ شفاهی خیابان امام خمینی (پهلوی) گرگان از زمان احداث تا انقلاب سفید، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">یحیی سپهری، تاریخ دانشکدۀ معماری دانشگاه شهید بهشتی (دانشگاه ملی ایران): آموزش طراحی معماری در مرحلۀ تکوین دانشکده، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">محمدمهدی عبداللهزاده، معماری طبايع: پروردن رويكردي دربارۀ نسبت انسان و محيط مصنوع بر مبنای طبيعیات ابن سينا، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد نخعی، پرسشهای اصلی تاریخ معماری از منظر اهل نظر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، ساختن و ساخته شدن؛ بازنگری در مفهوم فرهنگ و نسبت آن با معماری، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، تبیین مبنایی نظری برای دورهبندی تاریخ معماری ایران، دکتری معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۳</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">شبنم حاجیجعفری، تأملی در اصول معماری ایرانی: سه نظرگاه معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">منا کدخدامرادی، جایگاه باقر آیتاللهزاده شیرازی در تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\">آزاده رسولی یزدی، تفکر دربارۀ معماری منظر از طریق پیوند واژهها، کارشناسی ارشد معماری منظر، <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مرضیه نیکنهاد، مسجد جامع نایین: بازاندیشی سیر تحول، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مطهره داناییفر، جستجوی مقولههای معماری برهۀ گذار (از دورۀ ساسانیان به دوران اسلامی): با تکیه بر مقولۀ آبادانی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مریم حیدرخانی، ادب معماری: تأمل در آداب معماری ایران بر مبنای رسالههای ادب، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا برادران خلخالی، اصناف و شئون معماران دورۀ قاجاریه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیداحمد نجیبی، بررسی ساختار کالبدی و فرهنگی بازار تهران در دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سینا سلطانی، جستجویی برای شناخت معماری خانقاه در ایران: در خراسان سدۀ پنجم، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا چیتسازیان، شهر دیدار: بازخوانی کاشان از منظر زیارت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین شهیدی مارنانی، درآمدی بر تاریخ فرهنگی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمیدرضا پیشوائی، آسمانها و آسمانهها در مثنوی معنوی: بررسی مراتب معماری در نسبت با هستی و انسان، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مونا بلوری بزاز، از معماری مینوی تا معماری زمینی: معماری و اطوار آن در شاهنامه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سیدهمیترا هاشمی، تاریخ شفاهی در تاریخ معماری ایران: درآمدی بر مباحث نظری و عملی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مجید حیدری دلگرم، قبله در معماری ایران: بررسی ماهیت و دامنه و وجوه تأثیر آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">صفا محمودیان، داستان مادی فدن: بررسی زندگی و معماری در کنار جوی در اصفهان دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمد غلامعلی فلاح، جان معماری، جهان معماری: جایگاه و مفهوم سیاق در تاریخ معماری، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">علی اکبری، بررسی تحولات معماری ایران در قرون اولیۀ اسلامی، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نازنین کریمی، تجلی سرمدیت در معماری مقدس اسلامی: بررسی نمونههایی از معماری ایران از منظر سنتگرایان، کارشناسی ارشد پژوهش هنر، دانشکدۀ معماری و هنر، دانشگاه کاشان، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فهیمه فتوحی، جایگاه تاریخ معماری در آموزش معماری، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">الناز نجار نجفی، نفشبازی و صورتبندی: مبادی و سیر تکوین آنچه میبدیان ساباط و میدان خوانند، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">طناز لطیفیان اصفهانی، معماری و زندگی و زیبایی در بابرنامه (بررسی و تفسیر مفاهیم معماری در توزک بابری)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بیتا قهرمانی، واژگان معماری در دورۀ صفویه (درآمدی بر تدوین فرهنگنامۀ معماری ایران در دورۀ صفویه)، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدمهدی عبداللهزاده، فرار از مدرسه: بررسی احوال و آثار محمدکریم پیرنیا از منظر تاریخپژوهی معماری ایران، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سامان ابوعلی، اندازه و شمار در صناعت عمارت (راهی برای آموختن صناعت عمارت در گذشتۀ ایران به کمک اندازه و شمار)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۹</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">نسیم دریایی، روستای هورامان تخت: نسبت کالبد روستا با فرهنگ و جغرافیا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مهدی سلطانی، نقش وزیران در حمایت از معماری در نیمۀ دوم دورۀ صفویه، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محدثه نظیفکار، اطلاعات معماری در اسناد خانوادگی استرآباد (خانوادۀ کبیر)، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه گلدار، چهارطاقی ساسانی: جستجوی کالبد و معنا، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مهدی گلچین عارفی، مدرسۀ مبارکۀ غیاثیۀ خرگرد، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> ب. مشاوره</strong></span></p>\n\n<ul>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">سمانه پورعمادی، بنای هارونولایت اصفهان: چیستی بنا و پیوندهای دینی آن، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۷</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">نرگس ضمیری، شناخت روشِ تحقیق کتاب هندسه و تزیین در معماری اسلامی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">صبا مدنی، حسینیۀ ارشاد بررسی نسبت کالبد با سیاق فرهنگی و اجتماعی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۶</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">مینو خاکپور، تعیین الگوهای معماری مقابر اسلامی ایران در گیلان، دکتری پژوهش هنر، دانشگاه الزهرا، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">احسان کاخانی، بررسی آراء غزالی دربارۀ معماری با محوریت کتاب احیاء علوم الدین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">دنا شمسیزاده، هستانشناسی تاریخ معماری ایران بر مبنای آثار دانشوران معاصر، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۵</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">فاطمه توانایی مروی، مفهوم گذشته در تاریخنامههای معماری در مغربزمین، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۴</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><span lang=\"AR-SA\">حلیمه کامور بندری، بررسی ویژگی های مساجد در نگارگری ایران (عصر تیموری) و مقایسۀ آن با معماری مساجد همزمان، کارشناسی ارشد هنر اسلامی، دانشگاه سوره</span><span lang=\"FA\">، ۱۳۹۲</span></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زهرا فراهانی، بازخوانی منظر شهری تاریخی اصفهان، کارشناسی ارشد معماری منظر، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۲</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">قدسیه اکبری باصری، رموز قدسی رنگ در حرم علی بن موسی الرضا (ع)، کارشناسی ارشد معماری، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۱</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ضحی ندیمی، میانۀ میدان: پژوهش در چیستی مرکز و نقش آن در آفرینش معماری، کارشناسی ارشد معماری، دانشکدۀ هنر و معماری، دانشگاه یزد، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پریسا محمدحسینی بریس، بررسی پیوند کالبد خانه و فرهنگ در خانههای قاجاری تبریز بر مبنای دیدگاه ایمس راپوپورت، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">فاطمه نظری، روایتی از شهر زنجان: جستجوی مهمترین تحولات در ساختار اصلی شهر در دوران قاجار و پهلوی، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">محمدرضا گراوندپور، فرهنگنامۀ معماری میرزا مهدیخان شقاقی (ممتحنالدوله): مدخلی بر فرهنگنامۀ معماری دورۀ قاجار، کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی دانشگاه شهید بهشتی، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جواد مدرسی، نقش دوگانۀ معماری در آثار کمالالدین بهزاد، کارشناسی ارشد نقاشی، دانشکدۀ هنر، دانشگاه شاهد، ۱۳۸۸</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آزیتا بلالی اسکویی، بازآفرینی و طراحی تصوری شهر ربع رشیدی بر اساس متون تاریخی (وقفنامه)، کارشناسی ارشد معماری اسلامی، تبریز: دانشگاه هنر اسلامی، ۱۳۸۷</span></li>\n</ul>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>اطلاعات شخصی</strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تولد: ۱۳۳۸، تهران\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان مادری: فارسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان دوم: انگلیسی\n</span><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">زبان سوم: عربی</span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>\n<p dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong> </strong></span></p>','Persian CV','','inherit','closed','closed','','61-revision-v1','','','2024-01-11 06:55:45','2024-01-11 06:55:45','',61,'https://qayyoomi.com/61-revision-v1/',0,'revision','',0),(461,1,'2024-01-11 07:01:05','2024-01-11 07:01:05','<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: arial, helvetica, sans-serif;\"><span style=\"font-size: 18.6667px;\"> </span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva; font-size: 18pt;\">مهرداد قیومی بیدهندی</span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">دانشیار دانشکدۀ معماری و شهرسازی، </span><span style=\"font-size: 10pt;\">دانشگاه شهید بهشتی\n</span><span style=\"font-size: 10pt;\">عضو وابستۀ فرهنگستان هنر\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان علوم\n</span><span style=\"font-size: 10pt;\">عضو مدعوّ فرهنگستان زبان و ادب فارسی</span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">ایمیل:\n</span><span style=\"font-size: 10pt;\">m-qayyoomi@sbu.ac.ir\n</span><span style=\"font-size: 10pt;\">qayyoomi@gmail.com</span></p>\n<p style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">:وبگاهها\n</span><span style=\"font-size: 10pt;\"><a href=\"https://qayyoomi.com/\">وبگاه شخصی</a> |<a href=\"https://sbu-ir.academia.edu/MehrdadQayyoomi\"> آکادمیا</a> | <a href=\"http://ahleghalam.ir/UserDetails/3689/%D9%82%DB%8C%D9%88%D9%85%DB%8C%E2%80%8C%D8%A8%DB%8C%D8%AF%D9%87%D9%86%D8%AF%DB%8C%D9%85%D9%87%D8%B1%D8%AF%D8%A7%D8%AF\">سرای اهل قلم</a></span></span></p>\n<p dir=\"rtl\" style=\"text-align: center;\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: 10pt;\">نشانی:\n</span><span style=\"font-size: 10pt;\">تهران، اوین، دانشگاه شهید بهشتی، دانشکدۀ معماری و شهرسازی، کد پستی ۶۳۱۱۳ ۱۹۸۳۹. </span></span></p>\n\n\n<hr dir=\"rtl\" />\n\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۱. تحصیل</strong></span></h3>\n<ul dir=\"rtl\">\n <li style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دکتری معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی ارشد پژوهش هنر، دانشگاه هنر، تهران، ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">کارشناسی معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، تهران، ۱۳۶۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دیپلم ریاضیـ فیزیک، دبیرستان البرز، تهران، ۱۳۵۷</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۲. افتخارات و جایزهها</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال سازمان مطالعه و تدوین کتب دانشگاهی (سمت) بابت کتاب هنر در تمدن اسلامی: معماری، ۱۳۹۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">پژوهشگر نمونۀ دانشگاه شهید بهشتی، ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب شایستۀ تقدیر فصل، برای ترجمۀ رسالۀ معماریه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ اول سومین جشنوارۀ بینالمللی فارابی، برای تحقیق آداب جستجوی تاریخ معماری ایران در متون فارسی، با تکیه بر متون نثر سدههای نخست، ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب معنا در معماری غرب، ۱۳۸۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">برندۀ جایزۀ کتاب سال، برای ترجمۀ کتاب هندسه و تزیین در معماری اسلامی، ۱۳۸۱</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۳. عضویت در مراکز علمی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو وابستۀ فرهنگستان هنر، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مدعوّ گروه علوم مهندسی (شاخۀ معماری و هنر) فرهنگستان علوم، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو و مسئول گروه واژهگزینی معماری و شهرسازی فرهنگستان زبان و ادب فارسی، از ۱۳۹۱ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو پیوستۀ مؤسسۀ ایکوموس ایران (مؤسسۀ بینالمللی بناها و محوطههای تاریخی)، از ۱۳۸۷ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت امنای پژوهشکدۀ هنر (فرهنگستان هنر)، از ۱۳۸۵ تا ۱۳۹۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر، فرهنگستان هنر، از ۱۳۸۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۴. حوزههای علاقه</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ معماری ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ هنر ایرانزمین</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری تاریخ معماری و هنر</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مباحث نظری معماری و هنر</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><strong>۵. سمتهای علمی و فرهنگی</strong></span></h3>\n<ul dir=\"rtl\">\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۶ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر مرکز مستندنگاری و مطالعات معماری، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۹۹ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر دانشنامۀ تاریخ معماری و شهرسازی ایرانشهر (ایرانشهرپدیا)، از ۱۳۹۴ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۷ تا ۱۳۹۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه برنامهریزی و بازنگری دورۀ کارشناسی ارشد مطالعات معماری ایران، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۲ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرس مدعو گروه تاریخ معماری و مرمت ابنیه و بافتها، دانشکدۀ معماری و شهرسازی، دانشگاه شهید بهشتی، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر گلستان هنر (فصلنامۀ فرهنگستان هنر در زمینۀ تاریخ هنر و معماری ایرانزمین)، از ۱۳۸۴ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو گروه تخصصی معماری و شهرسازی فرهنگستان هنر، از ۱۳۸۰ تا کنون</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی فرهنگستان هنر، از ۱۳۸۳ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رئیس گروه پژوهشی تاریخ هنر، فرهنگستان هنر، از ۱۳۸۵ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر خیال (فصلنامۀ فرهنگستان هنر در زمینۀ مباحث نظری هنر)، از ۱۳۸۱ تا ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مشاور رئیس سازمان و پژوهشگر پژوهشکدۀ بناها و بافتهای تاریخی، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی نخستین همایش حمام در فرهنگ ایرانی، کرمان، اردیبهشت ۱۳۸۲</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت علمی سومین و چهارمین کنگرۀ بینالمللی تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، از ۱۳۸۱ تا ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدیر کل موزهها، سازمان میراث فرهنگی کشور، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عضو هیئت تحریریه مجلۀ موزهها (فصلنامۀ سازمان میراث فرهنگی کشور در زمینۀ موزه و موزهداری)، از ۱۳۷۹ تا ۱۳۸۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دبیر گروه تخصصی معماری و شهرسازی، فرهنگستان هنر، از ۱۳۷۹ تا ۱۳۸۰</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معاون معرفی و آموزش، ادارۀ کل میراث فرهنگی استان اصفهان، از ۱۳۷۸ تا ۱۳۷۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سردبیر رواق (فصلنامه در زمینۀ هنر و معماری)، ش ۱- ۴، از ۱۳۷۷ تا ۱۳۷۸</span></li>\n</ul>\n<h3 dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">۶. نوشتههای منتشرشده</span></h3>\n<p dir=\"rtl\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">الف) مقاله (تألیف)</span></p>\n\n<ul>\n <li style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva;\">اندیشه ذات ناتاریخی معماری اسلامی ایران: نقد دو دیدگاه («حال وحدت» و «خشت و خیال») (به اتفاق شبنم حاجیجعفری)،</span> در <span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><span style=\"font-size: 10pt;\"><em>گلستان هنر</em></span>، تابستان ۱۴۰۱.</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Concept of Maidan in Qajar Iran: Transformation to an Embodiment of the Public Sphere (with Mahnam Najafi), in <em>International Journal of Environmental Studies</em>, vol. 78, no. 6, Dec. 2021</span></li>\n <li><a href=\"http://digitalhumanities.org/dhq/vol/15/3/000559/000559.html#\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">Probing Through Iranian Architectural History Within the Framework of an Ontology Development Process (with Dena Shamsizadeh and Niloofar Razavi), in <em>Digital Humanities Quarterly</em>, vol. 15. no. 3, Oct. 2021</span></a></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Place of Architecture in Knowledge. Classifications of the</span>\n<span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">First Islamic Centuries (with Rouhollah Mojtahedzadeh), in <em>Wiener zeitschrift für die kunde des morgenlandes</em>, no. 111, 2021</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Paradises of the Pen: A Survey of Persian Gardens in the Eleventh Century Persian Literature, in Fardanesh and Arefian (eds.), <em>Persian Paradises at Peril. The Urban Book Series</em>, Springer, Cham. https://doi.org/10.1007/978-3-030-62550-4_2, 2021.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری هنر و معماری جادویی در شاهنامه (به اتفاق مونا بلوری بزاز)، در <span style=\"font-size: 10pt;\"><em>مرمت و معماری ایران</em></span>، پاییز ۱۴۰۰.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معرفت ضمنی و گونههای آن در معماری بر اساس اندیشۀ هری کالینز (به اتفاق امید شمس)، در <span style=\"font-size: 10pt;\"><em>مطالعات معماری ایران</em></span>، پاییز و زمستان ۱۳۹۹.</span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/A-Conceptual-History-of-Muhandis.pdf\">تاریخ مفهومیِ مهندس در نیمۀ نخست دورۀ قاجاریان، (به اتفاق زهرا گلشن)، در صفه، زمستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Idea-of-Non-Historical-Essence-of-Islamic-Architecture-of-Iran.pdf\">اندیشۀ ذاتِ ناتاریخیِ معماری اسلامی ایران: نقد دو دیدگاه، حالِ وحدت و خشت و خیال، (به اتفاق شبنم حاجیجعفری)، در <span style=\"font-size: 10pt;\"><em>گلستان هنر</em></span>، پاییز ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2020/01/The-Concept-of-Architectural-Criticism-Its-History-and-Types.pdf\">مفهوم نقد معماری: سیر تاریخی و گونهها، (به اتفاق مطهره داناییفر)، در پژوهشنامۀ فرهنگستان هنر، تابستان ۱۳۹۸</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/05/Bathrooms-of-Estarabad-prntd.pdf\">دو سند دربارۀ معماری حمامهای روستایی استرآباد، (به اتفاق محدثه نظیفکار)، در اثر، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57531169.pdf\">معماری مدرسۀ دارالفنون و دگرگونیهای آن در دورۀ قاجاریان، (به اتفاق بشری موسوی)، در نامۀ معماری و شهرسازی، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2018/10/57401690.pdf\">جایگاه مفهوم معماری در نظام طبقهبندی علوم مسلمانان در سدههای نخست هجری با تکیه بر اندیشههای ابونصر فارابی، (به اتفاق روحاله مجتهدزاده)، در مطالعات معماری ایران، ۱۳۹۷</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2019/09/Ilm-al-Uqud.pdf\">علم عقود ابنیه: کلیدی برای فهم نسبت علم و معماری در جهان اسلام، (به اتفاق روحاله مجتهدزاده)، در تاریخ علم، ۱۳۹۶</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/تاريخ-آموزش-طراحى-معمارى.pdf\">تاريخ آموزش طراحى معمارى دردانشگاه شهيد بهشتى (دانشگاه ملى ايران) مرحلۀ تكوين، (به اتفاق یحیی سپهری)، در صفه، ۱۳۹۶</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/09/The_Norm_of_Madi_Managing_Water_in_Safav.pdf\"><span style=\"font-size: 10pt;\">The Norm of Mādī: Managing Water in Safavid Isfahan, (with S. Mahmoudian), in Beiträge zur Islamischen Kunst und Archaäologie, 2017</span></a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/04/jias-v1n10p49-fa.pdf\">مفهوم معماری در برهۀ گذار از دورۀ ساسانیان به دوران اسلامی: درآمدی بر تاریخ مفهومی معماری ایران (به اتفاق مطهره داناییفر)، در مطالعات معماری ایران، ۱۳۹۵</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/02/Art-History-on-the-Basis-of-Artists-prntd.pdf\">تاریخ هنر بر محور هنرمند در دو جهان؛ بدایتِ تاریخ هنر در مغربزمین و ایرانزمین (به اتفاق فاطمه گلدار)، درمطالعات تطبیقی هنر، ۱۳۹۴</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ره میخانه و مسجد کدام است؟ بحثی در چیستی بنایی مانده از سدۀ پنجم در ولایت زاوه (به اتفاق سینا سلطانی)، در مجموعه مقالات همایش شیخ ابوالقاسم گرکانی، ۱۳۹۴</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2017/11/Book_Review_Saeid_Khaghani._Islamic_Arch.pdf\">Book Review: Saeid Khaghani. Islamic Architecture in Iran: Poststructural Theory and the Architectural History of Iranian Mosques. London and New York: I. B. Tauris, 2012. 245 black & white pages. in Islamic Studies, 2015.</a></span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Architecture_Land_and_Man_Rereading_Revi.pdf\">Architecture, Land, and Man: Rereading, reviewing and criticism of Pirnia’s suggested principles for Iranian architecture, (with M. Abdollahzadeh), in Kimiya-ye-Honar, 2015</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/A-Lost-Architecture.pdf\">معماری گمشده: خانقاه در خراسان سدۀ پنجم (به اتفاق سینا سلطانی)، در مطالعات معماری ایران، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Roshtkh%C4%81r-Monument.pdf\">بنای رشتخوار: مسجد یا خانقاه؟ (به اتفاق سینا سلطانی)، در نامۀ معماری و شهرسازی، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Naghsh.pdf\">نقش و فراتر از نقش: درآمدی بر جمالشناسی صناعت نقاشی در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در کیمیای هنر، ۱۳۹۳</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Cultural-History-in-Iranian-Architectural-History.pdf\">رویکرد تاریخ فرهنگی و امکان و فواید آن در مطالعات معماری ایران (به اتفاق نازنین شهیدی)، در مطالعات تاریخ فرهنگی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Water-Management-System-in-Safavid-Isfahan.pdf\">هنجار مادی: نظام مدیریت آب در اصفهان صفوی (به اتفاق صفا محمودیان)، در نامۀ معماری و شهرسازی، ۱۳۹۲</a></span></li>\n <li dir=\"rtl\" style=\"text-align: right;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-the-Status-of-Architecture-in-Rumi%E2%80%99s-Mathnaw.pdf\">خاک و خرد: تأملی در شأن معماری در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مطالعات معماری ایران، ۱۳۹۲</a></span></li>\n</ul>\n<ul dir=\"rtl\">\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">The Theory of Living Time in Periodization of Iranian Architectural History, in International Journal of Architecture and Urban Development, 2013</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">دامنۀ منابع مطالعات هنر اسلامی ایران، در همایش پژوهش در هنرهای ایرانی- اسلامی، ۱۳۹۱</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/History-of-Mentalities-in-Iranian-Architecture.pdf\">درآمدی بر تاریخ ذهنیت عامه در معماری ایران (به اتفاق امید شمس)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Reflections-on-Pirnia%E2%80%99s-Achievements-for-Architectural-Education-in-Iran.pdf\">دامنی پرگل اصحاب مدرسه را: تأملی در آوردههای پیرنیا برای آموزش معماری ایران (به اتفاق محمدمهدی عبداللهزاده)، در فصلنامۀ آموزش مهندسی ایران، ۱۳۹۱</a></span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Rereading-Pirnia%E2%80%99s-Principles-for-Iranian-Architecture.pdf\">بام و بوم و مردم: بازخوانی و نقد اصول پیشنهادی پیرنیا برای معماری ایرانی (به اتفاق محمدمهدی عبداللهزاده)، در مطالعات معماری ایران، ۱۳۹۱</a></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The islamic artist and zikr : Rethinking the Relation of islamic Art and Mysticism, in Al-shajarah (journal of the international institute of islamic thought and civillzation (istac), 2010</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/An-Introduction-to-Relation-of-Man-and-Space-as-Seen-in-Rumis-Mathnawi-.pdf\">درآمدی بر نسبت میان مکان و انسان در مثنوی معنوی (به اتفاق حمیدرضا پیشوائی)، در مولاناپژوهی، ۱۳۸۹</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بازنگری در رابطۀ میان هنر و عرفان اسلامی بر مبنای شواهد تاریخی، در تاریخ و تمدن اسلامی، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">جستجوی مبانی ایرانی برای فلسفۀ تاریخ معماری ایران: نظریۀ حیات زمانه در دورهبندی تاریخ معماری ایران، در همایش بینالمللی روز جهانی فلسفه، ۱۳۸۹</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تأملی در چند اصطلاح در نقد کهن خوشنویسی (به اتفاق مهدی صحراگرد)، در پژوهشنامۀ فرهنگستان هنر، ۱۳۸۸</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">From Tear to Sewer, in the 2nd International Conference on Water, Ecosystem and Sustainable Development in Arid and Semi-Arid Zones, May 2009</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">از سرشک تا پارگین: آب و شهر در متون نثر فارسی سدههای نخست، در همایش بینالمللی فلسفۀ اسلامی و چالشهای جهان امروز، آبان ۱۳۸۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">سخنی در منابع مکتوب تاریخ معماری ایران و شیوۀ جستجو در آنها، در گلستان هنر، بهار ۱۳۸۸</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/03/Gardens_of.pdf\">باغهای خراسان در تاریخ بیهقی، در صفه، ۱۳۸۷</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آداب صناعات: آدابنامههای مشق به منزلۀ منابع تاریخ هنر ایران، در گلستان هنر، زمستان ۱۳۸۶</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مزاج دهر: نظریه حیات زمانه در دورهبندی تاریخ معماری ایران، در گلستان هنر، بهار ۱۳۸۶</span></li>\n <li><span style=\"font-size: 12pt; font-family: Verdana, Geneva;\">باغهای خراسان در تاریخ بیهقی، در مجموعه مقالات سومین کنگرۀ تاریخ معماری و شهرسازی ایران، بم، سازمان میراث فرهنگی کشور، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">تاریخ ذاکرانه: جستجوی مبنایی نظری برای تاریخنویسی هنر ایران بر اساس تاریخ بیهقی، در دومین هماندیشی سنتگرایان و هنر، تهران، مؤسسه پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">اندیشههای تیتوس بورکهارت دربارۀ هنر، در نخستین هماندیشی سنتگرایان و هنر، تهران، مؤسسۀ پژوهشی حکمت و فلسفه ایران و فرهنگستان هنر، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">آموزش معماری در دوران پیش از مدرن بر مبنای رساله معماریه، در صفه، ش ۴۲، ۱۳۸۵</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">ساختار نظریه و الفبای نظریهپردازی، در صفه، ش ۴۰، ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">بررسی انتقادی چهار تاریخنامۀ معماری ایران، در خیال، ش ۱۵، پاییز ۱۳۸۴</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a href=\"https://qayyoomi.com/wp-content/uploads/2016/06/آثار-و-افکار-الگ-گرابار-.pdf\">افکار و آثار الگ گرابار، در دانشنامه (فصلنامۀ دانشگاه شهید بهشتی)، ش ۲، ۱۳۸۳</a></span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">معماری ذاکرانه، در خرد جاويدان، مجموعه مقالات همايش نقد تجدد از ديدگاه سنتگرايان معاصر، انتشارات دانشگاه تهران، ۱۳۸۲</span></li>\n <li dir=\"ltr\" style=\"text-align: left;\"><span style=\"font-size: 10pt; font-family: Verdana, Geneva;\">Three Monuments of the Ne’matollahi Sufi Order in Iran, Presented in English in the Second International Symposium on Seyyed Shah Nematollah, Leiden Univ., the Netherlands, Published in Celebrating a Sufi Master, A Collection of Works on the Occasion of the Second International Symposium on Shah Nematollah Vali, <span style=\"text-align: left;\">2005</span></span></li>\n <li dir=\"ltr\">\n<p style=\"text-align: left;\"><span style=\"font-family: Verdana, Geneva; font-size: 10pt;\">The Shrine of Shāh Ne\'matollāh, an Architectural Analysis, Presented in English in the First International Symposium on Seyyed Shah Nematollah, San Jose State University, California, 2002</span></p>\n</li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">حمام گنجعلیخان، در رواق، ش ۴، زمستان ۱۳۷۸</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">مدرسۀ غیاثیۀ خرگرد، در رواق، ش ۲، بهار ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">عمارت هشتبهشت، در رواق، ش ۳، تابستان ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">رسالۀ معماریه و معمار مسجد احمدیه، در مجموعه مقالات نخستین همایش معماری مسجد: گذشته، حال، آینده، دانشگاه هنر، ۱۳۷۷</span></li>\n <li><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">